Acclaimed poet Mary Oliver, winner of the National Book Award and the Pulitzer Prize in poetry, celebrates the dogs she has loved with words of tender care on each page of Dog Songs. Pet owners and animal lovers alike will find a kindred spirit in the voice of Oliver, who has immortalized her wooly confidantes with compassion and humor in a tone reminiscent of the veterinarian memoirist, James Herriot.
Oliver is known for her elegant treatment of the natural world but Dog Songs reveals a rare and intimately domestic side to the poet’s heart. She invites us into her home and introduces us to the cherished pets of her past and present like the unforgettable souls of Bear, Luke, Benjamin and Percy. Whether on a long walk, down at the surf or curled on a couch, each dog’s personality radiates with bliss and, at times, secretive wisdom.
However, we are not spared the pain that unavoidably comes with loving a life outside your own. While grieving in the poem “Her Grave,” Oliver addresses her lost friend by asking “How strong was her dark body!/ How apt is her grave place./ How beautiful is her unshakeable sleep./ Finally,/ the slick mountains of love break/ over us.” Too often the death of a pet is portrayed as an unimaginable horror but Oliver offers a holistic alternative where heartbreak and light might linger. Although devastated, she holds onto the love she has shared with her fallen friend and stands in awe of the animal who has brought her such joy, warmth and spiritual fullness.
Lifelong fans of Oliver, acclaimed for Why I Wake Early, Red Bird and Thirst, will find this both a gratifying and surprising addition to her life’s work. The narrative tone of these portraits, accompanied with gentle line drawings, make this collection appealing to non-poetry readers as well.
With the ongoing 150th anniversary of the Civil War, quite a few books have been published recently dealing with many of the famous figures and battles of that era. However, one area that has not been explored very deeply is the role women played in shaping this period of history. In her book Maryland Women in the Civil War: Unionists, Rebels, Slaves and Spies, author and former Stevenson University History Professor Claudia Floyd examines some of the ways that women were able to make a difference behind the scenes whether they were for the Union or Confederacy.
Well-researched with an extensive bibliography and endnotes, Floyd sheds light on some remarkable Maryland women who often risked their reputations, freedom and lives to assist with issues about which they were quite passionate. During the Civil War, Marylanders fought for both the North and South, although the state technically remained part of the Union. Floyd introduces the reader to some remarkably courageous women who took up both sides of the cause. Some are familiar (Harriet Tubman) and some obscure (Anna Ella Carroll) but they all helped in ways that included assisting slaves to freedom, nursing wounded soldiers, spying (for both North and South) and holding together their families torn apart by the loss of the security provided them by their absent male relatives.
As a child, author Kimberly Rae Miller would pray that her home would catch on fire. Her prayer was answered but, to her horror, it came with some unforeseen consequences. In her memoir, Coming Clean, Miller writes about her experiences growing up as the only child of parents who were hoarders.
Miller makes it clear that hoarding isn’t just a messy home with too much clutter. Hoarding à la the Miller parents means never throwing anything away. It means online shopping so obsessively that delivered but unopened packages are stacked to the ceiling. It means sleeping on the edge of a mattress otherwise piled with junk, never opening the refrigerator since it contains moldy sludge and showering at the gym since to call in a plumber to repair leaking pipes would mean being reported to social services. Yes, it means moving to a new home to escape the detritus in the old house.
It would be easy to dismiss this book as piggybacking on the odd appeal of the popular reality TV show Hoarders. The descriptions of the Miller family’s living conditions are shocking and sad. Miller also relates the shame she felt as a child, colluding with her parents to present a picture of normalcy, and the guilt, too, after the wished-for house fire resulted in the deaths of her beloved pets. Yet, this story is multi-layered, and Miller is clear that she was raised by loving and intelligent parents who encouraged and supported her in academic and social pursuits. Coming Clean reminds us that imperfect people and good parenting are not mutually exclusive, and our circumstances do not define who we are. Visit Miller at her blog, TheKimChallenge, where she writes about food, fitness, perspective and love.
In school, we all learned about Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, but there was another book published around the same time that had an important impact on the discussion of slavery in America. That book was Solomon Northup’s memoir 12 Years a Slave. Northup was born a free man and lived most of his life in New York. In 1841, he was lured to Washington, D.C. where he was beaten, drugged and sold into slavery. For the next 12 years, he was a slave on a series of plantations in Louisiana until his family was able to find him and bring him home to New York in 1853. 12 Years a Slave is his unflinching firsthand account of what he experienced and witnessed during that time.
When it was published in 1853, Northup’s memoir became a bestseller, selling over 30,000 copies. After the Civil War, the book was out-of-print for many years. It was rediscovered by two scholars in the 1960s and reprinted in 1968. Now, it has been adapted into a film that brings the horrors of Northup’s experience to the big screen. Like many of us, the film’s director, Steve McQueen, was surprised when his partner brought the book to his attention. He writes, “The book blew both our minds: the epic range, the details, the adventure, the horror and the humanity. The book read like a film script, ready to be shot. I could not believe that I had never heard of this book.”
The movie, which the New York Post calls “brutally powerful and emotionally devastating,” is already generating Oscar buzz. The film’s A-list cast includes Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Brad Pitt, Paul Giamatti and Alfre Woodard. The trailer is available here.
“The paranoia was fulfilled” – that’s how Joan Didion described the murders carried out in 1969 by Charles Manson and his band of devoted followers known as “The Family.” Translation? The late sixties were already a time of intense political change and civil unrest. Throw in sensationalized murders and an equally dramatic trial, and this period was officially the craziest and most unsettling in American history, no matter one’s political or ideological leanings. In Manson: The Life and Times of Charles Manson, Jeff Guinn traces the hardscrabble origins of the boy who grew up to become the infamous cult leader and murderer. Although Manson did have a somewhat unstable home life, he exaggerated or fabricated childhood tales of woe to win sympathy and devotion from his followers. In the true fashion of an “opportunistic sociopath,” as Guinn describes him, Manson used skills obtained in prison, like Dale Carnegie’s popular How to Win Friends and Influence People program, to manipulate followers and bring them under his control. His teachings that “Helter Skelter”, the end of an orderly American society, was close at hand led to the “Tate murders,” where pregnant actress Sharon Tate and four others were brutally killed. Additionally, his followers murdered several other people before and after this most infamous crime.
Guinn does an excellent job alternating national and world history with Manson’s development, meticulously chronicling his childhood and adolescence in and out of reform schools, his young adulthood as a petty repeat criminal, and his time in Haight-Ashbury, the neighborhood that was the epicenter for the darker side of the hippie movement where Manson did much of his initial recruiting. Those who enjoyed Vincent Bugliosi’s Helter Skelter: The True Story of the Manson Murders will appreciate this in-depth account of these suspenseful and chilling crimes. As James Lee Burke writes in his cover review: “Hang on, reader. This is a rip-roaring ride you won’t forget.”
Journalist Allen Salkin tells the story of one of the most amazing success stories in television history in From Scratch: Inside the Food Network. Today, the Food Network is a major entity that generates over $1 billion in revenue annually and reaches over 100 million homes. The network is known for making its stars household names, and both the network and its stars have tie-in cookbooks as well as their own lines of cookware, utensils and small appliances. The network even has its own magazine that features articles about food trends, lifestyle tips and, of course, recipes from its stable of chefs. In October 1993, when what was then called the Television Food Network came on the air, this success was beyond even their wildest imaginations. At that time, there were only a few celebrity chefs and even fewer television chefs. Stars like Julia Child, Martin Yan and Jeff Smith all appeared on PBS or the occasional cooking segment on a show like Good Morning America. No one could have imagined how the network would evolve or its meteoric rise to success.
Now, in time for the Food Network’s 20th anniversary, Salkin brings readers behind-the-scenes stories from the beginning to its current mind-boggling level of success. With this many big personalities, you know that it’s hot in this kitchen. Readers won’t believe the reactions of a couple of stars when their shows came to an end. They may be even more surprised by how much some stars struggled to become comfortable cooking on camera. When Alton Brown came up with his idea for Good Eats, he originally wrote down the three things he wanted to combine to create it. “Julia Child, Mr. Wizard, Monty Python.” During her first meeting with network executives, Rachael Ray announced, “I clearly don’t belong here, I’m not a chef. You’ve been duped.”
Salkin was given inside access to the network and its employees, including executives and stars, so he can bring readers the astonishing — and sometimes legendary — stories of what actually took place behind the scenes. He doesn’t hold back. From Scratch includes quotes, documents and scandalous stories that will surprise even longtime fans.
Punk-rock bassist and Soto Zen monk Brad Warner’s There Is No God and He Is Always with You: A Search for God in Odd Places takes its title from a well-known Zen Buddhist quotation. Warner believes that it “expresses the Zen Buddhist approach to the matter of God very succinctly.” As he explores the question of what God means to Buddhists and what non-Buddhists can learn from Zen teachings, Warner addresses spiritual and practical considerations through his experiences.
Having recently traveled the world doing book tours, spiritual retreats, and lectures, the author considers the roles of the body and mind and how people of various religious and cultural backgrounds conceptualize them. He travels to the Holy Land and meets and stays with an elderly Palestinian peace activist who owns a hostel that only takes donations. Warner also finds himself teaching and learning in places where Zen Buddhism is quite unknown, such as in Mexico and Northern Ireland. In one section, he discusses how Buddhism rejects the common Western perception of the body and mind as separate. The opposite, in fact, is a core belief of Buddhists, as the Heart Sutra explains there is no division between body and mind.
A good choice as a beginning-to-intermediate look at how Zen Buddhism and Western traditions can complement and contrast, Warner’s conversational musings are accessible to anyone wanting to think about his or her own spiritual background and understanding. Readers of comparative religion authors such as Karen Armstrong and Thich Nhat Hanh will find much to consider in this thought-provoking book.
Sharron Kahn Luttrell’s Weekends with Daisy is a beautiful story of how Luttrell fell in love with a puppy named Daisy and the enduring impact that experience had on her life. After Luttrell’s beloved German Shepherd Tucker passed away, she had what she refers to as canine deficit disorder. She needed a dog in her life. She heard about National Education for Assistance Dog Services (NEADS) and their Prison Pup Partnership. The program needed volunteers to help socialize the puppies on the weekends during their training, and she knew this was the perfect way to get her puppy fix.
That’s how Daisy, a sweet yellow Lab puppy who was training to become a service dog, eventually became part of Luttrell’s life. During the week, Daisy was cared for and trained by her inmate handler Keith at the medium-security prison where he was serving his sentence. Each weekend, Luttrell would pick Daisy up and drive her home where the Luttrell family cared for Daisy and introduced her to the sights, sounds and smells of the outside world. Eventually, Luttrell gave in to her curiosity and learned about the violent crime that Keith committed, and she had to find a way to make peace with the fact that the man she learned about was the same man who she had come to know as Daisy’s trainer.
Weekends with Daisy is a story about an amazing dog, but it’s also a story of Luttrell’s self-discovery and acceptance. Daisy’s sweet face and loving disposition will melt any dog lover’s heart. Eventually, Daisy was matched with an autistic boy named David. She works hard each day to make his life easier. Luttrell continues to foster service dogs-in-training for NEADS. Rescue, her seventh foster dog, recently graduated from the program.
Nurse Cathy Green looked at the elderly lady lying on the asphalt floor of the hospital's parking garage. The lung cancer patient was wheezing. Her oxygen tank was near empty. The rattled nurse couldn't stand to watch this woman die just because no one came to rescue her, so she walked away. It is gut-wrenching scenes like this that stay with you in Five Days at Memorial: Life and Death in a Storm-Ravaged Hospital, Sheri Fink's riveting, exhaustively researched account of what happened at one particular hospital following Hurricane Katrina.
For the doctors and nurses at Memorial Medical Center in New Orleans, the principles of the Hippocratic Oath were severely tested in the days following the storm when the floodwaters rose. Keeping the sick alive became an exercise in ping-pong triage. Patients were controversially grouped for evacuation. Rancid air and pitch-black interior rooms made conditions unbearable. Help was slow in coming. Complicating the picture was the "hospital within a hospital." LifeCare housed the most critically ill patients on Memorial's seventh floor. Who gets help first? Who is evacuated last? In Memorial's case, Fink attempts to contextualize what really happened after the hurricane and who was responsible for the 45 patients who died there under suspicious circumstances.
A medical doctor who has worked in disaster relief, Fink won the Pulitzer Prize in investigative reporting for her 2009 article, “The Deadly Choices at Memorial.” Published in The New York Times magazine, it chronicled the mercy killings at the hospital under horrendous conditions. In her book's shifting perspectives and reconstructed narrative, she places readers where they need to be: inside the mindset of those who were there. "We went into survival mode and were just trying to keep them alive with food and water," said a staff member. Readers who like their narrative nonfiction with some kick will find this issue-oriented page-turner of ethical choices made by a beleaguered staff a difficult read to put down.
J. Maarten Troost’s newest work of travel journalism, Headhunters on my Doorstep: A True Treasure Island Ghost, tackles foreign shores, classic literary giants and a newfound sobriety with the same sharp wit we’ve come to expect from the author of The Sex Lives of Cannibals, Getting Stoned with Savages and Lost on Planet China.
Again, Troost invites us along on his voyage to the South Pacific, but this trip promises to be immensely different. For one, his sole inspiration for this particular expedition is to follow Robert Lewis Stevenson’s own eccentric island-hopping excursions. On Hiva-Oa we stand over the stacked rocks of Paul Gauguin’s supposed grave, where Troost ruminates on the conflicting lives of the Post-Impressionist artist, both at once the freedom-loving painter and the syphilitic sexual tourist. On Nuka Hiva we discover the hidden dangers of the land that include falling coconuts, tiger sharks and deceptive fellow rovers.
But what’s with Troost’s sudden interest in the life of the novelist who penned Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde? What was compelling enough to set Troost trekking distant lands and sailing strange waters? The search for redemption. He asks us to “step back for a moment and consider our hero, Robert Lewis Stevenson. The first thing one gleans is that he does not mess around –no hemming and hawing for him, no dithering.”
Troost, nearly one year sober, is testing not only his sea legs but his teatotaling fortitude which has held him back from both wrecking his marriage and ruining his life. Troost, while traveling on a boat of booze-guzzling shipmates, is not dawdling nor dithering in his search to better understand addiction. With candid humor, Troost dissects himself while also ruminating on the relationship between some of the great artists and writers and their own proclivities for drugs and the endless bottle.
For fans of classic Troost, there are still plenty of escapades including a pack of vicious village dogs, an underage Marquesan tattooist and the rogue cannibal. This travel memoir just offers a bit more; both a view into a wanderlust’s struggle with dependency and a hopeful tale of where the curiosity of the human might lead.