Newbery Medal winner Rebecca Stead is back with another gem for the middle grade crowd in Liar & Spy. Georges has a lot going on, not the least of which is his name. Yes, his parents named him Georges (silent s) after their favorite painter, pointillist Georges Seurat. Needless to say, this only gives the bullies at school more ammunition in their relentless torment. His former best friend is now ensconced in the cool crowd. Georges has had to move from the only home he knew following his father’s job loss. And his mother is working double shifts as a nurse at the hospital to get some much needed extra cash.
The only bright light is the Spy Club at his new apartment building led by the homeschooled Safer. He is convinced another tenant, the mysterious Mr. X, is up to nefarious dealings. Safer and Georges begin an intensive spying campaign, and Georges grows closer with Safer’s quirky family, including his appropriately named younger sister, Candy, whose appetite for sweets is insatiable. As the spy game becomes more extreme and Safer becomes more demanding, Georges is forced to question Safer’s honesty and motives all while dealing with a missing mother, who only communicates with Georges via messages on a Scrabble board. Georges avoids visiting his mother at work, and readers soon learn there is more to that situation than meets the eye.
As with Seurat’s paintings, Georges learns to look at the big picture, rather than focus on the small stuff. This is a fascinating coming of age story filled with twists and an appealing and relatable young man. Long after readers finish this book, they will be thinking about the questions posed regarding family, friendship, loyalty, perception, reality and truth.
Blood is something we all know exists from infancy on, but few of us really examine that which carries oxygen to our various body parts and keeps us alive. Whether it is our inability to fully understand the intricacies of the substance flowing through our veins and arteries, or our collective squeamishness at the sight of it, blood remains largely a mystery to the masses. In The Book of Blood: from Legends to Leeches to Vampires and Veins, author HP Newquist examines this mystical fluid, our literal lifeblood.
Many hematological topics are covered and well-explained, such as the various blood cells, the makeup of plasma, and diseases involving blood, such as leukemia and hemophilia. Illustrated using digital imagery, photography and reproductions of blood-related ephemera, The Book of Blood could go for the jugular in terms of gore and unpleasantness, but instead uses appropriate restraint in portraying the substance. The various bloods of animals are discussed, too, whether it be the differences between warm- and cold-blooded beings, or those animals that have blood in colors other than red, such as blue blood of many mollusks.
Titles such as this, covering one commonly known subject, give readers the ability to focus on a topic and better understand the ways blood works and how it is an unspoken part of everyone’s life. The cultural meanings of blood are also touched upon, with references to mosquitoes, leeches, and bats, and of course, vampires. The book closes with a chapter that reminds us of the long way we still have to go in medicine. Blood donations remain critical because, despite so many other medical advances, we have not yet been able to create blood in a laboratory.
One Times Square: A Century of Change at the Crossroads of the World, written and impressively illustrated by Joe McKendry, is the history of one building and the surrounding neighborhood situated at one of the planet’s most well-known intersections. The “bow tie” confluence of Broadway and Seventh Avenue in New York City has attracted millions to gaze at its lights, and one night a year, the dropping of an illuminated ball that marks the end of one year and the beginning of another.
Given the varied phases that Times Square has gone through in just the past fifty or so years, it can be hard to imagine that in the 19th century the area was a rural pasture. Later in the 1800s it became a manufacturing center, particularly for carriage builders. Only in the end of that century did the first theatres move into the area. The name “Times Square” first came into being in 1904 when the New York Times constructed the building whose address would become One Times Square. Although the newspaper quickly outgrew the tall, thin, ornate structure, and moved to a nearby street off the square, the name for the area stuck.
McKendry does an amazing job with vivid watercolors that match the hustle and bustle of Times Square. Pages are filled with signs, lights, and advertisements that place the reader into the pages’ chronology. Line drawings and illustrations in sepia hues mark earlier eras. Even the cover imagery is chosen smartly, with a depiction of the intersection closely resembling the stage lights of Broadway theatres. Fascinating details about the history and engineering of the lights, marquées, and the “zipper” news bulletin that wraps around buildings is included. For those who are preparing for their first visit to the heart of Manhattan, or for those who have walked through the area on countless occasions, One Times Square is a visual and historical treat.
Children’s Poet Laureate J. Patrick Lewis honors seventeen civil rights heroes in the beautifully illustrated collection, When Thunder Comes: Poems for Civil Rights Leaders. While Lewis’ poems celebrate well-known leaders such as Coretta Scott King and Mohandas Gandhi, he also uses this as an opportunity to present lesser known heroes to today’s children. These include Aung San Suu Kyi, the Burmese pro-democracy activist. and Dennis James Banks, Co-founder of the American Indian Movement and Anishinabe political activist. The verses bring to life the spirit of these men and women who impacted the world at large and each is accompanied by a beautiful artwork from four of today’s most celebrated illustrators.
Activism is at the heart of Crow, by adult author Barbara Wright, her first novel for children. It’s the summer of 1898, and Moses Thomas of Wilmington, North Carolina is looking forward to a fabulous summer vacation. But things don’t go as planned when his best friend finds a new pal, his father and grandmother intensify their squabbling, and his mother works long days as a maid for a rich white family. He also grows increasingly aware of the escalating tension between the African American and white communities. Moses’ dad is an alderman in town and works for the African American newspaper. The African American middle class in Wilmington is growing, but not everyone is pleased with the power wielded by this population, and a White Declaration of Independence is issued. Leading African American figures, including Moses’ father, are told to leave town. The resulting riots bring devastation to the community and directly impact Moses’ family and future. Told from the realistic point of view of a courageous young boy, this story combines historic details of the disenfranchisement of the African American community in one town with a moving coming of age story.
Bird & Squirrel on the Run! is the funny new graphic novel from James Burks. Squirrel accidentally loses his winter supply of nuts while trying to rescue Bird from the Cat. Limited by an injured wing, Bird talks Squirrel into walking south with him to survive the winter. Thus begins a wonderful buddy adventure for the younger reader. While Bird is fun-loving and adventurous, Squirrel is very cautious and nervous. As Bird learns a little bit about responsibility and Squirrel learns a little bit about fun, the two new friends contend with angry bees, scary snakes, waterfalls, dire predictions (from a fortune-telling mole!) and one determined cat on their way to warmer lands. Displaying loyalty and fortitude, the pair faces down one last fearsome, flying foe. Will the friends survive their journey?
Burks’ bright colorful illustrations are easy to follow. Using such details as an acorn helmet for the cautious Squirrel and aviator goggles for the adventurous Bird, Burks’ artwork complements the story well. His lesson of a happy medium between being overly-cautious and carelessly adventurous is subtly conveyed. While the text is simple and very manageable, the story is delightfully detailed. This book could serve as a wonderful transition to chapter books for the newly independent reader… and it’s a fun read!
Prolific children’s author Bruce Coville is back with a fresh serving of the deliciously weird. Welcome to Always October, where the weather is always autumnal and monsters abound. It is a world separate from our own, yet woven into the essential fabric of human dreams and fears. Now the links between these worlds are in danger of unraveling, and the fate of each hangs by a thread.
Sixth grader Jake Doolittle isn’t fond of surprises. In the second grade, his best friend Lily nearly mucked up their friendship by proposing to him in front of the entire class (True story!) In the fourth grade, his adored dad disappeared under mysterious circumstances. So when Jake opens the door one stormy night to find a baby swaddled in black on the front porch, he’s more than a little uneasy. A note left with the baby urges the family to protect Little Dumpling until his guardian can return. Jake’s mother falls in love with the baby immediately, and it isn’t long before Jake himself falls for the smiles and gurgles of his new little brother. But when the light of a full moon hits Little Dumpling, it reveals a bright green furry little monster!
Little Dumpling may be a little monster at times, but he’s still Jake’s brother now and he’s determined to protect LD and get to the bottom of the baby’s transformation. Jake turns to Lily and together the two seek to solve the puzzle of Little Dumpling’s transformation, his unusual ancestry, and the curious link between the baby monster and Jake’s father. Alternating point-of-view narration, snappy dialogue, and quirky characters keep readers on their toes as they follow Jake, Lily and Little Dumpling on their adventure.
Written in short, episodic passages by a boy as a memorial to his beloved friend, Michael Gerard Bauer’s short novel Just a Dog is a contemporary elegy, ably covering a rite of passage that many children must face. Corey’s uncle is a breeder of Dalmatians. The breeder loses track of one of his females, who later has a litter of puppies that are clearly not 100% Dalmatian. Most of the pups are given away to strangers, but 3-year-old Corey chooses and names Mister Mosely. He is a gangly, mostly white puppy with enormous paws, and just a few black patches here and there, including a heart shape on his chest. Each vignette that now 11-year-old Corey writes in his journal describes his memories of incidences with the lovable Moe, the family’s nickname for the dog.
An Australian import, the novel includes some terminology that will have kids learning new Down Under vocabulary, but context clues allow for full understanding. The familiar story of the relationship between a family and a pet is deepened by the serious issues that Corey’s parents must deal with when they become financially strapped. Corey’s little sister Amelia provides comic relief. Her relationship with the enormous yet gentle Mister Mosely includes episodes of dressing him up in various outfits, and using permanent markers to create a constant surprised look on his face.
Corey and the rest of his family face true, difficult emotions at the end of Mister Mosely’s short life. It is unlikely that most readers both young and old will be able to get through the novel without shedding a tear for Mister Mosely, as Bauer concisely and accurately depicts the loyalty, love, and pure heart a beloved pet provides to humans. All told, he's much more than “just a dog”.
Children love a good story, especially when it includes things loud, obnoxious, and inappropriate. Tumford’s Rude Noises, by author/illustrator Nancy Tillman, has both to spare. Tumford Stoutt, a roly-poly black and white cat who lives with his human parents on Sweet Apple Green, is no stranger to trouble. In rhyming, playful style Tumford burps, bangs, clangs, parades, and plays with his food, annoying everyone around him. This only makes him want more attention until he lands a time out. Will Tumford finally learn his lesson? All ages can relate to this tumultuous tale enjoying both the naughty and the nice parts. Readers will be charmed by the engaging photo-collage illustrations in bright primary colors, as well as Tumford’s delightfully expressive face and gestures. As usual, Tumford pushes the limits, but in the end no matter what Tumford does, he knows his parents love him unconditionally.
In rhyme and vibrant style, picture book readers were first introduced to that white-whiskered master of misbehavior in Tumford the Terrible. Bedecked in yellow galoshes and full of mischievous appeal, Tumford tries the patience of his parents and townspeople during the village fair but learns a valuable lesson – love and good manners matter - when he finally and sincerely says, “I’m sorry”. Tillman, who may be best known for her New York Times bestseller, On The Night You Were Born, has a collection of children’s picture books notable for their message and beautiful artwork, with Tumford tops among them.
Christmas is coming, the goose is getting fat and this year Santa gets some help from that crazy Pete the Cat! That’s right, the blue fun-loving feline is back in Pete the Cat Saves Christmas, by Eric Litwin and illustrated by James Dean. At Santa’s request, Pete steps in when Santa falls ill with a chill. Pete begins his holiday adventure in typical cool-cat rhyming style - Pete jumped in his minibus and started to roll. “Road trip!” cried Pete. “First stop – the North Pole.” The vividly colored, abstract and energetic illustrations and zany, ear-catching story in rhyme have real kid-appeal. There’s added entertainment value with a free download of the complete story and accompanying song read by the author. Kids can listen or read along, and check out Pete’s reproducible booklet of Christmas activities like a holiday word scramble, connect the dots, and maze. Now that’s “totally groovy!”
Charlie and the Christmas Kitty is a sweet winter time treat for families. Written by Ree Drummond, New York Times bestselling author of The Pioneer Woman Cooks, and featuring her own Basset Hound, Charlie, this down-home story is simple and wholesome, much like her country cooking. As “King of the Ranch”, Charlie oversees the comings and goings of humans and animals on their country spread. Adorably floppy, with his long ears, wrinkly skin, slightly short legs, and penchant for bacon, Charlie settles down for a little shut-eye while the family is busy preparing for Christmas. Imagine his surprise the next day when a new creature is introduced to the mix. Is it a rabbit? No, it’s an unapproved Christmas kitten! Charlie tries his hardest to ignore the little fluff ball, but finally relents after the curious kitten follows him throughout the day. All’s well that ends well, until a snuggly, beribboned Basset pup shows up – not again! Diane deGroat, award-winning children’s book illustrator and author/illustrator of the best-selling picture book series featuring Gilbert the opossum, creates the appealing kid-friendly artwork using watercolor paint over digital art on hot press paper. Animal lovers and families will enjoy this book and can try Charlie’s Favorite Christmas Cookie recipe included at the back.
During the 2011 Egyptian Revolution, hundreds of young people, led by library director Ismail Serageldin, joined hands around the world-famous Alexandria Library to protect it from damage by the marching crowds. Although much property was destroyed and many people died, the Library survived unscathed. Susan L. Roth and Karen Leggett Abouraya invest these dramatic events with emotion and suspense in their book Hands Around the Library: Protecting Egypt's Treasured Books.
The story is told from the point of view of a fictional librarian - at first caught up in the excitement of the march, then worried about the library, then proud of her countrymen for this act of love and peace. Roth's collage art is, as always, especially appealing to young people. Her naive, frontal compositions are constructed from brightly colored paper in a variety of textures: crinkled, fuzzy, fibrous, corrugated, and even iridescent. Protest signs in Arabic appear throughout the book, and though one page contains images of violence, in general the energy, scale, and potential havoc of the march is skillfully communicated by two-page spreads depicting large crowds.
The back pages of this book are especially informative: including the history of the ancient and the modern Library of Alexandria, a brief discussion of the Egyptian Revolution, translations of words on the protest signs, and, perhaps most importantly, photographs of the events described in the book. These pages use collage representations of quilt squares as a border, suggesting that the immense crowds that marched in Egypt were made of a kaleidoscope of unique individuals.