When we talk about the distant future, we almost always look at it from how our current perspectives will change — what new technologies will emerge, what catastrophes may occur, what discoveries will be made, etcetera. But often we also assume that what we know as true today will still be true in the future.
But what happens if it turns out that what we believe now is proven false in some far-off future?
Chuck Klosterman plays devil’s advocate with that notion in his book But What If We’re Wrong? Thinking About the Present As If It Were the Past by examining the idea that what we believe as infallible now will be proven invalid in 100 or 200 or 500 years’ time. Just because we believe it now may not necessarily mean it’s really true. After all, people used to believe that the sun went around the world, among other things. Then the Scientific Revolution happened and our understanding changed. So, Klosterman argues, what’s to say that won’t happen again?
This book is a delightful mind trip, equal parts thought-provoking and entertaining. Klosterman works interviews with various notable scientists, writers and philosophers into the text, posing such questions as “are we right about gravity?” and “do we understand what time is?” as well as “will the NFL and other sports leagues still exist?” and “which artist will define rock’n’roll music for future generations?”. His style of writing and use of humor keep the book from getting too esoteric; Klosterman is just as funny and approachable here as he is in his other works. Just don’t expect any definite answers — But What If We’re Wrong? is largely an exercise in conjecture and speculation.
Because after all, who knows what the future holds?
Elizabeth Taylor and Michael Jackson… a love story? Really? You may change your mind after reading Donald Bogle’s compelling bio Elizabeth and Michael: The Queen of Hollywood and the King of Pop — A Love Story. Using interviews and diaries from close friends, employees and family members, he delivers an honest, realistic portrait of these two entertainment icons.
To understand Taylor and Jackson’s 20 plus year relationship, Bogle begins by recounting their early years as child stars and breadwinners for their families. Both had mothers with strong religious convictions. Both knew how to be a “star.” Taylor was groomed by MGM studios while Jackson was taught by Motown founder Berry Gordy. But most importantly, both missed out on being a kid, which deeply affected their adult lives and relationships.
How Jackson courted Taylor to win her friendship is hilarious. He invited her to his concert, but the seats were not up to her standards, so she left. Eventually, they did meet and formed an unbreakable bond. With no fear of being exposed, they shared confidences freely — something rarely done with those outside their families. Such was Jackson’s devotion that he showered Taylor with expensive jewelry. The joke was that if he wanted her to attend an event, he presented a diamond and she would show. So he did — more than once! Tales of each other’s extravagance will amaze you — who gives someone an elephant? Elizabeth Taylor does, that’s who! But you will be most impressed with Taylor’s loyalty and devotion to Jackson. Never once did she waver in her support for Jackson, publicly denouncing the molestation accusations levelled against him as ridiculous.
Bogle’s bio is informative and entertaining, allowing us to go behind the curtain of these two Hollywood icons. Resisting the urge to be tawdry, he gives Taylor and Jackson the respect they deserve. Fans of Taylor, Jackson and Hollywood stories must put this book on their want-to-read list. Finally, was their relationship a love story? Check out a copy today and decide for yourself!
In the summer of 2008, a Somali sprinter finished last in her heat in Beijing. Almost four years later in the spring of 2012, she drowned in the Mediterranean Sea trying to reach Italy. Her name was Samia Yusuf Omar.
Giuseppe Catozzella lends his voice to Samia's story, going back to a young 8-year-old girl who longs to be an athlete in Don't Tell Me You're Afraid. Catozzella focuses on the friendship between Samia and her coach, who also happens to be a child and a Darod, named Ali. In order to train, the children go out under the cover of darkness to practice in a bullet ridden stadium. To reach the stadium, Samia and Ali must evade Al-Shabaab's twitchy child soldiers enslaved by a drug named khat. Their efforts pay off, and eventually Samia achieves a national victory. Meanwhile, the city of Mogadishu crumbles and her coach is forced out of town due to his Darod ancestry. Upon her return from Beijing, Samia is faced with the reality that without a proper diet and training she may never become the athlete she was born to become. Then Al-Shabaab strikes. Catozzella deftly conveys the energy and longing that propelled Samia to Beijing and indignity and anguish she endured on the journey.
Reinhard Kleist introduces us to Samia, as she fails in her quest to be one of the greatest sprinters on earth in Beijing, with his stunning illustrations in An Olympic Dream: The Story of Samia Yusuf Omar. Kleist conveys the deep disillusionment on Samia’s face as she realizes she must leave Somali not only to achieve her Olympic Dream but for her own safety. Fans of Kleist’s work will also enjoy his earlier graphic novel The Boxer: The True Story of Holocaust Survivor Harry Haft.
Readers suffering from Olympic withdrawal can explore the lives of past Olympians by checking out Today We Die a Little!: The Inimitable Emil Zátopek by Richard Askwith or Triumph: The Untold Story of Jesse Owens and Hitler’s Olympics by Jeremy Schapp.
You don’t have to delve particularly deeply into musician Franz Nicolay’s solo discography before you start to notice a couple of trends. First, Nicolay likes telling stories, and he’s good at telling them. Second, he has a deep and abiding passion for words. The lyrics of the eponymous track of 2012’s “Do the Struggle” (one of the songs that he references early in The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar) reads more like a Kerouacian beat poem than a folk-punk song. By the same token, the finished product of The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar can hardly be described as predictable.
More of a travel memoir than anything else, Nicolay takes great pains to avoid talking about his own music in the book, even going so far as to proclaim early on: “I’ll describe [the shows] once, then you can mentally copy and paste this into the hole I gloss over toward the end of each day.” Instead, he delivers exactly what the title of the book promises, a tour of the punk underground. There’s so little narcissism in this book that it could have just as easily been written by one of the oft-referenced communist revolutionaries rather than a Brooklyn-based songwriter. Throughout the book, Nicolay’s focus is squarely on the countryside, the cities and the people of Eastern Europe. Just as often as he references himself, he also shares the spotlight with his travelling companions and famous authors — from his ethnomusicologist/wife Maria to Dostoyevsky to the Marquis de Custine, a 19th-century French aristocrat who seems particularly close to Nicolay’s heart.
But amidst the (surprising) conversations with young Russian and Ukrainian punks about underground American punk bands like RVIVR or Bridge and Tunnel, and the monotonous nightly shows in unfinished basements, Nicolay and his wife find themselves passing back through Ukraine only months after Vladimir Putin’s invasion and occupation. What follows are not only some of the most touching first-hand accounts of the effects the occupation had on the people of Ukraine, but also some incredibly moving moments of self-discovery for Nicolay himself. This book doesn’t so much progress slowly as it takes its time getting to its destination, and the reader is never left wishing Nicolay would pick up the pace; he’s too good of a storyteller for that. Like his music, The Humorless Ladies of Border Control ultimately draws its strength from Nicolay’s words and rhythm. Even standing on their own merits, the facts of his adventure are almost as epic and expansive as the appendices in the back of the book. As far as travelogues go, I’ve never read better. Nicolay’s music can be found here, RVIVR and Bridge and Tunnel here and here.
Let’s be honest, you don’t need to know anything other than the title to decide if you want to read The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment and Party Crashing by Gavin Edwards.
Murray is, of course, the comedian who starred in such classics as Ghostbusters and Caddyshack, and later in critically acclaimed roles in Lost in Translation and Olive Kitteridge. If you’re even the most casual Bill Murray fan, you’ve probably heard a Bill Murray story. Someone sneaks up behind you on the street and covers your eyes…you turn around, and it’s Bill Murray. Or Bill Murray steals your sunglasses at a winery, or shows up at your party and washes the dishes before disappearing into the night. Basically, Bill Murray shows up randomly, does something random and often ends the encounter by whispering in your ear, “No one will ever believe you.”
This book collects these Bill Murray stories, from strangers, from acquaintances, from Bill Murray himself. The first section is a brief history of his upbringing, passions and start in the film business. Next, in “The Ten Principles of Bill,” amusing Bill Murray anecdotes are divided into sections according to which life principle they illustrate (“Invite yourself to the party.” “Surprise is golden. Randomness is lobster.”). Finally, the “Films of Bill Murray” is a chronological listing of his films and, of course, another opportunity to provide more fun stories.
Some of the anecdotes come with an implied “Don’t Try This at Home” warning. We can all strive to be more fun-loving like Bill Murray…but we can never BE Bill Murray. Sure, some of the antics would be amusing no matter who was behind them. Others — like hitting a stranger with a snowball, or walking into a stranger’s house and sitting down to breakfast — would be decidedly less charming if you are not an international film star.
Though this is a lighthearted read, Edwards also retells stories that paint Murray as impetuous, chronically late and difficult to work with. It’s a good reminder that even an epic folk hero like Bill Murray has his imperfections.