If you were like me as a kid and read a lot of fantasy, you probably had no trouble believing that magic mirrors, wardrobes and tollbooths were everyday objects. That Narnia or Wonderland were one right-wrong turn away at any given moment. But the part of those stories I could never understand was the part where the kids go home at the end. If you really found a door to a world where magic was real why would you ever leave? Seanan McGuire’s Every Heart a Doorway asks a darker question: What would you do to get back?
Eleanor West’s Home for Wayward Children is a school for children coping with realness. Children who returned from magical worlds and desperately want to go back again. But their reasons for wanting to go back are more compelling than just wanting to fight dragons or whatever. These worlds offered them acceptance that they couldn’t find at home, a safe place to express their gender, sexuality, their personality. Plus dragons. Who wouldn’t want to go back?
But now someone’s threatening the safety of everyone on campus. Someone who would do anything to return to their world, and everyone’s a suspect.
With this book, McGuire has crafted not just one world but multiple worlds of compelling characters and situations, all nested inside one slim novella. Fans of the novel and TV series The Magicians will appreciate this clever deconstruction and homage to the fantasy genre.
Immigrating to a new country is hard enough, but when your (sometimes metaphorical, sometimes literal) ghosts travel with you, you need someone who will protect and ward your community from those with malevolent intentions. In The Girl with Ghost Eyes, author M. H. Boroson mixes fantasy, martial arts and Chinese culture to create a thought-provoking tale with a resilient heroine.
Xian Li-lin is a priestess and exorcist of the Maoshan tradition of Daoism living in San Francisco’s Chinatown in 1898. After a fellow exorcist attacks her, Li-lin plots to confront her enemy in order to restore honor to herself and to her father, the only family she has left after the death of her husband. She cannot afford to lose any more face since she is already considered something of an outcast due to her widowhood status, and she’s cursed with yin eyes — the ability to see the spirit world. In her quest, she has to navigate not only the power struggles of the rival tongs of male-dominated Chinatown, but also the avenues of the spirit world, home to demons and monsters of all shapes. Unbeknownst to Li-lin and her allies, there is a horrifying plot to unleash a monstrous abomination that exists only to destroy everything in its path. Li-lin will have to challenge both the world of spirits and of men if she is to stop the monster.
The Girl with Ghost Eyes is refreshing because not one character is a stereotype or a caricature. Boroson treats the culture and history from which he draws his fictional Chinatown with respect and honesty, keeping the depictions of Chinese and Chinese immigrants’ culture and Maoshan tradition as close to reality as possible. Li-lin is a fantastic reluctant hero struggling through an almost impossible task simply because no one else will. She’s not the only person who can succeed in stopping the plotters, but she is the only person who keeps trying to do so.
This book reads like a detective noir crossed with the best kung fu movies, with lots of action and characters that are well-rounded, conflicted and complex. Li-lin will resonate with fans of Garth Nix’s Sabriel. This is also the first book in her series, promising lots of future ghost adventures to come.
A war is raging over magic’s presence in the world. Exorcists and priests are pursuing witches and demons, purging them from the world until there is only one place left where the connection to magic remains strong — Ireland. In Mark Tompkins’s debut novel The Last Days of Magic, human and fairy politics collide as the war over magic comes to Ireland’s shores, and it's not always obvious who can be trusted — on either side.
Tompkins’s worldbuilding is detailed and well-researched, blending mythology, mysticism and historical fact together to craft a historical fantasy retelling of the 1390s. His cast includes people straight out of history, from Richard II to Saints Patrick and Brigid, and out of mythology, such as the Morrigna and the Sidhe. And Tompkins threads these together with facts and speculations from Vatican history, including the Dead Sea Scrolls and witch trials.
You might think that having all of these elements in play would lead to a convoluted or overworked plot, but Tompkins balances the historical and the fantastical to create characters that are flawed and intriguing and a plot filled with political intrigue. It leaves the reader wondering where historical fact actually ends and the myths begin. Fans of Morgan Llywelyn or Juliet Marillier might want to check this book out.
Imagine urban fantasy. Now, remove the skyscrapers and the taxicabs and the cell phones. Replace them with clapboard buildings, dirt tracks and 10-gallon hats. Add a generous pinch of scary stuff. You might come up with a terrible episode of Gunsmoke — or you might get some idea of Holly Messinger’s first novel The Curse of Jacob Tracy.
Jacob Tracy is a novel, but its chapters are grouped into sections that read like short stories that are knit together by an overall plot arc, much like the setup of a TV series. Trace, himself, is a fascinating individual and an extraordinarily engaging and original character. He is a former seminary student and former Confederate soldier. His best friend/traveling companion, Boz, is an illiterate former slave. Though an odder couple is hard to imagine, both have each other’s best interests at heart as they travel the American western frontier, working as trail guides for city folk who are trying new adventures on for size.
Why Trace and Boz refuse to settle down for long is teased out over the several episodes in this book (hint: Trace sees dead people), but their loyalty to each other is never in question…until Trace meets Miss Fairweather, a recluse, who tricks him into performing a “simple task” during the lull season in trail guiding in order to earn much-needed room and board money. Taking Boz with him, because you never leave a friend behind, Trace is forced to start facing the demons of his past when he crashes into the middle of a long-running battle between the forces of the sane and the forces of the mad. The question is: When his visions start to overwhelm him, and he begins to realize Miss Fairweather might have set him up, who can he trust?
Come for the ghosts and not-so-urban legends. Stay for the pragmatic, yin and yang, stronger-than-family friendship of Boz and Trace.
This is Messinger’s first novel, but fans of the Harry Dresden novels or fans of online zine Beneath Ceaseless Skies (wherein Messinger has published short stories) will certainly approve of this story.
Robert Jordan spent more than two decades of his life writing his Wheel of Time series. What started as a proposed three-book series ended up a 14 book epic, and The Wheel of Time Companion is an absolute must for any fan of the series. Fourteen volumes involves a lot of world-building. So many characters! So many plot threads dangling all over the place! Who killed Asmodean? Why is Aran’gar such a nut? Readers need to know.
Jordan’s wife Harriet McDougal and longtime editors Romanczuk and Simons assembled this detailed compendium and dedicated it to “all the readers who love the Wheel of Time.” Readers certainly do love the Wheel of Time, and this book reflects the love that the Wheel’s curators feel for the readers, too.
For anyone who has ever wondered about the difference between Sea Folk and Seanchan, or how the male power level differs from the female powers, or how in the world the rank system in Cairhien works (and what is the Great Game, anyway?), pick up this book. Every named character, every named location, every creature Jordan ever mentioned, every permutation in name of every Forsaken is included. It even has a dictionary and grammar guide for the Old Tongue. Because, really: What was Mat Cauthon saying half the time?
Fans of Jordan’s Wheel of Time series, fans of Brandon Sanderson’s book Elantris and his Mistborn series, and any fans of complex world-building need to read this book. It is, in essence, a manual on how to create a rich fantasy world that will keep on attracting readers for decades.
Charlie Jane Anders’ All the Birds in the Sky is one of the most intriguing new novels of the year, partially because it defies definition. It’s fantasy, speculative, sci-fi, humor, coming-of-age and awkward epic romance, with the hipster references of a not-so-distant future. Think of it as magical realism for the digital age.
Patricia and Laurence are the quintessential outcasts at school, left out and bullied to varying degrees. Both suffer from clueless, inane parents who fail to recognize and appreciate what their children are capable of — and Patricia is burdened with a sociopathic older sister to boot.
Laurence is a super-tech geek, possessing a brilliant mind capable of easily cobbling together a wristwatch-sized, two-second time machine, which jumps the wearer two seconds in time. He has built a becoming-sentient supercomputer, which he keeps in his bedroom closet. Patricia happens to be a witch, whose powers first manifest as an ability to speak with birds and one particular tree. She’ll later hone these skills at a school for magic, where she finds she doesn’t fit in either — it’s no Hogwarts. Laurence’s parents pack him up and out to a military school, where the bullying intensifies. And while these outcasts don’t immediately embrace friendship (they are really very different), it seems inevitable. The two circle in and out of each other’s social orbits, and their coincidental meetups intensify once Patricia buys a Caddy, a guitar pick-shaped social media super tablet that enhances the user’s life in inexplicable ways.
The story gains momentum when the Earth is suddenly wracked with erupting superstorms. Is Patricia’s band of avenging-angel witches the key to saving the world, or will Laurence’s hacker-inventor cohort succeed in opening a wormhole to a new, better planet? Anders’ clever pre-apocalyptic novel never loses sight of the running themes of being understood, of being valued for who you are and the difficulty of making meaningful connections when you’re out on the fringe.
A Wild Swan is Michael Cunningham’s new collection of reimagined fairy tales, and though they may look familiar at first glance, Cunningham offers a completely new angle. He examines the flat characters who have been doing the same things for centuries, and gives them motives, neuroses and secrets.
In the chapter “Beasts,” Cunningham offers up a very different interpretation of Beauty and the Beast. In this version, Beauty is not some impossibly selfless ingénue. It is her vanity, her sense that she is too good for her village, and in fact her family, that leads her to the beast’s castle. She believes that anything that happens to her there can be no worse than the tedium of her daily chores and the dull assortment of village men she is expected to choose a husband from. When she finds that the beast means to ignore her, she becomes bored with life at the enchanted castle. Released, she goes back to her village only to find that everyone believes she has actually been away to hide some sort of disgrace, and she is treated like a social pariah. This is truly what makes her decide she can love the beast. Once transformed, we discover the beast hadn’t been the unfortunate victim of a horrible curse by an unreasonable old shrew either.
Cunningham peels back the layers behind each character to offer up a completely different kind of tale for modern readers. He delves a little deeper, beyond the happily ever after and into the hasty marriages, the toll a wish granted can take and the occasional need for a curse.
Like the originals by Hans Christian Andersen and the Brothers Grimm, there is an enchanting combination of hope and horror in each tale. The stories take place in a hybrid of folktale villages and the modern world. The characters face old-world problems with modern sensibilities to delightful effect.
The prologue, aptly titled “Dis. Enchant,” reminds readers that at least a part of fairy tales’ timeless appeal is the cruel justice in them. They are often about terrible things happening to those who have been too lavishly blessed with beauty or good luck. In that sense, there is a certain kind of balance restored when these characters are cursed with wings and whatnot. This collection is wickedly fun and will appeal to fans of fairy tales or simply well told short stories.
The illustrations by Yuko Shimizu are a perfect accompaniment, both lovely and haunting.
Patrick deWitt is gaining a reputation as a risk-taking young author, cleverly parodying a different genre with each new work. Undermajordomo Minor is an old-world kind of folk tale at first glance, but readers will soon be delighted by how the author toys with our expectations in the vein of Monty Python and the Holy Grail or The Princess Bride. Having made the comparison, it is necessary to add that deWitt is in a category completely to himself and unlike anything I have come across. His humor is quirky, pitch black and surprisingly thoughtful.
Lucy Minor is sickly and near death when he is visited by a mysterious stranger who spares his life after the young man admits he just wants something to happen to him before he dies.
Since he isn’t liked much by anyone in his village, including his mother, he sets off to find his fortune working as the undermajordomo at a far off castle. Thus begins an epic tale of romance, adventure and intrigue in a somewhat fairy tale setting. There is a castle, some loveable thieves, a crazy baron, a damsel in distress. However, there is also a train. So, expect the unexpected at any given moment.
From the moment his life is spared, Lucy’s life begins to careen down the most unexpected paths. Before his first day of work at the castle, he gets tremendously drunk with a couple of pickpockets he met on the train and falls helplessly in love with the daughter of one. Unfortunately, Klara is engaged to a devastatingly handsome soldier. His new boss, the majordomo, refuses to reveal exactly what Lucy’s job is or when he might be paid. When his job is in jeopardy, Lucy takes it upon himself to intercede on behalf of the Baron in his bizarre pursuit of his own wife, the Baroness.
In each strange, new situation readers revel in observing these delightfully weird characters interact with one another. The book is fast paced and compulsively readable.
Did you ever wonder if anyone else went down the rabbit hole like Alice did 150 years ago? Was anyone looking for her on that summer day? If so, your next must read has to be After Alice by Gregory Maguire, the story of another girl’s journey through Wonderland and the subsequent search for her and Alice above ground.
Told in two parts, Maguire first introduces us to Ada, Alice’s friend who is mentioned briefly at the beginning of Lewis Carroll’s Alice in Wonderland. She is the opposite of Alice. Stricken with severe scoliosis, she walks with a limp, has poor color and is not fanciful in the least. While looking for Alice along the riverbank, she comes upon the strange rabbit hole and down she goes! Just steps behind Alice, Ada encounters many of the curious characters familiar to us all – definitely a highlight for us readers! But will she find Alice in this strange underworld where everything is not as it seems? Will she make it home safely? Meanwhile, above ground, two people are searching for Alice and Ada that day: Lydia, Alice’s 15-year-old sister, and Miss Armstrong, Ada’s governess. The second part of the story deals mainly with their adventures. Their search leads us through the town of Oxford, the University and to both Alice’s and Ada’s homes. Mirroring the journey through Wonderland, they encounter many curious characters including Charles Darwin and Siam, a former slave who escaped via the Underground Railroad.
Take the time to get to know Ada, Lydia and Miss Armstrong. Join them on that summer’s day in Oxford. You will come away with a newfound understanding and love for Lewis Carroll’s Alice in Wonderland. You may also want to read (or reread) it. Trust me, it gets better each time! Other novels by Maguire worth a look are Wicked: Life and Times of the Wicked Witch of the West and Confessions of an Ugly Stepsister, my personal favorite! I also suggest checking out Gregory Maguire’s October 25th interview with NPR, which is both entertaining and insightful.
Robin Hobb has spent two decades building up to the events of Fool’s Quest, beginning in 1996 with the introduction of the bastard FitzChivalry Farseer in Assassin’s Apprentice, the first book in the Farseer trilogy. All of Hobb’s intricate world building and delicate web spinning has led to this dark-tinged tale, the second in her Fitz and the Fool series.
Long after Fitz has gone from unacknowledged pseudo-heir to the throne to unacknowledged and invisible hero of the realm many times over, he retires to live out a happy life with his new family. He has a wife he can love out in public, he has a daughter he can finally claim as his own...and he has a royal family continuing to spy on him long after he thought his spying days were over. His ignorant bliss is shattered when he receives a message from a friend he had thought lost forever: The Fool’s child is in danger, and he needs Fitz to save the child. But first, he has to find out who the child is.
Fool’s Quest is a novel of love, loss and longing — and what constitutes family. One man will do almost anything to protect those he loves. But with everyone in danger, how many can Fitz save?
Readers who enjoyed Raymond Feist’s early novels or who enjoy Trudi Canavan will enjoy the Fitz and the Fool series.