New to the library shelves are two memoirs, both written by young and accomplished African-American authors, which reflect on the challenges of growing up black in the United States. MK Asante draws on his experiences as a child and teen in urban Philadelphia in his book Buck. Men We Reaped, by Jesmyn Ward, recounts her family life based mainly in the poor rural South. Each writer, however, portrays the same pain and difficulty of coming of age in communities which are reeling from the dual legacies of racism and the drug culture.
For generations, Ward’s extended family has lived along the Gulf Coast in Mississippi and it is “home” for her no matter where she currently resides. Men We Reaped refers to her brother and four friends, all of whom died within a span of a few years from what Ward originally thinks are disparate causes: drug overdose, suicide, car accident, murder. Instead, as she tells each of their stories she finds the common thread is the desperation of being a young black male living in a region meting out race-based criminal justice, few economic prospects and the attendant breakdown of a once strong family and neighborhood structure. Ward, a 2011 National Book Award winner, is a gifted writer whose graceful style shines throughout her narrative of tragedy.
Asante’s Buck starts at a different place. Asante’s family is well-educated and middle-class. His father is a prominent professor, and he has an older brother whom he adores. By Asante’s teen years, his rebellious brother is incarcerated in Arizona, his parents’ marriage is in tatters and his mother is severely depressed. Asante finds a substitute family on the streets of North Philadelphia and begins a downward spiral. His mother enrolls him in an alternative school, which another student characterizes as “the island of misfit toys,” where Asante thrives. It is here where he determines he wants to write. Laced with quotes from Tupac to Orwell to Asante’s own hip-hop work and including excerpts from his mother’s journal, Buck is edgy, literary and blunt. Asante, a professor at Morgan State University, is also a filmmaker who previews his book here.