The Critter Club is a newly published series for the brand new First Chapter book reader. The first in the series, Amy and the Missing Puppy, by Callie Barkley, introduces four friends (Amy, Ellie, Liz and Marion) at their weekly sleepover party just before spring break. While her three friends have cool plans over the vacation week, Amy is left to hang out in her mother’s animal clinic reading Nancy Drew books. When a neighbor’s puppy goes missing, Amy gets inspiration from the classic girl sleuth she's reading and investigates on her own. Luckily, her three friends’ plans are altered so they can assist Amy with her case. Barkley uses simple yet descriptive language to engage the reader and make the story interesting, but not too complicated. With adorable illustrations by Marsha Riti and big, simple text, (as well as charming stories about friendship and animals), The Critter Club series is a great starter series for the young reader. Ellie’s story is next in All About Ellie.
Introducing a new line of fairy books told from the human side! Disney’s Never Girls series transports four girls to Pixie Hollow. In certain circumstances, when Never Land gets too close to our world and at just the right time, "Clumsies" (as the fairies like to call humans) can visit Never Land. In a Blink, by Kiki Thorpe, is the first title in the series. Kate, Lainey and Mia are playing soccer in the backyard, when a blink-talent fairy pops into the garden. Mia’s little sister Gabby still believes in fairies, so when Prilla blinks in front of her, Gabby catches hold and all four girls are plopped into Pixie Hollow. The girls meet Tinker Bell and the other Disney fairies as they enlist their help to get back home. Fans of the Disney Fairies series will love this extension of the series, and it’s perfect for readers who devoured Daisy Meadows’ Rainbow Magic fairy books.
In Goldilocks and Just One Bear, a bear lost in the big city stumbles into the apartment of an absent human family. Confused, hungry, and tired, he samples three types of “porridge” (including a bowl of cat food – “too crunchy”), sits on three “chairs” (one of which is a cactus), and sleeps in three beds (he finds the bubble bath “too frothy”). When the family returns, the mama human and the bear are in for a big surprise – and so is every reader with the great good fortune to read this charming book. Leigh Hodgkinson’s sketchy, retro-modern illustrations pack every page with humorous detail and covetable interior design.
Not all Goldilocks stories are guaranteed to have a happy ending. In Goldilocks and the Three Dinosaurs, Mo Willems sets up a more ominous premise. As the book begins, Mama Dinosaur rubs her hands together in nefarious fashion: "I SURE HOPE NO INNOCENT LITTLE SUCCULENT CHILD HAPPENS BY OUR UNLOCKED HOME WHILE WE ARE… uhhh… SOMEPLACE ELSE!" she hollers, preparatory to tiptoeing out of the house to hide in the nearby bushes with toothy Papa Dinosaur and a dinosaur visiting from Norway. The reader’s brain automatically supplies the classic version of the Goldilocks tale, so that the two stories, old and new, play simultaneously like melody and harmony.
Where is your liver? What does the larynx do? Are molars made from moles? If we have 12 billion brain cells, how come we still step in puddles so often? Human anatomy and physiology is fast and funny and goofy and gross in What Body Part is That? Nonfiction with lots of humor is not only fun to read, but may cause our brain to absorb facts better. Research has shown “bizarre elaboration” to have a significant positive effect on retention, especially of vocabulary. Let’s let author Andy Griffiths demonstrate bizarre elaboration: “Your esophagus is the tube that food travels through in order to get to your stomach. Other easier-to-pronounce names for the esophagus are food funnel, nutrient hose, provisions pipe, chow spout, hamburger highway, taco tunnel, and sausage chute.”
Each two-page spread features a couple of paragraphs of text on a body part, a fun fact sidebar, and a full-page illustration. Special features include “How to Walk in 15 Easy Steps,” “Amazing Things People Can Do with Their Bodies,” and “Body Part and Body Part-Related Superheroes” (including Mucusgirl, Spleenboy, and Bladderwoman – don’t ask!) This book, by the author of such laugh classics as The Cat on the Mat is Flat and The Big Fat Cow that Goes Kapow, claims to be “99.9% fact free,” but even that statement is not entirely accurate – readers will remember lots about the body once they’ve read this profusely illustrated, super-silly fun-fest.
What do kids like to read? Here’s a chance to find out as kids are the ones who count in the annual Children's Choice Book Awards. This is the only national book awards program where the winning titles are selected by children and teens of all ages. Finalists have been selected and voting is open now! Teachers, librarians, and booksellers can compile votes from their young readers, but this is one award all about the children.
There are five finalists each for author of the year and illustrator of the year, and these nominees cross all age levels. Additionally, there are five finalists in four separate grade levels (K-2, 3-4, 5-6, and teen) for book of the year. Approximately 20,000 children and teens from across the country read numerous titles before selecting these finalists. Many of the nominees were featured on Between the Covers last year, including The Duckling Gets a Cookie, The Fault in Our Stars, and Liar & Spy.
The Children’s Choice Book Awards program was created to provide young readers a platform to voice their opinions. Since the generated list is so kid-friendly, it is a place for young readers to find books they will genuinely enjoy and which will help develop a lifelong passion for books. Share this with young readers who want their opinions recognized. Voting ends May 9th and the winners will be announced on May 13th in conjunction with the start of Children’s Book Week.
Newbery Award-winning author Karen Cushman has returned to children’s literature with an exceptionally well-crafted tale. In Will Sparrow’s Road, Cushman departs from her characteristically self-sufficient heroines, instead casting a young boy into the role of survivor/protagonist. Will’s is a story of survival, of unlikely friendships and self-discovery and what it means to find one’s place in the world. Runaway Will Sparrow wasn’t always a liar and a thief. There’d been a time when he’d been the village schoolmaster’s son, with a mother who smelled of lavender. That was before his mother abandoned him and his drunken father traded him to an innkeeper for ale. Escaping the innkeeper and his threats, Will finds himself on the road, penniless, hungry and alone. But the road, as life, is not a solitary one and Will soon finds himself in the mixed company of scoundrels and tricksters, the marginally honest and the roughly kind.
When chance brings him to the Oddities and Prodigies tent at a local fair, Will finds himself in a most peculiar company. A disgruntled dwarf, a girl with the face of a cat, a pig named Duchess, and other individuals strange to Will’s experience round out the motley band. Things are not always as they seem however, and soon Will finds himself discerning villains and friends from the most unlikely of quarters.
Devotees of Cushman’s previous historical fiction for children, such as Matilda Bone and The Midwife’s Apprentice, will not be disappointed in this spirited new coming of age story set in Elizabethan England. With her keen eye for detail and meticulous historical research, Cushman paints a realistic depiction of that world, never attempting to sugarcoat the hard-won lot of her characters. Recommended for readers who have enjoyed Avi’s Crispin series, and similar historical tales.
Books about shy children often fail to hit the mark. They treat shyness as something to be overcome, or as a reaction to stress. Eileen Spinelli’s When No One is Watching takes an opposite, celebratory position – a funky little girl tells us how she acts when she is alone “I sing like a bird and I swing to the sky,” and when she’s not: “I hide like the cat alongside the big chair” in rhyming text that swings along with her. Her family and friends don’t appear to be pressuring her to interact, and while she is subdued in the middle of a crowd, she is certainly a happy child. Her “best friend Loretta’s shy, too” and she describes the ways that they have fun together.
If this were merely an affirming, positive book about a shy child, it would be a nice find. However, illustrator David A. Johnson’s pen and ink and watercolor art makes each two-page spread a dance of mood and expressive gesture. His elegant lines describe movement with economy and grace, and show off every exuberant contortion of our shy little girl’s active inner life.
The renowned author of African literature, Chinua Achebe, has died in Boston at the age of 82. He is best-known for his seminal 1958 novel Things Fall Apart, read by millions worldwide, and featured in the curriculum and reading lists of countless high schools and universities. This novel follows the life of Okonkwo, a proud Igbo man living in turn of the 19th century Nigeria, and the cultural changes that he must face and accept as British colonialism takes hold of the area and the only life he knows. Achebe also wrote a number of follow-up novels to this groundbreaking story. Confined to a wheelchair for the past twenty years following a car accident, he lived in the United States for the last two decades of his life, and was a professor of African Studies at Brown University in Providence.
Achebe also was a strong proponent of the rights of the people living in the once-breakaway Nigerian state of Biafra. His book There Was A Country: A Personal History of Biafra was published last year. Explaining the Nigerian civil war that took place in the late 1960s, this mélange of memoir and history reminded the world of an oft-forgotten war. Achebe also wrote an allegorical folktale which was republished last year with Mary GrandPré's illustrations. How the Leopard Got His Claws tells the story of a short-lived coup and the resulting return of the original power players, in terms that are understandable for all ages.
Engaging nonfiction chapter books intended for middle grade children are few and far between. A new series from Grosset & Dunlap succeeds in making history interesting, with titles that read with the ease of a novel. What Was the Gold Rush? by Joan Holub, brings to life the excitement of the discovery of gold at Sutter’s Mill in the Sierra Nevada foothills of California, and the migration of fortune seekers westward, beginning in 1849. She delves into the science of gold (How can you tell it’s the real thing?) as well as the reasons behind its worth. Readers learn about how the gold rush led to the buildup of major cities, and how Native Americans were affected by the influx of prospectors.
Kathleen Krull tackles such weighty topics as racism, slavery, and Jim Crow laws in What Was the March on Washington? This book explains civil rights in an easily accessible way, and introduces the concept of peaceful protests. Readers meet A. Philip Randolph, the civil rights activist who had the idea for a national march, and “organizing genius” Bayard Rustin, who brought the whole thing together in only two months. Jim O’Connor takes on the Civil War in What Was the Battle of Gettysburg?, a book that begins by explaining the unrest between the Northern and Southern states, details the strategies and battle maneuvers, and ends with Lincoln’s Gettysburg Address. Readers will enjoy a plethora of interesting asides, including an explanation of why a Sharps carbine rifle is far superior to a musket, and the story of the Union general who donated the bones of his amputated leg to a museum following the war.
Each What Was? title is liberally illustrated with relevant drawings, diagrams, and even photos designed to complement the text. One timeline at the end of each book provides a snapshot of important events related to the topic, while a second shows what was happening in the world at large during the same time period. Parents and librarians have a reason to rejoice, as the books all weigh in at 105 pages each, satisfying those teachers who tell students that the nonfiction titles they choose for book reports must be at least one hundred pages long. Also available is What Was the Boston Tea Party?, with more titles to come.
Two new picture books celebrate our interaction with waterfowl. In the engaging, wordless Flora and the Flamingo, written and illustrated by Molly Idle, a young girl tries to emulate a balletic flamingo. Each beautifully illustrated spread shows the ease with which the bird poses, leaps, and dances. Meanwhile, Flora does her best to mimic the flamingo’s every move, some efforts more successful than others. The retro style of the illustration works well, and the generous use of white space on each page, some of which have extra flaps and fold-outs, make for an enjoyable read. A final splashdown between the two new friends embodies joy.
Lucky Ducklings, written by Eva Moore and illustrated by Nancy Carpenter, is based on a true event that occurred on Long Island. A mother duck has inadvertently lost her ducklings down a storm drain, and townsfolk must come to their rescue. Thankfully, onlookers to the scene recognize the ducklings’ peril (and the mother duck’s panic), and take action. Notably similar in some ways to Robert McCloskey’s classic Make Way for Ducklings, this title even gives a knowing nod to the earlier title in a scene near the book’s close. Carpenter’s warm illustrations capture the pastoral nature of the setting against the fluster and alarm of the situation.
While most picture books tell a story, few cover the expanse of time of Building Our House, written and illustrated by Jonathan Bean. Based on Bean’s own childhood experiences, the book details, step-by-step, the process his family embarked upon to build their home in the countryside. There are no shortcuts here – this is not a book about moving where boxes are suddenly unpacked and the finished home unveiled in a final two-page spread. Instead, the toil and trouble of moving and living in a temporary shelter is detailed. Similarly, the arduous progression of leveling the earth, creating a foundation, constructing a framework, and finishing the outside of the structure are all included. It is all worth it, of course, and the helping hands described bring a smile to the reader.
This is a joyful, fast-paced book, celebrating immediate and external family and the community at large. The subtle passing and order of the seasons is an added learning benefit for readers. The excitement of the large machinery, warm feelings of being able to pitch in (even as a small boy) and the sense of accomplishment at the finished product, is all palpable. An author’s note at the end describes his memories of the eighteen-month process. It also outlines how he received recollection assistance from his family and their photos of the worksite as it went from empty site to the family’s new home. Construction-, tool-, and machinery-loving kids will enjoy Building Our House, and demand many rereads as they find additional objects and activities in each illustration.