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Outlander Kitchen

posted by: December 21, 2016 - 7:00am

Cover art for Outlander KitchenJamie and Claire. If you easily recognized those two names, than you are wey ahead o' th' gam on this blog post. First published in 1991, the Outlander series — historical fiction that has taken its readers on the adventures of a time-traveling heroine to the Scottish Highlands during the mid-18th century — has reached the hearts, minds and now stomachs of its fans with the Outlander Kitchen: The Official Outlander Companion Cookbook by Theresa Carle-Sanders. The earthy nature of the recipes may inspire you to break convention this holiday season and create a feast that celebrates this popular story.

 

The book includes a forward by author Diana Gabaldon, who explains that it isn’t difficult to transform your 21st century kitchen into the ultimate Outlander Kitchen. As you prepare a Yuletide menu, why not make “Governor Tryon’s Potato Fritters,” a yummy pancake made up of only five simple ingredients — eggs, potato, flour, salt and onion. If you have a craving for sweets, there is the “Humble Crumble Apple Pie,” which probably speaks for itself, consisting of freshly cut apple slices within a light flaky crust. Included with each character-driven recipe is an excerpt from the book that wakes up the taste buds along with a vivid assortment of culinary photographs.

 

The Outlander series has captured the world and BCPL by storm — adapted as a television series available on DVD and also as a graphic novel. Set among the romantic backdrop of majestic hills and crags, it is easy to become spellbound with its natural beauty and rustic way of life. Traveling between two centuries and several different countries couldn’t be any easier this holiday season. Who knows, after trying out some recipes you may find yourself reciting the well-known Auld Lang Syne by Scottish poet Robert Burns. Sloch weel (eat well)!


 
 

Born a Crime

posted by: December 20, 2016 - 7:00am

Cover art for Born a CrimeTrevor Noah leapt to prominence in the U.S. when he succeeded Jon Stewart as host of The Daily Show. Now, at age 32, he’s published his memoir. If that seems premature, it’s only because you haven’t read it yet. The title of Noah’s book, Born a Crime, is an indictment of the apartheid system into which the South African comedian was born.

 

More than an autobiography, Born a Crime is a child’s eyewitness account of life under apartheid and the upheaval that followed when that regime ended. The book’s also a tribute to Noah’s feisty, outspoken mother, Patricia. A member of the Xhosa tribe, Patricia defied the law by having a relationship with white businessman Robert Noah. Once Trevor was born, the couple couldn’t be seen in public as his parents. They enlisted a mixed race neighbor to pose with Robert and Trevor for “family” photos. The Black woman standing in the background of those photos, pretending to be the nanny, was Trevor’s real mother.

 

Noah finds humor and pathos in this bizarre upbringing. On a more serious note, he also speaks out strongly against domestic violence. Many years after her relationship with Noah’s father, Patricia married Ngisaveni Shingange. Noah recounts in chilling detail the gradual escalation of violence in the household and his mother’s struggle to leave Shingange. The decision almost led to her death. His stepfather’s threats against Trevor’s own life were one of the reasons the comedian turned his sights to a career in America.

 

Clearly, Noah has packed a lot of living into his short life — and this book only covers the first 25 years. Fans of books by The Daily Show alumni Stephen Colbert and Jon Stewart will enjoy reading Noah’s autobiography, but it will also be of interest to anyone curious about life under apartheid.

 


 
 

Truevine

posted by: December 19, 2016 - 7:00am

TruevineAuthor Beth Macy, former reporter for The Roanoke Times, used to hear rumors about local African American brothers who’d been kidnapped by the circus. Impenetrably shielded by their family, the brothers’ fate remained private until their grand-niece Nancy Saunders agreed to allow Macy to share their history. The result is Truevine: Two Brothers, a Kidnapping and a Mother’s Quest: A True Story of the Jim Crow South.

 

Brothers George and Willie Muse were born in the 1890s in Truevine, VA, a rural and impoverished community of former slaves and their descendants — where Jim Crow reigned and “justice” might have meant lynching. Both brothers were born with albinism, which gave them golden hair, milky skin and light-sensitive pale blue eyes, which were a curse for children expected to toil in tobacco fields under the broiling sun. One day, the little Muse boys disappeared...the same day a White man in a carriage was seen riding through Truevine.

 

Before television or radio, America had the circus. Traveling circuses large and small entertained folks with their performers, animals and, though appalling by current sensibilities, sideshow acts. Featured along with giants, fat ladies and pinheads were the headliners billed as the Ambassadors from Mars, or sometimes as the sheep-headed cannibals Eko and Iko, aka George and Willie Muse, who eventually traveled the United States and abroad as part of the “greatest show on earth.”

 

Macy gives the reader two stories in Truevine. One is of the Muse brothers and their mother Harriet, an amazing woman — a Black domestic worker who repeatedly used the deeply racist legal system to challenge the influential entertainment industry to recover her children and end the exploitive working conditions under which they were held. The other, tightly entwined with the Muse narrative, is the historical detail on the circus and its freak shows, a microcosm which reflected broader societal norms. Well researched, fascinating and profoundly moving, Truevine is a story which needed to be told.


 
 

Fall and Winter Book Buzz

posted by: December 14, 2016 - 7:00am

BCPL Book BuzzLooking for the next good book to read or a perfect holiday gift? BCPL librarians shared some of their most anticipated books coming out this fall and winter with customers at Book Buzz sessions around the county.  It’s always hard to pick, but the librarians did come up with these favorites, already popular with so many readers.

 

Two iconic leaders are featured in our nonfiction picks. Candice Millard offers a fascinating account of Winston Churchill’s experiences during the Boer War in Hero of the Empire and Julia Baird uses the journals of Queen Victoria to shed light on the monarch in Victoria: The Queen: An Intimate Biography of the Woman Who Ruled an Empire.

 

Among the many exciting fiction titles released this fall and winter are this diverse group. The Heart of Henry Quantum by Pepper Harding explores contemporary middle-aged relationships, telling the story from three perspectives — a husband, a wife and the “one who got away.” Thriller fans will devour Holly Brown’s This Is Not Over, a story of two women caught in an escalating game of cat and mouse using hidden secrets in a psychological battle that leads to an explosive ending. Ann Patchett’s Commonwealth is a beautifully written novel that crosses generations and looks at the random events that have the biggest impact on our lives. Another family story that explores how one decision can shape lives is The Mothers, an unforgettable debut novel by Brit Bennett, my favorite of this season.


 
 

Between the Covers with Gary Vikan

posted by: November 30, 2016 - 7:00am

Cover art for Sacred and StolenCrooked dealers. Forgeries. Thefts. Looted antiquities. Readers will find it all in Gary Vikan’s highly readable and entertaining new memoir, Sacred and Stolen: Confessions of a Museum Director. The distinguished medieval scholar and former director of the Walters Art Museum recently answered questions for Between the Covers in advance of his book talk at the Hereford Branch on December 4 at 2 p.m.

 

Between the Covers: Your new memoir, Sacred and Stolen: Confessions of a Museum Director, provides an insightful, often humorous look behind the scenes of the art world. What prompted you to share these stories with the public?

 

Gary Vikan: Over the years I became increasingly interested, as I gave tours of the Walters, in telling the stories behind the works of art — stories that are distinct from their art-historical narrative. Most works have a story, many are very interesting — and some straight-out scandalous.

 

BTC: Shady dealings, sketchy characters, stolen art — you cover it all. Did you worry you were saying too much?

 

GV: Not at all. Maybe not enough. My lectures on the book can go into that other territory.

 

BTC: Museums have to connect with people. How has the art experience for the public changed since you got into the business?

 

GV: I initially thought my job was to educate my audience. Now I think my job is to listen to my audience, and to meet them where they are. Ideally, I can create for them a setting in which works of art of the past can do their magic.

 

BTC: From 1994 to 2013, you were the director of the Walters Art Museum. What accomplishments are you most proud?

 

GV: We went free in 2006. That is what museums should be: FREE.

 

BTC: Of all the exhibitions you’ve curated during your career, do you have a favorite?

 

GV: Yes, Holy Image, Holy Space: Icons and Frescoes from Greece in 1988. It was the first major icon show in the U.S., and it was the first time I was able to empower the works fully in my installation.. People kissed the Plexiglas of the cases containing the icons.

 

BTC: You speak about the “Wild West” days of collecting when not a lot of questions were asked about the provenance of pieces. Where are we today with the trail of looted antiquities and threat to the world’s cultural heritage?

 

GV: We’re in what I call the “Post-Loot” age. I can tell that by what is NOT coming out of Syria and Iraq. Like our tobacco culture, our loot culture has changed profoundly over the last 30 years.

 

BTC: What do you see as the next challenges for museums?

 

GV: Being meaningful for audiences, and playing a meaningful role in addressing social justice and social ills. To be a player in healing.

 

BTC: You have a knack for telling an engaging story. Are there any plans to write a fictional whodunit set in the art world?

 

GV: Nope, because my reality is stranger than fiction. My next book is titled: The Shroud: Case Closed. And guess what, I prove the Shroud of Turin is a FAKE!


 
 

American Cake

posted by: November 29, 2016 - 7:00am

Cover art for American CakeI have always fancied myself a baker, so I couldn’t wait to dig my teeth into Anne Byrn’s American Cake: From Colonial Gingerbread to Classic Layer, the Stories and Recipes Behind More Than 125 of Our Best-loved Cakes from Past to Present. In her latest, Byrn, the best-selling author of Cake Mix Doctor (which has one of my favorite, go to cake recipes — Chocolate Kahlua Cake), not only gives you delicious recipes, but the history behind some of your favorite cakes as well.

 

The book starts with baking in America in the mid-1600s and continues through the present. Home bakers did not always have modern day appliances, but they still baked wonderful cakes. There were times when some of the ingredients were scarce and people had to improvise, which, according to Byrn, is the mark of a good baker. We learn that early cake baking was done by the wealthy because the ingredients were expensive. Each recipe comes with a brief history. Maryland’s own Smith Island Cake has an entry. There were  “war cakes” and “Depression cakes,” which were  made without eggs, sugar or butter due to unavailability or rationing. Post-World War II, fictional character Betty Crocker had a large influence on women with her cake mixes and cookbooks.

 

American Cake tells the story of our nation’s history through my favorite treat, cake. Don’t worry, you don’t have to cook over an open fire — Byrn has updated the recipes for our modern bakers. Many of these recipes will be in my baking rotation. Happy baking and more importantly, happy eating.

 


 
 

Victoria

posted by: November 22, 2016 - 7:00am

Cover art for Victoria the QueenIn Julia Baird’s biography, Victoria The Queen: An Intimate Biography of the Woman Who Ruled an Empire, she does not shy away from telling both the good and the bad, but being that I am a fan of the queen, I shall not speak ill of her. At the time of her death, Queen Victoria was the longest reigning English monarch. She reigned for just over 63 years — this time has become known to us as the Victorian Era.

 

When Victoria was born, she was fifth in line to the throne, but her father, the Duke of Kent, stated: “Look at her well, for she will be Queen of England.” Victoria became queen at the age of 18, at a time when most women had no power, and first British monarch to live in Buckingham Palace.

 

Queen Victoria was popular at the beginning of her reign but went in and out of favor with her people during her time on the throne. She overcame numerous attempts on her life and was key in constructing the British Empire. With her nine children and 42 great grandchildren, Queen Victoria has been dubbed “the grandmother of Europe.” Once you start this book, you will not be able to put it down as it is filled with all the hallmarks of a blockbuster — drama, intrigue and scandal. This book is a great pairing with Daisy Goodwin’s Victoria.


 
 

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