During that lull between the Macy’s Thanksgiving Day Parade and football games, before your home fills up with family and you fill your bellies with food, here are a few new Thanksgiving-themed picture books to share with the kids.
Sharing the Bread: An Old-Fashioned Thanksgiving Story by Pat Zietlow Miller and Jill McElmurry depicts a 19th century family preparing their Thanksgiving feast. Everyone has their own special job — Daddy tends the fire, Grandma bakes her pumpkin pie, the baby sleeps as quietly as a mouse. Short, simple rhymes make for an enjoyable read aloud about the love, hard work and synergy that go into a holiday meal.
In Little Critter: Just a Special Thanksgiving by Mercer Mayer, Little Critter enjoys the Thanksgiving holiday with his family in typical Little Critter fashion — from forgetting his lines during the school play and singing an impromptu song instead, to hitching a ride on a parade float when he’s tired of walking. The illustrations are what make the book so special, adding an additional layer to the narrative by filling in the details that he neglects to mention or showing how his version of events diverges slightly from reality.
If you’re just looking for a quick refresher on the holiday’s roots and customers, Sally Lee delivers A Short History of Thanksgiving. The simple text, illustrated with both drawings and photographs, is perfect for beginning readers and includes details on the tradition of fall festivals, the meaning of thankfulness and also touches on modern ways of celebrating the holiday.
Sometimes the best way to tell a story is with no words at all, as Daniel Miyares has done with the picture book Float. This book uses imaginative panels to tell the story of a young boy, a paper boat and rainy day. We follow the boy and his boat on a grand adventure. Each seemingly simple picture perfectly captures the stormy weather and the boy’s thoughts and movements. Readers and aspiring readers will love this lovely little book, which includes instructions for making paper boats to occupy other adventurous souls on rainy afternoons.
A cardboard box is another fantastic vessel for great adventures, and this is where we begin in Sara O’Leary’s This Is Sadie. Sadie sails around the world before breakfast, but quietly “because old people need a lot of sleep.” She knows that adventure can be found in a book and has lived at the bottom of the sea and been the hero of every fairy tale. While she loves playing with friends in the pool, she is equally content chatting with birds at the top of a good climbing tree. This sweet story is accompanied by Julie Morstad’s charming illustrations which invite readers into Sadie’s enchanted world.
Nino has a dog that dives into the deepest water, climbs trees and dares to jump into the lap of a formidable great-grandmother, though he doesn’t really have a dog. The Dog That Nino Didn’t Have by Edward van de Vendel is a story about a boy who imagines a dog to keep him company while his dad is away traveling the world as a pilot. Nino’s dog tromps through woods next to him and comforts him when he misses his father. One day, a package arrives and Nino gets an actual dog. Though it isn’t quite the same as his imaginary dog, he learns to love his real dog. He also realizes he can still have his imaginary dog and dream up any kind of imaginary pet he wants. With that sort of menagerie it is hard to be lonely. This story is told in a wonderfully original voice, and the stunning illustrations invite you to step directly into the book.
My Cousin Momo is Zachariah OHora’s latest lovable picture book about a flying squirrel named Momo who is visiting relatives. His cousins have been anxiously awaiting his arrival, but he isn’t quite what they expected. In fact, Momo is a little weird. He doesn’t fly, his favorite superhero is Muffin Man, and he doesn’t even know how to play the simplest games, like Acorn-Pong! However, he manages to show them that being weird is cool and doing things differently is actually pretty awesome. Kids will relate to this delightful, simple story which encourages readers of all ages to look at the world a little differently. The quirky, fun illustrations are a big bonus as well.
In Aaron Reynolds new picture book, Nerdy Birdy doesn’t feel like he fits in anywhere. With his giant glasses and odd allergies, he just isn’t cool enough to hang with Eagle, Robin and Cardinal. Just when he thinks he’s doomed to be friendless forever, he meets a group of birds just as nerdy as him. They even like to play World of Wormcraft! When a different kind of outsider wants to join their flock, Nerdy Birdy needs to persuade his new friends to accept misfits of all sorts. This is a great book about making friends and welcoming everyone. Reynolds manages to make this sometimes difficult topic truly giggle-worthy.
It’s a fact that librarians are partial to cats, but so are picture book authors. There is no shortage of felines on the pages of children’s literature, including this trio of recently published titles. In How to Catch a Mouse, author-illustrator Philippa Leathers introduces an adorable green-eyed marmalade tabby named Clemmie. Although readers find out about Clemmie’s superb mousing skills on the first page, we quickly realize that she may be bragging a bit too much. Has she ever seen a mouse? What about the little gray master of disguise who has been walking around the house, almost in plain sight? This gentle story, humorously illustrated in pencil and watercolor, is perfect for young preschoolers.
Owners of timid felines come in droves to the newly established Miss Hazeltine’s Home for Shy and Fearful Cats, also the title of this charming picture book by Alicia Potter. Their cats are failing at all things cats are known for, including pouncing, purring and chasing birds. Patient Miss Hazeltine runs her nervous charges through a daily roster of classes such as Climbing Up, Meeting New Friends and How Not to Fear the Broom. She lavishes special attention on the most bashful little kitty, Crumb. But what happens when Miss Hazeltine goes out to fetch some water and needs rescuing herself? Birgitta Sif’s pencil illustrations and muted palette perfectly capture the essence of such a fanciful boarding school in the woods, run by a sweet, calm and lithe young woman who loves her work. Sif is a master at depicting the many aspects of feline nature, with distinctly different kitties of all shapes and sizes napping, licking, hiding, lapping, perching and hanging on every page.
Poor Cat. He’s lost a tooth, but he was asleep when the Tooth Fairy came and he really wanted to meet her. But when he tries to trick her by leaving the tooth of a comb, she turns the tables and insists he must help her out by picking up the teeth of various animals who have lost them. Although he’s excited to be the Tooth Fairy’s apprentice, Cat is none too thrilled to wear a tutu and wings, let alone to share duties with Mouse! Deborah Underwood’s Here Comes the Tooth Fairy Cat is a funny take on this childhood legend, complete with a few surprises along the way. Underwood, who previously featured Cat in two holiday offerings, Here Comes the Easter Cat and Here Comes Santa Cat, uses the technique of an off-page narrator who speaks directly to Cat, questioning him and offering advice. Cat himself communicates only through broad facial expressions and signs he holds. Claudia Rueda’s comical yet warm color pencil and ink drawings are integral to the story, which like its predecessors, would make an excellent classroom read aloud for the kindergarten set.
Stanley the beagle's family is awakened throughout the night by what they believe are his normal ‘handydog’ activities. As each of the four children go to their parents' room to investigate the strange noises they hear, their father assures them that It's Only Stanley. But this is no ordinary night. Author Jon Agee's usual over-the-top events and humorous illustrations will appeal to the intended audience.
Although Mr. Panda seems apathetic when offering colorful donuts to his black-and-white animal friends, he has a method to his madness. One by one, those who want a donut are refused, until a bright-eyed lemur remembers the magic word. A manners book that isn’t preachy, Please, Mr. Panda by Steve Antony is a perfectly silly reminder to young children. Stark but inviting illustrations match the minimalist text.
In Last Stop on Market Street by Matt de la Peña, CJ and his grandmother leave church every Sunday and wait for the bus. But this Sunday CJ, has a lot of questions for his caregiver, wondering why they don’t have a car, why they have to go to church and why a blind man cannot see. Each time his grandmother answers with the wisdom of experience and age. Christian Robinson’s bright and child-friendly illustrations are a perfect match for the urban setting of this contemporary and diverse tale.
As the days get longer and the nights get shorter, we start to see evidence of the changing seasons which tells us spring is coming. On March 20, we will welcome the first official day of spring. What better way to shake off the winter doldrums than to dive into some children’s picture books about the changing of the season!
In Daniel Kirk’s new picture book The Thing About Spring, Mouse, Bird and Bear are excited to see the buds on the trees and the little tender shoots coming up from the ground. Their friend Rabbit does not share their enthusiasm. Rabbit loves everything about winter. He can find his friends by following their tracks in the snow. If spring comes and the snow melts, he won’t be able to make snow bunnies or snow forts. In order to keep some of his favorite season around, Rabbit scoops some snow into a bucket in order to save it. Will Rabbit’s friends be able to convince him that spring is going to be great? Digitally enhanced pen and ink illustrations help to bring the story to life as we watch the season change through pictures.
A school field trip to the country is just the thing to chase away cabin fever. It's also a great way to explore the opposites found on every page in Sun Above and Blooms Below: A Springtime of Opposites by Felicia Sanzari Chernesky with boldly colorful, collage-style illustrations by Susan Swan. Whether it’s open and closed, up and down or many and few, children will delight in seeing the seasonal changes that bring about new life on the farm.
Paul Gude’s picture book A Surprise for Giraffe and Elephant highlights the close friendship between a silent, thoughtful giraffe and his constant companion, an enthusiastic, loquacious elephant. The second outing for this dissimilar pair, Surprise features three funny, knowing stories that manage to distill the essence of what true friendship entails. In the first, Giraffe struggles to find the right time to play his alpine horn. The second depicts Giraffe working through the night to honor Elephant’s wish for a toboggan. The final story finds Elephant diligently preparing to throw her friend the perfect surprise party. Gude’s simple yet expressive line drawings and bright, zingy color palette are immediately appealing to young readers.
BTC: Congratulations on the publication of the new Giraffe and Elephant book. I understand that this duo has been around for quite some time. Tell us their origin story and a little bit about their history. And why a talking elephant?
Paul Gude: My standard line when people ask me why Giraffe doesn't talk is to say, "You're less surprised about the talking elephant?" So, you've beaten me at my own game. My hat is off to you. Giraffe came first. I would draw little pictures for my friend with little captions. I drew one that said, "Here is a giraffe eating some leaves!" She made some comment like, "I like giraffes almost as much as I like elephants!" I drew another picture with a giraffe and elephant eating ice cream cones together with a caption like, "You don't have to choose! Giraffes and elephants are friends!"
I had this crazy idea of just drawing the giraffe and elephant doing all sorts of things together. So I kept at it. The very next thing they did was steal a van. Then Elephant shot Giraffe out of a cannon. They invented new words. Every day it was something new. That was in 2000. In 2001, my friend KMO at C-realm.com gave me space to publish them. This was before Tumblr and its ilk, so having a place to put an archive of comics was kind of a big deal. I just kept doing them over the years, until I amassed almost a thousand.
I flirted with publishing a collection of them in the mid-2000s, but nothing came of it. Later on, a friend of the editor who had been trying to get someone to publish the book asked her if she knew anyone who might need representation. She put him in touch with me and that's how I got my agent.
We sent out the collection, and the feedback was, "We like the characters, but can they be involved in a story?" At one time I would have taken this to mean, "We don't like your book," but I had matured enough by then to know it meant, "We like the characters, but can they be involved in a story?" My agent was smart enough to make sure I understood that this wasn't a brush-off, and set me to work telling the stories. That became When Elephant Met Giraffe, which my agent sold to Disney/Hyperion. That's kind of how they solidified into the personalities that they are today. Granted, they're drawn a bit better now as well. Years of practice can help in that regard.
BTC: What medium do you use to create your art?
PG: While I like pen and ink just fine, Giraffe and Elephant were born as crudely drawn characters using a mouse and Photoshop. They've been mostly digital from then on, although I do experiment from time to time. The artwork for both When Elephant Met Giraffe and A Surprise for Giraffe and Elephant was done on an iPad 2 with a program called iDraw. It was actually the cheapest option and I was short on funds.
BTC: When I read the Giraffe and Elephant books, I was reminded of both James Marshall’s George and Martha and of Mo Willems’ Elephant and Piggie. Did they come to mind as you were writing the books? Which children’s authors or illustrators inspire you?
PG: I love Mo Willems. I was lucky enough to interview him back when that was part of my day job. He's very friendly and super funny. It's worth noting that he and I are both published by Disney/Hyperion and he was there first. So, I'm hoping the fact that we both have characters who are elephants will stop being a sticking point for some folks eventually. Your question was very polite, but others have been quick to criticize as though my elephant is derivative. I think it's a little unfair. First of all, his elephant's name is Gerald. Elephant's Gerald. Say it out loud, and you get what kind of a genius that man is. Second, anyone who reads Mo's books and mine knows that his are mostly dialog-driven, whereas mine are more narrative. In short, they are much more like George and Martha. More of what I was reading as a kid, I suppose. Maurice Sendak was a big one for me. Also, I loved Shel Silverstein. Other favorites from my childhood include the Ann Trompert and John Wallner book Little Fox Goes to the End of the World. So many others I know I'm forgetting. In these modern times I'm a big fan of Zoom and Re-Zoom by Istvan Banyai and Jon Klassen's hat books. Again, I know there must be more. I'll have to check my daughter's bookshelf.
BTC: One of the things I loved about both When Elephant Met Giraffe and A Surprise for Giraffe and Elephant is that they’re picture books adults also enjoy — they’re droll, and not preachy or sappy. How does being a parent affect your work?
PG: The funny thing about the publishing world is that it moves so very slow. When I was writing When Elephant Met Giraffe it was a little too advanced for her. By the time it was published, she had already outgrown it. She's 9 now, way outside of the target demographic. Still, she's the one looking over my shoulder when I'm working. So, I suppose in a way that's a big reason why I throw in humor that everyone can enjoy. I want my kid to still think I'm funny. In a more pragmatic sense, the parents are the ones who are going to have to read the book over and over again, so I try to make it as painless as possible. Very few words. Funny pictures. You can't go wrong. Well, you can go wrong, I suppose. It depends on who you ask.
BTC: One "quirk" of Surprise mentioned by a major review publication is the fact that Giraffe uses an acetylene torch to build a toboggan. Were you surprised by this bit of criticism?
PG: Oh, boy. Yes. This was brought up as the book was in production, and I was like, "No, no, they can be wood or metal. I know. I had a metal one." Apparently I am one of the few people who remembers these types of toboggans that had metal scoops on the front, though. If you look for pictures of them online, the curved part at the front is almost always wood. I kept searching and searching until I found a picture of one. I thought I was going crazy. They exist, though. I've seen them. I've linked to one on my blog. It's odd to me that people leap to the idea that Giraffe is erroneously using a torch on a wooden object rather than the thing he's constructing being partially made out of metal. I assume they simply don't have the design skills of a giraffe.
BTC: I recently followed Giraffe on Twitter. I’ve enjoyed having a look into his psyche. What prompted him to get on social media? What kind of device does he use?
PG: It's always been in the back of my mind that Giraffe has a very rich inner life. When Elephant isn't distracting him from his studies, he's pursing art and science through his own self-taught methods. As an offshoot of this, I had an idea that Giraffe has built himself this amazing contraption that allows him to communicate on Twitter via Morse code. There's a pressure plate he uses to tap out words, and then this complex series of switches turns it into text. Where does he get his Wi-Fi service though? Giraffe keeps secrets even from me.
According to Chinese astrology, time passes in a 12-year cycle with each year associated with an animal. On February 19, it will be time to welcome in the Year of the Sheep (or Goat). Those born in the year of the sheep are believed to be cooperative, kind-hearted and creative. These aspects can be seen in the main character, Sydney, in The Year of the Sheep: Tales from the Chinese Zodiac by Oliver Chin.
The sheep family welcomes a new year and a new baby, Sydney, into their herd. The shepherd’s daughter, Zhi, and Sydney become great friends, and Zhi teaches Sydney how the people and the sheep take care of each other. Most of the sheep would stay together when going out to pasture, as there is safety in numbers. However, Sydney wants to explore and has a tendency to stray off the beaten path. Luckily, Zhi and her dog Dao come to her rescue as her curiosity results in Sydney getting stuck in a tree and later falling down a chimney. When a storm comes, it causes the land to become a mess. The pasture withers and the river no longer flows with water. Can Sydney discover what has caused this devastation and rally the animals of the zodiac to help Zhi bring the water back to the riverbed?
With themes that include cooperation, friendship, creativity and even a dose of engineering, this delightful picture book is an excellent choice to share with young children. The soft watercolor illustrations by Alina Chau are a perfect fit for the story. My favorite picture is towards the end of the story where the tiger is taking a “well-deserved rest” and is counting sheep with numbers written on their wool in Chinese.
It’s no secret that dads can have tremendous influence on their children’s lives. Here are three very different picture books from 2014 which highlight the myriad ways in which dads positively shape their little ones, whether over the course of an hour or a lifetime. Here’s to you, dads!
A rainy day. A bored little girl. A dad who takes time to spur his child’s imagination by asking “If you had your druthers, what would you do?” Flights of fancy ensue. In the space of a few pages, author Matt Phelan demonstrates the impact of a dad who simply takes the opportunity to engage in a little play time in Druthers.
From author Daniel Beaty comes a tale of the strong bond between father and son over the chasm of many years’ absence. Knock Knock: My Dad’s Dream for Me begins with one young boy’s loving memories of his father and the knock-knock game they used to play every morning. One day, there is no knock, and a new and palpable absence begins in the boy’s life. Missing his father, the boy writes a letter urging him to come home. In time, he receives a poignant letter in return. In it, his father encourages his son, reminding him of his love and all the ways in which he will always remain with him. As the letter unfolds, illustrator Bryan Collier’s richly evocative images foreshadow the boy’s path to adulthood and his eventual reunion with his father.
Young fans of illustrator James Dean’s Pete the Cat series will warm to his latest Mighty Dads, created in collaboration with author Joan Holub. Sing-song, rhyming text pairs with appealing illustrations of construction machinery in dad and child sizes. Hardworking, protective, patient and encouraging, the mighty dad machines act as teachers and role models to their young companions, who help them over the course of a day at the construction site. Punctuated by satisfyingly repetitive and onomatopoeic descriptors (“Crash, bang, boom!”) and bold, colorful illustrations, Mighty Dads is a deceptively simplistic picture book with an underlying message about the important roles dads can play in their children’s lives.
This year marks three important anniversaries for everyone’s favorite reindeer. In 1939, advertising copywriter Robert L. May wrote Rudolph the Red-Nosed Reindeer at the request of Chicago’s Montgomery Ward department store. The retailer wanted to use the story in a promotional booklet for its customers. That year, Montgomery Ward distributed over 2 million copies of the booklet featuring the story of Rudolph. A new 75th anniversary edition of May’s original rhyming story was just published with beautiful new illustrations by Antonio Javier Caparo. This oversized book’s rich illustrations make it a great way to share this version of Rudolph’s story.
Ten years later, May’s brother-in-law Johnny Marks adapted the story into the unforgettable song, and Gene Autry's recording topped the charts in December 1949. From there, Rudolph’s popularity skyrocketed. Then, on December 6, 1964, a new Christmas tradition was born. That night, Rudolph the Red-Nosed Reindeer first aired on NBC. The stop motion animation TV special narrated by Burl Ives now airs on CBS each year, and watching it has become an annual tradition for many families.
To celebrate the 50th anniversary of the animated TV special, two new books have been released featuring its familiar plot. Thea Feldman’s retelling of the story combined with Erwin Madrid’s illustrations, which are very similar to the TV special’s art, make Rudolph the Red-Nosed Reindeer: The Classic Story a sure bet for die-hard Rudolph fans. Families with younger children may prefer Rudolph the Red-Nosed Reindeer: Special Edition Pop-up Book. This shorter version of the story with large-scale pop-ups using movie stills to capture memorable scenes from the TV special will become a family favorite.