The excitement of the art scene in 1860s Paris is the lush setting for Maureen Gibbon’s new novel Paris Red. When we meet 17-year-old Victorine, she is wearing bright green boots to set her apart from all the other women walking down the street. It is a fashion choice that pays off, as she gains the attention of a mysterious stranger.
The stranger reveals that he is an important artist, and he strikes up a flirtation with both Victorine and her roommate, Nise. Victorine feels compelled to choose between her best friend, who she feels as close to as a sister, and this charming artist. But once she models for the artist, she knows her future is secured. She becomes not only his lover, but his most important muse.
Jealousy and financial insecurity mars their relationship, but within the confines of the artist’s cramped studio, Victorine is secure that they are creating art that will provoke and shock the outside world. So moved, she begins to paint on her own, at first timid, but then confident in her own talent.
The mysterious artist is none other than Edouard Manet, one of the most celebrated artists of the 19thcentury. His work is considered to have given birth to modern art. Victorine Meurent is the face in many of his celebrated works, most notably his controversial masterpiece Olympia.
Fans of Tracy Chevalier’s Girl with a Pearl Earring and Susan Vreeland’s Girl in Hyacinth Blue, books that tell the story behind legendary great art, will find this book a sensual treat.
When a novel depicts a brief period of time, the pacing becomes just as crucial as the plot and the characters of the story. Hannah Pittard’s new novel Reunion takes place in the mourning period between a death and subsequent viewing. During those emotional few days, readers witness genuine exchanges between siblings who revert to old tendencies as soon as they’re in the same room together.
En route to Chicago via plane, Kate Pulaski checks her phone and discovers her estranged father Stan has killed himself. Her older siblings Elliot and Nell are pausing their busy lives to fly to Georgia to be with Sasha, Stan’s fifth wife, and their daughter Mindy. Kate is baffled by how quickly her brother and sister have booked their flights, and is forced onto another flight by her husband Peter — right before he tells her he wants a divorce. Kate remembers an affair she had and isn’t surprised by her husband’s scorn, but the timing couldn’t be worse. Wondering how any of her siblings, half-siblings or mothers-in-law could possibly want to mourn Stan’s death, Kate tries in vain to bolster her head and her heart for a tumultuous next couple of days. Days spent drinking far too much wine and attempting to read into familial relationships that she barely knew existed — what else is there to do at a family reunion predicated on a suicide?
Hannah Pittard opens and nurses complex relations between her cast of lovingly crafted and completely human characters, illustrating that a sense of familiarity — with people, places or things — can cause people to take an introspective look at what they’ve become and where they’re headed. Coming-of-age fans will find lots to like in Reunion, as will teens and new adults who enjoy relationship-centric stories.
Good news for thriller fans! Two new novels will have readers on the edge of their seats with gripping suspense, shattering secrets and women in peril who will do anything to stay alive.
NPR correspondent Mary Louise Kelly shares a story about fear, family secrets and one woman's hunt for answers in The Bullet. Caroline Cashion, a professor at Georgetown University, is stunned when an MRI reveals that she has a bullet lodged in her skull. Her parents finally admit that she was adopted at the age of 3 following her biological parents’ murders. Caroline was present at the crime, and in fact was struck by the same bullet that killed her mother. Doctors could not remove the bullet without risking Caroline’s death. Thirty-four years later, Caroline returns to her hometown to learn about her parents and their horrific deaths. But Caroline is in danger. The killer was never caught and the bullet in her head is the only evidence that can identify him. This fast-paced thriller, complete with a touch of romance, is perfect for fans of Lisa Gardner or Tess Gerritsen.
Susan Crawford’s The Pocket Wife introduces readers to Dana Catrell who suffers from bipolar disorder. Married to Peter, she is shocked when their neighbor Celia is brutally murdered. Upon learning that she was the last person to see Celia alive at a booze-fueled lunch marred by an argument over incriminating pictures of Peter, Dana threatens to descend into mania. Her husband is behaving oddly, and Detective Jack Moss is a frequent and persistent visitor. This is the story of a wounded woman teetering on the edge of sanity, determined to recover her memory and find the truth. But when Dana uncovers some of Celia’s secrets, she starts receiving threatening notes which Peter believes are self-authored. Alternating chapters follow Jack and his investigation and Dana, whose reliability is questionable and whose voice evolves with her changing mental state. The engaging characters add to this electrifying combination of solid mystery and fast-paced psychological thriller.
It's one thing to be able to describe a debilitating chronic illness; it's another to do so in language so contemplative that the words seem to hover over the page for their raw honesty. Anna Lyndsey (pseudonym) has written her illness-inspired memoir Girl in the Dark about living with a rare light sensitivity so severe it plunges her into a self-imposed darkness. "How do you write about having to live entirely in the dark?" she asks. Lyndsey does it by sectioning her narrative thoughtfully, giving readers a brief cast into her physical and emotional daily, personal life that is as candid as it is hopeful and full of love.
To say Lyndsey's illness has isolated her would be an understatement. The former British civil servant was fine until one day about 10 years ago she realized she could no longer tolerate light. It starts with the computer screen, which makes her face burn like “someone is holding a flamethrower to my head.” Eventually, her whole body is affected until she is left with no choice but to make her footprint smaller, something easier said than done. She refers to her bedroom as her lair. “I slipped between the walls of my dark room with nothing but relief,” she says. Life is a constant adjustment. Doctors can’t help, nor can her supportive mother and brother. Her rock is her companion-turned-husband Pete who never wavers, bringing her talking books and melding into the new normal.
Lyndsey’s story is not so much about the unusualness of her illness as it is about living as humanely as possible with it. Eschewing strict chronological order, Lyndsey instead delivers up short, poetic essays on various subjects. For readers drawn to the fragility of the human condition, Lyndsey’s remarkable storytelling becomes a fertile ground for resiliency when the impossible becomes possible.
In Mrs. Grant and Madame Jule, Jennifer Chiaverini proves once again that she is an amazing writer of historical fiction. She manages to capture the feeling of a particular era and also give her characters authentic voices. This time her subjects are Julia Dent Grant, wife of Ulysses S. Grant, and Jule Dent, lady’s maid and slave of Mrs. Grant.
Chiaverini’s story spans the years before, during and after the Civil War and is told from both Julia Grant’s and Jule’s points of view. We witness young Julia and Jule growing up together on the Dent plantation in Missouri where they seem to be best friends. However, their relationship quickly changes as the girls become young women and Julia begins to treat Jule more like a servant and less like a friend. Throughout the many years they spend together, Julia never seems aware of how much Jule would like to be her own woman, to make her own decisions and to be free. As Chiaverini portrays her, Julia believes that slaves are happy with their lot in life. When Jule expresses her desire to be a free woman, Julia is incredulous, saying to her, “You had a roof over your head and plenty to eat,” as if these are valid reasons for Jule to remain enslaved. Even after marrying Ulysses Grant, whose Ohio family are abolitionists, Julia still cannot believe that freeing slaves is a good idea.
Whether or not Julia Grant took quite so long to comprehend the evils of slavery, Chiaverini uses her as a representation of what many slaveholders of the day may have felt. After the Civil War ended and all slaves were freed, these newly emancipated people faced a very uncertain future as demonstrated by Jule. She struggles to make her own way in the world, and although it is not an easy path, she reflects that at least she now is free to choose which path to take.
Another great thing that Chiaverini does in her book is include the titles of the sources she used to research her subjects so the reader can find out more about Julia, Jule and the other historical characters that are referenced. As the 150th anniversary of the Civil War draws to a close, this book is a great way to understand how the events during that time period effected both famous and everyday people’s lives.
Jessica Knoll's new adult fiction novel Luckiest Girl Alive is set in the same area where she grew up. Her protagonist also has the same profession Knoll used to hold. It’s probably because of this that her book is so rich with description and such vivid imagery.
TifAni grew up with a mother who always wanted what was best for her, but not necessarily what would make her happy. When in college she met her best friend Nell, who showed her how to manipulate people to get what was in her best interest. It was a combination of these two figures that helped TifAni create the “perfect” life for herself.
It was during high school that TifAni experienced a severe trauma. In order to distance herself from her past, TifAni changed her name to Ani when she went to college. Ani has always tried to fill her gaping emotional gap with possessions and prestige. After college, Ani went on to have a prominent job at a well-known women's magazine, a fiancé with old money and starves herself into a coveted size zero. Despite how perfect her life may seem to someone on the outside, nothing can smother the pain left by her teenage trauma.
This character driven account of one woman's desire to get all she's ever wanted is disturbingly candid. As you follow the bread crumbs through the story, you slowly gather more details of what TifAni went through as a troubled teen – and just when you think you've figured her out, she throws you a curve.
The Golden Age of Hollywood introduced us to luminary icons of the 20th century whose influence radiates to this day; perhaps none more than Audrey Hepburn. Edward Epstein’s new biography Audrey and Bill focuses on Hepburn’s brief affair with the “Golden Boy” of Hollywood, William “Bill” Holden.
Unlike today when we are inundated with facts about celebrities every time we turn on our TV’s, computers or phones, the publicists of the 1950s worked overtime to insure the personal lives of the studio’s stars did not invade the public consciousness. And while Audrey and Bill’s whirlwind romance that blossomed when they met on the set of the Billy Wilder classic Sabrina was well-known in Hollywood circles, it was kept largely out of the public eye.
Epstein sheds light on the fact that their affair, though brief, shaped many of both Audrey and Bill’s relationships and marriages moving forward in their lives. Both actors, however, never really turned out to be very happy in love despite their tremendous professional successes.
There’s plenty more gossip about some of the biggest names of the 20th century in this book that will not disappoint the curious: Humphrey Bogart hated both of his costars! Nancy Reagan tattled to Bill’s wife about his numerous affairs! Bill dated Grace Kelly! Audrey sang to JFK on his last birthday to take away from the intense scrutiny from the Marilyn Monroe version the year before!
At times, the book reads like two separate biographies, following each actor through their career missteps and triumphs, through other relationships, children and illnesses. Holden’s death in 1980 due to liver disease and Hepburn’s death in 1993 due to cancer are also chronicled.
Perfect beach reading for those who are fans of either star, or just interested in the Hollywood glamour of a bygone era, will find this story of Audrey and Bill a compelling look into the romantic lives of two of Hollywood’s greatest stars.
Ten years after an assassin’s bullet takes her husband’s life, Diane Fairmount champions the cause of his fledgling political party, The Common Way, in Brian Freeman’s suspense novel Season of Fear. Attractive, popular and topping the polls, it looks like Diane is destined to become Florida’s new Governor. When an insidious voice echoes from the past, Diane turns to her best friend Tarla Bolton, whose son is former FBI agent turned private investigator Cab Bolton. Cab explores beneath the hype and unearths dirty tricks, long-buried secrets and political machinations. There are right-wing extremists, covert political operations and the murder of a young political operative. Has Cab revealed a right-wing terrorist, or is it a shrewd plot to lead him off target? Teaming with political researcher Peach Piper, Cab must race against time to stop the killer. For there is another havoc on the horizon – a hurricane is bearing down on Tampa, Florida, and it just might permanently bury the evidence.
Brian Freeman has created a cross between Jack Reacher and Richard Castle; handsome, wealthy and dynamic. It’s impossible not to root for Peach, a deeply troubled young woman determined to avenge her friend’s death. Part complex political thriller, part intense police procedural, Freeman weaves a web of intrigue that will leave you gasping for air. Move over Virgil Flowers, and make room for Cab Bolton.
Brian Freeman is the internationally best-selling author of psychological suspense novels, including The Cold Nowhere, Spilled Blood and the The Burying Place. Brian's debut thriller Immoral won the Macavity Award and was a nominee for the Edgar, Dagger, Anthony, and Barry awards for best first novel. Cab Bolton first appears in The Bone House.
There is a certain kind of mad science that takes great joy in things exploding, imploding, melting, burning and otherwise flying around violently. If that sounds exciting, Randall Munroe's What If?: Serious Scientific Answers to Absurd Hypothetical Questions is for you. The answers are fast, easily understood and amusingly illustrated.
A former NASA engineer, Munroe has made his name as the creator of xkcd, one of the most successful webcomics. Three times a week he releases a strip, or something like a strip, (there have been some really wild experiments on the artform that will never be printable in any meaningful way). He covers science, mathematics, engineering, computer programming, romance, language, pop culture and velociraptors. As a public figure who is recognized as being good at science, he gets a lot of questions on scientific ideas, and has compiled quite a few of those questions into a book.
Questions answered here include:
- Is it possible to build a jetpack using downward firing machine guns?
- If an asteroid was very small but supermassive, could you really live on it like the Little Prince?
- From what height would you need to drop a steak for it to be cooked by the time it hit the ground?
Munroe then proceeds to answer most of these questions with three to five pages of information, full of gleefully horrifying explosions, scientific laws, formulas and an explanation of how he got the answer based on experiments people have done before. Also included are the surprisingly complex stick figure drawings he uses to illustrate his webcomic. The result is quick, smart and guaranteed to make you the life of the party.
And for a palette cleanser, also included are several of the questions that didn't make it into the book, such as:
Would it be possible to stop a volcanic eruption by placing a bomb (thermobaric or nuclear) underneath the surface?
What if everyone in Great Britain went to one of the coasts and started paddling? Could they move the island at all?
Apparently, there are questions so ridiculous that they don't need answers.
“Shots have been fired at the high school. Calmly report to St. Michael’s across Route 5.” When Simon Connolly gets the text message from his children’s school that there’s been a shooting, he wastes no time getting to St. Michael’s church where he’s expecting to meet his son, Jake, and daughter, Laney. As parents are taken one by one out of the church to be reunited with their children or given the horrific news, Simon waits. His wife Rachel escorts a tearful Laney outside. When he is the last person seated, his heart cannot bear the idea that his son Jake is still missing. As rumors start to spread that Jake was one of the shooters who planned and carried out the attack, Simon is desperate to find him.
Bryan Reardon’s new novel, Finding Jake, centers on a tragedy that has become all-too-familiar in news headlines: a school shooting that leaves 13 students dead. Simon’s perspective moves back and forth between the horror unfolding of the present day and his memories of Jake’s birth, childhood and adolescence. It is through these memories that Simon clings to one objective: to mine every detail for a clue that will lead to finding his son. However, as he adds up these details, he cannot help but wonder if he missed signs that Jake could be capable of such a terrible act. As tension mounts, any mundane or trivial memory about Jake consumes Simon and his quest to discover the truth. Compounding his grief is how the media has influenced the court of public opinion into trying and convicting Jake, leaving the entire Connolly family to bear the brunt of the community’s anger and fear.
There is no shortage of novels dealing with school violence: Lionel Shriver’s excellent We Need to Talk About Kevin, Jodi Picoult’s Nineteen Minutes, and Wally Lamb’s The Hour I First Believed are a few examples. Finding Jake is a sharp page-turner that, similar to these novels, will stay with the reader long after the conclusion.