Do you have time in your busy schedule to read a short story? Not just any short story, but a ghost story. Not just any ghost story, but a ghost story by Gillian Flynn. You may have heard of her. She is the #1 New York Times bestselling author of Sharp Objects, Dark Places and Gone Girl, one of most talked about novels of 2014 . Flynn’s latest release is a stand-alone copy of her 64-page, Edgar Awarding-winning short story, The Grownup. It made its first appearance in author George R. R. Martin's Rogues anthology.
The Grownup is about an unnamed and “barely thirty” female con artist who works at a sketchy place called Spiritual Palms that provides fortunes and illegal sex services. Viveca, her boss gives her a job promotion, which makes the con artist no longer a sex worker but a fraudulent fortune-teller. A troubled customer by the name of Susan Burke stops in to have her fortune told. The con artist learns that Susan is being terrorized by her 15-year-old stepson,Miles, and that a trickle of blood drips on the wall inside Susan’s renovated Victorian house. The con artist helps Susan by cleansing the inside of her home. During one of her house cleansing visits, the con artist meets Miles, a menacing teen who gives her an ultimatum: stay away or die. However, the con artist ignores his threat and soon finds out that she is the one being swindled. Swindled by who? You’ll just have to read it and find out.
If you are a Gillian Flynn fan or you just want to read an entertaining short story, I encourage you to check out a copy of The Grownup at a BCPL branch near you. And whatever you do, avoid a place called Spiritual Palms.
Patrick deWitt is gaining a reputation as a risk-taking young author, cleverly parodying a different genre with each new work. Undermajordomo Minor is an old-world kind of folk tale at first glance, but readers will soon be delighted by how the author toys with our expectations in the vein of Monty Python and the Holy Grail or The Princess Bride. Having made the comparison, it is necessary to add that deWitt is in a category completely to himself and unlike anything I have come across. His humor is quirky, pitch black and surprisingly thoughtful.
Lucy Minor is sickly and near death when he is visited by a mysterious stranger who spares his life after the young man admits he just wants something to happen to him before he dies.
Since he isn’t liked much by anyone in his village, including his mother, he sets off to find his fortune working as the undermajordomo at a far off castle. Thus begins an epic tale of romance, adventure and intrigue in a somewhat fairy tale setting. There is a castle, some loveable thieves, a crazy baron, a damsel in distress. However, there is also a train. So, expect the unexpected at any given moment.
From the moment his life is spared, Lucy’s life begins to careen down the most unexpected paths. Before his first day of work at the castle, he gets tremendously drunk with a couple of pickpockets he met on the train and falls helplessly in love with the daughter of one. Unfortunately, Klara is engaged to a devastatingly handsome soldier. His new boss, the majordomo, refuses to reveal exactly what Lucy’s job is or when he might be paid. When his job is in jeopardy, Lucy takes it upon himself to intercede on behalf of the Baron in his bizarre pursuit of his own wife, the Baroness.
In each strange, new situation readers revel in observing these delightfully weird characters interact with one another. The book is fast paced and compulsively readable.
In his lifetime, Alexander von Humboldt was a superstar — a fearless adventurer, penniless aristocrat and brilliant polymath. He befriended and collaborated with many of his illustrious contemporaries, including Thomas Jefferson, Simón Bolívar and Johann Wolfgang von Goethe. He was the personal hero of Charles Darwin, Henry David Thoreau and John Muir, and his work was the basis for their great achievements. But he is largely forgotten in the English-speaking world, despite lending his name to numerous places and even species. In her latest book, The Invention of Nature: Alexander von Humboldt’s New World, author Andrea Wulf seeks to reestablish Humboldt’s celebrity and pay homage to his genius.
In keeping with a biography of a man whose curiosity knew no limits, Wulf’s take on Humboldt’s life is multi-faceted and includes detailed, interwoven narratives of the scientific fields his work impacted. She examines how his personal relationships, politics and ethics were formed and how he used his beliefs, in turn, to enact change in the turbulent world around him. Humboldt undertook two major expeditions — one to South America and another stretching across Southern Russia into the Mongolian steppes. The product of these voyages emerged as theories he developed about the interconnectedness of the natural systems that are the foundation of our understanding of biology today. His major work Cosmos can easily be seen as the precursor to the major documentary phenomena of 2006, Planet Earth. And yet Humboldt also famously brought a sense of wonder and poetry to his work that helped to form the Romantic and Transcendental movements in the arts. Reading about Humboldt’s remarkable achievements and the fantastic experiences of his journeys instill one with a sense of wonder and curiosity about what is outside.
This book has been released alongside a spate of literature on the natural world, including the 2015 edition of The Best of American Science and Nature Writing (edited by Rebecca Skloot), and many of these new titles will be make for good pairings alongside this denser read. The Curious Nature Guide and Cabinet of Curiosities will be particularly useful to any budding naturalists inspired to get out and explore the world around you, like Humboldt did.
“Say nothing. Not a word to anyone.” So begins the painful odyssey of a frightened child in Andrew Taylor’s The Silent Boy. It is 1792 in Paris, and The Terror has begun. Turmoil grips the city. As the violence spins out of control, it overtakes anyone in its path. Terrified and covered in blood, the boy races through the streets of Paris to find an old servant who worked for his mother. She takes him to Monsieur Fournier, who believes the boy is his son. Together they escape to England to stay at desolate Charnwood Court.
Edward Savill, employed as an agent in London for a wealthy American, is informed that his estranged wife has been murdered in Paris. She has left behind Charles, a 10-year-old boy suffering from hysterical muteness. The boy cannot possibly be Savill’s, but he is still married to Charles’ mother and legally responsible for his welfare. Charles also has a half-sister, Lizzie, who is anxious to bring him home.
These conflicting interests clash to create an unrelentingly suspenseful tale. Savill, the wronged husband, is fiercely determined to provide for the boy; Fournier, the former lover, holds onto him as a talisman. Behind the scenes, political interests far more powerful than these two men pull the strings. Taylor has drawn such achingly real characters that the desire to rescue the boy is palpable. With characters reminiscent of Dickens, this tale creates a level of insecurity in the reader that mirrors Charles predicament.
Andrew Taylor is the author of several thrillers, including The Office of the Dead and The American Boy, both of which won Britain’s Ellis Peters Historical Dagger award, making Taylor the only author to receive the prize twice. With The Silent Boy he surely has another winner.
Vulnerable, shimmering and desirable. Oh, to be a soul in David Mitchell's disturbing and fun new novel Slade House. Here horror meets plain old weirdness in a Faustian-like brew, stirred up by creepy twin siblings, Norah and Jonah Grayer. The two house residents must refuel in order to “live” out their immortal existence. But it's their energy of choice that is the stunner for those who enter their seductive property through their garden’s small iron black door.
Spanning 36 years starting in 1979, the story’s epicenter is the enigmatic haunted mansion that only appears once every nine years. One by one, Mitchell’s five “engifted” narrators are tricked by the twins into visiting the house, allured by a theatrical setting that conjures up images they want to believe in, images that make their lacking lives better. They end up in a precarious situation, trapped and doomed, while the unthinkable happens.
Mitchell, whose previous novels Cloud Atlas and The Bone Clocks received critical acclaim, started this latest work out of a series of tweets. It is a narrative that hints of larger life questions for which there are no answers. And while Mitchell deftly nods to his heftier previous works and the universe therein, it is not necessary to start there. In fact, Mitchell’s latest effort is a nimble and accessible stand-alone. It may be the perfect introduction to this author’s thought-provoking, imaginatively clever writing whose style blends mind-control and the supernatural with the essence of time, beguiling it might be. Mitchell fans have come to expect nothing less while newcomers will hopefully get what all the fuss is about.
But Enough About Me: A Memoir is Burt Reynolds' no-holds-barred account of the people he has known throughout his life, including childhood friends, mentors and, of course, Hollywood celebrities. Sharing both his viewpoint and notable stories, you learn as much about those he has come in contact with as the man himself.
Told mostly in chronological order, Reynolds begins with his childhood in Rivera Beach, Florida, just south of Palm Beach. He then moves on to his time as a football player for the Florida Seminoles, with the remainder of the book focused on his career as a Hollywood stuntman and actor. Stories about the movie Deliverance, Gore Vidal and Johnny Carson are mesmerizing. You will savor his thoughts on Bette Davis, Paul Newman and Clint Eastwood. And you will feel his strong sense of regret as he discusses his relationships with Dinah Shore and Sally Field. Sparing no details, he also shares the embarrassing aftermath of posing nude for Cosmopolitan magazine, and the hesitation he had about working in the movie Boogie Nights, the role for which he received a Best Supporting Actor Oscar nod.
If you are a fan of Reynolds or just like Hollywood stories, you'll enjoy this memoir. You'll smile, laugh and at times shake your head in disbelief! Reynolds delivers an entertaining yet honest portrait of himself and those he has known over the years. Humorous and even embarrassing, this book is definitely worth the read!
Readers who like this book may also want to check out Make ‘Em Laugh: Short-Term Memories of Longtime Friends by Debbie Reynolds or Judy & Liza & Robert & Freddie & David & Sue & Me: A Memoir by Stevie Phillips.
Following the devastation wrought by World War I, grieving Europeans and Americans sought the answer to the question: What happens to us after death? Many turned to Spiritualism, the belief that the dead can communicate with the living, and popularized consulting mediums and psychics to contact their dead. But how would you know if the dead were really speaking through the medium, or if you were in the presence of a talented (or sometimes not-so-talented) fraud?
One answer: apply science and logic to test a medium’s abilities. David Jaher’s debut book The Witch of Lime Street: Séance, Seduction and Houdini in the Spirit World describes just such a test held in the mid-1920s and the furor that surrounded its most likely candidate. Sponsored by the magazine Scientific American, a large cash prize was offered to the medium who could provide proof of his or her abilities, proof that had to withstand scientific scrutiny by an investigative panel of judges.
What set out to be an objective experiment in psychic research became anything but, dominated by the personalities involved. Jaher’s cast ranges from the champion of Spiritualism and Sherlock Holmes author Sir Arthur Conan Doyle, to one of the judges, the escape artist who actively sought to expose fake psychics, Harry Houdini. Most important of all was the so-called Witch of Lime Street, a Boston woman known as Margery or Mina Crandon, who supposedly could call on her deceased brother to perform various ectoplasmic phenomena.
Jaher provides a deeper understanding for a little-known craze of the Jazz Age. His level of detail is meticulous and illuminating, capturing the complex relationships and beliefs of everyone involved, living or apparition. His objective recounting of the contest and the fallout that followed allows readers to make their own judgment of the people involved. Readers who enjoy learning about the more obscure events in history will definitely enjoy this book. But this book could also be enjoyed by those who have wondered if there is life after death, or who appreciate the complexity of human relationships.
Bestselling author Sarah MacLean brings TMZ to pre-Victorian times in The Rogue Not Taken, the first in her new Scandal & Scoundrel series. Lady Sophie Talbot preferred life as a commoner, but when her father’s success secured him an earldom she was thrust into the highest echelons of London society. Sophie shies from the spotlight until her philandering brother-in-law causes her to create a very public scene and earn the scorn of the aristocracy. Think along the lines of the Beyonce/Jay Z/Solange elevator incident and you’ve got the picture.
Vowing to leave London, she stows away in the carriage of Kingscote, the Marquess of Eversley. King is a charmer with an ill-deserved (but welcome) reputation as a rake. When Sophie is discovered, King is sure that she is trying to trick him into marriage despite her avowal that he is the last man she would ever marry. Sophie asks King to take her to her childhood home claiming a lost love is waiting for her. While he is disbelieving, he agrees to give her a ride.
This will turn out to be the journey of a lifetime for these two who are at odds from the beginning and continue to snipe along the way. Yet when trouble strikes, they have each other’s backs and slowly the bickering turns to flirtatious banter and the sparks begin to fly. This compelling story is enhanced by MacLean’s fast-paced storytelling, clever dialogue and sharp wit. Sophie and King are clearly drawn, engaging characters whose emotional connection is palpable. This intense romantic journey is peppered with comedy and action while also serving as a cutting commentary on pre-Victorian upper class society.