Caitlin Doughty grew up in Hawai’i, and early on became “functionally morbid” with death. As a girl, she witnessed a shocking accident at a shopping mall, which cemented her desire to better understand the afterlife, which she parlayed into her college study of medieval death rituals. In her book debut Smoke Gets in Your Eyes: And Other Lessons from the Crematory, Doughty brings this difficult but universal subject to light. Despite the dark and sometimes gory content, she conversationally illuminates her year at Westwind Cremation and Burial in Oakland, California, and what she has accomplished since. If you never before knew the methods (and secrets) of “dignified” body disposal, you will after reading this exceptional book.
Doughty sprinkles her text with plenty of food for thought, whether it be historical and cultural tidbits about death, body disposal and mourning in cultures throughout time and worldwide, or when she gives her strong opinions about what we in America are doing right and wrong when it comes to handling our mortality. She daydreamed that one day she would open a funeral practice called “La Belle Mort,” which would take the unnatural aspects out of the process, but instead make for an open discussion about death and the hereafter. A chapter focusing on women’s roles in mortality culture includes a passage reminding the reader that “every time a woman gives birth, she is creating not only a life, but also a death.”
The author discusses corpses of all shapes and sizes, ranging from the stillborn to the elderly, the suicides and the drug overdoses, those who died surrounded by loved ones and those who died alone. Host of her own YouTube series, Ask a Mortician, Doughty also discusses how unfortunate it is that so few people know the law with regard to their loved ones’ corpses, nor do they have a plan of action. A timeless memoir, Smoke Gets in Your Eyes is both eye-opening and could start important topical discussions that too few of us are having.
This book will make you a better writer. It will also make you a better collaborator. It will probably make you better at just about any endeavor that involves getting people excited about an idea. Words for Pictures: The Art and Business of Writing Comics and Graphic Novels is a book about becoming a comics industry professional by one of the comics industry’s biggest names. Brian Michael Bendis has written the most popular characters at Marvel in many of their most epic appearances, alongside many touted professionals in the industry.
That last point is the most important. This may be Bendis' project, but it's rarely Bendis' voice alone. The first chapter may be Writing 101 advice, but that stops quickly. Most of the book consists of Bendis interviewing other writers he's worked with on how to put books together, generate ideas and then act on them. From there, he launches into working with artists, from how he tries to bring out their best work to how to get the best collaborative results. What really sells this is that Bendis got 14 artists from the industry to give their side of the collaboration. What gets an artist excited? What's the right level of direction? When does the writer need to back off and let the artist do their job?
The end result is that it becomes clear that there are any number of ways to successfully work together. A springboard is set up for aspiring artists and writers to find their own methods. Bendis pulls a hat trick twice. He doesn't stop with artists. There's an entire section devoted to working with editors. The most valuable section may be Bendis' interview of his wife, who handles the business side of his art. This book could make a successful artist out of a starving one and that's priceless.
Most home cooks are now acquainted with at least one family member or friend who is vegetarian, or may be vegetarian themselves. Bruce Weinstein and Mark Scarbrough, authors of over 20 cookbooks, have now published Vegetarian Dinner Parties: 150 Meatless Meals Good Enough to Serve to Company. In an extensive, chatty and humor-filled introduction, the pair discuss the value of dinner parties and the fallacy that these gatherings are in the midst of a comeback — it is their assertion that they’ve never gone away. They also admit to being “lapsed vegetarians,” but encourage the use of vegetables and fruits as the stars of any meal course. As they learned upon putting together this book, many of the recipes could easily be turned vegan, and over 40 percent of the dishes are fully vegan. The men also give suggestions for easy tablescapes and music to enhance any dinner party.
The authors describe the importance of prep work, and divide the book into seven courses that “follow the arc of a dinner party:” cocktails and nibbles, small plates, soups and salads, pastas, large plates and desserts. But they caution that there is no need to have all or even most of these courses depending on the guests, the hosts, the kitchen and time. Among the recipes themselves, there are helpful hints that indicate what part of the process can be done ahead of time, what can be skipped if time and/or ability is limited and what potential garnish and beverage would go best with each dish. Additionally, a suggestion is made as to how, within a full dinner party, the recipe would best complement other recipes in the book.
Weinstein and Scarbrough’s take on vegetarian cooking is very 21st century in its outlook. As they worked to perfect the recipes, they quickly realized that there is no need to hide fruits and vegetables with heavy creamy sauces or cheese, or to relegate these ingredients to sidekicks for a historic protein. Instead, the fresh, bright elements shine through as the brilliant features of the party.
Award-winning photographer Traer Scott brings nocturnal wildlife to vivid life in Nocturne: Creatures of the Night, her fascinating book of animal portraiture. A detailed introduction explains the processes that Scott went through to compose and best feature the animals, including how her husband constructed black foam core boxes to provide fully black backgrounds for the smaller creatures. She also describes in detail the experiences of corralling a little brown bat on to its “stage”; the short, vivid life of a luna moth and how she felt obligated to photograph and release it humanely; and the first defense porcupines use when feeling threatened – a pungent odor she found herself covered in when going for the perfect shot leaving her barely able to breathe.
The bulk of the lovely book, of course, is the stunning photographs themselves. Each portrait of the featured beings comes with a short explanation of some of the animal’s more captivating nocturnal behaviors. The author also conveys that the habitats of too many of the animals presented are being destroyed as humans encroach on their environment. From the well-known, such as species of owls, bats and raccoons, to the various felines, snakes and amphibians that stalk the darkness, Scott’s photographic subjects glow with life. The fur, scales and feathers of the studies catch the light against the black, becoming brilliant and almost tangible. An easy-to-hold size makes Nocturne a beautiful package to pore over with amazement at the photographs and the animals contained within.
Early on the morning of September 22, 2006, 19-year-old Reggie Shaw’s vehicle went left of center, striking another car. The occupants of that car, Jim Furfaro and Keith O’Dell, were killed on impact in the resulting accident. When questioned by police on the scene, Reggie told them that he thought he had hydroplaned. Upon further investigation, police found that Reggie had been texting at the time of the accident. In fact, he had sent and received 11 text messages in the moments leading up to the crash and was likely texting at the moment of impact. Matt Richtel’s new book A Deadly Wandering: A Tale of Tragedy and Redemption in the Age of Attention begins with the story of this tragic accident and examines how the immense increase of technology in recent years has impacted our ability to process information and focus.
It’s probably not at all surprising that we are more distracted today than ever before. The rapid growth of technology has exponentially increased the amount of information our brains process every day. In fact, a study showed that people consumed three times the amount of information in 2008 as they did in 1960. Richtel, who won a Pulitzer Prize for his reporting on the dangers of distracted driving, examines the effects that technology has on our ability to focus. What he finds is both timely and fascinating. A Deadly Wandering revolves around the accident and resulting legal case, but that’s not the whole story. Richtel also includes data that neuroscientists like Dr. Adam Gazzaley have found relating to how today’s technology has impacted our cognitive abilities.
This is a compelling work of narrative nonfiction, written by an author who clearly knows how to tell a story. Richtel humanizes the issue while sharing fascinating scientific research into one of the most important issues today. This story is guaranteed to capture your attention.
“Between 2001 and 2012, 63,300 American factories closed their doors and five million American factory jobs went away.” Author Beth Macy quotes these figures in her best-selling new book Factory Man: How One Furniture Maker Battled Offshoring, Stayed Local and Helped Save an American Town. Macy writes about the impact of free trade and globalization as it affects rural Henry County, Virginia, and its century old furniture manufacturing industry. Think this sounds a bit dry? Meet the driven factory man of the title: John Bassett III.
J.D. Bassett built his first furniture factory in his front yard around 1902. Twenty years later, his Bassett family furniture dynasty, with multiple factories employing hundreds of workers, was thriving thanks in part to the native “assets:” cheap southern labor and Piedmont forests ripe for lumber harvest. With Bassetts building churches, banks and schools, Bassett, Virginia, became the quintessential company town and the Bassett family its royalty, marrying its sons and daughters to scions of other local manufacturers. John Bassett III, grandson of J.D., seemed destined to inherit the Bassett Furniture throne until family politics and imported Chinese-made bedroom suites intervened.
Elbowed aside in favor of a brother-in-law, John Bassett III was determined to succeed on his own merit, and eventually settled at Vaughn-Bassett Furniture in nearby Galax. In direct competition with his own family, he found the larger threat to his business to be the growing stream of wooden furniture imported from Asia, priced well below what American companies could charge for their domestic product. With Virginia factories shutting down and double digit unemployment figures skyrocketing, Bassett struck back. Taking on foreign manufacturing, United States economic policy and the Furniture Retailers of America trade group, Bassett fought to enforce fair trade regulations while reinventing his furniture company over and over to remain viable. Factory Man is not just John Bassett III’s story but an eye-opening account of small towns dependent on blue collar industry in a changing global economy.
To join in an ongoing discussion about Factory Man, which includes many local residents' comments about the book and the Bassett, Virginia, area, visit https://www.facebook.com/#!/groups/FactoryManFans/.
Former Chicago Tribune journalist Marja Mills says she never expected to befriend Harper Lee, much less write a biography-memoir about her 18-month sojourn to Monroeville, Alabama, that included living next door to the reclusive author. But 15 years after Mills' first visit, her highly discussable new book, The Mockingbird Next Door, has ridden the literary wave for its jolt of homey, if not mundane, rituals of Lee's daily life. If a peek behind the curtain is what you are seeking, Mills does not disappoint. The comings and goings of the Lee sisters (Alice is older) are affectionately detailed, leading to the inevitable question as to why Harper Lee would allow herself to be portrayed so simply and unguarded after years of shying away from publicity.
For Mills, this assignment was intriguing for its possibilities, and an opportunity to prove she could still do her job despite a diagnosis of lupus. In 2001, she travels to Lee's hometown to speak to folks who knew the then 75-year-old Harper Lee (Nelle to friends) and to get a feel for Monroeville, the setting for Lee's fictional Maycomb in To Kill a Mockingbird, the instant classic about the 1930s South. With a reporter's eye for opportunity, Mills meets and impresses Alice, smoothing the way for a meeting with the famous Harper Lee, whose only book won the 1961 Pulitzer Prize and was the subject of an Oscar-winning film. When Harper Lee called the reporter's hotel room, Mills recalled, "It was as if I had answered the phone and heard, 'Hello. This is the Wizard of Oz.' I felt my adrenaline spike."
Mills injects a strong sense of place in her conversational writing, along with plenty of quaint colloquialisms. There are towns like Burnt Corn and Scratch Ankle, and fishing trips and coffee-sipping at McDonald's. She captures the Mayberry-like tone of Lee's voice with her frequent "bless her heart," "mercy" and "thanks a bunch, hon." Mills tenderly skims over rumored aspects of Lee's life, dealing with sexual orientation and drinking, although her exploration of Lee's intriguing relationship with childhood friend, Truman Capote, is one of the more interesting chapters.
Knowing Harper Lee's penchant for privacy, it is probably not surprising that Mills' book has come under scrutiny. The author has insisted she had Lee's blessing for the project. Harper Lee's released statement denies the 88-year-old ever gave approval; Alice recalled otherwise. Such matters won't deter readers who will relish this intimate look inside the seemingly uncomplicated life of one of the most complicated and beloved literary figures of the 20th century.
Get ready to laugh out loud as two young actresses share glimpses into their personal and professional lives. Danielle Fishel — remember Topanga Lawrence from the 90s sitcom Boy Meets World? — and Lena Dunham, creator and star of HBO’s Girls bare it all in poignant memoirs.
Fishel’s Normally, This Would Be Cause for Concern is more than just a tell-all, although fans will enjoy learning of her celebrity dating roster which included Lance Bass and Ben Savage. She also shares her undying love for Jared Leto, who rescued her from the L.A. freeway following an accident. Fishel, who is reprising her role of Topanga in the new Disney show Girl Meets World, is as entertaining and appealing on the page as on the small screen. Storytelling comes naturally, and she has plenty of juicy gems for readers involving awful auditions, red carpet faux pas and dating disasters. But behind the stories, she shares her neuroses and faults making this a refreshing Hollywood memoir.
In Dunham’s Not That Kind of Girl, the actress reveals personal struggles which aren’t far removed from the character she plays on TV. Both deal with OCD, therapists and awkward dating experiences. Dunham excels at documenting her coming of age and her professional experiences in a male dominated industry. She tackles big issues with hilarity and honesty in this series of essays, sure to appeal to fans of David Sedaris and Nora Ephron. Dunham has said of this book, “I’m already predicting my future shame at thinking I had anything to offer you with this book, but also my future glory in having stopped you from trying an expensive juice cleanse or having the kind of sexual encounter where you keep your sneakers on. But I am a girl with a keen interest in having it all, and what follows are hopeful dispatches from the frontlines of that struggle.”
September 13-14 marks the 200th anniversary of Francis Scott Key writing “The Star-Spangled Banner.” Author Marc Leepson takes us deeper into Key’s life and world in What So Proudly We Hailed: Francis Scott Key, A Life. As Leepson explains, “Virtually every American knows the name Francis Scott Key. But they know just one thing about him. There was a lot more to the man than just that he wrote 'The Star-Spangled Banner' under dramatic circumstances." Leepson shares more about Key’s life, his family and his relatively unknown influence on our country’s history. Watch a video of Leepson’s recent talk at the National Archives on BCPL’s Tumblr.
Marc Ferris’ Star-Spangled Banner: The Unlikely Story of America’s National Anthem takes a different approach, following the history of the song itself. When it was first published as a broadside, the song was actually titled “The Defence of Fort M’Henry.” Key’s words were intended to match the already well-known tune of “To Anacreon in Heaven,” a song that Ferris refers to as “a bawdy, boozy ballad.” It was instantly popular in Baltimore. Later, when Congress named it our national anthem in 1931, “The Star-Spangled Banner” was one of several contenders for the honor. It was selected over other popular choices like “America the Beautiful,” “Yankee Doodle” and “My Country, ‘Tis of Thee.” This rich history of “The Star-Spangled Banner” is a fascinating read.
Baltimore will be celebrating this important anniversary with a host of exciting events September 10-16. The full schedule of events is available here.
From panda parents to tiger moms and wolf dads, prescription parenthood has gained a toehold in our culture. And it’s little wonder. In a world of increasingly global competition, it’s understandable that today’s parents question whether the way they were raised is an effective model for the next generation.
Some authors have sought to capitalize on this cultural anxiety, confirming fears of parental inadequacy and boldly prescribing a veritable menagerie of methods for ensuring the success of our children. Perhaps the most controversial of these is Amy Chua, who’s Battle Hymn of the Tiger Mother, which outlined what she termed “Chinese parenting,” caused a stir across the country.
Now, in The Hybrid Tiger: Secrets of the Extraordinary Success of Asian-American Kids, Quanyu Huang presents a gentler, less abrasive analysis of the differences between Chinese and American parenting.
As a product of Chinese education and culture himself as well as the parent of a child raised in America, Huang presents a uniquely balanced perspective on the subject. Acknowledging the undeniable academic success of Asian and Asian-American children, he also draws attention to the post-academic success of many adult products of the American experience, who seem to “catch up” in the college years. Instead of ascribing to an either/or model, Huang advocates “co-core synergy education;” a compromise between the Asian style of parenting and the American.
Huang’s premise is an interesting one and bears reflection. If The Hybrid Tiger has one flaw, it is that the text occasionally suffers in its execution, feeling at times a little awkward. Huang’s samples of questions from Chinese/American parents feel a little forced and seem to function as a platform for his own interpretation of what these parents should be asking rather than as actual examples of questions he’s encountered from either set. Nevertheless, the overall message is a unifying and commonsensical one emphasizing parental involvement in academic discipline without sacrificing socialization and creativity.
Readers who enjoy The Hybrid Tiger may also enjoy The Dolphin Way: A Parent's Guide to Raising Healthy, Happy and Motivated Kids–Without Turning into a Tiger by Shimi Kang.