The following titles will be released next week. Select any title to learn more or to request a copy. Be sure to visit our Hot Titles webpage for more exciting upcoming titles.
Baltimore native Ta-Nehisi Coates capped a remarkable year last night when he won the National Book Award for nonfiction for Between the World and Me, a frank narrative outlining his experience as a black man in America. Coates received a standing ovation from the crowd at Cipriani Wall Street and told the audience, “I wanted to make racism tactile, visceral. Because it is.” Coates wrote the memoir as a letter to his teenage son and dedicated last night’s award to Prince Jones, a classmate from Howard University who was killed by a police officer while unarmed. Coates’ award-winning title has been selected as the adult nonfiction title in Baltimore County’s inaugural community-wide read, BC Reads, coming in April.
Adam Johnson won the fiction award for Fortune Smiles, a collection of short stories dealing with a wide range of global subjects. The award for young people’s literature was given to Neal Shusterman’s Challenger Deep, a novel about a mentally ill teenager inspired by Shusterman’s son. Robin Coste Lewis won the poetry award for her debut collection Voyage of the Sable Venus, an exploration of race, gender and identity.
The National Book Award, which was established in 1950, has been awarded to some of the country’s most celebrated authors, including William Faulkner, Cormac McCarthy and Lillian Hellman. Presented by the National Book Foundation, the awards were open to American authors who published books from December 1, 2014, to November 30, 2015. The prizes were presented at a black-tie dinner, and all four winners will receive $10,000. Watch the entire ceremony, including all of the winners' acceptance speeches here.
Cancel all your plans, grab a blanket, a glass of wine and get comfy! Kate Morton’s latest novel The Lake House has been released. Featuring an abandoned house, an unsolved child’s disappearance and family intrigue galore, you will joyfully be reading late into the night, during meals and anytime you have a spare moment.
During the 1933 Midsummer Eve’s Party, 11-month-old Theo Edevane disappears without a trace from his ancestral home in Cornwall, England. Flash forward 70 years. Sadie Sparrow, disgraced police detective spending her mandatory leave in Cornwall, discovers the Edevane family estate. The house is located deep in the woods surrounded by ponds, trickling streams and idyllic gardens, like those described in fairy tales. But this is no fairy tale. Sparrow finds the house to have been abandoned. A saucer is on the table waiting for tea. Books are left open waiting for someone to read. It as if the family just left and locked the doors, never to return. What happened to Theo that fateful night in 1933? Why is the house abandoned? To get answers, Sparrow tracks down famed mystery author Alice Edevane, who was only 16 when her brother disappeared. What does Alice know about the events of that evening? Does she know more than she told police? Will she help Sadie solve her brother’s disappearance?
Told from each family member’s perspective, continuously shifting from the past to the present, Morton weaves an engaging tale of mystery, with layer upon layer of intrigue. A page-turner with an amazing ending, you will not be sorry you spent the time learning the mysteries of The Lake House. For more great reads by Morton, try The Secret Keeper and The House at Riverton. Just as good, I promise!
I have long been fascinated by the story of Jessica Posner and Kennedy Odede. I was excited when I saw Find Me Unafraid: Love, Loss, and Hope in an Africa Slum on my desk as I would finally get to hear the whole story of how they came to be by their own accounts. Previously, I have only heard snippets of their lives and what they have accomplished in Nairobi, Kenya and, more specifically, the African slum of Kibera where Kennedy grew up.
Kennedy Odede had a difficult life. He was born to a teen mother, homeless at one point and grew up in the worst slum in Kenya. Most would not, and never do, come out of this same situation alive let alone with a college degree and a non-profit organization, Shining Hope for Communities (SHOFCO), to help the girls of Kibera. Jessica Posner was a junior at Wesleyan University when she decided she wanted to study abroad for a semester and chose Nairobi. She heard about Kennedy and SHOFCO through two of her friends and decided to contact him about doing a theater project for his organization.
Their story is told in alternating chapters, a ‘he said, she said’ of how they met, fell in love and have helped and continue to help the girls of Kibera. The dream of creating the Kibera School for Girls became a reality through a grant, and in six harried weeks, it was built and continues to thrive. This story, their story, is only the beginning of what they have yet to accomplish.
A lame orphan, an incompetent grifter and London’s Blitz might comprise a fairly grim story. Instead, author Lissa Evans’ Crooked Heart: A Novel is darkly comedic and heartwarming as it focuses on the incongruous pairing of a posh city child and his conniving country mouse foster parent.
Meet Mrs. Vee Sedge: resident of rural St. Albans, lives with her indolent adult son and disabled mother who writes motivational letters to Winston Churchill regarding homefront morale and offering friendly advice (“I saw your picture in the paper last week and I hope you don’t mind me saying that I wonder if you’re getting enough fresh air.”) Vee is so desperate for money that she’s taken out a life insurance policy on an elderly neighbor, who foils Vee’s plans by failing to die, and she goes door to door collecting money for the war effort which she keeps for herself. When Vee sees Noel limping through her village as part of a parade of children evacuated from London to evade Hitler’s bombs, she volunteers to care for the little boy, not out of patriotic duty, but as a prop to a con.
Noel is the child who never fits in. Precocious, pale and unathletic, he is also bereft since the death of his beloved godmother. Farmed out to the putative safety of the Sedge’s shabby quarters, Noel perks up when he realizes he can be the brains behind Vee’s ill-conceived swindles. World War II’s privations were harsh and Evans frames the duo’s petty frauds in a landscape where the common folk of England must scheme to survive. Nominated for a Bailey’s Women’s Prize for fiction, Crooked Heart’s clever writing, multifaceted characters and thoughtful story make this an engaging read and a winning book club pick.
Robin Hobb has spent two decades building up to the events of Fool’s Quest, beginning in 1996 with the introduction of the bastard FitzChivalry Farseer in Assassin’s Apprentice, the first book in the Farseer trilogy. All of Hobb’s intricate world building and delicate web spinning has led to this dark-tinged tale, the second in her Fitz and the Fool series.
Long after Fitz has gone from unacknowledged pseudo-heir to the throne to unacknowledged and invisible hero of the realm many times over, he retires to live out a happy life with his new family. He has a wife he can love out in public, he has a daughter he can finally claim as his own...and he has a royal family continuing to spy on him long after he thought his spying days were over. His ignorant bliss is shattered when he receives a message from a friend he had thought lost forever: The Fool’s child is in danger, and he needs Fitz to save the child. But first, he has to find out who the child is.
Fool’s Quest is a novel of love, loss and longing — and what constitutes family. One man will do almost anything to protect those he loves. But with everyone in danger, how many can Fitz save?
Readers who enjoyed Raymond Feist’s early novels or who enjoy Trudi Canavan will enjoy the Fitz and the Fool series.
Audrey Niffenegger is mostly known for her bestselling and film adapted novel The Time Traveler’s Wife, but if you know her other work, the gothic novel Her Fearful Symmetry or her dark graphic novels such as Raven Girl, you won’t be surprised to learn she’s had a lifelong fascination with the otherworldly. Ghostly collects her favorite ghost stories, from the classic to the obscure, with illustrations and introductions to each. It’s like receiving a thoughtful mixtape from a friend who wants to unsettle you.
There are perennial classics here such as M.R. James’ “The Mezzotint,” in which a collector is troubled by something in the background of a photo that appears to be moving. There are also modern masterpieces like Kelly Link’s “The Specialist’s Hat,” in which a babysitter teaches two girls how to play Dead, which is different from being dead and has its own rules. And there are also very funny pieces like Amy Giacalone’s “Tiny Ghosts,” in which a woman is taking a bath and reading her favorite book when a tiny door opens next to her faucet and a little ghost comes out.
Ghost stories traditionally focus more on mood and atmosphere rather than the jump scares and viscera that are obligatory in other horror genres, and so there’s almost no blood dropped in any of these tales (apart from Poe’s “The Black Cat,” which is terribly gory and ironically the only story here likely to be read in elementary schools.) This means that theoretically you could read some of these stories to the little ones by campfire or by flashlight. Just don’t be surprised if they don’t thank you for it!
For edgier scares, check out the new teen horror anthology Slasher Girls and Monster Boys or for safer horror, the children’s classic Scary Stories to Tell in the Dark.
Nikesh Shukla’s second novel Meatspace is what happens when the fractals of a man’s loneliness are traced through social media and reassembled into a spectre of depression. Tweets, status updates and blog posts are the 2015 equivalent of wearing one’s heart on one’s sleeve, and the characters in Meatspace are all very expressive. Cut through the gristly irony and melodrama, and the remaining sinew shows readers how Shukla’s cast of aimless authors are feeling at any given moment of their days — except when they’re on the Tube.
Kitab Balasubramanyam was fired from his job in London for writing a novel in a secret Google doc instead of earning his pay. Now he’s holed up in a bachelor pad with his brother Aziz and a fridge full of chutney that his ex-girlfriend Rach left behind. Every minute of every day he’s online, randomly liking his relatives’ status updates and photos on Facebook or deleting and rephrasing a tweet to sound more authorial as he checks the nonexistent sales figures of his now-published book. Living off his mother’s life insurance policy is only going to get him so far, so he’s trying to make the author thing work out by doing readings at local pubs, which is going as fantastically as it sounds.
Dawdling in the bar bathroom after his latest stint at the mic, Kitab Balasubramanyam meets another guy who is also floating through life: Kitab Balasubramanyam. A second Indian guy at the same exact London pub book reading with the same exact name. Weirdness ensues.
Every chapter starts with a glimpse at Kitab’s browser history and is permeated with hashtags and blog posts and stored tweet drafts, all of which jigsaw together to illustrate how not-okay he is. Meatspace is brimming with pop culture references so relevant it’s like Nikesh Shukla has found a way to make ninja edits to the print copies, as if it wasn’t already impressive enough.
The world of Akame ga KILL! is like a frenetic mash-up of The Hunger Games and Attack on Titan. The premiere volume of the 2010 manga series made its U.S. debut in March, pitting vivacious and foolhardy swordsman Tatsumi against the Capital, an affluent city rife with corruption and depravity.
Surrounded on all sides by roving gangs of assassins, rebel armies and nomadic tribes of ferals, the Capital is many impoverished settlers’ only hope — or option — for survival. Tatsumi embarks for the Capital from his village with his friends Sayo and Ieyasu, dreaming of becoming a renowned mercenary. The three are separated during an ambush; Tatsumi assumes his friends will journey to the Capital to regroup, so he does the same, utilizing his superior skills in battle to aid fellow travelers along the way.
When he arrives, Tatsumi is awestruck by the sights and smells of the city. Amidst the aristocracy, he finds a tavern and encounters Leone, a cat-like vixen who cons him out of all his earnings from the journey’s battles. Now desperate, Tatsumi sheepishly accepts an offer of lodging from a wealthy family in exchange for his service as a guard at their estate.
As quickly as Tatsumi settles into his new routine as a sentry, a team of brutal assassins assaults the estate and murders the entire family in cold blood. Tatsumi protects the family’s youngest daughter from a skilled female ninja, but she cajoles the girl into revealing her family’s terrible secret. The assassins are impressed by Tatsumi’s unwavering demeanor and “kidnap” him after the ordeal to offer him a choice: join their ranks and become a killer by trade or die.
Akame ga KILL! Vol. 1 is filled with characters who hide their lunacies behind perfect façades absolutely begging to be sliced in twain, and there is no shortage of bloodshed in the first volume. Manga and anime fans who revel in seeing justice gracefully dispensed with a katana will surely dig this.
There’s a new sheriff in town. The town just happens to be a rundown mining hub on a fringe planet populated by all manner of ill-tempered aliens, and the sheriff just happens to be Clara Bronson, a single mother looking for a fresh start. Copperhead: Vol. 1 is a genre-bending classic in the making, and the recent release of its first collected volume makes this the perfect time to jump onboard.
As if Sherriff Bronson didn’t have enough on her plate helping her son adjust to their new home and earning the respect of her grumpy deputy, Budroxifinicus, things get particularly tough for her when she gets called to investigate the brutal massacre of a local family on her very first day on the job. The investigation that follows leads Sherriff Bronson from neighborly squabbles to the seedy criminal underbelly of the local mining industry. Look no further for a tense mystery that’ll keep you guessing to the very end.
Writer Jay Faerber and artist Scott Godlewski have crafted a truly unique world here. The dusty mining town at the heart of the story is populated by a colorful cast of humans and aliens alike. Crooked industry tycoons, artificial humanoid soldiers leftover from a war long concluded and the wild creatures lurking in the wastes just outside of town are just a few of the fascinating inhabitants that come into play. Colorist Ron Riley ties the package together with a unique mix of vibrant colors and gritty textures that grant a distinct Old West style to the science fiction world. The final result of this fantastic collaboration is a world that fits in somewhere between Fargo and Blade Runner. The quirky cast, unforgettable setting and intricate plot make for a truly exceptional take on the classic murder mystery that’s sure to entertain.