“Say nothing. Not a word to anyone.” So begins the painful odyssey of a frightened child in Andrew Taylor’s The Silent Boy. It is 1792 in Paris, and The Terror has begun. Turmoil grips the city. As the violence spins out of control, it overtakes anyone in its path. Terrified and covered in blood, the boy races through the streets of Paris to find an old servant who worked for his mother. She takes him to Monsieur Fournier, who believes the boy is his son. Together they escape to England to stay at desolate Charnwood Court.
Edward Savill, employed as an agent in London for a wealthy American, is informed that his estranged wife has been murdered in Paris. She has left behind Charles, a 10-year-old boy suffering from hysterical muteness. The boy cannot possibly be Savill’s, but he is still married to Charles’ mother and legally responsible for his welfare. Charles also has a half-sister, Lizzie, who is anxious to bring him home.
These conflicting interests clash to create an unrelentingly suspenseful tale. Savill, the wronged husband, is fiercely determined to provide for the boy; Fournier, the former lover, holds onto him as a talisman. Behind the scenes, political interests far more powerful than these two men pull the strings. Taylor has drawn such achingly real characters that the desire to rescue the boy is palpable. With characters reminiscent of Dickens, this tale creates a level of insecurity in the reader that mirrors Charles predicament.
Andrew Taylor is the author of several thrillers, including The Office of the Dead and The American Boy, both of which won Britain’s Ellis Peters Historical Dagger award, making Taylor the only author to receive the prize twice. With The Silent Boy he surely has another winner.
Vulnerable, shimmering and desirable. Oh, to be a soul in David Mitchell's disturbing and fun new novel Slade House. Here horror meets plain old weirdness in a Faustian-like brew, stirred up by creepy twin siblings, Norah and Jonah Grayer. The two house residents must refuel in order to “live” out their immortal existence. But it's their energy of choice that is the stunner for those who enter their seductive property through their garden’s small iron black door.
Spanning 36 years starting in 1979, the story’s epicenter is the enigmatic haunted mansion that only appears once every nine years. One by one, Mitchell’s five “engifted” narrators are tricked by the twins into visiting the house, allured by a theatrical setting that conjures up images they want to believe in, images that make their lacking lives better. They end up in a precarious situation, trapped and doomed, while the unthinkable happens.
Mitchell, whose previous novels Cloud Atlas and The Bone Clocks received critical acclaim, started this latest work out of a series of tweets. It is a narrative that hints of larger life questions for which there are no answers. And while Mitchell deftly nods to his heftier previous works and the universe therein, it is not necessary to start there. In fact, Mitchell’s latest effort is a nimble and accessible stand-alone. It may be the perfect introduction to this author’s thought-provoking, imaginatively clever writing whose style blends mind-control and the supernatural with the essence of time, beguiling it might be. Mitchell fans have come to expect nothing less while newcomers will hopefully get what all the fuss is about.
Bestselling author Sarah MacLean brings TMZ to pre-Victorian times in The Rogue Not Taken, the first in her new Scandal & Scoundrel series. Lady Sophie Talbot preferred life as a commoner, but when her father’s success secured him an earldom she was thrust into the highest echelons of London society. Sophie shies from the spotlight until her philandering brother-in-law causes her to create a very public scene and earn the scorn of the aristocracy. Think along the lines of the Beyonce/Jay Z/Solange elevator incident and you’ve got the picture.
Vowing to leave London, she stows away in the carriage of Kingscote, the Marquess of Eversley. King is a charmer with an ill-deserved (but welcome) reputation as a rake. When Sophie is discovered, King is sure that she is trying to trick him into marriage despite her avowal that he is the last man she would ever marry. Sophie asks King to take her to her childhood home claiming a lost love is waiting for her. While he is disbelieving, he agrees to give her a ride.
This will turn out to be the journey of a lifetime for these two who are at odds from the beginning and continue to snipe along the way. Yet when trouble strikes, they have each other’s backs and slowly the bickering turns to flirtatious banter and the sparks begin to fly. This compelling story is enhanced by MacLean’s fast-paced storytelling, clever dialogue and sharp wit. Sophie and King are clearly drawn, engaging characters whose emotional connection is palpable. This intense romantic journey is peppered with comedy and action while also serving as a cutting commentary on pre-Victorian upper class society.
In the debut novel The Red Storm by Grant Bywaters, life isn’t easy for William Fletcher, former-boxer-turned-private-detective living in segregated 1930s New Orleans; not many white people are willing to respect, let alone hire, an African American private eye. When his former employer and mob associate, the violent Bill Storm, reappears in Fletcher’s life with a final request – to locate Storm’s daughter – Fletcher figures things couldn’t get worse.
But then, Storm is found shot in the head, and his killer seems to be gunning for his daughter. She hires Fletcher as protection, setting off a chain reaction of escalating violence between the police and different mob factions. Fletcher has to use all of his boxing experience and investigative instincts to survive the coming storm.
The Red Storm is a treat for any hardboiled detective or historical fiction fan and especially so for fans of boxing as the book is rife with references. Bywaters is frank in his depictions of violence, be it a boxing match or a fight between mobsters. He also never lets the reader forget the time period he’s writing in either; not only does he reference specific events and places in New Orleans history but he also doesn’t shy from the slang or the racial issues. Counterpoint to the rampant casual racism and segregation is Fletcher himself, who won’t let anything impede his investigations.
It’s easy to understand why Bywaters won the Best First Private Eye Novel Competition sponsored by the Private Eye Writers of America (PWA) and Minotaur Books, with his professional experience as a licensed private investigator adding authenticity to Fletcher’s fictional investigations. Reminiscent of Walter Mosley and James M. Cain, mystery fans will appreciate this new voice in hardboiled detective fiction.
In Saint Mazie by Jami Attenberg, the title character is a flawed human being who reaches out to the poor around her yet never gives up on life’s pleasures. Mazie Phillips-Gordon is a self-proclaimed good time girl. Her favorite things in life are cigarettes, alcohol and having fun. Despite her hedonistic ways, Mazie is also a pushover for the vagrants who populate her Lower East Side world during the Great Depression.
Attenberg sets up the story as a documentary on Mazie told in part through her diary and also through the interviews and observations of people who knew her. By using different points of view, Attenberg allows us to see the good in Mazie that she often fails to see. She and her younger sister Jeanie are rescued by their sister Rosie who takes them away from their abusive father and ineffectual mother. However, both girls go through rebellious periods making life difficult for Rosie. In an effort to try and curb Mazie’s life spent in bars and speakeasies, Rosie’s husband has Mazie work in the ticket booth at his movie theater. Feeling confined in the box office – which she refers to as her ‘cage’— Mazie manages to keep her spirits up by helping the homeless people in her neighborhood. Attenberg may refer to Mazie as a saint in the title, but this book recounts the unvarnished world of a woman who lived life to the fullest.
Helen Ellis’ American Housewife is a satirical collection of 12 short stories featuring a group of enthralling, outrageous and disturbing women. There are humorous vignettes, such as “Southern Lady Code,” which offers biting translations of benign Southern phrases and “How to Be a Grown-Ass Lady,” which provides tips on how to do just that. There are fleshed-out stories full of characters and situations that are just a little too bizarre to be real — a relocation program for child beauty pageant contestants, an email exchange between neighbors that escalates into all-out war. In “Dumpster Diving with the Stars,” we meet a has-been writer who leads the competition in finding the best deals at yard sales and estate auctions, to the annoyance of the producers who would rather feature the Playboy bunny. “My Novel is Brought to You by Tampax” stars a writer working hard (or hardly working) on her next novel, sponsored by Tampax. A Tampax representative will do anything to make sure she meets her daily writing goal — starting with bribing her neighbors into bringing the writer meals in exchange for feminine hygiene products. The tales feel true enough to make readers uncomfortable even as they’re laughing at the absurdity. Don’t inane parodies of reality shows actually sound like plausible reality shows? And is it such a stretch that a tampon company could make the leap from sponsoring daytime television to sponsoring novels?
These stories are a fictional alternative for people who enjoy humorists like Jenny Lawson and Laurie Notaro. Ellis even received a nod from Margaret Atwood as one of her favorite books of the year: “Surreal tales of American weirdness, with details that ring all too true.” You probably haven’t murdered your neighbor over the tacky décor in your common area…but maybe you’ve briefly considered it.
There’s something magical about the fandom of Sherlock Holmes. For over 100 years, the fans have refused to believe that the detective isn’t real. They send him letters and marriage proposals, form historical societies around him and pay tribute with that most earnest form of flattery, fan-fiction. Otto Penzler’s The Big Book of Sherlock Holmes Stories is the mother lode of such tributes, collecting a whopping 83 short stories from such literary heavyweights as J. M. Barrie, Kingsley Amis and P.G. Wodehouse.
Sherlock fans of all walks of life will find something to enjoy in this collection, because by density of volume: there has to be! There are modern classics such as Stephen King’s “The Doctor’s Case,” in which Holmes is barred from a crime scene due to an allergy to the victim’s cats, and Neil Gaiman’s “The Case of Death & Honey,” in which Holmes sets out to solve death itself, and succeeds astonishingly. There are also historically fascinating pieces such as the story Conan Doyle wrote for the library of Queen Mary’s Dolls’ House, and contemporary parodies in which such clever lines as “Elementary, my dear God!” are uttered.
In the last year alone there’s been a plethora of new stories about the Great Detective such as Dan Simmons’ The Fifth Heart, Kareem Abdul-Jabbar’s Mycroft Holmes and the film Mr. Holmes, adapted from Mitch Cullin’s A Slight Trick of the Mind. It is altogether shocking to observe the similarities between the Holmes of the 1800’s and the Holmes still captivating audiences today, and reading this century’s worth of stories will give you the humbling feeling of watching a small torch pass from writer to writer across decades. Consider giving this to anyone who’s impatiently awaiting the next season of Sherlock. And really, isn’t everybody?
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James Bond, who? Meet Schuller. Josephine Schuller. Most people call her Josie and, although she may fit the description of a Bond girl, she's the type of woman who could take Bond down and end his days of drinking shaken, dry vodka martinis. Why and how, you ask? Well, don’t let this homemaker, wife and mother of two, fool you. She is a vicious assassin who knows how to work a knife inside and outside the kitchen. Josie Schuller is the Lady Killer in Joëlle Jones and Jamie S. Rich’s graphic novel set in the early 1960s.
Josie Schuller reminds me of Angelina Jolie’s character, Jane Smith, in the 2005 film Mr. and Mrs. Smith and January Jones’ Betty Draper in AMC’s hit television series, Mad Men. In Lady Killer, Josie tricks her twin daughters, husband and friends into believing that she is just a stay-at-home wife and mother. What they don’t know is that she is also an agent working for Mr. Stenholm, who gives her assignments to terminate lives. Josie learns that she is on Mr. Stenholm’s target list when he sends her co-worker, David Peck, to execute her. Josie devises her own plan to eliminate them both.
This graphic novel is most definitely a treat. The eye-catching, vintage-inspired illustrations by Joëlle Jones and the delicious colors by Laura Allred lured me in. Lady Killer has everything you want in a graphic novel. Stunning artwork? Check. An interesting protagonist? Check. Brilliant colors? Check. A page-turning story? Check.
So, what are you waiting for? Drop what you’re doing and get your hands on Lady Killer by Joëlle Jones and Jamie S. Rich. You won’t regret it.