Ten years after an assassin’s bullet takes her husband’s life, Diane Fairmount champions the cause of his fledgling political party, The Common Way, in Brian Freeman’s suspense novel Season of Fear. Attractive, popular and topping the polls, it looks like Diane is destined to become Florida’s new Governor. When an insidious voice echoes from the past, Diane turns to her best friend Tarla Bolton, whose son is former FBI agent turned private investigator Cab Bolton. Cab explores beneath the hype and unearths dirty tricks, long-buried secrets and political machinations. There are right-wing extremists, covert political operations and the murder of a young political operative. Has Cab revealed a right-wing terrorist, or is it a shrewd plot to lead him off target? Teaming with political researcher Peach Piper, Cab must race against time to stop the killer. For there is another havoc on the horizon – a hurricane is bearing down on Tampa, Florida, and it just might permanently bury the evidence.
Brian Freeman has created a cross between Jack Reacher and Richard Castle; handsome, wealthy and dynamic. It’s impossible not to root for Peach, a deeply troubled young woman determined to avenge her friend’s death. Part complex political thriller, part intense police procedural, Freeman weaves a web of intrigue that will leave you gasping for air. Move over Virgil Flowers, and make room for Cab Bolton.
Brian Freeman is the internationally best-selling author of psychological suspense novels, including The Cold Nowhere, Spilled Blood and the The Burying Place. Brian's debut thriller Immoral won the Macavity Award and was a nominee for the Edgar, Dagger, Anthony, and Barry awards for best first novel. Cab Bolton first appears in The Bone House.
“Shots have been fired at the high school. Calmly report to St. Michael’s across Route 5.” When Simon Connolly gets the text message from his children’s school that there’s been a shooting, he wastes no time getting to St. Michael’s church where he’s expecting to meet his son, Jake, and daughter, Laney. As parents are taken one by one out of the church to be reunited with their children or given the horrific news, Simon waits. His wife Rachel escorts a tearful Laney outside. When he is the last person seated, his heart cannot bear the idea that his son Jake is still missing. As rumors start to spread that Jake was one of the shooters who planned and carried out the attack, Simon is desperate to find him.
Bryan Reardon’s new novel, Finding Jake, centers on a tragedy that has become all-too-familiar in news headlines: a school shooting that leaves 13 students dead. Simon’s perspective moves back and forth between the horror unfolding of the present day and his memories of Jake’s birth, childhood and adolescence. It is through these memories that Simon clings to one objective: to mine every detail for a clue that will lead to finding his son. However, as he adds up these details, he cannot help but wonder if he missed signs that Jake could be capable of such a terrible act. As tension mounts, any mundane or trivial memory about Jake consumes Simon and his quest to discover the truth. Compounding his grief is how the media has influenced the court of public opinion into trying and convicting Jake, leaving the entire Connolly family to bear the brunt of the community’s anger and fear.
There is no shortage of novels dealing with school violence: Lionel Shriver’s excellent We Need to Talk About Kevin, Jodi Picoult’s Nineteen Minutes, and Wally Lamb’s The Hour I First Believed are a few examples. Finding Jake is a sharp page-turner that, similar to these novels, will stay with the reader long after the conclusion.
Prepare to embark on a journey through desolation in Laura van den Berg’s debut novel Find Me. Reminiscent of Cormac McCarthy’s The Road, Find Me is a deglamorized record of post-pandemic survival, one where recovery cannot begin until what’s held dear is forsaken.
Joy Jones is in the hospital, but not because she is sick; rather, she’s flotsam in the wake of a new virus that has left America 400,000 people fewer. Joy is one of around 90 survivors living in quarantine at the hospital, hoping to avoid the sickness which manifests as silver skin lesions and deteriorates the memory until the body forgets how to function. Under Dr. Bek and his armada of imposing nurses clad in hazmat suits, the 90 undergo daily stress tests to increase their chances of survival. Despite the uncomfortably close monitoring, some of the interned contract the illness and are sent to the upper floors to die. Joy knows that things at this medical sanctuary aren’t as they seem, and the sudden imposition of a localized media blackout exacerbates her fears. Armed with a photo of her estranged mother bequeathed to her by a deceased aunt, Joy plans her escape with the hopes of finding all she has squandered and relinquished.
Find Me is about loss both immediate and lifelong; it’s a mural of a populace haunted by all things unrecoverable. In a world where there is no hope or love left to fill voids, chasms consume those desperate souls who can’t bring themselves to let go. Laura van den Berg writes in a superb literary voice without betraying her young heroine, and brings ancillary characters to life through their unique memory mnemonics and coping mechanisms. Readers who enjoyed or who are anxiously awaiting their copies of Emily St. John Mandel’s Station Eleven should go to great lengths to track this one down.
The central conceit of Jim C. Hines' Magic ex Libris series is that practitioners of magic can pull tools out of books, creating arsenals of the wildest ideas that authors have ever come up with. Consider the benefit of Lucy's magic cordial from The Lion, the Witch and the Wardrobe, a potion that can heal all wounds and sickness with just a drop, or the devastating power of Robert Jordan's balefire, a fire so strong that it doesn't just destroy its target, but erases it and all its works from existence. For years, Isaac Vainio was a Porter, a magical librarian tasked with keeping the public from knowing that magic even exists. In Unbound, book three in the Magic ex Libris series, the lid gets blown off so far that there's no chance magic will ever be secret again.
The value of the secret of magic is small compared to the incoming threat. An ancient queen has re-awoken, possessed the body of the only libriomancer who has so far figured out how to tap into e-books and started a rampage that should eventually result in a collapse of mortality and a whole lot of destruction. In her path: a former mage, the most kick-butt dryad to ever grace the pages of literature, a cranky psychiatrist not sure any of her extended family has any business in the field and the rapidly collapsing network of the Porters.
The greatest brilliance of Unbound may take place between the chapters, in one or two page stories that perfectly capture the fear and excitement of a world waking up to magic in its midst. As YouTubers fight over the special effects used in videos, wizards sneak into cancer wards and family members berate people for not doing enough when they had the power. It's exhilarating, heart-breaking and hopefully a promise of a fourth book set in the completely shattered status quo.
Miranda July is an extraordinary artist capable of channeling her creativity into any medium, and her debut novel The First Bad Man surpasses the ambitiousness of her fantastic short collection No One Belongs Here More Than You. In The First Bad Man, July makes a mockery of relationship conventions and proves through her quirky, heavily flawed characters that for love to exist, it simply needs to be felt.
Manic, obsessive, middle-aged Cheryl works from home for a nonprofit women’s self-defense studio. Her bosses Carl and Suzanne are looking for a volunteer to shelter their obstinate daughter Clee who is in desperate need of a change of scenery, but they’re met with little enthusiasm around the office. So when Clee shows up on Cheryl’s doorstep with her stuff, neither she nor Cheryl is prepared for how violently their disparate worlds are about to collide. At first, the two avoid each other when they’re both home, but once they’re forced to acknowledge how weird this is, the avoidance devolves into nightly wrestling matches inspired by the self-defense exercises constituting their livelihoods. Ritual gives way to shame, which cycles back to anger between the estranged housemates, and it takes a grounding realization for Clee to feel open to reconciliation with Cheryl. Will their relationship bloom into something even more complex and beautiful, or break down like everything else in their lives has?
Cheryl and Clee waver between the roles of optimist and pessimist, offsetting the absurdity of their situation with a sense of “I guess it could happen” realism. With a supporting cast including a pair of psychiatrists with more problems than their clientele and a philanderer who needs a spiritual permission slip to do his thing, The First Bad Man is a strangely perverse, endearing and memorable warping of the tale of two people united by calamity.
When do we know the people we love best? When things are easy or when life doesn't turn out as we expect? In Alex Shearer’s new novel This Is the Life, we meet two brothers who have been estranged for some time. When one of the brothers, Louis, is diagnosed with a brain tumor, they are reunited under difficult-to-navigate circumstances. Our narrator discovers Louis, whom he thought he knew, is so much more, but is the Louis in his brain a better version of the man himself?
Loosely based on his own life experience when his brother was diagnosed with terminal cancer, Shearer may be writing about himself as the brother who frequently gets frustrated with Louis’ situation, treatment and odd behavior. Shearer uses a jumping timeline to compare the Louis of the past and the Louis of the present — the stark contrast between the functioning Louis and the Louis in the hospice highlights how quickly and devastatingly cancer can render someone so helpless.
This is not a sentimental look at family members going through illness together, but a brutally honest account of the “little things” that no one reveals when confronted with terminal illness. Day-to-day operations such as haircuts, grocery shopping, paying bills and cleaning become almost impossible; further down-the-line tasks like writing a will and long-term hospice care are even more daunting. It's this honesty that makes the book successful. There are no punches pulled here. Each frustration and set back is out in the open. It reminds us that while those who are sick will of course receive the most attention and care, there exists a network of caregivers who may also be suffering and need resources.
Those who are looking for solidarity in a character navigating the hardship of caring for someone, or fans of Anna Quindlen’s One True Thing or We Are All Welcome Here by Elizabeth Berg will find a captivating story in the pages of this novel.
At the Water’s Edge by Sara Gruen is a deeply poignant story of love, friendship and the true rewards of life.
Madeline Hyde is a member of high society, and as such, it is expected that she and her husband deport themselves with at least a little dignity. But Maddie and her husband Ellis, along with their best friend Hank, enjoy an extravagant lifestyle filled with parties and pranks. One fateful New Year’s Eve night in 1945, they go too far and the disgrace is too much for Ellis’ parents. Maddie and Ellis are thrown out of the parent’s palatial home and forced to live on a pittance. Determined to get back into his father’s good graces, Ellis plots to redeem his father’s reputation. For Colonel Hyde has a scandal of his own; he claimed to see the Loch Ness Monster, and all of his evidence was later proved fraudulent. Designated physically unfit for military duty, Ellis and Hank are free to pursue their mad scheme, achieve fame and work their way back into Ellis’ fortune.
Ellis, Maddie and Hank endure a perilous sea voyage and arrive at a remote Scottish village to encounter the reality of war-torn Europe. Abandoned by Ellis and Hank for weeks at a time, Maddie discovers rationing, shortages and “making do or do without.” Left to her own devices, Maddie is enlightened to some harsh truths and forms genuine relationships. She also discovers that not all monsters are at the water’s edge.
Sara Gruen is a magical storyteller, immersing the reader in visions of extreme privilege and desperate hardship. This is a riveting tale of self-discovery, an examination of female friendship and the effects of of war on a small community. Sara Gruen is the #1 New York Times and USA Today bestselling author of Water for Elephants, Ape House, Riding Lessons and Flying Changes.
Author, journalist and former editor Judith Flanders has recently released A Murder of Magpies. This cozy London-based mystery has Flanders trading her more typical nonfiction writing for a witty whodunit novel.
Sam, an editor for a publishing house, finds that her pleasantly humdrum lifestyle has been turned upside down when her favorite gossip writer brings her a salacious manuscript. The book cites the illicit behaviors of the rich and famous. Shortly after receiving a copy, Sam’s life takes an unexpected turn for the worse.
When a bike courier is run down while carrying a copy of the manuscript, Jake, a handsome detective, seeks out Sam to see how the two are connected. After someone close to Sam goes missing, she puts on her sleuthing hat and works with Jake to find the culprit. Between the heat of adrenalin and the time together spent digging for clues, a romance ignites between Jake and Sam. Will Sam save her friend and get her banal life back?
A Murder of Magpies captures an even mix of effortless wit and downright detective spirit that will have you trying to figure out the mystery — if you pay enough attention, you just might. The novel is a colorful mashup of Bridget Jones and Sherlock Holmes.
The United States of Europe needs oil, so it’s off to the New World for Eddie Cantrell, his wife Anne Catherine, a company of Irish mercenaries and the local Dutch fleet. Welcome to the Ring of Fire Universe, where a small West Virginian town was dropped into the middle of the Germanies in the Thirty Years’ War, founding the United States over a hundred years early. It is a massive shared universe in 1636: Commander Cantrell in the West Indies by Eric Flint and Chuck Gannon.
When Eric Flint wrote 1632, it was a simple lark — throwing modern machinery and freedom of religion in Europe, hitting blend and seeing what amusing anachronisms popped out. The universe runs off of three main rules. First, modern technology runs into Arthur C. Clarke’s Superiority paradox. It may be superior, but if it can’t be repaired or replaced easily, it’s no good in the long term. Second, history books have given all the major players an idea of who’s going to matter over the next few decades, and they can alter their plans accordingly. Third, small people can change the course of empires too, especially as Europe struggles with the ideas of democracy and freedom of religion. To add the kind of depth this premise is capable of, Flint threw open the doors, allowing other authors to first write short stories and collaborative novels. The universe got even bigger, and now there are over 20 novels focused on a wide variety of plot threads, and anthologies of meticulously researched fan stories. Quite a few authors got their starts writing for the Ring of Fire universe. It is living history.
1636 takes place around the Tar Lake of Trinidad, one of the more easily accessible oil fields of the world. Real politik leads the Wild Geese of Ireland, late of Spain, to found a new Irish Kingdom. Expect lengthy explanations of technology and politics, often more than plot or forward momentum. But that’s a big part of the reason the universe exists: to watch things being built in different directions.
Follow a year in the life of Lauren Cunningham, a single 28-year-old looking for change, in Love by the Book by Melissa Pimentel. She moves from Maine to London, leaving a serious relationship behind, and embarks on an active social life consisting of casually dating a multitude of sexy Brits.
Despite her declarations of liberation and wish for sexual adventures, her partners are disbelieving and disappear even as Lauren insists she is not interested in a serious relationship. Lauren decides to approach the problem analytically and resolves to follow a different dating guide each month of the year to learn the spicy secrets behind becoming a successful siren. Once those lessons are learned, she knows she will be more appealing to those men looking for plenty of sex without any relationship drama. From modern manuals such as The Rules to the Victorian-era Manners for Women, and even a handbook intended for guys, Lauren applies the tenets of each guide to her potential paramours such as “Top Hat” and “Sleepy Eyes” and journals the outcomes. The comic results are entertaining as Lauren documents some colossal failures, surprising successes and insightful life lessons from each experiment.
Pimentel’s debut is a humorous look at a fresh and likeable young woman longing to embrace independence and sexual freedom. Humorous and realistic, this frothy fun will appeal to fans of Bridget Jones and HBO’s Girls.