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Collecting the Dead

posted by: November 2, 2016 - 7:00am

Collecting the DeadMagnus “Steps” Craig uses his secret tracking abilities to locate the missing in Spencer Kope’s debut novel Collecting the Dead. Steps is one member of an elite three-man Special Tracking Unit of the FBI. He has a kind of sixth sense; he can see the substance of a person, something he calls “shine” — a colorful glow which every person leaves behind. His ability is known to only three people: his father, the director of the FBI and his partner, Special Agent Jimmy Donovan.

 

When the remains of yet another murdered woman are discovered, Magnus recognizes the shine left by the perpetrator from a previous crime. He also discovers the murderer’s trademark at both scenes — the mark of a sad face. At the same time, a killer known as Leonardo, who Magnus has been tracking for several years, has resurfaced and is taunting him. While desperately digging for a clue that will lead him to Leonardo, the case of the Sad Face Killer intensifies. The team identifies 11 potential victims — all missing women who fit the same scenario. While Magnus draws on all of his exceptional skills, he struggles with the pressure and guilt of knowing he is the only one who can save the next victim before it’s too late.

 

Author Spencer Kope is a professional crime analyst and his background provides strong authenticity. Kope’s debut novel introduces a sympathetic hero in a unique storyline. Fans of Walt Longmire, Jack Reacher and Charlie Parker will find Collecting the Dead a deeply satisfying read.


 
 

Chilling Adventures of Sabrina

posted by: November 1, 2016 - 7:00am

Chilling Adventures of SabrinaMeet Sabrina Spellman. She’s the new girl at school, dealing with the typical problems of dating, peer pressure and trying to get a part in the school play. But now that she’s turning 16, she faces an even more important rite of passage — signing her name in the Devil’s book. Wait, what? Chilling Adventures of Sabrina by author Roberto Aguirre-Sacasa and illustrator Robert Hack embraces historical depictions of witchcraft, goat sacrifices and all, in its depiction of the usually jolly witch from Archie Comics. So ’90s nostalgists beware: This Sabrina resembles Melissa Joan Hart about as much as Melissa Joan Hart resembles Black Phillip from the film The Witch.

 

This companion series to the similarly horrific Afterlife with Archie is just as satisfying but more subtle and psychological, with allusions to Shirley Jackson and Ray Bradbury in place of Sam Raimi and George Romero. But both series deserve to be read if for no other reason than they’re the only horror stories that you can read and witness the characters being traumatized or mutilated, and then go and can revisit with the original Archie and his gang getting ice cream and having a swell time as a chaser in the Archie Superstar series.

 

This collection also includes a reprint of the original Madam Satan series from the ’40s in which the title character seduces men and kills them with a kiss, while an angelic monk on a donkey attempts to thwart her from leading men away from the path of righteousness. It really is something. You’d think an old man on a donkey isn’t quite the hard sell that a supernaturally attractive bride of Satan is, but you’d be surprised.


 
 

Paper Girls

posted by: October 27, 2016 - 7:00am

Cover art for Paper GirlsIf you tore through Netflix’s Stranger Things as quickly as I did and are craving more nostalgia-inducing science fiction, look no further than Paper Girls. Created by an all-star team including Brian K. Vaughan of Saga fame and Cliff Chiang, the artist behind Wonder Woman, Paper Girls is a coming-of-age story that reads like the twisted result of a partnership between John Hughes and John Carpenter.

 

Four preteen newspaper delivery girls trying to make their rounds early the morning after Halloween are met with hurdles in the form of costumed bullies, overbearing local police and mysterious masked figures with secrets aplenty. Those familiar with Vaughan’s work will recognize his signature oddball brand of science fiction here; the truly bizarre is interwoven with the ordinary in a way that brings out the best in both. The interactions between the paper girls and the surreal and strange characters they meet result in some of the snappiest dialogue I’ve ever read; this pre-teen gang genuinely feel like they fell right out of your favorite '80s movie and into this book.

 

Cliff Chiang reunites with colorist Matt Wilson here to create a truly dreamy nostalgic landscape. The almost flat pastel colors lend an ethereal air to the whole book; even the scenes that are grounded in reality have a certain otherworldliness to them that is well suited for the tone of the book.

 

Grab yourself a Crystal Pepsi, put on John Carpenter’s Lost Themes and prepare to get weird.

 


 
 

Dr. Knox

posted by: October 26, 2016 - 7:00am

Cover art for Dr. KnoxA tale of human trafficking and refugees masquerades convincingly as an L.A. noir thriller in Dr. Knox, the latest novel from Shamus Award-winning author Peter Spiegelman. In three previous books featuring banker-turned-detective John March, Spiegelman pretty much created the genre of “Wall Street noir.” Now, he takes that same grim sensibility and applies it to Dr. Adam Knox, a man whose apparent death wish is constantly at war with his desire to save the world. These conflicting goals lead to lots of trouble, not only for Knox, but for his employees and the few friends he has.

 

In Dr. Knox, a woman fleeing Russian mobsters leaves her little boy at Knox’s shabby clinic in L.A.’s Skid Row. Rather than turn the child over to Social Services, Knox becomes convinced he can save both child and mother. He sets out to do so with the help of his buddy Ben Sutter, a former Special Forces operative. The vibe between these two was very reminiscent of the relationship between Robert Parker's detective, Spenser, and his sidekick, Hawk.

 

Like that master of L.A. noir, Raymond Chandler, Spiegelman keeps much of the real story bobbing just below the surface throughout this tale. As Knox searches for the boy’s missing mother and runs afoul of mobsters and corrupt American business tycoons, readers get unsettling glimpses into Knox’s own messy backstory. It becomes clear that while the doctor’s heart is in the right place, his penchant for self-destruction could hurt the very people he seeks to help.

 

Fans of classic noir fiction and old-fashioned “hard-boiled” detective stories should enjoy Dr. Knox.

 


 
 

But What If We're Wrong?

posted by: October 24, 2016 - 7:00am

Cover art for But What If We're Wrong?When we talk about the distant future, we almost always look at it from how our current perspectives will change — what new technologies will emerge, what catastrophes may occur, what discoveries will be made, etcetera. But often we also assume that what we know as true today will still be true in the future.

 

But what happens if it turns out that what we believe now is proven false in some far-off future?

 

Chuck Klosterman plays devil’s advocate with that notion in his book But What If We’re Wrong? Thinking About the Present As If It Were the Past by examining the idea that what we believe as infallible now will be proven invalid in 100 or 200 or 500 years’ time. Just because we believe it now may not necessarily mean it’s really true. After all, people used to believe that the sun went around the world, among other things. Then the Scientific Revolution happened and our understanding changed. So, Klosterman argues, what’s to say that won’t happen again?

 

This book is a delightful mind trip, equal parts thought-provoking and entertaining. Klosterman works interviews with various notable scientists, writers and philosophers into the text, posing such questions as “are we right about gravity?” and “do we understand what time is?” as well as “will the NFL and other sports leagues still exist?” and “which artist will define rock’n’roll music for future generations?”. His style of writing and use of humor keep the book from getting too esoteric; Klosterman is just as funny and approachable here as he is in his other works. Just don’t expect any definite answers — But What If We’re Wrong? is largely an exercise in conjecture and speculation.

 

Because after all, who knows what the future holds?


 
 

Horror Comics Roundup!

posted by: October 20, 2016 - 7:00am

Cover art for American VampireCover art for BaltimoreCover art for Batman: The Doom that Came to GothamDust off your Ouija board, draw a salt circle and prepare to get spooked. The creepiest season of all is upon us, and what better way to celebrate than with six ghastly graphic novels sure to keep you creeped out all month long?

 

American Vampire follows the often macabre adventures of the immortal bloodsucker Skinner Sweet throughout American history. Look no further for an inventive and twisted take on traditional vampire lore with an ever changing backdrop.

 

Baltimore is a long-running series that follows the titular character from the horrors of the trenches in WWI to the nightmarish dwelling places of ancient evils, and everywhere in between. This is a masterfully-paced suspense story that just keeps getting better.

 

Batman: The Doom that Came to Gotham is the only superhero book you’ll find on this list, but its quirky combination of classic Batman characters and the otherworldly horrors of H.P. Lovecraft make for a spooky and surreal read.

 

The Beauty is a new series that imagines conventional physical perfection as a sexually transmitted disease with horrifying side effects. Dealing equally in body horror and suspense, this is an unsettling story that explores the disturbing lengths to which people will go in the name of beauty.

 

Colder is the story of Declan Thomas, a man with the incredible ability to cure mental illness in others. What Declan doesn’t realize is that his newfound power draws the attention of unsavory entities that seek to undo his work. Feel free to judge these books by their covers, because the frightening artwork that graces them perfectly suits the stories inside.

 

Grindhouse: Doors Open at Midnight is a double feature that pays homage to the outlandish B-movies of years long past. “Bee Vixens from Mars” and “Prison Ship Antares” channel the over-the-top absurdity and low budget charm of grindhouse cinema, even down to the fake posters paired with each story.

 


 
 

A Natural History of Hell

posted by: October 18, 2016 - 7:00am

Cover art for A Natural History of HellIn Jeffrey Ford’s new collection A Natural History of Hell, there is such a variety of creepiness and at such different comfort levels that I feel I should offer a travel guide to whoever reads this book. Something like:

 

  1. Here lie straight creeps.

  2. Here’s one night’s lost sleep.

  3. If you read this story you’ll only be able to eat bananas, rice and applesauce for a week.

But for those with an appetite and a broad palate for horror, there’s not likely to be a better book this year.

Many of these stories take place sometime in a Nathaniel Hawthorne-esque past, or other liminal areas where bizarre traditions overtake common sense. The opening story “The Blameless” sets the table, with a couple receiving an invitation to a neighborhood girl’s exorcism. Surprisingly, the couple finds their neighbors celebrating the supposed banishing of a demon with the small-portioned enthusiasm of a bat mitzvah.
 
Elsewhere, Ford ably glides between genre lines. Some of his stories don’t seem like horror at all until he drops the floor out from under you. For instance, in “The Angel Seems,” an angel comes to a small village offering protection. For a while, the story resembles Gabriel Garcia Marquez’s “A Very Old Man With Enormous Wings,” and then it turns and you realize it’s been re-written by Clive Barker.

There are also ghost stories, fantasies with dark wizards and even a story about gun control if monsters aren’t scary enough for you. Ford’s use of imagery and violence is implemented masterfully and tastefully throughout, creating an experience that is less like a horror movie than a nightmare weighted with meaning. Have fun!

 


 
 

This month's reading challenge is to read a nonfiction book. Think nonfiction is dusty history books? Check out these titles feature in BCPL's Book Buzz events focusing on hot new and forthcoming titles. There's something for every reader! 

Cover art for All The Gallant Men  Cover art for Blood at the Root Cover art for Born Bright Cover art for The Boys of Dunbar Cover art for Brothers at Arms Cover art for Counting the Days While My Mind Slips Away Cover art for The Hero of the Empire Cover art for Hidden Figures Cover art for How to Win at Feminism Cover art for Hungry Heart Cover art for I'm Judging You Cover art for Les Parisiennes Cover art for Original Gangstas Cover art for Playing Through the Whistle Cover art for Sing for You Life Cover art for Spaceman Cover art for They Call Me Supermensch Cover art for They're Playing Our Song Cover art for Tranny Cover art for Truevine Cover art for The Tunnels Cover art for VictoriaCover art for You Can't Touch My Hair


 
 

Elizabeth and Michael

posted by: October 13, 2016 - 7:00am

Cover Art for Elizabeth and MichaelElizabeth Taylor and Michael Jackson… a love story? Really? You may change your mind after reading Donald Bogle’s compelling bio Elizabeth and Michael: The Queen of Hollywood and the King of Pop — A Love Story. Using interviews and diaries from close friends, employees and family members, he delivers an honest, realistic portrait of these two entertainment icons.

 

To understand Taylor and Jackson’s 20 plus year relationship, Bogle begins by recounting their early years as child stars and breadwinners for their families. Both had mothers with strong religious convictions. Both knew how to be a “star.” Taylor was groomed by MGM studios while Jackson was taught by Motown founder Berry Gordy. But most importantly, both missed out on being a kid, which deeply affected their adult lives and relationships.

 

How Jackson courted Taylor to win her friendship is hilarious. He invited her to his concert, but the seats were not up to her standards, so she left. Eventually, they did meet and formed an unbreakable bond. With no fear of being exposed, they shared confidences freely — something rarely done with those outside their families. Such was Jackson’s devotion that he showered Taylor with expensive jewelry. The joke was that if he wanted her to attend an event, he presented a diamond and she would show. So he did — more than once! Tales of each other’s extravagance will amaze you — who gives someone an elephant? Elizabeth Taylor does, that’s who! But you will be most impressed with Taylor’s loyalty and devotion to Jackson. Never once did she waver in her support for Jackson, publicly denouncing the molestation accusations levelled against him as ridiculous.

 

Bogle’s bio is informative and entertaining, allowing us to go behind the curtain of these two Hollywood icons. Resisting the urge to be tawdry, he gives Taylor and Jackson the respect they deserve. Fans of Taylor, Jackson and Hollywood stories must put this book on their want-to-read list. Finally, was their relationship a love story? Check out a copy today and decide for yourself!


 
 

Samia Yusuf Omar

posted by: October 12, 2016 - 7:00am

Cover Art for Don't Tell Me You're AfraidCover Art for An Olympic DreamIn the summer of 2008, a Somali sprinter finished last in her heat in Beijing. Almost four years later in the spring of 2012, she drowned in the Mediterranean Sea trying to reach Italy. Her name was Samia Yusuf Omar.

 

Giuseppe Catozzella lends his voice to Samia's story, going back to a young 8-year-old girl who longs to be an athlete in Don't Tell Me You're Afraid. Catozzella focuses on the friendship between Samia and her coach, who also happens to be a child and a Darod, named Ali. In order to train, the children go out under the cover of darkness to practice in a bullet ridden stadium. To reach the stadium, Samia and Ali must evade Al-Shabaab's twitchy child soldiers enslaved by a drug named khat. Their efforts pay off, and eventually Samia achieves a national victory. Meanwhile, the city of Mogadishu crumbles and her coach is forced out of town due to his Darod ancestry. Upon her return from Beijing, Samia is faced with the reality that without a proper diet and training she may never become the athlete she was born to become. Then Al-Shabaab strikes. Catozzella deftly conveys the energy and longing that propelled Samia to Beijing and indignity and anguish she endured on the journey.

 

Reinhard Kleist introduces us to Samia, as she fails in her quest to be one of the greatest sprinters on earth in Beijing, with his stunning illustrations in An Olympic Dream: The Story of Samia Yusuf Omar. Kleist conveys the deep disillusionment on Samia’s face as she realizes she must leave Somali not only to achieve her Olympic Dream but for her own safety. Fans of Kleist’s work will also enjoy his earlier graphic novel The Boxer: The True Story of Holocaust Survivor Harry Haft.

 

Readers suffering from Olympic withdrawal can explore the lives of past Olympians by checking out Today We Die a Little!: The Inimitable Emil Zátopek by Richard Askwith or Triumph: The Untold Story of Jesse Owens and Hitler’s Olympics by Jeremy Schapp.


 
 

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