With the reconstruction of the set for BBC One’s hit show Sherlock now underway, some fans may be fine living in anticipation until January 2017, when Season 4 is slated for release. But for those who are impatient for the detective’s next adventure, there’s Steve Tribe’s comprehensive Sherlock: Chronicles to ease the wait.
The book overflows with facts about the production process of Sherlock and includes interviews from cast and crew alike, giving a broader perspective into how the episodes were created from start to finish. Going in order from Season One’s A Study in Pink, each chapter focuses on one episode at a time, allowing for a depth of detail that would please even Sherlock Holmes himself. The chapters also include other fan treats, including deleted scenes, actor biographies and lots of production photographs. Notorious Holmes fanboys themselves, show creators Steven Moffat and Mark Gatiss are known for including little references to various Holmes stories; Sherlock: Chronicles pairs some of these Easter eggs with the corresponding Conan Doyle story title and quote.
It’s not just the televised episodes that get scrutinized; there’s a recounting of Holmes’ appearances in print and on screen, a chapter on the televised teaser released before Season 3, references to the in-character blogs and references to the ever-expanding Sherlock fandom.
There’s enough information here to keep even the most casual Sherlockian fan happy, and it's a good refresher for the lead-up to Season 4. Fans looking for more Sherlock trivia should also check out The Sherlock Files by Guy Adams.
April is National Poetry Month! Check out the work of these local poets.
Black Seeds is the work of poet and activist Tariq Toure, who takes a personal approach as he reflects on the circumstances of the Freddie Grey protests and the discord that followed. You may recognize some of the poems, which were previously published in the Baltimore City Paper. Toure is keenly aware of the societal rifts that caused the incident and seeks to bridge these striations with his writing. The intensity of his call to action is honed with intimate details drawn from Toure’s everyday life, occasionally diverting into simple reveries akin to William Carlos Williams’ work, which drives home how much personal impact such events hold. The poems are interspersed with photos of Toure’s community that are so candid they seem like they belong in a family photo album.
It Shouldn’t Have Been Beautiful is the latest chapbook from Lia Purpura, a writer in residence at the University of Maryland. Purpura’s poems are intimate reflections on the poignancy of nature and how new technologies have only increased the sensation of ephemerality in life. There is a very scientific approach taken to describing her subjects, honing in on the microscopic details of her impressions like a lepidopterist examining their collection. She revels in introspection, transforming the quotidian details into transcendental experiences.
If you are a prose lover apprehensive of taking on the wilds of poetry, Poetic Meter and Form by Octavia Wynne is a helpful crash course in the medium. Wynne explains the fundamental elements of poetry in two pages and then breaks down how these elements are manipulated with different poetic devices and styles. It is easy to skip to a particular section if you’re looking for information on a specific device or to look up a definition in the glossary. The text is peppered with numerous examples of the terms described, including many works from one of the greatest of poets of all time, Dr. Seuss.
It is a truth in America today that a single woman in possession of good fortune (or little or no fortune) may not be in want of a husband. According to data taken in 2012 from the Pew Research Center, 17 percent of women aged 25 or older have never been married, and the age when women do get married rose from 20 in 1960 to 27 in 2012. Why are so many women waiting to get married, if they even marry at all? The rallying cry of many magazine articles and talk show hosts seems to be: “What’s wrong with these women?”
According to Rebecca Traister’s book All the Single Ladies: Unmarried Women and the Rise of an Independent Nation, absolutely nothing is wrong. Traister doesn’t condemn women for remaining single or for marrying; passing a value judgment on a woman’s life is not what this book is about. Instead, she objectively considers the reasons why women make the choices they do, and examines the societal implications of these choices.
Traister examines the way single women now — the never-want-to-be married, the divorced, the widowed and those considering marrying later — interact with the world around them within the context of the centuries that women were restricted to the roles of housewives and mothers to the exclusion of all else. She reviews the economic and social trends as they’ve rapidly changed over the past couple of decades, culminating in women today having more freedom to live their lives as they wish. According to Traister, the way women exercise these freedoms is changing America’s political, social and economic landscape in ways our social and political structures aren't currently prepared to support.
Traister balances the political and socio-economic discourse with her interviews with single women of different ages and backgrounds. These interviews provide real-life examples proving that broadly classifying the single woman experience into one category is an exercise in folly. Not all single women share the same experience — for instance, the experiences of a single white female, in the past and today, are very different from a single woman of color, and the interviews illuminate this in a very real way.
Traister writes with clarity and comprehension, which makes All the Single Ladies an accessible and thought-provoking read perfect for anyone — married or single — looking to better understand the shifting paradigms and needs of our society. Fans of the book may also wish to read Gail Collins’ When Everything Changed for another perspective on the role of women in America.
Ask anyone the question “What is your favorite book?” and you have the beginning of an interesting conversation. But twist that question just a bit, and you get a glimpse into that person’s psyche. Editor Bethanne Patrick does just that in the essay collection The Books That Changed My Life: Reflections by 100 Authors, Actors, Musicians and Other Remarkable People. She surveyed a broad range of interesting people, imploring them to share the titles that affected their existence in an important way.
From the poignant to the profound, these two to three page contemplations are fascinating; and just reading them makes you feel an immediate connection to that person. Singer-songwriter Roseanne Cash, daughter of Johnny, names Little House on the Prairie by Laura Ingalls Wilder as her life-changing book. Ma and Pa Ingalls demonstrated the day-to-day routines of a loving, dependable family, making Little House a comfortable reprieve for the modern-day Cash, raised in a spotlight of fame, instability and chaos.
R.L. Stine, known for the popular Goosebumps series of scary novels for kids, reminds us that the original Pinocchio by Carlo Collodi was the stuff of childhood nightmares and not the charming Disneyfied version. Many of the other essayists also chose a book from their childhood, including such classics as Grimm’s Fairy Tales (Margaret Atwood), The Little Prince (Jacob Hemphill) and The Lion, the Witch and the Wardrobe (Vu Tran).
Others name coming-of-age adult fiction they read as teens, from Gone with the Wind (Jodi Picoult), to The Bell Jar (Meg Wolitzer). Science fiction writer John Scalzi was a precocious reader who discovered The People’s Almanac when he was just 6. The book ignited his love for trivia and curating facts of all kinds, whether or not he understood them.
The Washington Post BookWorld editor Ron Charles’ choice, Straight Man by Richard Russo, was a literal life changer. Then a prep school English teacher, Charles picked up the novel from a table of newly published fiction at a local bookstore and decided to write a review, his first ever. He submitted it to The Christian Science Monitor, with more critiques to follow. He ultimately gave up teaching to become their full time reviewer, ultimately landing at The Washington Post. Charles says that newspaper readers “overwhelmingly prefer to read positive reviews...Of course, they want to know which books they should read instead of books they should not read — because they’re not going to read most books anyhow.” Consider this an overwhelmingly positive review of The Books That Changed My Life. What book changed yours?
Entomologist Justin O. Schmidt shares his lifelong passion for pain-inducing insects in The Sting of the Wild, recently published by Johns Hopkins Press. According to Schmidt, despite a universal, innate fear of stinging insects, only about 50 people a year die from the combined sting of all stinging insects, including wasps, honey bees and fire ants. The first half of this surprisingly entertaining book provides scientific theory and background, while the second gives in-depth looks at particular groups of insects. Schmidt encourages readers to skip around as they read; each chapter can be read as a stand-alone essay.
As a piece of anatomy, the stinger itself evolved from the ovipositor, or egg-laying tube, of the sawfly. Its ingenious three-part design — two sliding channels inside a third immobile tube — allow a tiny insect to impart a wallop of pain to its much larger victim. The addition of venomous fluid provides an additional layer of defense for most species, although sometimes that venom is used for capturing prey. If you understand that the stinger was once an egg-laying tube, you’ll know why only female insects sting. But Schmidt is quick to point out that while male bees and wasps lack stingers, they feature hardened genitalia which they use to “pseudo-sting” would-be threats.
Schmidt has a particular passion for harvester ants, and lucky for him his wife is also a zoologist who helps to collect them by the bucket load so they can study their venom. You really don’t want to be stung by a harvester ant. There are five things that make harvester stings unique: 1) delayed reaction to the sting, 2) sweating around the sting site, 3) hairs in the sting area stand up, 4) the lymph nodes nearest your sting become hard and tender and 5) the pain is excruciating, coming in waves that can last from four to 12 hours.
One of the most enjoyable features of the book is the inclusion of the Schmidt Sting Pain Index, developed by the author himself. Schmidt allowed himself to be stung by 78 species of hymenoptera so that he could record the nature of the pain and rate it on a scale of zero to four. Don’t let anyone tell you that entomologists don’t have a sense of humor. The sting of the club-horned wasp, for example, is described as a .5 — “Disappointing. A paperclip falls on your bare foot.” While the warrior wasp rates a 4 for a sting that is “Torture. You are chained in the flow of an active volcano.” Readers who share my fascination with the natural world, and particularly those who revel in unusual animal facts, will love The Sting of the Wild.
Travel with Bill Bryson through this green and pleasant land known as England in The Road to Little Dribbling: Adventures of an American in Britain. An unabashed Anglophile, Bryson takes us on a tour via an imaginary line he has drawn from Bognor Regis in the south to Cape Wrath in the north, which he declares the Bryson Line. According to the author, if you are asked the southernmost and northernmost locations on the island for the citizenship exam, the British government gets it wrong. Bryson then sets out to prove the greatest gulf between Americans and Brits is the bond of a common language.
Bryson mourns the passing of stately old homes and dedicated gardeners while rejoicing in the new respect for the British landscape. We visit sites as famous as Stonehenge and as obscure as Grimsby’s Fishing Heritage Center. Bryson fumbles with the foibles of the National Trust, tangles with the terror of cow attacks and notes the depletion of his funds for everything from parking to admission tickets. Regardless of the occasional rudeness, lack of garbage facilities and the proliferation of slouchy hats and baggy pants, it’s Bryson’s wit and wisdom that shines through. We are introduced to the uniqueness that is England while reminded that, at the end of the day, we all share our humanness.
Bryson is the author of The New York Times bestseller A Walk in the Woods. His earlier works include Notes from a Small Island, Neither Here Nor There and The Lost Continent. The author and his family lived in England for 20 years. He now resides in Hanover, New Hampshire, and retains dual citizenship.
David Kushner’s early childhood was near idyllic. Born in 1968 to observant Jewish parents with liberal ideals, Kushner and his two older brothers Jon and Andy had license to roam free in their Tampa suburb. Days were filled with bike rides, games and exploration of the natural world that surrounded both their home and school. But one October afternoon, Jon took a solo ride to the 7-Eleven to buy Snappy Gator Gum for David and himself. He never returned. Alligator Candy: A Memoir is the story of the tragedy that affected not only the Kushner family, but the entire community.
David, a contributing editor for Rolling Stone, a journalism professor at Princeton and an author of several nonfiction titles, tells this deeply personal story with candor and generosity. What does he remember about the last time he saw his brother alive, and can he trust that memory? Would Jon be alive today if almost-5-year-old David hadn’t asked for that gum? The rest of his life from that point forward, was marked by having a brother who had been abducted and murdered. Childhood was no longer safe; his bogeyman was real. Actually, he had two bogeymen — the men who had confessed to treating his brother in a way that was far worse than anything he’d heard from his old edition of Grimm’s Fairy Tales.
How does a family move on? Kushner credits his parents for allowing him and his older brother the freedom to move beyond the fear, to continue to have as normal a childhood as possible. He acknowledges his Jewish faith, but most importantly the community that came forward to support his family from the moment Jon went missing. As he got older, he knew his memories of his brother’s murder were incomplete, and much of what he thought he knew was based on a combination of overheard conversations, conjecture and rumors. And although he craved answers to what was a mystery to him, he didn’t want to subject his parents to painful recollections.
At 13, he went to the library to request microfilm of The Tampa Tribune from October 1973. What he read satisfied his need for more information, but also led to further questions. One fact remained: He was becoming a man, a bar mitzvah, while Jon would forever remain a boy. Kushner talks about other famous cases involving missing and brutalized children, explaining how laws have come into being as a result. An existing legal loophole allowed for a parole hearing for one of Jon’s killers, compelling David and Andy to testify. The thought of this man possibly getting out into the world was stupefying. The family found justice and some solace in knowing the mastermind of the crime had been executed under the death penalty.
Alligator Candy is a memoir that marks a lifetime of remembering, searching and gathering. The processing will always continue. Kushner's evocative prose took me back to my own early '70s childhood, with just the right period details and nostalgia. Despite its difficult topic, Alligator Candy is compulsively readable and highly recommended.