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Calling all Baltimore Bibliophiles

Baltimore Book FestivalBooks, music, food and drink – what’s not to love? Be sure to visit the 19th annual Baltimore Book Festival taking place September 26-28 featuring an array of appealing authors, walking tours, children’s activities and so much more. The festival is relocating to the Inner Harbor and the exciting lineup boasts more than 200 authors participating in readings and panel discussions. There will also be fun for kids, including storytellers and crafts. Live music will be playing as adults enjoy sampling beer and wine selections and the wide assortment of food choices.

 

With the event spread across a variety of tents, stages and pavilions, there is truly something for every reader of every age. Highlights include the Charm City Comic Book Pavilion which offers the opportunity to not only browse books and collectibles but also to talk with professional comic book creators and game designers. The Literary Salon showcases popular authors with readings, book signings and presentations which allow for audience interaction. One Maryland One Book author Reyna Grande will speak about this year’s selection, The Distance Between Us. Other featured authors include Alice McDermott, Andre DuBus, Marissa Meyer, Tavis Smiley and Chuck Klosterman–and the list goes on!

 

But it’s the Food for Thought Stage that has my mouth watering! Featured chef/cookbook authors include Jessica Merchant, Chloe Coscarelli and faces familiar to reality television – the Beekman Boys and Kathy Wakile of Real Housewives of New Jersey. This scintillating tent will serve up a weekend of celebrity chefs and authors, delicious food demos, recipes and cooking tips. Be sure to check out the Baltimore Book Festival online, which offers a comprehensive listing of events to make the most of your festival experience.

Maureen

 
 

Maycomb Revisited

Cover art for The Mockingbird Next DoorFormer Chicago Tribune journalist Marja Mills says she never expected to befriend Harper Lee, much less write a biography-memoir about her 18-month sojourn to Monroeville, Alabama, that included living next door to the reclusive author. But 15 years after Mills' first visit, her highly discussable new book, The Mockingbird Next Door, has ridden the literary wave for its jolt of homey, if not mundane, rituals of Lee's daily life. If a peek behind the curtain is what you are seeking, Mills does not disappoint. The comings and goings of the Lee sisters (Alice is older) are affectionately detailed, leading to the inevitable question as to why Harper Lee would allow herself to be portrayed so simply and unguarded after years of shying away from publicity.
 

For Mills, this assignment was intriguing for its possibilities, and an opportunity to prove she could still do her job despite a diagnosis of lupus. In 2001, she travels to Lee's hometown to speak to folks who knew the then 75-year-old Harper Lee (Nelle to friends) and to get a feel for Monroeville, the setting for Lee's fictional Maycomb in To Kill a Mockingbird, the instant classic about the 1930s South. With a reporter's eye for opportunity, Mills meets and impresses Alice, smoothing the way for a meeting with the famous Harper Lee, whose only book won the 1961 Pulitzer Prize and was the subject of an Oscar-winning film. When Harper Lee called the reporter's hotel room, Mills recalled, "It was as if I had answered the phone and heard, 'Hello. This is the Wizard of Oz.' I felt my adrenaline spike."
 

Mills injects a strong sense of place in her conversational writing, along with plenty of quaint colloquialisms. There are towns like Burnt Corn and Scratch Ankle, and fishing trips and coffee-sipping at McDonald's. She captures the Mayberry-like tone of Lee's voice with her frequent "bless her heart," "mercy" and "thanks a bunch, hon." Mills tenderly skims over rumored aspects of Lee's life, dealing with sexual orientation and drinking, although her exploration of Lee's intriguing relationship with childhood friend, Truman Capote, is one of the more interesting chapters.
 

Knowing Harper Lee's penchant for privacy, it is probably not surprising that Mills' book has come under scrutiny. The author has insisted she had Lee's blessing for the project. Harper Lee's released statement denies the 88-year-old ever gave approval; Alice recalled otherwise. Such matters won't deter readers who will relish this intimate look inside the seemingly uncomplicated life of one of the most complicated and beloved literary figures of the 20th century.

Cynthia

 
 

Two American Authors Named on the Man Booker Prize Shortlist

To Rise Again at a Decent HourWe Are All Completely Beside OurselvesThe shortlist for the Man Booker Prize was announced today, September 9. The competition was previously only open to authors from the U.K. and the British Commonwealth, but the rules have been amended to include novels written in English and published in the U.K., regardless of the author’s nationality. This is the first time in the award’s 46-year history that U.S. residents were eligible, and two Americans’ novels have made the cut. Joshua Ferris was included on the list for his darkly comic novel To Rise Again at a Decent Hour. Our blogger Tom shared this book with Between the Covers readers earlier this summer. Karen Joy Fowler was named for her novel We Are All Completely Beside Ourselves, which was also featured on this blog last year.

 

The list also includes The Narrow Road to the Deep North by Richard Flanagan, J by Howard Jacobson, The Lives of Others by Neel Mukherjee and How to Be Both by Ali Smith, which have not all been published in the U.S yet. This list includes the titles available in BCPL’s collection.

 

AC Grayling, chair of the judging panel says, “As the Man Booker Prize expands its borders, these six exceptional books take the reader on journeys around the world, between the UK, New York, Thailand, Italy, Calcutta and times past, present and future. We had a lengthy and intensive debate to whittle the list down to these six. It is a strong, thought-provoking shortlist which we believe demonstrates the wonderful depth and range of contemporary fiction in English.”

 

The panel of judges will now re-read all of the titles on the shortlist and select the winner who will be named at an awards ceremony on October 14.

Beth

 
 

I Hereby Resign the Office of the President of the United States of America

The Nixon TapesThe Nixon DefenseThe Invisible BridgeOn August 9, 1974, President Richard Nixon resigned his office following a speech to the nation the previous evening. The exposure of White House involvement in the cover-up of the Watergate scandal was at the root of his resignation, and three new books take readers back to this tumultuous time in American history and examine the events, the people and the lasting impact.

 

Douglas Brinkley and Luke Nichter’s The Nixon Tapes: 1971-1972 carefully examines the final tapes which were released last August. Nichter and Brinkley share the information gleaned in a readable narrative offering readers a better understanding of one of the most controversial presidencies in history. From the burgeoning relationship with China, to the SALT I agreement with Russia along with glimpses of the encroaching shadow of Watergate, Nixon’s complex portrait as a political genius marred by hubris and paranoia is well-drawn.

 

Former White House Counsel John Dean was in the middle of these events, and in The Nixon Defense: What He Knew and When He Knew It he uses personal transcripts from meetings and conversations along with documents from the National Archives and the Nixon Library to track the extent of Nixon’s knowledge and the timeline. Dean provides portraits of key players and highlights critical mistakes which led to the scandal. Dean’s first-person insight is compelling, and he also answers questions surrounding those 18 ½ minutes of missing tape.

 

Rick Perlstein sheds light on the lasting impact of the Nixon White House in The Invisible Bridge: The Fall of Nixon and the Rise of Reagan. The United States was in the midst of turbulent political, economic and social upheaval during the 1970s and, following Nixon’s resignation, appeared on a path toward a more centrist global view. But when Ronald Reagan almost snared the Republican nomination for president from incumbent Gerald Ford in 1976, pundits were stunned. Perlstein’s carefully researched and impeccably written account is an engaging chronicle of the times and their political aftermath.

 

Check out BCPL’s Tumblr for the Richard Nixon Library’s playlist of online Watergate tapes, videos, photos and documents relating to the resignation.

Maureen

 
 

Between the Covers with Michael Olesker

Cover art for Front Stoops in the FiftiesLocal author and news commentator Michael Olesker knows his Baltimore as well as anyone. For a quarter-century, the former News American and Baltimore Sun columnist has captured the changing pulse of the flawed hometown he loves, illuminating countless important issues along the way. Olesker's latest book, Front Stoops in the Fifties: Baltimore Legends Come of Age, is a nostalgic-yet-edgy look back at a time of relative innocence for Baltimore and the country. Join him as he discusses this latest work on Tuesday, August 5 at 7 p.m. at the North Point Branch. The program, the third in the “Dundalk Dialogs” author speaker series, will include a book talk, signing and light refreshments. Recently, the author answered questions for Between the Covers about his new book.   
 

Between the Covers: You have been a longtime chronicler of Baltimore’s history. How did you come up with the idea for this book?
Michael Olesker: I’ve always felt that the assassination of John F. Kennedy was a real dividing line in American politics and culture, as well as the real dividing line between the 1950s and ’60s. We recall the ’50s as an innocent time. We recall the ’60s as a time of social chaos: assassinations, wars, riots, terrific upheaval, some good, some bad, much of it quite difficult. But a lot of the ’60s changes were bubbling just beneath the surface in the ’50s. Several years ago, with the 50th anniversary of the assassination approaching, it occurred to me that quite a few Baltimoreans had a profound effect on the nation’s history, and they’d come of age here in the ’50s. Having grown up here in that era, I’ve always felt a real connection to that time.
 

BTC: You tell the stories of many of Charm City’s personalities, including Nancy Pelosi, Thurgood Marshall and Barry Levinson, coming of age before the complicated 1960s changed the way people looked at themselves and their country. Why were these stories important to share?
MO: As a product of the Baltimore City public school system, I always felt we were taught the Great Man theory of history. That is, presidents and prime ministers and kings change the world. But I think a lot of great change comes from the ground up. Nancy Pelosi’s father was mayor, but her mother ran an army of political women in a time when women were still political non-entities. That was a profound lesson. Thurgood Marshall was the product of a segregated school system and couldn’t get into the University of Maryland Law School because of his skin color. That was a profound motivator as he went on to change the nation’s schools. Barry Levinson was a kid soaking up movie and TV culture and knew that it didn’t reflect the world as he knew it. That was a great motivator for him.
 

Image of Michael OleskerBTC: What made you begin and end with the Kennedy assassination?
MO: My previous book, The Colts’ Baltimore: A City and Its Love Affair in the Fifties, was a 50th anniversary look back at the legendary 1958 Colts who won pro football’s “greatest game ever played.” The response to it was so overwhelmingly heartfelt that the Hopkins Press folks suggested the 50th anniversary of Dallas was another real emotional hook for many people. I wanted to profile not only those people who went on to change the country but the Baltimore of that era — the working class town, the sixth biggest city in the country, the city of neighborhoods and people sitting on front stoops to catch up on the world — but a town on the verge of so many profound changes.
 

BTC: Why did you decide to write in the present tense?
MO: In my mind, the past never entirely goes away — it still flutters around us, still moves the world in ways we don’t always notice. I felt, from the very first sentence I wrote, that the ’50s were still alive and that, by writing in the present tense, I’d give my narrative a greater sense of immediacy.
 

BTC: You write that, for newspapers, the Kennedy assassination signaled the “opening moment of long decades of coughing and wheezing their way out of existence.” You have lived through a lot of changes. Where do you see the news gathering business in 10 or 20 years?
MO: We’re currently in a shaking-out period where even the brightest people haven’t figured out where journalism is heading. What’s become clear to me — from years at newspapers, from years on nightly TV news and from years teaching at one of our local colleges — is that a lot of people don’t have the attention span they once had, nor the patience for long-form reading. They want instant gratification, easily digestible bites of information, and then they move on to the next amusement. Millions of us now live moment-to-moment lifestyles but don’t know the history of the last 10 minutes, much less 10 years. I hope my book is a chance for people to see, in an entertaining way, how we began to get where we are.
 

BTC: Do you think there is any charm left in Charm City?
MO: Absolutely. I think the city’s best years are still ahead of it. Are we losing some of our inimitable “Bawlamer” uniqueness? Sure. But change is always inevitable. What’s shocked all of us is the speed of all this change.

Cynthia

 
 

Walter Dean Myers, 1937-2014

Cover art for MonsterCover art for Fallen AngelsWalter Dean Myers, author of more than 100 books for children and teens, passed away on July 1st at the age of 76. Myers wrote with depth and authenticity. His novels included realistic characters, and he didn’t avoid difficult topics. In his Michael L. Printz Award-winning novel Monster, Myers delves into the world of a 16-year-old boy on trial for murder. His novel Fallen Angels is about a Harlem teen who enlists in the Army and spends a year on active duty on the front lines of the Vietnam War.

 

 

Throughout his distinguished career, Myers earned many prestigious awards for his work including two Newbery Honors, three National Book Award nominations and six Coretta Scott King Awards. He was also awarded the Coretta Scott King-Virginia Hamilton Award for Lifetime Achievement, as well as the Margaret A. Edwards Award for lifetime achievement in writing for young adults. In 2012, Myers was named the Library of Congress National Ambassador for Young People's Literature.

 

 

A lifelong champion of diversity in children’s literature, Myers passionately addressed the issue in an essay in The New York Times, writing, “Books transmit values. They explore our common humanity. What is the message when some children are not represented in those books?” The essay ended simply, “There is work to be done.” That work will be done in his memory as his legacy is carried on through his writing.

Beth

 
 

Between the Covers with Elaine Eff

Cover art for The Painted Screens of BaltimoreMaryland folklorist Elaine Eff is a champion of local culture and traditions. In her new book, she sets her sights on a much-loved Baltimore icon: the painted window screen and the artists who created them. Eff will discuss her latest work, The Painted Screens of Baltimore: an Urban Folk Art Revealed, on Tuesday, July 1 at 7:00 p.m. at the North Point Branch. The program, which is part of the branch’s “Dundalk Dialogs” local author speaker series, will include a book talk and signing. Eff recently answered questions for Between the Covers about her new book.

 

Between the Covers: How did you become interested in the history of Baltimore’s painted screens?
Elaine Eff: Serendipity. Two coincidences that changed the course of my life: As a Baltimore girl, I was expected to be an authority on our local folk art – which I was not. In fact, I knew nothing on the subject. When I arrived at graduate school, I found a 19thcentury – not Baltimore, but New York State – painted screen in our museum’s collection, and that started my journey. I needed to learn what history, if any, the two might share.

 

BTC: Can you share how you conducted your research for this project?
EF: Face-to-face, person-by-person. Visiting artists, walking the streets of East Baltimore, talking to strangers, traveling to libraries, museums and archives nationwide, international research and casting the net wider and deeper as the subject became richer and more fascinating.

 

BTC: What do you want readers, who may not have any knowledge of this Baltimore tradition, to take away from your book?
EF: Painted screens are a response to a community’s need for privacy. Row houses demand them, and they had the extra bonus of being downright beautiful. “You see out. No one sees in,” and “They used to be everywhere” is what you hear all the time. The book is as much about Baltimore and neighborhood building. It has something for everyone and can be appreciated on many levels: as a whole, in small bites or tastes here and there. Appreciate what an incredible city of resourceful people can make happen.

 

BTC: Among the painters you researched were there any who were as colorful as the art they created?
EF: Every single one. That is why I first made the film The Screen Painters.  Every painter is a movie in him or herself. They needed to tell their own story and did. They are an incredible group of creative individuals who changed the face of a city. Not bad for a bunch of local untrained artists! The book gives you a glimpse into that wonderful era when the sidewalks told a very different – an incredibly colorful —story, in many ways.

 

BTC: What were some of the favorite images seen around town?
EF: The Red Bungalow was it. Everyone wanted to have the red cottage with a winding path, a pond and swans. Ninety percent of the windows had that scene as interpreted by hundreds of different hands. Today things are very different — strangely, now we see a lot of local landmarks, like the [Patterson Park] Pagoda. One house in Highlandtown even has Formstone painted on the window screen! Big difference is it used to be EVERY window and door — front and back. Now we see the front window and little more. Times and tastes have changed. And that is wonderful.

 

Readers who would like to learn more can also visit The Painted Screen Society of Baltimore website.
 

Cynthia

 
 

Between the Covers with Deborah Rudacille

Cover art for Roots of SteelDeborah RudacilleFor local writer Deborah Rudacille, writing her latest book was a personal odyssey. The daughter of a Bethlehem steelworker knows the heart and soul of the Dundalk community she called home for many years. It's fitting that Rudacille will kick off  the North Point Branch’s “Dundalk Dialogs,” the new adult speaker series that takes place this summer. Rudacille will discuss her latest book, Roots of Steel: Boom and Bust in an American Mill Town that chronicles the rise and fall of the Sparrows Point steel mill and the neighborhoods in its wake. The program, which includes a book talk and signing, will be held Tuesday, June 3 at 7 p.m. Rudacille recently answered questions for Between the Covers about the genesis for her story and her personal connection to Dundalk.

 

Between the Covers: Your book, Roots of Steel: Boom and Bust in an American Mill Town, conveys a powerful message about what happens when the American dream fails right in our own backyards. What drove you to tell this story of the former Bethlehem Steel plant and the local community it shaped?
 

Deborah Rudacille: I grew up in Eastfield, and my family, like many of our neighbors, owed their homes and their livelihoods to Bethlehem Steel. When my parents bought their house on Harold Road my dad worked in the tandem mill at Sparrows Point and my mother worked as a secretary for United Steelworkers Local 2610. Most of the men in my family worked at Sparrows Point. So the rise and fall of the American steel industry wasn’t just theory for me — it’s the story of my own family and community.

 

BTC: You present an objective look at an industry in decline. Did the fact that the story was so close to home make it difficult to write at times?
 

DR: Yes. The reporting was easy and fun because I got to hang out with people who were much like the folks I had known growing up and to listen to their stories. But the writing was more challenging because I had to figure out a way to weave together their stories with those of workers who had very different experiences in a way that didn’t skirt the less savory aspects of the narrative — the systemic racism at the Point, for one — and situate them in the broader history of the American steel industry.

 

BTC: You use personal narrative along with workers’ interviews. Can you talk a little bit about how you conducted your research for this project? Were people open to talking about their experiences?
 

DR: Absolutely! Sparrows Point was more than just a job for most of these folks so they loved reminiscing about their experiences there. I started with family members and then worked outward, attending monthly retiree meetings at the union hall and luncheons at various senior centers and churches around town. I like to say that you can’t throw a stone in Baltimore without hitting someone with a Sparrows Point connection, which made it very easy to find folks to tell their stories — not just workers themselves but also family members, and of course people who had been raised in the company town. I also did quite a bit of archival research at the Dundalk-Patapsco Neck Historical Society, Baltimore County Historical Library, Museum of Industry and other archives.

 

BTC: There are so many threads running through your book — the danger of the mill work itself, the labor unions, racial tensions, safety and environmental issues, the “company town”  concept  to name a few. How did you go about framing your narrative?
 

DR: Well, as I said, that was the greatest challenge in writing the book. There were all these disparate threads and themes, and I knew that I had to include all of them to provide an honest and objective look at life on the Point. Ultimately, I decided to tell the story chronologically but focus each chapter on a different issue using the voices of my sources to carry the narrative forward. Once I settled on that structure, the writing of the book became much easier.

 

BTC: Roots of Steel, published in 2010, was your third book. Your previous books were science-focused. Can you tell us what is next for you as a writer? What else are you doing professionally?
 

DR: I’ve been working as professor of the practice at UMBC for the past couple of years, teaching journalism and science writing. I’ve also done some preliminary reporting for my next project, a kind of Catholic “Roots of Steel” which tells the story of the post-Vatican II church from the perspective of lay Catholics. I’ll be talking with people who have left the church as well as people who remain about their feelings on the sex abuse scandal, the status and role of women in the church and the struggle of LGBT Catholics and divorced and remarried Catholics to remain part of an institution that (officially at least) does not consider them worthy to receive the sacraments. As with Roots of Steel, it will tell a big story through the lens of individual experience.

Cynthia

 
 

In Memory of Maya Angelou

Today, the world lost Maya Angelou. Yet we will never lose the irreplaceable voice she used to shape our world to make it a more compassionate and stronger place.

 

She is most widely known for her first memoir I Know Why the Caged Bird Sings, in which she reveals the hardships she endured being both an African-American and a girl in the Jim Crow South. In her memoirs, she expresses such complicated themes as race, identity and womanhood in an honest style that illuminates the human condition. In her last book, Mom & Me & Mom, Angelou investigated the loving yet complex relationship she had with her robust mother, an exceptional person in her own right.

 

Along with telling her own story, Angelou used her unique voice in other transformative ways. She was a poet. Her stimulating poetry is gathered in The Complete Collected Poems of Maya Angelou. She was a singer, a dancer, an educator and her voice continues to reach far beyond the literary realm. Angelou was a vigorous civil rights advocate, working alongside Martin Luther King Jr. and Malcolm X. Multiple presidents honored her linguistic power by having her speak as the heart of the nation. In her words and throughout her life, Angelou proved "one isn't necessarily born with courage, but one is born with potential. Without courage, we cannot practice any other virtue with consistency. We can't be kind, true, merciful, generous or honest." She embodied these virtues and instilled them in others, to the benefit of us all.

Sarah Jane

 
 

Gabriel García Márquez, 1927-2014

One Hundred Years of Solitude by Gabriel Garcia MarquezLove in the Time of Cholera by Gabriel Garcia MarquezColombian novelist and Nobel Laureate Gabriel García Márquez passed away yesterday in Mexico City. He is considered the father of the “magical realism” subgenre of literary fiction, many authors having been influenced by his writing style. Born in a small Colombian town and raised by his grandparents, García Márquez was sent to a Jesuit school near Bogotá where he caught the writing bug. At first, he wanted to be a journalist, but soon after, in his late adolescence, he realized his true calling was as a novelist.

 

Best known for two mammoth international bestsellers, One Hundred Years of Solitude and Love in the Time of Cholera, García Márquez wrote a total of six major novels, four novellas, five collections of short stories and a number of nonfiction works. Oprah Winfrey selected One Hundred Years of Solitude for her book club in 2004, and the novel is said to have sold over 50 million copies worldwide. Acclaimed Mexican writer Carlos Fuentes once referred to him as “the most popular and, perhaps, the best writer in Spanish since Cervantes.” Gabriel García Márquez is survived by his wife and two sons.

Todd