Hieroglyph: Stories and Visions for a Better Future, edited by Ed Finn and Kathryn Cramer, is a book with a mission, the public face of a project determined to get humanity moving back in the right direction. What direction is that? The direction is big dreams backed by science, a drive unseen since the furious push of the space race. Hieroglyph is built on the idea that scientists and engineers need science fiction writers to dream big dreams for them to chase after. To that end, Arizona State University started the Hieroglyph project to get everyone talking with each other. These debates are open to the public. This book is an anthology of short stories. After every story, URLs are provided to discussions with the hope that the readers read further, and maybe even take up the torch themselves.
The stories run a range. Most aren't concerned with space travel, keeping the science closer to home, and more likely to be reached within our lifetimes. The first story is about the massive architectural shifts that could come from building a tower 20 miles high. Other stories create greener cities, or more peaceful conflict resolution through social media and advanced common literacy. This is an optimistic book, sometimes utopian in its outlook, but often not. There's a lot of pragmatic futurism here, including massive acknowledged debts to Robert Heinlein's The Man Who Sold the Moon, which was far less about space travel than it was about the business deals necessary to make space travel possible.
As literature, the stories vary in quality from crisp prose by Cory Doctorow to long descriptions about future cities that aren't really stories. It pitches big ideas and strange ideas, through narrative and experiments. Considering all of the technology we use every day, from medical technology, smartphones and touch screens that came out of Star Trek, sending science after science fiction makes sense. If Hieroglyph gets traction, expect sequels with more dreams.
When it comes to comic books and graphic novels, Jeff Lemire is a 21st century Renaissance man. Hailing from Canada, he has been recognized numerous times for his prowess in both storytelling and artistry. Lemire has written and drawn most of his works completely on his own, but he also fares incredibly well when teaming up with other writers and inkers at DC Comics.
Lemire’s sci-fi brain bender Trillium is an eight-issue comic series published over the span of August 2013 to April 2014. In Trillium, adventurers Nika and William are torn from their worlds by occult magic and thrust together in an alien jungle on a foreign planet. Through this supernatural machination, the couple becomes intertwined, although they don’t realize it at first since they’re unable to communicate due to language disparities. Nika and William fight to understand each other while combing the flora and fauna in search of the rare trillium flower, which is thought to be the only possible cure to a sentient, space-travelling supervirus that has decimated humanity.
Trillium is confounding and strangely beautiful. Navigating dimensions with William and Nika is a thrilling experience with a rewarding narrative that endears readers to persevere. Throughout the series, Lemire toys with conventional comic layout standards and actually has readers flipping the book upside down and reading from back to front, conveying the disorientation the characters are feeling. Lemire’s signature mixed medium art style leaves each page messy and scrawled, evoking hysteria and tension. His ability to convey emotions through his characters’ faces is incredible; oftentimes it isn’t what’s said, but what’s left unsaid that resonates in Lemire’s works. The same is true of his 2008-2009 Essex County Trilogy, which has been praised as one of the best Canadian graphic novels of its decade.
The aftermath of an energy crisis is explored in Edan Lepucki’s new novel California. Frida and Cal are on their own, living in a shack and facing the uncertain future that may include the birth of a baby. Frida knows she may need help with the birth, and the couple discover that there is a community of people nearby, surrounded by a foreboding fortress made of tall spikes and broken glass. But is the fortress meant to keep strangers and roving bands of pirates out, or keep the insular residents in? Desperate to find acceptance, Frida and Cal decide to play by the rules. But a charismatic leader emerges with an agenda of his own, and both Frida and Cal begin to wonder if this is the paradise for which they had hoped.
A remarkable work of dystopian literature, California stays fresh with interesting characters and a suspenseful storyline. Frida and Cal are sympathetic protagonists, and Lepucki examines elements of their past life and slowly reveals how the world before has led to a dramatic and difficult present.
Although set in the future, the novel stays grounded in reality and will appeal to readers who enjoy strong characters facing hard choices in a realistic way. This debut novel for Edan Lepucki proves her to be a writer to watch. The audiobook is narrated by Emma Galvin, who brings life to the text for an enjoyable listening experience. Readers who enjoy this novel may want to also read Station Eleven by Emily St. John Mandel or The Book of Strange New Things by Michel Faber.
Thirty years ago, mankind gained access to virtually unlimited space. By means of a small box containing a potato, people could step "West" or "East" into an unknown number of alternate Earths where humankind had never evolved. Given open spaces, mankind did what mankind has always done, and colonized millions of other worlds. They weren't nearly enough.
Willis Linsay disappeared 30 years ago after releasing humanity into the Long Earth. No one knows where he's been, or what he's been looking for all that time, but now he's back and dragging his daughter along to Mars. For Mars, it turns out, also has an infinite number of alternate worlds, and one of them might just hold a whole new gateway to the universe. Back on the Long Earth, Captain Maggie Kauffman has been sent on an entirely new exploration, all the way out to Earth 200 million. Joshua Valiente, the Long Earth's oldest explorer, has set out to find a new kind of people who may be humanity's future.
The third book in the Terry Pratchett Long Earth series, The Long Mars' weakness is its plot, which feels like the set up for a bigger story. While there may be a functional double climax, most of the story is exploratory ramble, but that exploratory ramble remains absolutely stunning. Every world in the Long Earth and a few in the Long Mars developed in radically different ways. The alternate world premise may be fantasy, but every world of the Long Earth has real science behind it. Here, an entirely different evolutionary pathway, there a different sociological slant on civilization. It's possible to learn more about climate science in in a single passage of The Long Mars than an entire high school science course, and be entertained besides by Terry Pratchett's arch commentary.
Earlier this year, Between the Covers blogger Jeanne told our readers about Archetype, a debut novel by Maryland author M.D. Waters. In that novel, Emma wakes with no memory of her past. She begins to have flashes of memory and soon realizes that neither her doctor nor her loving husband Declan are exactly who they seem to be. She fights to learn the truth, and what she finds is truly shocking.
Prototype is the exciting conclusion to Emma’s story. The novel picks up one year after the end of Archetype. Emma now knows what happened to her, and she finds herself on the run from Declan. If she wants to survive, she must trust Noah, the man who she used to believe was the love of her life, and members of a resistance group that she used to help lead. The action ramps up in Prototype as Emma claims her true identity. This book is a genre-bending hybrid of science fiction, romance, action and psychological suspense.
Waters recently answered some questions for Between the Covers readers. Learn more about this talented writer, what she’s working on now and the music that influenced Emma’s story.
Between the Covers: What inspired you to write Emma’s story?
M.D. Waters: Growing up, my dad was a huge influence on me when it came to what the future could hold. I always had these things in the back of my mind: a planet-wide overpopulation, technology to control what type of child you bring into the world and that Mother Nature will always make it right. So when Emma woke me in the middle of the night, telling me she lived in a world where women were a rare commodity… Well, I immediately thought of all these things my dad believed possible.
BTC: Equality and legal rights, which differ wildly between men and women as well as clones and humans, are an important issue in both books. Have you had much feedback from readers about those issues?
MW: I have, yes, and everyone takes away very different things. Lots of positive thought provoking, but also some negatives, which surprises me. Lots of assumptions on my “plan,” which doesn’t exist. I see those issues as very normal and very possible, and didn’t even think about the actual rights issues it addressed when I wrote the books. We already live in a world where equality is a matter of perspective, and many of us are blind to the truth. Will it always be that way? I don’t know. I’d love to think we’re progressing to complete equality, but we’re human and subject to nature and/or nurture.
BTC: You share a lot of music on your blog. If Emma had a theme song, what would it be?
MW: “Lost in Paradise” by Evanescence. I swear there was a point when I listened to it on repeat for days. But I’d also choose “Tear the World Down” by We Are the Fallen. I felt a lot of Emma’s strength in Prototype in that one.
BTC: The books are a great blend of action, science fiction, romance and suspense. Let’s pretend that you just got the call that Archetype and Prototype are being made into a movie, and you have free rein with the casting. Tell us about your dream cast.
MW: Jennifer Lawrence, Stephen Amell (Declan) and Charlie Hunnam (Noah). (Triple crosses fingers!)
BTC: Will you tell us a little bit about your writing process? Where do you write? Do you write every day? Who is your first reader?
MW: My process is crazy. I go in these really long spurts of sleeplessness and coffee hazes. Then I binge watch television for days after because I broke my brain. I have a “library” in my house with my books and desktop, but I move around to different areas with my laptop too. Change of scenery always helps. My first readers? Charissa Weaks and Jodi Henry. I have a handful of people who read for me, but these two are always there to read short paragraphs to entire chapters on a whim. I couldn’t do this without them.
BTC: What can readers expect from you next?
MW: More of the same. I’m working on a spinoff of Archetype and Prototype, but also a Young Adult sci-fi [novel] that’s set in a world with its own set of issues.
BTC: As a reader, what book are you most excited to get your hands on right now?
MW: How much time do we have? Currently, I’m ready to get my hands on The Infinite Sea by Rick Yancey. His writing really shook loose the voice in the Young Adult [novel] I’m working on, plus The 5th Wave was seriously kick-ass. So, um, gimme.
The science fiction genre has been on the decline for quite some time, but with the rise of innovative, mind-bending authors like Ann Leckie that might be about to change. Leckie has set imaginations afire, garnered a constellation of outstanding reviews and received a recent nomination for a 2013 Nebula Award for her debut novel, Ancillary Justice.
Ancillary Justice is set in a far future in an interplanetary empire known as the Radch. The Radchii utilize humans, massive ships and space stations connected by a vast network of artificial intelligence and the Ancillaries. Ancillaries are formerly living humans that have been transformed into part of the collective mind of their ships or stations. No longer human but also not fully machine, they are the Borg with more humanity and better fashion sense. Breq, the book’s protagonist, used to be an Ancillary of the starship Justice of Toren. Something happened to the ship, and she is the last surviving piece with all of the ship’s memories and no individual identity of her own. Breq is on a quest for vengeance for the death of her favorite human officer. The story is told in both Breq’s present and flashbacks that tell of the events leading up to the loss of the Justice of Toren. These flashbacks allow the brilliance of the work to shine through.
With a narrator that is a ship consisting of hundreds of parts, you often seem to get point of views from dozens of perspectives, but they are all from the same character. It is no accident that the Radchii have no sense of gender. Throughout the book, Breq refers to everyone as "she," and it is only through the conversations of others that we get any sense of gender identity. As Breq’s story unfolds and you see a multifaceted Artificial Intelligence developing a split personality and hiding secrets from itself, you develop a true appreciation for what Leckie has accomplished.
A world on the verge of unimagined changes in identity, technology and biological change, Ancillary Justice delivers a window into our future and how the definition of being human might be more malleable than we think.
In The Martian by Andy Weir, the action is cranked all the way up to 11, which is an impressive feat for a story that unfolds over the course of a year and a half. Set in the not-too-distant future, this is the story of NASA’s third mission to Mars. A type of routine has set in with these missions to the Red Planet until a freak sandstorm causes NASA to abort the mission and evacuate the planet. As the astronauts prepare to leave the surface, one is struck and thought to be dead, so he is left behind by his crewmates. Knocked unconscious, Mark Watley awakes to find himself in a damaged spacesuit, alone, with no communications and no way to get off the planet. Smart, sarcastic, hard-working, imaginative and more than a little nerdy, Watley is the perfect hero. Left alone with limited supplies, Watley has to find a way to survive and meet his basic needs. Just as he starts to accomplish this, NASA realizes their mistake. As the world turns its attention to the drama unfolding across a sea of stars, Watley is forced to parry every challenge thrown at him by a harsh, unforgiving environment.
The Martian, with its roots in current space history, it is more a work of science “fact-ion” than science fiction. This debut novel by a promising new voice is a celebration of the esprit de corps and professionalism of NASA, as well as a celebration of the human spirit. Weir speaks to the basic human need to risk any danger, no matter the cost, to save another human in distress. The Martian will leave you breathless on its way to a fist-pumping-in-the-air conclusion, perfect for anyone who loved Apollo 13 or Gravity as well as readers of Mary Roach’s Packing for Mars.
Emma Burke has survived a terrible accident and, since waking in the hospital, is unable to remember anything about her life. It is through the constant loving support of her husband, Declan, an incredibly handsome and successful businessman, that she gradually starts to reclaim her life. Her steady progress is marred only by nightmares of murder and war, which wrench her from sleep screaming. Her doctor is concerned about this element of her recovery, but Emma hears a voice in her head, remarkably like her own, which advises her not to share any details. Intrigued? You should be! Archetype, a novel by the debut author M. D. Waters, will captivate readers as they join Emma in her covert search for answers.
With the medical advancement allowing parents to predetermine the sex of their baby, the world has become overpopulated with men. Wives are a rare and valuable commodity that only the wealthy can afford to acquire. Once married, they are branded on their hand with a Luckenbooth, the Celtic symbol of two intertwined hearts. This ceremony indicates to all that the woman is taken. Emma counts herself fortunate that she has such an attentive and wonderful man who has proven exceptionally devoted to her as a husband. Unfortunately, her nightly dreams include a man with whom she is passionately in love and whom, though she hasn’t seen his face, she understands is not Declan. Are these merely dreams or possibly memories?
This novel has a very high level of suspense, as our strong-willed heroine decides not to take everything that she has been told at face value. Ever fearful of having to return to the hospital for any perceived setbacks to her recovery, she is determined to find out what information is being kept from her. It is this perilous quest for the truth that will keep the reader on edge and guessing until the final page. Archetype is a futuristic thriller, mystery and romance all rolled into one totally enthralling book.
Few writers can jump from one form of media to another and still produce award-winning work, but with his 2013 Hugo Award winning series Saga, Brian K. Vaughan has proven he is one of those rare writing talents. Vaughan is no stranger to accolades; his previous comic book series, Y: the Last Man and Ex Machina, not only won awards but were both optioned for films. His heart-wrenching graphic novel, Pride of Baghdad, looks at the non-human consequences of war.
Vaughan, who has been writing for TV shows like Lost and Under the Dome, and artist Fiona Staples have created a family drama that is half Romeo and Juliet and half Firefly. Saga, Vol. 1 is the tale of two worlds and two species at war. In the midst of the conflict, a man and a woman from opposing sides meet and fall -- slowly and painfully -- in love. They escape their families and their worlds and have a child together. That’s when things get interesting for them. Neither side in the conflict likes what their love and their child represent and make the elimination of the trio a priority.
Saga, Vol. 1 is full of interesting worlds and species, like a slew of bounty hunters out for blood and cash. If the story sounds vaguely familiar, it is given fresh life by Vaughan’s writing and Staples’ art. Vaughan is known for his snappy and often funny dialogue that wouldn’t be out of place in a Joss Whedon film. A great deal of the charm of the series is the characters and their interactions, which always come off fresh and, well, human. The first volume follows the initial pursuit and escape.
Vaughan has again found a way to take an unusual concept and tell an incredible story.
Saga is for mature audiences only, due to violence, language and adult situations.
“Is Samantha Shannon the next J.K. Rowling?” That's the question asked in the July 15th edition of Forbes magazine. Shannon’s debut novel, The Bone Season, is the first in what's expected to be a seven-part series. The novel begins in an alternate universe in the year 2059, about 200 years after a plague covered the planet causing some of the population to become clairvoyant. In the world Shannon has created, there are guards who protect the Scion city of London from clairvoyants because the general population has been told that clairvoyants are dangerous. This futuristic world is a totalitarian society where clairvoyants have to hide their abilities and are treated as criminals.
Paige Mahoney is the 19-year-old protagonist of this science fiction thriller. She is called the "Pale Dreamer" because she’s a dream walker, a rare form of clairvoyant. All clairvoyants have a specialty, an area of the sixth sense at which they excel, and Paige’s spirit is able to leave her body and travel into the aether to visit the thoughts and dreams of others. She uses her gift for an underground crime syndicate that employs clairvoyants in a variety of ways depending on their abilities. The lifestyle allows Paige to be around others like her and not feel ashamed of her gifts.
The Pale Dreamer’s world is thrown into chaos when underguards discover that she is clairvoyant. She is taken captive and detained with others who have similar abilities. She must learn about herself and her gift in order to regain her freedom, but the task is greater than it seems and failing isn’t an option.
This is an incredibly unique book by a debut author. According to The Bone Season’s website, the book’s movie rights have already been claimed by The Imaginarium studios.