The central conceit of Jim C. Hines' Magic ex Libris series is that practitioners of magic can pull tools out of books, creating arsenals of the wildest ideas that authors have ever come up with. Consider the benefit of Lucy's magic cordial from The Lion, the Witch and the Wardrobe, a potion that can heal all wounds and sickness with just a drop, or the devastating power of Robert Jordan's balefire, a fire so strong that it doesn't just destroy its target, but erases it and all its works from existence. For years, Isaac Vainio was a Porter, a magical librarian tasked with keeping the public from knowing that magic even exists. In Unbound, book three in the Magic ex Libris series, the lid gets blown off so far that there's no chance magic will ever be secret again.
The value of the secret of magic is small compared to the incoming threat. An ancient queen has re-awoken, possessed the body of the only libriomancer who has so far figured out how to tap into e-books and started a rampage that should eventually result in a collapse of mortality and a whole lot of destruction. In her path: a former mage, the most kick-butt dryad to ever grace the pages of literature, a cranky psychiatrist not sure any of her extended family has any business in the field and the rapidly collapsing network of the Porters.
The greatest brilliance of Unbound may take place between the chapters, in one or two page stories that perfectly capture the fear and excitement of a world waking up to magic in its midst. As YouTubers fight over the special effects used in videos, wizards sneak into cancer wards and family members berate people for not doing enough when they had the power. It's exhilarating, heart-breaking and hopefully a promise of a fourth book set in the completely shattered status quo.
Miranda July is an extraordinary artist capable of channeling her creativity into any medium, and her debut novel The First Bad Man surpasses the ambitiousness of her fantastic short collection No One Belongs Here More Than You. In The First Bad Man, July makes a mockery of relationship conventions and proves through her quirky, heavily flawed characters that for love to exist, it simply needs to be felt.
Manic, obsessive, middle-aged Cheryl works from home for a nonprofit women’s self-defense studio. Her bosses Carl and Suzanne are looking for a volunteer to shelter their obstinate daughter Clee who is in desperate need of a change of scenery, but they’re met with little enthusiasm around the office. So when Clee shows up on Cheryl’s doorstep with her stuff, neither she nor Cheryl is prepared for how violently their disparate worlds are about to collide. At first, the two avoid each other when they’re both home, but once they’re forced to acknowledge how weird this is, the avoidance devolves into nightly wrestling matches inspired by the self-defense exercises constituting their livelihoods. Ritual gives way to shame, which cycles back to anger between the estranged housemates, and it takes a grounding realization for Clee to feel open to reconciliation with Cheryl. Will their relationship bloom into something even more complex and beautiful, or break down like everything else in their lives has?
Cheryl and Clee waver between the roles of optimist and pessimist, offsetting the absurdity of their situation with a sense of “I guess it could happen” realism. With a supporting cast including a pair of psychiatrists with more problems than their clientele and a philanderer who needs a spiritual permission slip to do his thing, The First Bad Man is a strangely perverse, endearing and memorable warping of the tale of two people united by calamity.
When do we know the people we love best? When things are easy or when life doesn't turn out as we expect? In Alex Shearer’s new novel This Is the Life, we meet two brothers who have been estranged for some time. When one of the brothers, Louis, is diagnosed with a brain tumor, they are reunited under difficult-to-navigate circumstances. Our narrator discovers Louis, whom he thought he knew, is so much more, but is the Louis in his brain a better version of the man himself?
Loosely based on his own life experience when his brother was diagnosed with terminal cancer, Shearer may be writing about himself as the brother who frequently gets frustrated with Louis’ situation, treatment and odd behavior. Shearer uses a jumping timeline to compare the Louis of the past and the Louis of the present — the stark contrast between the functioning Louis and the Louis in the hospice highlights how quickly and devastatingly cancer can render someone so helpless.
This is not a sentimental look at family members going through illness together, but a brutally honest account of the “little things” that no one reveals when confronted with terminal illness. Day-to-day operations such as haircuts, grocery shopping, paying bills and cleaning become almost impossible; further down-the-line tasks like writing a will and long-term hospice care are even more daunting. It's this honesty that makes the book successful. There are no punches pulled here. Each frustration and set back is out in the open. It reminds us that while those who are sick will of course receive the most attention and care, there exists a network of caregivers who may also be suffering and need resources.
Those who are looking for solidarity in a character navigating the hardship of caring for someone, or fans of Anna Quindlen’s One True Thing or We Are All Welcome Here by Elizabeth Berg will find a captivating story in the pages of this novel.
At the Water’s Edge by Sara Gruen is a deeply poignant story of love, friendship and the true rewards of life.
Madeline Hyde is a member of high society, and as such, it is expected that she and her husband deport themselves with at least a little dignity. But Maddie and her husband Ellis, along with their best friend Hank, enjoy an extravagant lifestyle filled with parties and pranks. One fateful New Year’s Eve night in 1945, they go too far and the disgrace is too much for Ellis’ parents. Maddie and Ellis are thrown out of the parent’s palatial home and forced to live on a pittance. Determined to get back into his father’s good graces, Ellis plots to redeem his father’s reputation. For Colonel Hyde has a scandal of his own; he claimed to see the Loch Ness Monster, and all of his evidence was later proved fraudulent. Designated physically unfit for military duty, Ellis and Hank are free to pursue their mad scheme, achieve fame and work their way back into Ellis’ fortune.
Ellis, Maddie and Hank endure a perilous sea voyage and arrive at a remote Scottish village to encounter the reality of war-torn Europe. Abandoned by Ellis and Hank for weeks at a time, Maddie discovers rationing, shortages and “making do or do without.” Left to her own devices, Maddie is enlightened to some harsh truths and forms genuine relationships. She also discovers that not all monsters are at the water’s edge.
Sara Gruen is a magical storyteller, immersing the reader in visions of extreme privilege and desperate hardship. This is a riveting tale of self-discovery, an examination of female friendship and the effects of of war on a small community. Sara Gruen is the #1 New York Times and USA Today bestselling author of Water for Elephants, Ape House, Riding Lessons and Flying Changes.
Author, journalist and former editor Judith Flanders has recently released A Murder of Magpies. This cozy London-based mystery has Flanders trading her more typical nonfiction writing for a witty whodunit novel.
Sam, an editor for a publishing house, finds that her pleasantly humdrum lifestyle has been turned upside down when her favorite gossip writer brings her a salacious manuscript. The book cites the illicit behaviors of the rich and famous. Shortly after receiving a copy, Sam’s life takes an unexpected turn for the worse.
When a bike courier is run down while carrying a copy of the manuscript, Jake, a handsome detective, seeks out Sam to see how the two are connected. After someone close to Sam goes missing, she puts on her sleuthing hat and works with Jake to find the culprit. Between the heat of adrenalin and the time together spent digging for clues, a romance ignites between Jake and Sam. Will Sam save her friend and get her banal life back?
A Murder of Magpies captures an even mix of effortless wit and downright detective spirit that will have you trying to figure out the mystery — if you pay enough attention, you just might. The novel is a colorful mashup of Bridget Jones and Sherlock Holmes.
The United States of Europe needs oil, so it’s off to the New World for Eddie Cantrell, his wife Anne Catherine, a company of Irish mercenaries and the local Dutch fleet. Welcome to the Ring of Fire Universe, where a small West Virginian town was dropped into the middle of the Germanies in the Thirty Years’ War, founding the United States over a hundred years early. It is a massive shared universe in 1636: Commander Cantrell in the West Indies by Eric Flint and Chuck Gannon.
When Eric Flint wrote 1632, it was a simple lark — throwing modern machinery and freedom of religion in Europe, hitting blend and seeing what amusing anachronisms popped out. The universe runs off of three main rules. First, modern technology runs into Arthur C. Clarke’s Superiority paradox. It may be superior, but if it can’t be repaired or replaced easily, it’s no good in the long term. Second, history books have given all the major players an idea of who’s going to matter over the next few decades, and they can alter their plans accordingly. Third, small people can change the course of empires too, especially as Europe struggles with the ideas of democracy and freedom of religion. To add the kind of depth this premise is capable of, Flint threw open the doors, allowing other authors to first write short stories and collaborative novels. The universe got even bigger, and now there are over 20 novels focused on a wide variety of plot threads, and anthologies of meticulously researched fan stories. Quite a few authors got their starts writing for the Ring of Fire universe. It is living history.
1636 takes place around the Tar Lake of Trinidad, one of the more easily accessible oil fields of the world. Real politik leads the Wild Geese of Ireland, late of Spain, to found a new Irish Kingdom. Expect lengthy explanations of technology and politics, often more than plot or forward momentum. But that’s a big part of the reason the universe exists: to watch things being built in different directions.
Follow a year in the life of Lauren Cunningham, a single 28-year-old looking for change, in Love by the Book by Melissa Pimentel. She moves from Maine to London, leaving a serious relationship behind, and embarks on an active social life consisting of casually dating a multitude of sexy Brits.
Despite her declarations of liberation and wish for sexual adventures, her partners are disbelieving and disappear even as Lauren insists she is not interested in a serious relationship. Lauren decides to approach the problem analytically and resolves to follow a different dating guide each month of the year to learn the spicy secrets behind becoming a successful siren. Once those lessons are learned, she knows she will be more appealing to those men looking for plenty of sex without any relationship drama. From modern manuals such as The Rules to the Victorian-era Manners for Women, and even a handbook intended for guys, Lauren applies the tenets of each guide to her potential paramours such as “Top Hat” and “Sleepy Eyes” and journals the outcomes. The comic results are entertaining as Lauren documents some colossal failures, surprising successes and insightful life lessons from each experiment.
Pimentel’s debut is a humorous look at a fresh and likeable young woman longing to embrace independence and sexual freedom. Humorous and realistic, this frothy fun will appeal to fans of Bridget Jones and HBO’s Girls.
For Lady, Vee and Delph Alter, suicide runs in the family. Now, the clock is ticking for the three sisters in Judith Claire Mitchell's dynamic turn-of-the-century family saga A Reunion of Ghosts. The Alter siblings believe their fates are sealed and have selected midnight, December 31, 1999 as the date they, too, will end their lives. But first, they want to chronicle the story of four generations of Alters in a sort of tell-all group memoir that is also their suicide note.
The Alter sisters come from a long, complicated line of suicidal tendencies going back to their great-grandmother, Iris. Iris was married to Lenz Alter, a Jewish Nobel prize-winning chemist who ironically developed the poison gas used by the Germans in World War II. Eventually, the scientist, their son Richard and his children (including the sisters' mother), also killed themselves. (Readers will find it helpful to refer to the detailed family tree included in the front of the book to keep track of who's who.)
Now, the Alter siblings are stuck. "The truth is, we all fell through the cracks, and that's where we've stayed," they said. They even live in the same inherited Upper West Side apartment, complete with a "death and dying room" no one has slept in for years. Lady, divorced and miserable, has already attempted suicide once. Vee, whose husband died, is facing a cancer recurrence. The youngest Delph contemplates what being cursed really means. They want to hasten what they feel is the inevitable course of events.
Mitchell has crafted here a stylistically complex, intertwining narrative through the unified voice of the three protagonists. It is their pragmatism and wry, dark humor that lend this family portrait its memorable quality. While Ghosts is about an imaginary family, Mitchell does use some historical material. The German-Jewish scientist Fritz Haber and his first wife, Clara, were the inspiration for Lenz and Iris Alter. Readers interested in Mitchell's research will find a thorough bibliography at the end of this achingly elegant story.
Agent Franks has been a part of the Monster Hunter series by Larry Correia since the beginning. When Owen Pitt killed his first werewolf, Agent Franks was the bad cop sent in to try and make him play nice. When the things that go bump in the night try to bump the United States, Agent Franks is the bloodiest line of defense. When demons need punching, when eldritch horrors try to sneak into our reality, Agent Franks lays down the firepower. He’s the sort of character who gets respect, not out of any charisma, but because he’s the hardest man in the fight. Monster Hunter: Nemesis is Franks’ time in the spotlight.
Larry Correia’s Monster Hunter has always been a series about taking down horrors through superior firepower. It’s a red-blooded fantasy where the guns are described in loving detail, the gore splatters all over the page and combat is frequently about punching until there’s only one thing left standing. Franks has always been one of the most interesting parts of that, a die-hard take on Frankenstein’s monster, but he’s spent most of his time in the series as a spectacularly awesome roadblock and sometimes ally.
There has always been one line that couldn’t be crossed with Franks. Actually, there have been a lot of lines, because he’s pretty unpleasant to everyone around him, but only one hard line that allows Franks to go rogue. No others like Franks are allowed to be created. Naturally, that is also a line that is charged over with abandon. So what does a six-foot-something, 300-pound wall of muscle and regeneration do when faced with a frame job and betrayal? If your hope was blow it up and punch it out, not necessarily in that order, you’re in for a treat.
There may be 50 ways to leave your lover, but for Anna Benz there is only one way to meet your lover…and that's by train. Jill Alexander Essbaum’s debut novel, Hausfrau, watches Anna’s downward spiral as she grasps at physical intimacies in an attempt to fill the gaping emotional void of her life.
Anna, an American living in a hamlet in Switzerland, is profoundly unhappy. She finds the Swiss — including her banker husband Bruno — remote, and her few friendships with expats are unfulfilling. Her struggles with the local Schwiizerdütsch dialect increase her feelings of alienation, even from her three children. The train leaving the village beckons Anna with an escape. She enrolls in a German class, but quickly finds herself in an extramarital affair with a classmate. Soon after, she drifts into another sexual relationship with a family friend.
Essbaum writes Anna as a passive woman with little will, or does she? Anna enters into liaisons readily, yet resists female friendship. Frustrated with her sadness, her husband suggests psychotherapy. As her Jungian analyst probes Anna’s psyche and interprets her dreams and her language teacher parses grammar, Anna holds back, refusing to fully participate in the very activities she’s chosen to allay her distress. Essbaum’s use of language is precise as she slowly reveals Anna’s story by cycling between past and present, illuminating the nature of her discontent as her decisions become increasingly reckless and self-destructive. Doktor Messerli tells Anna in a therapy session, “…there’s no need to seek out those mistakes. For now it is they who seek you.” Intense and disconcerting, Hausfrau is an unforgettable portrait of a desperate woman.