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Bacchus

posted by: October 6, 2015 - 7:00am

Cover art for BacchusEddie Campbell’s Bacchus introduces us to a world where the gods are among us, but can’t quite cover their bar tab. A tragedy some hundred years ago left most of the Greek gods dead, and now Bacchus, the God of Wine and Revelry, is an old man with the “deadest looking face you’ve ever seen,” and the only hints of his former glory are the two horns that occasionally peek out from under his hat before he falls down drunk at the bar. But when he sees his old rival Theseus being interviewed on live television, he gets a taste for the old days and sets out to settle the score.

 

Thus begins one of the most epic shaggy-dog stories ever put to print. Bacchus’ adventures are never what you expect them to be. He’ll set out on a quest, get discouraged, stop somewhere for a drink and then decide to visit the islands instead. It’s less an Odyssey than a pub-crawl through Greek mythology. And at his side is his faithful follower, Simpson, a Greek literature buff whose history lessons fill in the blanks for Bacchus, whose recall isn’t what it used to be (“It’s all a bit of a blur after I invented wine,” says Bacchus, on childhood.)  Along the way they get wrapped up in mob rivalries, the search for the skull of Poseidon and a really weird guy named the Eyeball Kid.

 

Campbell’s detailed artwork and historical knowledge result in a book that’s both highbrow and slapstick, that knows when to be reverent and when to let the drunk god belch. It’s a must read for fans of Alan Moore’s classic From Hell, which Campbell illustrated, or the mythology-dense fiction of Neil Gaiman, whom Campbell also illustrated in The Truth is a Cave in the Black Mountains.

 


 
 

Revised: November 18, 2015