Famous for her taut, gripping, forensic thrillers, Tess Gerritsen once again leads us to the edge in Die Again.
Seeing a dog in the window of a home with a human finger in his mouth, a mailman immediately contacts the police. Boston homicide detective Jane Rizzolli and forensic pathologist Moira Isles discover the body of a big-game hunter, trussed hanging upside down, and ultimately the victim of a large cat. Leon Gott has hunted big game and is considered the finest taxidermist in the business, but it looks like the animal kingdom has decided to redress the difference. Isles believes this case is tied to a series of suspicious incidents involving hikers in remote areas. All of those killings involved big cat attacks, and some were dismissed as unfortunate encounters with nature. The investigation leads to a link between the taxidermist and a group on safari in Africa victimized by a leopard.
Six years previously, a group of vacationers seeking a unique African experience joined a safari. Expecting exotic adventures, fabulous sights and romantic evenings by the fire, they instead fought for their lives in a world that was ruled by “eat or be eaten.” Told through the eyes of Millie Jacobson, a London bookstore owner, we travel alternately between the murder investigation in Boston and the growing horror in Botswana, as each vacationer is attacked and dragged away, one by one.
Gerritsen is a master at weaving grisly details into her forensic science, and the result is a suspense-filled trip through terror. The writer is also ably adept at drawing believable, deeply human characters who struggle with the normalcy of daily life while facing the worst human nature can provide. The complex relationships among the investigating team as they struggle to unearth the truth and unmask a killer add to the realistic portrayal.
Fans of Kathy Reichs, Patricia Cornwell and Jeffery Deaver will find this a deeply satisfying read. There is also a television series featuring Rizzoli and Isles. Just remember, this trip is not for the faint of heart.
Since the Clone Wars, Emperor Palpatine’s reach spans as far as Star Destroyer warp drives can extend. For some, the tumultuous peace is just another inevitable hardship of border planet living, but other galactic citizens aren’t as keen to bend to the Emperor’s will. In Star Wars: A New Dawn, longtime comic and Lucas Books writer John Jackson Miller introduces two new characters who are poised to become lingering thorns in Palpatine’s side as they rally their own rebellion, one refugee at a time.
Planet Gorse is only inhabited by holdout colonists clinging to a declining mining trade. They spend their days harvesting thorilide, a commodity for droid and weapons manufacturing, and their nights drinking away their hard-earned credits at Okadiah’s planetside cantina. Working to impress the Emperor, ruthless and cunning business mogul Count Vidian arrives on Gorse to survey the thorilide supply and optimize what little industry remains. His investigation leads him to Cynda, Gorse’s moon, which is also laden with thorilide. The trick is that extracting thorilide from beneath the moon’s surface is time-consuming, and both Vidian and the Emperor are unwilling to wait for the materials to trickle in from border space.
Kanan Jarrus is a Cyndan miner seemingly like all the other holdouts, but he is able to draw exceptional strength and willpower from the pain of loss he has been harboring since childhood. Jarrus notices the out-of-place Vidian marching around with his clone soldier escorts and takes it upon himself to keep the other miners safe by any means. He runs into Hera Syndulla, a Twi’lek spy who has been trailing Vidian across the galaxy, and the two ally to combat the encroaching Empire. Can they stop Vidian from hatching a nefarious plan to harvest Cynda’s resources in a highly unethical and ultimately lethal manner?
Kanan and Hera continue their adventures in the animated series Star Wars Rebels which has spawned numerous Star Wars books for children. Adult and teen readers who enjoy A New Dawn should round up their children, brothers and sisters for a Star Wars party!
Paula Hawkins debut thriller, The Girl on the Train, delivers a suspense-driven plot filled with complex characters exploring memory and meaning, fantasy and reality.
Rachel could be like any commuter, scanning the scenery from the train as they slide by, aimlessly viewing the same landscape day after day. Except that Rachel has created a whole other world out of the window — finding a favorite house on a favorite block of Victorian homes, creating an entire persona around a golden couple she names Jess and Jason. They are the couple that Rachel and Tom used to be, before the alcohol, the scenes and the recriminations. They are everything Rachel had, until she turned to cocktails to dull the pain of infertility. Jess and Jason live only a few doors down the street from the house Rachel and Tom furnished with so much anticipation. Only now, Tom lives there with his new wife, Anna, who is pregnant with their first child.
The fantasy couple are really Megan and Scott, and they have problems just like everyone else. Megan is emotionally scarred by two tragic events she can’t reconcile. Scott senses she is hiding something, possibly another man, and his jealousy scars their relationship. Rachel sees Megan kissing a man that is not her husband, and shortly after, Megan disappears.
This book is told by three narrators: Rachel, the obsessed, delusional alcoholic struggling to make herself heard; Anna, the new young wife consumed with creating a perfect family; and the ill-fated Megan, propelled by the past she can’t relinquish and a future she can’t embrace. Gripping, suspenseful, an irresistible read, The Girl on the Train explores all facets of human nature, our understanding of the past and our perception of the present. Hawkins is a master storyteller, weaving a tale that is as compulsively readable as it is electrifying. If you enjoyed Gone Girl, hop on board. You are in for the ride your life.
Few collectives of the 20th century grabbed as much attention or gathered as much talent as the prolific Bloomsbury Group. Made up of luminaries of the art, literary and academic world, their indelible stamp on the thoughts and trends of the turn of the century still resonate with fans today. Much has been written and dissected of the Group’s offerings, particularly the writing of E.M. Forster and Virginia Woolf. While Virginia’s remarkable career and personal struggles may consume most of the spotlight, author Priya Parmar has delved into the mind of Vanessa Bell, Virginia’s sister, in her novel Vanessa and Her Sister.
Told through a series of fictional diary entries, letters and telegrams, Vanessa attempts to carve out her painting career amidst the chaos of falling in love, having children, grieving and dealing with Virginia’s violent and troubling moods. Vanessa often feels on the outside of the literary world she is forced to inhabit. While her friends are off having love affairs and traveling the world at large, she wonders if she is meant to fall behind because of her family obligations. Her creative mind will not allow her to give up on her art. As it becomes clear that Virginia’s jealousy extends beyond Vanessa’s artistic talents and moves to her family life, she grapples with the knowledge of how devious and manipulative the very people she loves most can be.
Rich in characterization and detail, fans of the Bloomsbury Group and of novels like Michael Cunningham’s The Hours will find this sumptuous novel a treat for the brain.
Krassi Zourkova’s debut novel Wildalone will leave readers eagerly awaiting her next literary venture. A novel filled with Greek mythology, Bulgarian legends and romance, Wildalone is a stunning debut. Thea Slavin, a Bulgarian student, has just begun her freshman year at Princeton University. She immediately wows the Princeton community with her piano skills, giving a Chopin concert shortly after she arrives at school. As Thea is thrust into the spotlight, she must balance her musical ambitions with her school work, campus job, social life, mysterious family history and enigmatic love interest.
Before Thea begins her education at Princeton, she finds out that she had a much older sister, Elza, who attended Princeton years before and mysteriously died there. This doesn’t stop Thea from attending the illustrious school. Rather, she decides to investigate her sister’s death in between classes, concerts and dates. Meanwhile, she becomes enraptured with Rhys, an older, captivating man who reveals little about himself, keeping Thea in the dark throughout much of the book. Zourkova weaves in stories from Greek mythology and Bulgarian legends, and as the reader reaches the climax of the novel, the story ties in with the legends seamlessly.
Wildalone is a bewitching story that leaves readers enraptured with Thea, as well as the more minor characters. Fans of Deborah Harkness’s All Souls Trilogy series will enjoy this new novel and debut author. Reader beware, Wildalone ends on a cliffhanger!
Puff the Magic Dragon conjures up a saccharine image, kind of like a winged Barney. A dragon named Melted Face with hide like Kevlar is more a feature of nightmares. Unfortunately for herpetologist CJ Cameron, Melted Face and his cronies have her in their sights in the rip-roaring action thriller The Great Zoo of China by Matthew Reilly.
CJ is flying to China. The Chinese government is sparing no expense to bring her, along with influential politicians and reporters, to premiere their nation’s newest attraction: a phenomenal zoo designed to make the Disney’s amusement empire look rinky-dink. As they arrive at the park, located in a remote no-fly zone, CJ is stunned to see Greyhound bus-sized mythical creatures soaring through the sky. The official announcement? “Welcome to Great Dragon Zoo of China.”
Like a surreal Sea World, the visit starts with the equivalent of a dolphin show. A cute handler prompts dragons through tricks, explains they were were hatched from ancient eggs buried miles beneath the earth’s crust and ends by saddling up a sweet yellow dragon and flying into the clouds. CJ, however, sees both grim intelligence and simmering resentment in the lizards’ eyes, and this public relations visit quickly turns into a blood-soaked battle for survival as hordes of angry dragons turn their captors into prey. Furiously paced and laced with reptilian scientific factoids, The Great Zoo of China is an adrenaline-charged adventure of a tale.
Marcia Muller and Bill Pronzini take you on a journey as twisted and complex as the streets and alleys of San Francisco’s Chinatown in their latest work The Body Snatchers Affair. John Quincannon and Sabina Carpenter, former Pinkerton detectives now operating an independent detective agency, have seemingly unrelated cases. John is searching the back alleys for illicit opium dens in the hope of finding a prominent attorney who has gone off the rails. Sabina is trying to retrieve a corpse snatched from the vault of a recently bereaved wealthy family and foil the blackmailers’ ghoulish scheme. Operating in Chinatown under the imminent threat of a tong war, John and Sabina must negotiate the corruption in both the police department and the city’s underworld. They are also negotiating their increasingly complicated relationship as Sabina is wooed by a prominent gold engineer and John deals with his jealousy. Lurking in the shadows is a crackbrain character claiming to be Sherlock Holmes.
Rich with the atmosphere of late 1890s San Francisco, the author’s passion for the city’s culture and history shines through every page. They are the only living married couple to be named Grand Masters by the Mystery Writers of America. Marcia Muller is considered to be the mother of the female hardboiled detective genre, introducing Sharon McCone in Edwin of the Iron Shoes in 1977. Bill Pronzini is known for his Nameless detective series set in San Francisco. The Body Snatchers Affair is the third entry in this series, but is an excellent read even without reading the previous titles. Fans of Shirley Tallman, Victoria Thompson and Sir Arthur Conan Doyle will enjoy the period, while fans of Agatha Christie will enjoy the plot twists and turns.
M. O. Walsh’s heartbreaking novel My Sunshine Away follows a man looking back at tragic events that formed him into the adult he became. It was 1989 in Baton Rouge, Louisiana, and a teenage girl is raped in a middle class neighborhood, throwing suspicion on several of the people that live there. One of the suspects is a teenage boy who has become obsessed with the victim, and his obsession leads him on a quest to discover the truth, even when the victim herself just wants to leave the past behind her. While he ruminates over the event that will ultimately change him, life continues to move forward, throwing more tragedy and grief his way. He must find a way to come to terms with where he has been in order to become who he is meant to be.
My Sunshine Away is beautifully written but is not an easy read. It deals with the darker corners of the human heart, and the sense of loss and longing is palpable. M. O. Walsh is a gifted writer, and, even if you don’t genuinely like the narrator at times, the reader will be captured by his story and his need to press forward. The author uses events in American history to further capture the sense of place and time, and his descriptions of Baton Rouge bring the city to life. Ultimately, it is a coming-of-age tale, told from the male perspective. The author does an amazing job getting inside the narrators head, slowly revealing things needed to be said. Truly a discussable novel, My Sunshine Away would be a perfect fit for book groups. After this, you may want to try The Little Friend by Donna Tartt or Salvage the Bones by Jesmyn Ward.
Christopher Scotton's ambitious debut novel The Secret Wisdom of the Earth generated such a torrent of in-house support from the publisher that the novel's first printing was bumped up to 100,000 copies. Scotton, CEO of a software company, took 15 years to write this story of a 14-year-old boy who spends a fateful summer with his grandfather in Kentucky coal country. Widely appealing and whispering of second chances, the coming-of-age tale mines the burden of loss for those living in a poor rural landscape that will never look the same. Recently, Scotton answered questions for Between the Covers.
Between the Covers: You capture so eloquently your characters' voices. What was the process for making them come alive for your readers? Was there anyone from your background who was the inspiration for your protagonist, Kevin?
Christopher Scotton: I create a deep written study for each main character, detailing everything about them and getting to know who they are — their hopes, fears, histories and dreams. Then I just let them combust in the plot. The old English 101 chestnut, show don’t tell, is probably the best single piece of advice about creating great characters. If one describes a character through their actions it’s just a more fulfilling experience for the reader — it allows the reader to better build out the wireframe of the characters in their mind. Kevin is very similar to the kind of kid I was at 14 — insecure, unsure, a bit nerdy. Fortunately, I had none of the grief and guilt that life has layered on him.
BTC: You have multiple stories and themes coursing through the small town of Medgar. How did you prepare yourself for telling the story of this unique local culture since you are not from Appalachia?
CS: I visited the region often in my teens and 20s and again when I was writing the novel. I let the feel of the place seep into my marrow so that, when back in London, I could transport myself there. On my trips I would just listen to the stories folks would tell, listen to the rhythm of their dialect. What I found was that small town Kentucky is not that different from small town Maryland where I grew up.
BTC: The setting for your novel is 1985 Kentucky coal country, where the earth seems to languish as much as your characters. Were you looking to make a statement about the devastation of mountaintop removal?
CS: I was not trying to make a statement so much as present the truth of mountaintop removal — the argument is not as simple as big bad coal vs. the people. The issues are much more nuanced than that. There really are few economic options for the hard working folks in the region so they are left with some very hard choices to make about their future. I’m personally against mountaintop removal, but I hope the novel presents a more balanced approach to the problem.
BTC: Your readers may be encountering a “madstone” for the first time. Why was introducing this folklore important to the story and your characters?
CS: A madstone is an old folk remedy to cure snake bites and fevers. It’s a calcified hairball-like thing from the intestine of a cud-chewing animal. You’re probably thinking, “Cool, where can I get one!” If someone is bitten by a copperhead or a rabid dog, the madstone would be applied to the bite, and the poisons would be drawn out of the bite. Madstones vary in strength and effectiveness — a madstone from a cow is only mildly effective, a madstone from a deer is considered quite powerful. However, the madstone from a white deer is the most powerful of all and unicorn-like in their scarcity. Interestingly, madstones can’t be bought or sold or they’ll lose their power; they must be found or given.
In the novel, the earth becomes a madstone for several of the characters, drawing out the pain and poison from the losses they suffer. The healing properties of the earth — both to heal us, her caretakers, and to heal herself — are a major theme in the novel, and the madstone is an example of that theme.
BTC: You grew up outside of D.C. in an area not too different from your protagonist, Kevin. Can you talk about how your experiences impacted the writing of the novel?
CS: I was born in Washington, D.C., but moved out to the country 30 miles north when I was 9 or 10 — back then it was undeveloped land and a truly magical place to be a kid. Those summers of secret swimming holes, tree forts, mud pits and dammed-up creeks provided a rich influence for Kevin and Buzzy’s back-country adventures. In my early teens, developers bought up much of the land and the endless woods of my youth became tract housing. I tried to bring that same “loss of place” experience to the novel. Being an outsider, as is Kevin, allowed me a bit more freedom to write as an outsider — but ultimately the narrative needed to be authentic, and I hope it is.
BTC: These are exciting times for you. Hachette ordered a 100,000 first printing. Reviews have been favorable. Some have compared your book to To Kill a Mockingbird. Taking a breath now, how has this whole process of publishing felt to you as a new author?
CS: It’s been fascinating, fun and more than just a little surreal. I feel so incredibly fortunate to be in this place. Hachette is taking a huge gamble on me as a complete unknown, with zero writing credentials and no platform. It really does demonstrate their commitment to bringing new voices to the market. The support I’ve gotten within the company, especially from the sales team, has been overwhelming…I’ll start breathing again come summer.
BTC: What’s next for you?
CS: I’m working on my second novel. It’s a completely different time period and a different setting from Secret Wisdom. It takes place in 1875; two 14-year-old Irish twin sisters emigrate to New York to live with their aunt and work as domestics. After a few weeks in America, they disappear without a trace. Their 19-year-old sister comes over to try and find them and she follows their trail from New York, across the country and ultimately out west in an attempt to rescue them and bring them home. It’s a great story and based on an actual series of events that happened in my family in the 1800s.
February has been an excellent month for the short story. Highly anticipated collections from three renowned authors have found their way to library shelves. British writer Neil Gaiman is known for blending reality and fantasy in a way that can be both comforting and unsettling. His often dark, well-crafted prose enticingly draws the reader in, providing just enough familiarity and knowing humor before changing the game entirely. Trigger Warning: Short Fictions and Disturbances represents the writer’s work at its best. Standout pieces include “The Thing about Cassandra,” in which a thirtysomething young man comes face to face with the young woman whose name he wrote over and over again on the covers of his high school notebooks — his first love. The twist? He made her up in order to deflect questions from his friends and his mother over his lack of a girlfriend. In “The Sleeper and the Spindle,” Gaiman offers a mashup retake on “Sleeping Beauty” and “Snow White and the Seven Dwarves,” imagining the two stories taking place at the same time. He turns these traditionally passive women into active participants in their own fairy tale lives, with their own agendas. A lengthy preface to the collection provides “trigger warnings” for each piece, explaining a bit about their genesis. Readers who want a spoiler-free experience would do well to treat the preface as an afterward.
Consider Kelly Link, the Massachusetts cousin-once-removed of Neil Gaiman, who Gaiman once referred to as “a national treasure.” Get in Trouble is her first collection for adult readers in a decade. To enter the world of Kelly Link is to suspend all disbelief and any preconceived ideas of what a story might be and where you might end up. Get in the passenger seat, buckle up and let Link drive you into the dark corners of her imagination, where reality and fantasy live intertwined. These are bedtime stories for readers who are still intrigued by the possibilities raised by myths, magic and fairy tales. In the opening story, “The Summer People,” teenager Fran is home sick from school, yet she still has the responsibility of gathering provisions for the incoming vacationers who stay in the houses her father maintains. He’s an alcoholic, and their hardscrabble life isn’t a pleasant one. Fran can’t even dream of getting away; she’s bound by magic to the powerful and creative unseen guests who dwell in one of these abodes. Don’t expect to be done with a Kelly Link story just because you’ve reached the end. Tales like “Light” — replete with a world filled with Chinese-owned “pocket universes” and a Florida overrun with iguanas and invasive mermaids and a protagonist born with two shadows, one that grows into her twin brother — will leave you wondering what hit you.
If you prefer realistic fiction, pick up Charles Baxter’s There’s Something I Want You to Do, a collection of 10 interrelated tales set in his native Minnesota. Baxter is considered a modern master of the contemporary short story, and in these wryly intimate, nuanced pieces he comments on human nature and the complexity of relationships. The protagonist of “Loyalty” finds that the ex-wife who left him and their infant son well over a decade ago has returned. What will he do with this woman, clearly in poor mental health, who looks like “she has gone through a car wash?” It says a lot about Wes that he opens his house to her, and his family helps to set her right. But after all, it was his new wife, one of her best friends, who encouraged her to run off in the first place. In “Gluttony,” an overweight pediatrician is forced to endure a lecture about his morally faulty parenting from the overtly religious parents of his son’s girlfriend. His stress-induced eating leads to a near tragedy. Fans of the work of Raymond Carver and Alice Munro will enjoy the storytelling of Charles Baxter.