South Korea is claiming a seat at the world’s literary table with the February release of female novelist Han Kang’s The Vegetarian, translated by Londoner Deborah Smith. The novel was originally published in 2007 in South Korea as three separate novellas. The Vegetarian unites these related stories, which all center around Yeong-hye, a young woman described by those close to her as plain and unremarkable. That is, until she becomes tormented by recurring dreams of unspeakable horrors — dreams she associates with eating meat.
Her husband, the narrator of the first part of the novel, is alarmed when he finds her frantically throwing away the animal contents of their refrigerator. He immediately reminds her of the monetary costs, to no avail. Yeong-hye not only avoids all animal products but eats little at all and begins to rapidly lose weight. Her health declines but the dreams continue. Others scoff at her newfound vegan diet, while her blustering, domineering father decides to force-feed her during a family dinner to disastrous, far-reaching results.
The second part of the novel takes us forward in time, and this time the narrator is the husband of Yeong-hye’s sister, who is a successful and driven businesswoman and mother. The brother-in-law is an artist who has yet to find an audience for his work. He is obsessed with Yeong-hye, determined to use her as the centerpiece of an artistic, sexually graphic film conceived with her in mind. This middle portion of The Vegetarian takes the quiet yet alarmingly dark tone of the beginning and adds a brooding, hypnotic eroticism. What is it about Yeong-hye that bewitches him and causes him to risk everything? Is he driven by art, or merely lust?
The final part of The Vegetarian is told by the sister, whose life has been upended by both Yeong-hye’s actions and her stubborn convictions. Yeong-hye’s mental health is rapidly declining, or so it seems. Is there something much bigger lurking beneath her usual, seemingly placid exterior? Her rejection of the human world takes her to a startling place.
The Vegetarian is calm, cool, unflinchingly dark and unsettling. Readers looking for an intellectual and philosophical challenge will enjoy working out the rich symbolism for themselves, making this an excellent choice for book clubs with a literary bent.
Northern Alaska in winter…your dream destination? Probably not, but it is the perfect setting for Rosamund Lupton’s latest thriller The Quality of Silence. A fast-paced, bone-chilling tale about a mother and daughter who trek through northern Alaska to find her missing husband that includes a wild ride in a hijacked tractor trailer to the Arctic Circle (complete with menacing stalkers), threats of hypothermia, a blizzard and fear at every turn.
What would you do if you were told your husband was killed in a fire at a remote northern Alaskan village? Would you hijack a tractor trailer to drive through Alaska’s most treacherous landscape with your 10-year-old deaf daughter? Believing her husband Matt is alive and alone in the desolate, frozen tundra, Yasmin is determined to find him despite the bitter cold, constant darkness and barely passable snow-covered roads. But her and her daughter, Ruby, must also outrun the truck keeping pace behind them, and then there are the cryptic emails from an unknown sender. Who is following them? Who is sending the emails? And why? Unrelenting fear presses down on Yasmin and Ruby not only from outside factors but from the silence they experience as well. Will they conquer their fears? Will they find Matt? Will they survive?
Grab a cozy blanket and something warm to drink, for Lupton’s description of northern Alaska will make you shiver, both from cold and fright. You will urgently read this icy page-turner to find out what happens to Matt, Yasmin and Ruby. After warming up, go to Lupton's website for photos of her recent trip to Alaska. Interesting, believe me! Still want more Lupton? Then check out her other moving and suspenseful novels, Sister and Afterwards. Both great reads!
Take one unemployed Yankee, transplant her to Mule Stop, Texas, dig up a job with an eccentric millionaire and you have all the delightful elements of Nancy Martin’s debut mystery Miss Ruffles Inherits Everything. Sunny McKillip moved to Mule Stop expecting to be an administrative assistant at a university. When the job disappears, Sunny is fortunate to land a position with the most influential matriarch in town, Honeybelle Hensley. Miss Honeybelle is president of the garden club and has the most beautiful rose garden south of the Mason-Dixon Line. Her unexpected death bestows her fortune to her dog Miss Ruffles, a Texas Cattle Cur with a Texas-sized attitude. Sunny, the housekeeper and the valet stand to inherit a million dollars each if they maintain Miss Honeybelle’s home and care for the dog for one year. Greedy relatives, university machinations, planned nuptials and garden club power plays abound. Under the watchful eye of Miss Honeybelle’s lawyer, Sunny must keep the incorrigible dog out of the rose garden while untangling the mystery of Miss Honeybelle’s demise.
Nancy Martin’s latest is no ordinary cozy. There are unexpected twists and turns as Sunny negotiates the culture of a small southern town — Texas style. Just when you think you have it all figured out, Martin throws you a curve you won’t see coming.
Nancy Martin is a winner of the Lifetime Achievement Award for mystery writing from RT Book Reviews and is the author of Foxy Roxy, Sticky Fingers and the bestselling Blackbird Sisters mysteries.
The mother-daughter relationship is complicated at its best, damaging at its worst. Pulitzer Prize-winning author Elizabeth Strout deftly tells the tale of one such complex relationship in her latest novel, My Name Is Lucy Barton. This beautifully written story is filled with hope, pain, love and understanding.
Life has come to a halt for Lucy Barton, a young married mother living in 1980s Manhattan. Succumbing to an unknown infection after routine surgery, she must convalesce in the hospital for nine weeks. Despondent and lonely, she wants nothing more than to get back to her family and her life as a writer in the West Village. To stave off loneliness, her husband flies in her estranged mother from the Midwest for a five-day visit. To say these two are not close is an understatement — they haven't seen each other in years and are barely on speaking terms. How and why did they become so distant? As Lucy tells of her mother’s visit, she also flashes back to her poverty-stricken childhood and forward to the future when her daughters are grown. We learn of her childhood, her college years and of her life in Manhattan. She attempts to forge a stronger bond with her mother during the visit, but she also hopes to get answers. Why did her mother not come to her wedding? Is she proud of her? Lucy soon realizes that as she learns more about her mother, she better understands herself.
Strout illustrates both the power and far reaching consequences of the mother-daughter relationship. You will empathize and perhaps even identify with Lucy Barton and her mother, feeling their raw emotion in spades. Check out Strout’s other works for more moving stories about relationships. My favorites are Olive Kitteridge and The Burgess Boys. Both great reads...and rereads!
Harper Lee, the Pulitzer Prize-winning author of To Kill a Mockingbird, has died at the age of 89 in her hometown of Monroeville, Alabama. Born on April 28, 1926, Lee was educated in Alabama and at one time thought about becoming a lawyer, but moved to New York in 1949 to pursue her dream of becoming a writer.
It took nine years, but finally Lee’s manuscript was accepted and the book was published on July 11, 1960. Set in a small Southern town, Lee’s masterpiece tackles racial injustice and was met with critical acclaim and commercial success. The film adaptation starring Mary Badham as Scout and Gregory Peck as Atticus was equally sensational and only added to Harper Lee’s literary fame and expectations for her next novel. For decades, though, it appeared that Lee would never publish another book. That all changed in 2015 when a manuscript was mysteriously uncovered and Go Set a Watchman, the sequel to To Kill a Mockingbird, was the book of last summer.
Harper Lee suffered a stroke in 2007, recovered and resumed life in her beloved hometown which served as the model for the small town in To Kill a Mockingbird. In fact, when asked by a radio interviewer about her small corner of the world, Lee said, “I would simply like to put down all I know about this because I believe that there is something universal in this little world, something decent to be said for it and something to lament in its passing.” She continued, “In other words, all I want to be is the Jane Austen of South Alabama.”
If you’re a fan of the whimsical highbrow movies of filmmaker Wes Anderson, you’ll love The Portable Veblen, the new novel by Elizabeth McKenzie. It’s a compelling modern-day love story set in Palo Alto, California, with an appealing quirky cast of characters, including a persistent and possibly symbolic squirrel.
Paul and Veblen are engaged, but will the marriage ever happen? They come from such different worlds. Named after the economist Thorstein Veblen, who coined the term “conspicuous consumption,” Veblen does administrative work at a hospital. In her free time she dabbles in translating documents from Norwegian and studies the teachings of her namesake’s work. How can she possibly be comfortable wearing the ostentatious diamond engagement ring Paul was so proud to give her?
She lives modestly in a rented bungalow she lovingly restored from a dilapidated condition. Veblen is quite fond of the squirrel who has taken up residence in the attic, a point of contention between herself and her beloved, who has a goal of eliminating the rodent. Veblen sees the squirrel as a new friend who wants to tell her something. Paul embraces her many personality quirks, finding her endearing. But it seems as if he doesn’t really know her (it’s been a whirlwind courtship) and meeting her domineering, hypochondriac mother and enabling stepfather might be the thing that tears them apart.
Raised on a commune by hippie parents, Paul revels in his new money and status as a neurosurgeon. He wants to distance himself from his odd upbringing, especially his mentally disabled brother Justin, who gets all of the family’s attention. He’s most excited by the device he’s pioneering, the Pneumatic Turbo Skull Punch, intended to help treat head trauma on the battlefield. But Paul has fallen in with the ruthless head of a major medical and pharmaceutical company that has its own plans for Paul’s invention.
The Portable Veblen is a storybook for adults. The over-the-top characters are all memorable, and author McKenzie sets up scenes that reveal as much about Paul and Veblen’s individual pasts as they hint about their future together. So much literature these days weighs the reader down with heavy plot lines and depressing circumstances, and although The Portable Veblen trades in dysfunctional families and relationships, it soars as a comic satire. This a book I looked forward to picking up and falling into, and now I’m sorry to leave Paul and Veblen behind.