As summer winds down, we look forward to cooler weather, pumpkin-flavored everything and fall television premiers! If you’re like me and you need to read the book before you watch it on screen, here are 10 new series premiering this television season based on books.
Hulu’s Chance, based on the book by Kem Nunn, is a psychological thriller set in San Francisco about a psychiatrist, his female patient with multiple personality disorder and her homicide detective husband.
NBC’s Emerald City is a modern reimagining of L. Frank Baum’s Land of Oz series featuring 20-year-old Dorothy Gale and a K9 police dog.
Fox’s The Exorcist, based on the 1971 novel by William Peter Blatty, follows a new family’s fight against demonic possession.
Amazon’s Good Girls Revolt is based on the true story of author Lynn Povich and 45 other women who sued Newsweek for sex discrimination in 1970.
Hulu’s The Handmaid's Tale is based on the classic dystopian novel by Margaret Atwood.
NBC’s Midnight, Texas is a supernatural drama based on the series by Charlaine Harris — also the author of the Sookie Stackhouse books which formed the basis for HBO’s True Blood.
NBC’s Powerless is a workplace comedy about an insurance company set in the DC Comics Universe.
CW’s Riverdale is a live-action teen drama based on the characters from Archie Comics, celebrating its 75th anniversary this year.
Netflix’s A Series of Unfortunate Events is based on the children’s series by Lemony Snicket about three orphaned siblings.
ABC’s Still Star-Crossed, based on the teen novel by Melinda Taub, features the Montagues and Capulets in the aftermath of Romeo and Juliet’s tragic deaths.
If you ever find yourself seeking words of wisdom to help motivate you, look no further than to Tavis Smiley, one of TIME Magazine's 100 Most Influential People, a PBS talk show host and The New York Times bestselling author. His latest, 50 for Your Future: Lessons from Down the Road, is an inspirational guidebook through the ups and downs, twists and turns of life.
50 for Your Future contains 208 vivid, eye-catching pages full of insight. Readers will learn 50 beneficial lessons that Tavis Smiley himself has learned over the years — the mistakes that he has made, the lessons he's learned (and is still learning) and the valuable advice he's gathered from family members, mentors and celebrities are found.
Other Tavis Smiley titles include Before You Judge: The Triumph and Tragedy of Michael Jackson's Last Days and The Covenant with Black America: Ten Years Later. To find out more, visit Tavis Smiley's website.
While biological research is continually making new discoveries into how much we know about animals, there is one aspect in which scientists scrupulously avoid speculation: animals’ minds. In Being a Beast, Charles Foster attempts to rectify this disparity by immersing himself in the “neuro-alchemy” of wild creatures. Not only does he study the latest veterinary neurological research, he tries to live like them too. In a tradition of ersatz, immersive experimentation also seen in the works of Bill Bryson and A.J. Jacobs, he models his behavior to live as a badger, an otter, a fox, a red deer and a swift.
Foster’s experiences are variously uncomfortable, degrading, bizarre and sublime. While his scientific method would not hold up under much scrutiny, the objective of his writing is more ontological. Foster attempts to position himself counterpoint to humanity’s historical position as a “conqueror” of nature. He uses nature to escape — sloughing off modernity in an attempt to define and describe wildness and autonomy. His research is doomed to failure, and he begins the book by acknowledging that the challenges he sets for himself are impossible, but there is insight to be found in his quixotic experiment. Foster’s doctorate in medical law and ethics, plus his qualifications as a veterinarian, help to back his credibility even when his experiences and arguments verge on the esoteric.
Does sexism still exist? Sure, men and women are different. We always will be, biologically speaking. At first glance, women can surely do all of the things that men do in society. We can work, we can vote, we don’t “have to” be mothers and housewives. What more could we want? Where is the sexism? It’s there, and though it may have improved since the days of our mothers, grandmothers and great-grandmothers, we still need feminism. Widely acclaimed feminist writer Jessica Valenti reintroduces sexism in a different light and gives feminism a fresh approach in her newest book, Sex Object.
Sex Object is a memoir written in an organic, rather than chronological, structure. Valenti recounts the moments where sexism has affected her at all different ages and areas of her life, from the time she was in high school and her teacher asked her out, to her 20s when countless men would expose themselves to her on the subway, to the emails and responses she has gotten on her website, Feministing.com.
Valenti’s writing is realistic, raw and emotionally empowering. All women have all been where she has been, sexualized and objectified by men, but we don’t often think to call it “wrong” so much as “annoying.” Valenti’s message is not just that sexism is bad or that we should use feminism to fight it. It’s that sexism is so prevalent, so normalized every day, that we need feminism in order to recognize it. Valenti’s book is a great read for a new generation of feminists who understand that our responsibility is not to be victims, but to be voices. We do not necessarily need to fight, but we need to be aware.