Eddie Campbell’s Bacchus introduces us to a world where the gods are among us, but can’t quite cover their bar tab. A tragedy some hundred years ago left most of the Greek gods dead, and now Bacchus, the God of Wine and Revelry, is an old man with the “deadest looking face you’ve ever seen,” and the only hints of his former glory are the two horns that occasionally peek out from under his hat before he falls down drunk at the bar. But when he sees his old rival Theseus being interviewed on live television, he gets a taste for the old days and sets out to settle the score.
Thus begins one of the most epic shaggy-dog stories ever put to print. Bacchus’ adventures are never what you expect them to be. He’ll set out on a quest, get discouraged, stop somewhere for a drink and then decide to visit the islands instead. It’s less an Odyssey than a pub-crawl through Greek mythology. And at his side is his faithful follower, Simpson, a Greek literature buff whose history lessons fill in the blanks for Bacchus, whose recall isn’t what it used to be (“It’s all a bit of a blur after I invented wine,” says Bacchus, on childhood.) Along the way they get wrapped up in mob rivalries, the search for the skull of Poseidon and a really weird guy named the Eyeball Kid.
Campbell’s detailed artwork and historical knowledge result in a book that’s both highbrow and slapstick, that knows when to be reverent and when to let the drunk god belch. It’s a must read for fans of Alan Moore’s classic From Hell, which Campbell illustrated, or the mythology-dense fiction of Neil Gaiman, whom Campbell also illustrated in The Truth is a Cave in the Black Mountains.
Bestselling author Kristin Cast teamed up with her mother P.C. Cast to bring you the wildly popular teen series House of Night. Kristin Cast ventures out on her own for Amber Smoke, the first book in her new The Escaped series, written for the new adult audience.
Tartarus is more than just an area in the underworld where souls go to be judged after death, it’s also the place that Alek calls home. As the son of the Furies, Alek was born with the mission to save both the mortal realm and his own. In order to accomplish this arduous task, he will need to find and enlist the help of the Oracle.
As an average young adult waffling between majors, Eva has no idea that she is anything more than an indecisive college student, let alone an Oracle. She spends her time around the house with her mother, going to classes or hanging out with her best friend, Bridget. Her days are pretty carefree, but only because she’s oblivious to the fact that girls are going missing and turning up dead. With Tartarus on the brink and Alek on a mission, Eva’s world is about to be turned upside down.
Amber Smoke is a quick, light read with a clever combination of Greek mythology and contemporary settings. The carefully crafted alternating narrative is engaging, and the cliffhanger will leave you hankering for more.
Krassi Zourkova’s debut novel Wildalone will leave readers eagerly awaiting her next literary venture. A novel filled with Greek mythology, Bulgarian legends and romance, Wildalone is a stunning debut. Thea Slavin, a Bulgarian student, has just begun her freshman year at Princeton University. She immediately wows the Princeton community with her piano skills, giving a Chopin concert shortly after she arrives at school. As Thea is thrust into the spotlight, she must balance her musical ambitions with her school work, campus job, social life, mysterious family history and enigmatic love interest.
Before Thea begins her education at Princeton, she finds out that she had a much older sister, Elza, who attended Princeton years before and mysteriously died there. This doesn’t stop Thea from attending the illustrious school. Rather, she decides to investigate her sister’s death in between classes, concerts and dates. Meanwhile, she becomes enraptured with Rhys, an older, captivating man who reveals little about himself, keeping Thea in the dark throughout much of the book. Zourkova weaves in stories from Greek mythology and Bulgarian legends, and as the reader reaches the climax of the novel, the story ties in with the legends seamlessly.
Wildalone is a bewitching story that leaves readers enraptured with Thea, as well as the more minor characters. Fans of Deborah Harkness’s All Souls Trilogy series will enjoy this new novel and debut author. Reader beware, Wildalone ends on a cliffhanger!
Everything changed for Harry Dresden, Chicago's only professional wizard, when he sold his services to Mab, Queen of the Fairies, to save his daughter. He's been not quite dead, trapped in Fairy politics and sent on a wide variety of suicide missions. That was the easy part. Nicodemus, Knight of the Blackened Denarius and one of the cruelest enemies Dresden has ever faced is back in town, planning a major heist. And Harry's stuck working for him.
By turns Skin Game by Jim Butcher is a ripping heist novel, a hilariously goofy urban fantasy, with enough touching moments to give real weight. Butcher has won the ability to write gripping, fun and magical crime novels, and he's fought for that ability in this very series. It's not recommended to start with Skin Game if you're going to read the Dresden Files series because too much of the book is dependent on things that have come before. I don't recommend beginning at the first book either, because Butcher didn't really find his footing until the third. Start with the third book, Grave Peril, because the Dresden Files are a journey. Characters grow, wrestle with themselves, face up to things they don't want to deal with. There's a whole lot Dresden doesn't want to deal with, from dragging his friends into danger to stronger and stronger deals with dangerous and inhuman powers. Life has a tendency to get a whole lot bigger than the people living in the Dresdenverse.
If this were a movie, it would be a summer tent pole, a certified blockbuster. It has huge, explosive action, romance, comedy, true love, and cute animals. There are double and triple crosses and rivalries that zoom along. It would be better than anything you're going to see in the theater this year. But it gets even better if you haven't read the rest of the Dresden Files, because now you have an entire book series that's better than anything you're going to see in the theater, and it's still building up to even bigger things.
Award-winning author and owner of the Birchbark Books store in Minnesota, Louise Erdrich is of both European and Native American descent. Her Ojibwe heritage is an integral part of her latest novel, The Round House, which revolves around a crime committed against a woman of the Chippewa tribe.
Narrated by thirteen-year-old Joe, the story opens with a brutal attack on Joe’s mother Geraldine, a tribal enrollment specialist. Deeply traumatized and unable to cope, Geraldine withdraws to her bedroom, stymieing the police investigation. Joe’s father, a tribal lawyer, is convinced the violence was not random and enlists Joe’s help in reviewing pertinent legal cases which he believes will lead them to the perpetrator. With the help of friends and extended family, Joe uncovers evidence pointing to Linden Lark, a white man with a family history of checkered relations with the Chippewa. Unfortunately, while Geraldine knows the assault took place near the Round House, the reservation’s spiritual center, she cannot pinpoint the exact location and the area includes both tribal lands and state-owned property. With no clear jurisdiction, the case cannot be prosecuted and Lark is freed.
Erdrich braids together elements of native culture and mythology, Southern Gothic style, and the commonality of the male adolescent experience, all of which drive Joe’s decisions. The devastating impact, both past and present, of alcohol on Indian families is unmistakable. Relations between the tribal members and the white community are repeatedly shown as tenuous, the truce uneasy.
The Round House is a multi-faceted jewel. It is a coming-of-age story, a view of contemporary Native American reservation life, and a thriller turning on legal niceties while relentlessly moving to an inevitable conclusion. Erdrich’s afterword includes information about organizations working to correct the difficulties of prosecuting reservation crimes, especially sexual assault against Native women.