Following the journey of the heroine in David Mitchell’s The Bone Clocks gives the sensation of jumping down a confusing yet richly stylized rabbit hole. Holly Sykes is not only a strong-willed English teenager who loves her Talking Heads LP, she’s also a hypersensitive psychic phenomena. At age 15, she rebels against her callous mother by running away for a weekend. This typical rite of passage causes a terrible loss to the family and Holly herself. And so the jostling expedition begins through space, sanity, and many years.
Throughout her life, Holly develops complex relationships with a series of eccentric characters who also narrate this intricate tale, including an arrogant college student, a journalist covering the Iraq War in 2003 and an aging egocentric literary writer. Reality begins to distort as Holly’s psychic strength attracts two separate groups of mystics with supernatural powers and questionable intents. The plot’s jagged terrain has the unhinged feeling of sewn together novellas, and seeing the seemingly free-flowing threads come together is a one-of-a-kind reading experience.
Lines between dream and the reality of an isolated existence become hazy in acclaimed Japanese author Haruki Murakami’s newest novel Colorless Tsukuru Tazaki and His Years of Pilgrimage: A Novel.
In high school, Tsukuru was included in a tight-knit group of friends. Although they were inseparable, spending their free time volunteering and studying together, Tsukuru felt deficient in their presence. Ao, Aka, Kuro and Shiro are each shown with a distinctly vibrant essence. In comparison, Tsukuru felt colorless, yet satisfied to be a part of such a special assemblage. This circle remained unbroken until Tsukuru was ejected from the group during his second year of college. At first, he thinks his friends must be missing his messages but after countless awkward brushoffs from their families, the banishment is clear.
Not having the faintest clue as to why, Tsukuru thrusts himself into an existential depression which wears down both body and spirit. Plagued by fear of actually being a nonentity, he is reduced to an inert husk. In Colorless Tsukuru Tazaki and His Years of Pilgrimage, we are taken on an enigmatic journey as an older Tsukuru sets out to discover the truth behind his exile. He soon encounters ghosts from the past, new acquaintances and lovers in an oscillating series of hallucination, memory and restless fantasy. Only Murakami, a master of magical realism, could conjure such pensive yet uneasy visions.
The horrors of U.S. slavery will never be forgotten, but can reviving them in modern times truly right past wrongs?
In Dwayne Alexander Smith’s debut novel Forty Acres: A Thriller, up-and-coming lawyer Martin Grey faces more than sudden fame when he lands a high-profile case against legal superstar Damon Darrell. Martin is willingly lured into Damon’s exclusive circle of successful African-American men who then invite him on a weekend getaway. However, this seemingly innocent trip turns into a dangerous moral journey when Martin finds himself on a secret plantation staffed entirely by white slaves, where he is now master.
Between the Covers: How did the idea of the reversed plantation develop? Did it evolve over time or hit you all at once?
Dwayne Alexander Smith: Forty Acres started out as a time travel story, believe it or not. An African-American astronaut has an accident in space, which causes his ship to crash back to earth. Somehow he has gone back in time and finds himself in the Antebellum South. Unable to speak because of an injury, he is captured by slavers and put to work on a plantation. I loved this idea but I couldn’t sell my people on it as a screenplay. I really wanted to write a story about American slavery, so I kept toying with the idea. After several other versions of the story, it struck me that a story about blacks keeping white slaves would be very powerful, if I could make it believable. I worked hard to figure out how such a conspiracy would be pulled off if it were real.
BTC: This book is exceptional not only for the controversial concept behind the Forty Acres plantation but for its page-turning suspense as well. What about the thriller genre made you choose it to tell this unique story?
DAS: I don’t think there’s any other way to tell this story. The core concept, because it’s centered around a conspiracy, just lends itself to the thriller genre. I’ve seen a few reviews where the reader wished that the story wasn’t couched in a thriller. I guess they would prefer a more straightforward approach. They feel the themes tackled in the story should be taken more seriously. I get it but I feel that the plot is too fantastic to be delivered straight. Working it into a thriller gives the reader more license to suspend disbelief and just go with it.
BTC: There are various representations of African-American masculinity portrayed in this book. How did you go about developing such diverse personalities and their differing views on race and history?
DAS: My approach to character is very calculated. I start out with very basic questions. What are his dreams? What is he afraid of? How would he react if a gun was pointed at him? I have a whole list of question. Another thing I do is create a detailed past. I figure out all the major events in a character’s life from birth to starting point of the story. Where did he grow up? How many brothers and sisters? How did he do in school? What major injuries did he suffer as a kid? These details never make it into the story but they inform the character’s behavior. A black man who grew up in a Bronx ghetto is going to have a different attitude toward the world than a black man who grew up in an upper middle class household.
BTC: How challenging was it for you to reveal humanity at its worst and best through your characters? Did any parts of the creation process keep you up at night?
DAS: There are some pretty disturbing scenes in Forty Acres that were not easy to write. I was constantly tempted to soften those moments but I had to keep reminding myself that everything that occurs in my story is a reflection of what actually took place on plantations during the slavery era in the United States. Ultimately, I felt it was important that these scenes be impactful to establish the past horrors that motivate my story’s antagonists and also to establish very high stakes for my protagonist. Martin puts everything on the line at the end of the story, the reason for his sacrifice has to be believable.
BTC: What research went into recreating the horrific realities of American slavery in modern times?
DAS: I tried to make Forty Acres as real as possible. I tried to figure out how a conspiracy like Forty Acres would be perpetrated if it were real. A lot of research went into where to locate the compound. There are not many places in the United States where you can hide a secret slave compound. There’s also the problem of hiding the slaves. You can’t have them picking cotton, so I had to come up with an alternative that still reflected what went on hundreds of years ago. I think that the type of slave labor I decided to use is not only historically accurate but also enlightening to the reader. I don’t want to say what it is, to avoid spoilers, but I’ve found that a lot of people are unaware that slaves were used for this sort of labor in the United States.
BTC: Since Forty Acres: A Thriller is receiving great praise from readers and critics alike, can we anticipate more books?
DAS: Yes. I’m working on another thriller called White Widow that involves a very unique serial killer. I also have a plot ready to go for a sequel to Forty Acres, if the book takes off.
BTC: If you were stranded on an island with an immortal DVD player, what one film would you want? What single book?
DAS: That is a tough question. Approaching it practically, I’d want a movie that is very re-watchable, not just a great movie. I can watch musicals over and over. My favorite musical is West Side Story, so I’d have to go with that. Same approach to what book I would choose. My choice might be surprising, but I never get tired of reading The Hitchhikers Guide to the Galaxy by Douglas Adams. I can crack that book open on any page and find a laugh. Just the type of book you would need if stranded on an island.
Ever find yourself in an ordinary day and yet you feel an unnerving disconnect with others for no obvious reason? David Guterson’s Problems with People: Stories is a collage of individuals who find themselves in such unhinging, if oddly indistinguishable, moments. Reading these 10 tales will make you feel like you are observing a stranger walking into a cold drift of social ineptitude. In “Paradise,” a divorcee, unsure of the future, finds himself in the passenger seat of a Honda Element driven by a silver-haired beauty he met via match.com. A well-meaning man, along with his unshakable cancer-ridden sister, is locked inside a game reserve in South Africa in “Pilanesberg.”
Each story unapologetically illuminates the oscillating and retracting nature of boundaries. These unpredictable lines, which divide cultures and perspectives, often inflict devastating detachment through innocent dealings. In “Krassavitseh,” questions of race and history are raised as a man takes his inquisitive elderly father on a Jewish Tour of Berlin. A benign American in Nepal encounters Maoists blocking roads and an intelligent child with impeccable shoe-cleaning skills in “Politics.” In the poignant story “Hush,” dog walker Vivian Lee finds an unlikely friendship with a stubborn client and his Rottweiler named Bill.
Don’t look for coddling or satisfaction in this collection. The inability to fulfill emotional obligations radiates off the pages. Guterson’s direct prose evokes the feelings of isolation and displacement in contemporary life, but still leaves a faint trace of hope.
Don’t know what to read? Our librarians have been devouring books at rapid rates to answer this very question. Want to know what’s the newest, steamiest romance? The next literary breakout novel? There’s a post for that.
Since the blog’s conception, readers have been discovering great titles by learning from experts who write daily about the books they love for a variety of tastes. Not only are readers using posts to find up-and-coming titles, they are stumbling upon past gems they may have missed. To celebrate this milestone, we wanted to know what the most popular titles were out of our hundreds of posts. The results? The top three were Khaled Hosseini’s And the Mountains Echoed, John Grisham’s Sycamore Row, and Gone Girl by Gillian Flynn.
Along the way to this 1,000th post, we’ve expanded the ways we can satisfy you hungry readers. Now you can add your insights and observations in comments, get the story behind the story with exclusive author interviews and chat up The Rosie Project by Graeme Simsion with us during our Facebook Book Club Chat on June 11 at 7 p.m.
As always, keep checking in with Between the Covers to keep your finger on the pulse…
Up-and-coming novelist Nickolas Butler brings us Shotgun Lovesongs, an all-American tale of male friendship in Little Wing, Wisconsin. Although Hank, Ronny, Lee and Kip grew up together in the small rural town, they have grown into their own complex lives in strikingly different ways.
Hank stayed in the town to have a family and run his father’s farm, where it’s getting harder and harder to make ends meet. Ronny became a battered rodeo star who lost his career to crippling alcoholism. Singer-songwriter Lee took his show on the road and is now a famous yet humble millionaire rock star. Lastly, there’s Kip, the Bluetooth-wearing stock-market trader, who has come home to revitalize the tallest structure in town, the beloved old feed mill. The four friends are drawn together again by Kip’s impending wedding.
Told in alternating perspectives, the novel achieves its tension and ultimate heart from the honest portrayal of conflict and comradery between these soul-searching men. Various masculine takes on marriage, love, loyalty and healing are all examined in this surprisingly rustic landscape. Readers who enjoy character-driven plots and fulfilling endings will find themselves satisfied with and surprised by this debut novel.
Also, keep an eye out for Nickolas Butler’s highly anticipated forthcoming short story collection, The Chainsaw Soiree.
Today, the world lost Maya Angelou. Yet we will never lose the irreplaceable voice she used to shape our world to make it a more compassionate and stronger place.
She is most widely known for her first memoir I Know Why the Caged Bird Sings, in which she reveals the hardships she endured being both an African-American and a girl in the Jim Crow South. In her memoirs, she expresses such complicated themes as race, identity and womanhood in an honest style that illuminates the human condition. In her last book, Mom & Me & Mom, Angelou investigated the loving yet complex relationship she had with her robust mother, an exceptional person in her own right.
Along with telling her own story, Angelou used her unique voice in other transformative ways. She was a poet. Her stimulating poetry is gathered in The Complete Collected Poems of Maya Angelou. She was a singer, a dancer, an educator and her voice continues to reach far beyond the literary realm. Angelou was a vigorous civil rights advocate, working alongside Martin Luther King Jr. and Malcolm X. Multiple presidents honored her linguistic power by having her speak as the heart of the nation. In her words and throughout her life, Angelou proved "one isn't necessarily born with courage, but one is born with potential. Without courage, we cannot practice any other virtue with consistency. We can't be kind, true, merciful, generous or honest." She embodied these virtues and instilled them in others, to the benefit of us all.
Lives will never be the same again in Rachel Joyce’s Perfect when, in the summer of 1972, two 11-year-old boys convince themselves that the British government is adding two seconds to that year. Byron, a heartfelt husky lad, admires his lone friend, James, for his intelligence and diligent approach to life. When James informs him of this addition to time, Byron has no reason to doubt him.
However, when Byron witnesses a shocking incident within these extra seconds, the repercussions prove costly for everyone surrounding him, especially his captivating mother, Diana. Although she delights in nature, theater and small kindnesses, Byron’s thoughtful observations detect a deeper sadness under his mother’s delicate repose. Her husband expects her to dress in the refined styles of the ‘50s and lavishes gifts upon her, like a brand new Jaguar, for the sole purpose of instilling envy in the community.
Fast-forward two decades and we encounter Jim, a man living in a dilapidated trailer who is plagued by obsessive compulsive tendencies. Although he is well-meaning, his stuttering and fear of disasters keep him from developing any real relationships with others. As these alternating stories escalate, the two seconds become more mysterious and questionable, yet are vital to these seemingly unrelated plots in this latest work by the author of The Unlikely Pilgrimage of Harold Fry.