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Between the Covers with M.D. Waters

posted by: July 23, 2014 - 8:00am

Cover art for PrototypeEarlier this year, Between the Covers blogger Jeanne told our readers about Archetype, a debut novel by Maryland author M.D. Waters. In that novel, Emma wakes with no memory of her past. She begins to have flashes of memory and soon realizes that neither her doctor nor her loving husband Declan are exactly who they seem to be. She fights to learn the truth, and what she finds is truly shocking.

 

Prototype is the exciting conclusion to Emma’s story. The novel picks up one year after the end of Archetype. Emma now knows what happened to her, and she finds herself on the run from Declan. If she wants to survive, she must trust Noah, the man who she used to believe was the love of her life, and members of a resistance group that she used to help lead. The action ramps up in Prototype as Emma claims her true identity. This book is a genre-bending hybrid of science fiction, romance, action and psychological suspense.

 

Waters recently answered some questions for Between the Covers readers. Learn more about this talented writer, what she’s working on now and the music that influenced Emma’s story.

 

Between the Covers: What inspired you to write Emma’s story?
M.D. Waters: Growing up, my dad was a huge influence on me when it came to what the future could hold. I always had these things in the back of my mind: a planet-wide overpopulation, technology to control what type of child you bring into the world and that Mother Nature will always make it right. So when Emma woke me in the middle of the night, telling me she lived in a world where women were a rare commodity… Well, I immediately thought of all these things my dad believed possible.

 

BTC: Equality and legal rights, which differ wildly between men and women as well as clones and humans, are an important issue in both books. Have you had much feedback from readers about those issues?
MW: I have, yes, and everyone takes away very different things. Lots of positive thought provoking, but also some negatives, which surprises me. Lots of assumptions on my “plan,” which doesn’t exist. I see those issues as very normal and very possible, and didn’t even think about the actual rights issues it addressed when I wrote the books. We already live in a world where equality is a matter of perspective, and many of us are blind to the truth. Will it always be that way? I don’t know. I’d love to think we’re progressing to complete equality, but we’re human and subject to nature and/or nurture.

 

BTC: You share a lot of music on your blog. If Emma had a theme song, what would it be?
MW: “Lost in Paradise” by Evanescence. I swear there was a point when I listened to it on repeat for days. But I’d also choose “Tear the World Down” by We Are the Fallen. I felt a lot of Emma’s strength in Prototype in that one.

 

BTC: The books are a great blend of action, science fiction, romance and suspense. Let’s pretend that you just got the call that Archetype and Prototype are being made into a movie, and you have free rein with the casting. Tell us about your dream cast.
MW: Jennifer Lawrence, Stephen Amell (Declan) and Charlie Hunnam (Noah). (Triple crosses fingers!)

 

BTC: Will you tell us a little bit about your writing process? Where do you write? Do you write every day? Who is your first reader?
MW: My process is crazy. I go in these really long spurts of sleeplessness and coffee hazes. Then I binge watch television for days after because I broke my brain. I have a “library” in my house with my books and desktop, but I move around to different areas with my laptop too. Change of scenery always helps. My first readers? Charissa Weaks and Jodi Henry. I have a handful of people who read for me, but these two are always there to read short paragraphs to entire chapters on a whim. I couldn’t do this without them.

 

BTC: What can readers expect from you next?
MW: More of the same. I’m working on a spinoff of Archetype and Prototype, but also a Young Adult sci-fi [novel] that’s set in a world with its own set of issues.

 

BTC: As a reader, what book are you most excited to get your hands on right now?
MW: How much time do we have? Currently, I’m ready to get my hands on The Infinite Sea by Rick Yancey. His writing really shook loose the voice in the Young Adult [novel] I’m working on, plus The 5th Wave was seriously kick-ass. So, um, gimme.


 
 

Between the Covers with Elaine Eff

posted by: July 1, 2014 - 8:00am

Cover art for The Painted Screens of BaltimoreMaryland folklorist Elaine Eff is a champion of local culture and traditions. In her new book, she sets her sights on a much-loved Baltimore icon: the painted window screen and the artists who created them. Eff will discuss her latest work, The Painted Screens of Baltimore: an Urban Folk Art Revealed, on Tuesday, July 1 at 7:00 p.m. at the North Point Branch. The program, which is part of the branch’s “Dundalk Dialogs” local author speaker series, will include a book talk and signing. Eff recently answered questions for Between the Covers about her new book.

 

Between the Covers: How did you become interested in the history of Baltimore’s painted screens?
Elaine Eff: Serendipity. Two coincidences that changed the course of my life: As a Baltimore girl, I was expected to be an authority on our local folk art – which I was not. In fact, I knew nothing on the subject. When I arrived at graduate school, I found a 19thcentury – not Baltimore, but New York State – painted screen in our museum’s collection, and that started my journey. I needed to learn what history, if any, the two might share.

 

BTC: Can you share how you conducted your research for this project?
EF: Face-to-face, person-by-person. Visiting artists, walking the streets of East Baltimore, talking to strangers, traveling to libraries, museums and archives nationwide, international research and casting the net wider and deeper as the subject became richer and more fascinating.

 

BTC: What do you want readers, who may not have any knowledge of this Baltimore tradition, to take away from your book?
EF: Painted screens are a response to a community’s need for privacy. Row houses demand them, and they had the extra bonus of being downright beautiful. “You see out. No one sees in,” and “They used to be everywhere” is what you hear all the time. The book is as much about Baltimore and neighborhood building. It has something for everyone and can be appreciated on many levels: as a whole, in small bites or tastes here and there. Appreciate what an incredible city of resourceful people can make happen.

 

BTC: Among the painters you researched were there any who were as colorful as the art they created?
EF: Every single one. That is why I first made the film The Screen Painters.  Every painter is a movie in him or herself. They needed to tell their own story and did. They are an incredible group of creative individuals who changed the face of a city. Not bad for a bunch of local untrained artists! The book gives you a glimpse into that wonderful era when the sidewalks told a very different – an incredibly colorful —story, in many ways.

 

BTC: What were some of the favorite images seen around town?
EF: The Red Bungalow was it. Everyone wanted to have the red cottage with a winding path, a pond and swans. Ninety percent of the windows had that scene as interpreted by hundreds of different hands. Today things are very different — strangely, now we see a lot of local landmarks, like the [Patterson Park] Pagoda. One house in Highlandtown even has Formstone painted on the window screen! Big difference is it used to be EVERY window and door — front and back. Now we see the front window and little more. Times and tastes have changed. And that is wonderful.

 

Readers who would like to learn more can also visit The Painted Screen Society of Baltimore website.
 


 
 

Between the Covers with Elin Hilderbrand

posted by: June 17, 2014 - 7:00am

Cover art for The MatchmakerWarm days, long nights, the beach and a new novel from Elin Hilderbrand equal summer perfection! This year, the Nantucket resident and bestselling novelist with over four million copies of her books in print returns to her beloved island to bring us The Matchmaker. Dabney has always had a magical gift for matchmaking, which her husband and daughter view as merely meddlesome. But with over 40 happy couples to her credit, none of whom have consciously uncoupled, it’s hard to question her instincts. However, the one person she may have failed is herself. So when Clendenin Hughes returns to the island, she comes face to face with the man who stole her heart so long ago. Readers will relish the romance at the heart of The Matchmaker, an engaging story about losing and finding love.
 

Get to know Elin as she answers questions about her newest blockbuster, the food and books she brings to the beach and reminisces about her time in Baltimore.
 

Between the Covers: Dabney Kimball is the matchmaker in your latest book who has an almost mythical gift for creating perfect pairs. Have you ever successfully matched a couple? Would you ever attempt to interfere in your children's or other family members' love lives like Dabney does?

Elin Hilderbrand: I have never matched anyone myself, no. I basically take a non-interventionist policy across the board, and always have. I do believe that in matters of love, luck reigns. Some marriages work for no apparent reason and some fail for no apparent reason. Love, in my opinion, is a crapshoot.

 

BTC: Dabney is a woman with secrets at a crossroads. While her matchmaking ability is unique, she is still such a relatable character in the same vein as your previous heroines. How do you create such distinctive, strong female characters? Are they modeled after real people?

EH: Dabney came to me in pieces, and as with my other characters, I started with her flaws. She has a strange phobia about leaving the island...which caused her to lose the only man she ever truly loved...which left her in her current predicament of being married to one man and in love with another. I love all of Dabney's idiosyncrasies, her way of dressing, her habits, her rituals — but none of this matters without her darling, pure, sweet heart. Dabney is older than me, but I love her like she's my child.

 

BTC: You bring Nantucket to life so vividly in The Matchmaker and in almost all of your other novels. What is it about the island that captured your heart?Image of Elin Hilderbrand

EH: When my ferry first pulled into Nantucket harbor, I knew I was a goner. I like to paraphrase John Denver and say it was like coming home to a place I'd never been before. The historically preserved downtown and the 50 miles of pristine beach combine in a way that makes me ache. I love authenticity — and there is no other place in the world that is like Nantucket Island.

 

BTC: Before settling in Nantucket, you spent time here in Baltimore where you graduated from Johns Hopkins University. Did you enjoy your time in Charm City? What do you miss most?

EH: I have wonderful memories of Baltimore, most of them Hopkins-centered. My roommates and I used to hang out at PJ's Pub across the street from the library. Fifty cent pizza slices on Sundays! I adored the Baltimore Museum of Art, which was on campus, and Fells Point, especially Bertha's Mussels. One of my favorite memories was moving our couch out onto our front yard during Opening Day, back when the Orioles played at Memorial Stadium on 33rd Street — our house was at 33rd and Calvert so everyone walked by us, including Richard Gephart. I think what I miss most is the lacrosse. As a 1991 graduate of Hopkins, I saw the best lacrosse anyone can hope to see — it was the era of Dave Pietramala and Quint Kessinich verses the Gait brothers — Paul and Gary — from Syracuse.

 

BTC: You’re a long-suffering Philadelphia Eagles fan. Do you think this is going to be their Super Bowl year? Do you have a favorite baseball team? How do your family and friends feel about your non-New England football fandom?
EH: I am a die-hard Philadelphia Eagles fan from childhood, but I don't think they will ever win a Super Bowl. In the tradition of Philly fandom, I have been disappointed too many times to hold out any hope. In baseball, I root for the Red Sox — that is a tremendous ball club, and Fenway Park is phenomenal. My kids root for the Sox and the Pats, although they also cheer on the Eagles, but probably only because they feel sorry for me.

 

BTC: Share some of your process. Do you write every day? Where? Who do you use as a sounding board?
EH: I write every day that I'm able — which, as my career soars, gets harder and harder. I also have three children who need to be driven around the island to their various sporting events. But I normally take three to four days a week to dedicate to my composing, and in this way, I have managed to finish a book a year. The only people who read my work are my two agents and my editor, Reagan Arthur. Reagan and I have a relationship based in extreme respect. She tells me what to do to fix a book, and I do it.

Cover art for Winter Street

 

BTC: You’ve said you write at the beach in the summer, do you also take time to read while surf-side? What books will be in your beach bag this summer? More importantly, what are the must-haves in your picnic basket?
EH: I am constantly reading. For me, reading is working, because immersing myself in other stories inspires me. Right now, I'm reading Shotgun Lovesongs by Nickolas Butler, which I love. Also on my list are Thirty Girls by Susan Minot and The Ice Cream Queen of Orchard Street by Susan Jane Gilman.
 

Now, in my picnic basket: my own grilled zucchini dip and chips, lobster salad, corn salad, watermelon and Bing cherries. I'm also a big fan of chilled soups. I make a yellow tomato gazpacho that has fresh orange juice and a little bit of cream in it. It's a drug.

 

BTC: Readers will be delighted to learn that the wait for your next novel is short, as this fall you share the snowy side of Nantucket with Winter Street. Can you give readers a sneak peek of what to expect from this holiday story?
EH: I've never read a Christmas novel myself, but I can say the most fun I've ever had writing a novel was the two and a half months I spent writing Winter Street. It's about a family named the Quinns who run a bed and breakfast on Nantucket, and two days before Christmas, their lives sort of communally fall apart. In addition to family drama, there are nutcrackers, Byers Choice carolers, homemade ornaments, carols banged out on the piano, shots of whiskey, private jets, engagement rings, plum pudding, fires in the hearth, Santa Claus suits and champagne and caviar. If you're an Elin Hilderbrand fan, Winter Street comes highly recommended.


 
 

Between the Covers with Jennifer Weiner

posted by: June 16, 2014 - 7:00am

All Fall DownJennifer WeinerWith over 4.5 million copies of her books in print, Jennifer Weiner’s career is at an all-time high. Her new novel All Fall Down will almost certainly be on bestsellers lists this summer. The story follows Allison Weiss, a hardworking wife and mom who seems to have it all. In reality, she is crumbling under the pressure of her stressful life and has become addicted to prescription painkillers. With her trademark wit and relatable style, Weiner takes the reader through Allison’s downward spiral into addiction and then in her journey to recovery.

 

Weiner recently answered some questions for our Between the Covers readers. Read on to learn more about what inspired her new novel and where she writes. (Hint: It’s Carrie Bradshaw-inspired!) She also shares her picks for your summer reading list.

 

What inspired you to write this story?

 

When I turned 40 – lo these many years ago – I started thinking a lot about happiness. I think it’s in everyone’s nature – certainly it’s in mine – to set goals, and to think, When this happens, I’ll feel happy, or, as soon as I’ve achieved this, I’ll never be sad again. Writers, in particular, fall prey to this kind of thinking: When I get a book published, I’ll be happy and I won’t care if it gets a million bad reviews, or, if my book’s a best-seller, I’ll never let anything bother me again.

 

Of course, life doesn’t work out that way. No matter what you achieve, there’s always someone who’s done more, or done it faster, and no achievement guarantees perfect peace of mind. So the question becomes: What does happiness look like? How can people find it? What if it’s not what we’ve always believed?

 

I wanted to write about a character who’d hit all the mile markers, whose life looked like it should have been perfect, and to have that life not feel perfect to her. Allison’s got the handsome husband, the beautiful child, the big house, an interesting job that she likes…but none of it has silenced that voice inside of her, a voice I think so many women have, asking, Is that all? Is this it? And if it is, why do I feel so empty?

 

All Fall Down really highlights the fact that addiction impacts people of all ages and walks of life. Will you tell us a little bit about the research that you did while writing this book?

 

I spent time at several different facilities, I read a lot of books and blogs, I talked to lots of people…and then I spent a lot of time inside my own head, thinking about Allison. One of the things I heard from a counselor that really stayed with me was that addicts don’t have a problem with substances; they have a problem with feelings. They never learned how to handle sadness, or anger, or frustration, or disappointment, and the drugs or the alcohol are a symptom, not the disease itself.

 

Allison is a very relatable character. She’s a busy wife and mother who is struggling to keep the pieces of her life together. Do you see any of yourself in her?

 

Of course there’s some of me in all of my characters, even though my specifics aren’t exactly like Allison’s. I wanted to make her like me, but I wanted to make her like any mom you’d meet at Little Gym, or in the preschool parking lot. She’s funny, she’s stressed, she’s interesting, she’s overextended…she’s all of us.

 

Will you share a little bit about your writing process? Where do you write? Do you write every day?

 

I’m lucky not to be one of those writers who hate writing – I actually really enjoy it, and have ever since I learned how! I write pretty much every day, although sometimes I’ll skip the weekends if I’m busy with my kids. I do most of my writing in my closet, which sounds pathetic until I explain that I basically have Carrie Bradshaw’s Sex and the City closet. Alas, I do not have Carrie’s wardrobe. Possibly because I do not have Carrie’s figure, and a lot of those designers of dresses she wore around Manhattan do not serve my kind.

 

So I have this gigantic closet which has turned into an office-library-storage space, with my daughters’ artwork hanging on the walls, and my big girl’s old clothes in boxes waiting for my little one to grow into them, and there’s a desk with a big light-up mirror. If Carrie lived in my house the vanity would be her makeup station, but that’s where I do my work.

 

Throughout your career, you have maintained a strong online presence on your blog and social media, and that has really allowed you to connect with your readers. How has that impacted your writing?

 

Again, I’m a lucky writer because I enjoy being online. I don’t regard it as a penance or a punishment. I like being quick and quippy on Twitter [follow her @jenniferweiner], I love interacting with readers on social media, and I love using it to get instant feedback – about a character’s name, about a book cover, about what my kids are up to. My suspicion is that readers like feeling that there’s a connection with an author they like.

 

What is the best book you’ve read recently? Are there any authors on your personal must-read list?

 

I loved Roxane Gay’s An Untamed State. It’s about a kidnapping in Haiti, and it’s a very unsettling book, but oh, so good. And I’m counting the days until Lev Grossman’s The Magician’s Land, the third book in his trilogy about young adult hipster magicians that attend a college for magic (his work has been described as Harry Potter for grownups, but I think it has more in common with the Narnia books). Baltimore’s own Anne Tyler and Laura Lippman are both automatic purchases for me – I love both of their styles!

 

Weiner's fans will also be pleased to know that she’s visiting Baltimore soon. She will discuss All Fall Down at Enoch Pratt Free Library’s Central Library on June 18.


 
 

Between the Covers with Susan Jane Gilman

posted by: June 10, 2014 - 7:00am

Susan Jane GilmanThe Ice Cream Queen of Orchard StreetSpanning the 20th century, Susan Jane Gilman’s The Ice Cream Queen of Orchard Street is a rags-to-riches story about Lillian Dunkle, an indomitable Russian Jewish immigrant who builds an empire and becomes America's “Ice Cream Queen.” The story is narrated by Lillian, whose sharp wit and acerbic sense of humor are a stark contrast to her public image as kindly grandmother. Her personality is the heart of this character-driven story about the pursuit of the American dream.

 

Gilman recently answered some questions about her novel for Between the Covers readers. Grab a double scoop of your favorite ice cream, and read on to get to know Gilman and what inspired this fascinating new novel.

 

The ice cream business is an unusual starting point for a novel. What was it about that industry that caught your attention?

 

First of all, I love ice cream. And if you’re going to write a book, it better be about a topic that can sustain your passion and interest for years.

 

I initially got the idea for The Ice Cream Queen of Orchard Street when a friend and I were reminiscing about a local ice cream chain called Carvel. The owner, Tom Carvel, did his own tv commercials, in which he would rasp, “Please, buy my Carvel ice cream?” They were so hokey and homespun, they were sort of fabulous.

 

Googling “Tom Carvel” on a whim, I learned that he was a Greek immigrant, Tom Carvelas, who arrived in America penniless, only to build an enormous empire of ice cream franchises. Then I discovered that the Mattuses, the founders of Haagen-Daz, were two first-generation Jews who came from the tenements in the Bronx. These ice cream makers’ stories were classic American-immigrant-rags-to-riches sagas. This struck me as a wonderful basis for a novel.

 

You did an enormous amount of research while working on this novel. Did it included any taste-testing? (We hope so!) What is your favorite ice cream flavor?

 

By all means, I did taste-testing! As the founder of the Susan Jane Gilman Institute of Advanced Gelato Studies, why, it was imperative! I even contacted my inspiration – the Carvel Ice Cream Company itself – and arranged to work at a Carvel ice cream franchise out in Massapequa, Long Island. For two days, the owner let me go behind the scenes, learn the ropes and work as an ice cream maker serving customers. I loved every minute of it – except the owner was no dummy. He wouldn’t let me near that soft ice cream machine unsupervised. He must have known that, given the chance, I’d place my head directly beneath the server and just let the ice cream pour directly into my mouth.

 

There is also the Carpigiani Gelato University located just outside of Italy. I live about five hours away, in Geneva, Switzerland, so of course I had to go there as well, tour its Gelato Museum and take a Gelato Masterclass. I learned the science and mathematics behind gelato-making, made my own batch of gelato, and then of course, tasted my own concoction. I was in such heaven, I thought the top of my head would explode.

 

As for my favorite flavor, if there’s no decent mint-chip to be had, I am always happy with chocolate.

 

Lillian is a force to be reckoned with in the novel, and she has a very distinct voice from the first page. Did you have any real life inspiration for this formidable character?

 

I have to say, Lillian’s voice came to me in the proverbial flash. As I sat down to write the beginning, I heard her speaking, and that was it – I just had her. There are parts of her way of speaking that are reminiscent of my paternal grandmother — particularly her word choices — but the voice was unique to me. I felt as if I channeled it. In terms of her overall character, there’s a dash of Scarlett O’Hara and Leona Helmsley, I suppose, but really, I saw her as far more than simply mean and imperious, or a caricature talking ethnic schtick, or a punchline. I wanted her to be phenomenally complex and contradictory and compelling — the way all of us really are.

 

This is your first novel. What made you want to take on this new challenge? How did the process differ from writing nonfiction?

 

Ever since I was 8 years old, when I fell in love with reading and started to write my own short stories in little notebooks, I dreamed of writing a novel.  I always assumed that one day, I’d become the author of some sort of wonderful, fictional opus. Yet as I grew up, I kept getting sidetracked. Although I got an MFA in Creative Writing and published short stories and even won literary prizes, things in our culture kept pissing me off so much that I felt compelled to respond with books. Kiss My Tiara was in reaction to a dating guide that urged women to trick men into marrying them. Hypocrite in a Pouffy White Dress was conceived as a smart, funny counter-point to women’s memoirs that focused on either miserable childhoods, or being single and going shopping. Undress Me in the Temple of Heaven, the true story of a disastrous trip to China, was an antidote to several popular books in which women got over divorces by going to ashrams or renovating villas in Tuscany. I suppose I had to get three nonfiction books off my chest before I could finally get around to writing that novel.

 

I never expected to be a nonfiction author at all. It was an accident!  The Ice Cream Queen of Orchard Street may seem like a new direction, but it doesn’t feel like one to me at all. Finally, I’ve returned to my first love, to what I intended to do all along.

 

What is the best book you have read recently?

 

Let me give you three completely different ones: I loved Adam Johnson’s novel The Orphan Master’s Son; it was epic, disturbing, rich and unlike anything I’ve ever read, particularly given its setting. On a recent vacation, I read Maria Semple’s Where’d You Go, Bernadette; the first half made me laugh out loud from its smart, wicked wit. I was also profoundly moved by The Bosnia List, a new memoir co-written by Kenan Trebincevic and my friend Susan Shapiro. The story blew me away, and really enhanced my understanding of the Balkan conflict in an intimate way. I want everything when I read: humor, pain, transcendence, pleasure, education, enlightenment. Always, I want them to be intelligent. But I can never pick one favorite.


 
 

Between the Covers with Deborah Rudacille

posted by: May 30, 2014 - 7:00am

Cover art for Roots of SteelDeborah RudacilleFor local writer Deborah Rudacille, writing her latest book was a personal odyssey. The daughter of a Bethlehem steelworker knows the heart and soul of the Dundalk community she called home for many years. It's fitting that Rudacille will kick off  the North Point Branch’s “Dundalk Dialogs,” the new adult speaker series that takes place this summer. Rudacille will discuss her latest book, Roots of Steel: Boom and Bust in an American Mill Town that chronicles the rise and fall of the Sparrows Point steel mill and the neighborhoods in its wake. The program, which includes a book talk and signing, will be held Tuesday, June 3 at 7 p.m. Rudacille recently answered questions for Between the Covers about the genesis for her story and her personal connection to Dundalk.

 

Between the Covers: Your book, "Roots of Steel: Boom and Bust in an American Mill Town", conveys a powerful message about what happens when the American dream fails right in our own backyards. What drove you to tell this story of the former Bethlehem Steel plant and the local community it shaped?
 

Deborah Rudacille: I grew up in Eastfield, and my family, like many of our neighbors, owed their homes and their livelihoods to Bethlehem Steel. When my parents bought their house on Harold Road my dad worked in the tandem mill at Sparrows Point and my mother worked as a secretary for United Steelworkers Local 2610. Most of the men in my family worked at Sparrows Point. So the rise and fall of the American steel industry wasn’t just theory for me — it’s the story of my own family and community.

 

BTC: You present an objective look at an industry in decline. Did the fact that the story was so close to home make it difficult to write at times?
 

DR: Yes. The reporting was easy and fun because I got to hang out with people who were much like the folks I had known growing up and to listen to their stories. But the writing was more challenging because I had to figure out a way to weave together their stories with those of workers who had very different experiences in a way that didn’t skirt the less savory aspects of the narrative — the systemic racism at the Point, for one — and situate them in the broader history of the American steel industry.

 

BTC: You use personal narrative along with workers’ interviews. Can you talk a little bit about how you conducted your research for this project? Were people open to talking about their experiences?
 

DR: Absolutely! Sparrows Point was more than just a job for most of these folks so they loved reminiscing about their experiences there. I started with family members and then worked outward, attending monthly retiree meetings at the union hall and luncheons at various senior centers and churches around town. I like to say that you can’t throw a stone in Baltimore without hitting someone with a Sparrows Point connection, which made it very easy to find folks to tell their stories — not just workers themselves but also family members, and of course people who had been raised in the company town. I also did quite a bit of archival research at the Dundalk-Patapsco Neck Historical Society, Baltimore County Historical Library, Museum of Industry and other archives.

 

BTC: There are so many threads running through your book — the danger of the mill work itself, the labor unions, racial tensions, safety and environmental issues, the “company town”  concept  to name a few. How did you go about framing your narrative?
 

DR: Well, as I said, that was the greatest challenge in writing the book. There were all these disparate threads and themes, and I knew that I had to include all of them to provide an honest and objective look at life on the Point. Ultimately, I decided to tell the story chronologically but focus each chapter on a different issue using the voices of my sources to carry the narrative forward. Once I settled on that structure, the writing of the book became much easier.

 

BTC: Roots of Steel, published in 2010, was your third book. Your previous books were science-focused. Can you tell us what is next for you as a writer? What else are you doing professionally?
 

DR: I’ve been working as professor of the practice at UMBC for the past couple of years, teaching journalism and science writing. I’ve also done some preliminary reporting for my next project, a kind of Catholic “Roots of Steel” which tells the story of the post-Vatican II church from the perspective of lay Catholics. I’ll be talking with people who have left the church as well as people who remain about their feelings on the sex abuse scandal, the status and role of women in the church and the struggle of LGBT Catholics and divorced and remarried Catholics to remain part of an institution that (officially at least) does not consider them worthy to receive the sacraments. As with Roots of Steel, it will tell a big story through the lens of individual experience.


 
 

Between the Covers with Steve Berry

posted by: May 14, 2014 - 8:00am

Cover art for The Lincoln MythSteve Berry, bestselling and highly acclaimed author of historical thrillers, including the Cotton Malone series, has over 17,000,000 copies of his books in print internationally. Get to know Steve as he answers questions about his latest bestseller and future writing plans, and even shares the strangest way he’s encountered his readers!

 

The Lincoln Myth involves Abraham Lincoln, the U.S. Constitution, religious zealots and of course, Cotton Malone trying to save the country. Where do you get your ideas? Is it true that there is a little bit of you in Cotton?

 

The constitutional concept of secession has always fascinated me.  It's one of those arguments that have no easy answer.  The Church of Jesus Christ of Latter-day Saints is likewise interesting.  It is the quintessential American religion, and it played some key roles in our history.  When I found out that Abraham Lincoln was the first president to ever read the Book of Mormon, and that he made a secret deal with Brigham Young, I knew there was a novel there.  So I sent Cotton Malone to get to the bottom of things.  And he is basically me.  When I created him for The Templar Legacy, I used my personality, so we share a lot of traits, like the love of rare books.  He doesn’t like enclosed spaces, I don’t either.  He doesn’t like the taste of alcohol.  He has finicky eating habits.  That's me.  I, of course, don’t jump out of planes and shoot guns at bad guys, but I live that through him.  

 

You’ve said in the past that the most wonderful fiction always has a ring of truth to it. What’s the ring of truth in The Lincoln Myth?

 

The concept of a union of 50 states that is indivisible and forever is not necessarily accurate.  Lincoln did not fight the Civil War to save the Union, he fought that war to create the Union.  I doubt many of us realize that.  I didn't, until I did the research for this novel.

 

History is so important to you that you and your wife created History Matters to assist communities around the world with historic restoration and preservation.  In fact, you’ll be in Baltimore at the B & O Museum for a reception and book signing on May 21 for the Edgar Allan Poe House. Why does history matter?

 

History is who we are and where we came from.  To forget that or, even worse, to just allow it to rot away, robs the future of that past.  It's our duty to preserve what came before for the next generation.

 

With so many copies of your books all over the world, you must encounter people reading your novels all the time. What is the weirdest place you’ve ever seen a Steve Berry book being read? How about the most exotic?

 

Fiji is probably the most exotic.  The oddest happened in an airport.  The man sitting beside me started reading the latest hardback, then a woman sitting across from me did the same thing.  On the back cover of each book was a full color photo of me, yet neither made the connection.  That's the cool thing about being a writer.  You don't lose your anonymity, which is wonderful.

 

Your favorite holiday decoration is your Star Trek themed tree complete with Santa in a transporter. Have you ever considered writing science fiction or fantasy?

 

I'd love to write a sci-fi novel one day.  I even have one churning in my mind, and I just might do it.  I've always been a fan of that genre.

 

How big of a thrill was it to be asked to write the forewords for the upcoming re-releases of James Michener’s novels?

 

That was truly an honor.  He is, hands-down, my favorite writer of all time.  I have a complete collection of his novels that I've amassed for over 40 years.  To see my name on the same cover with his will be amazing.  I hope a new generation of readers will rediscover Michener.   He was genius.  I write today because of him.

 

Do you have any sneak peeks for our readers as to what’s in store for Cotton Malone’s 15th adventure? Can you share any news in the development of the series for the small screen?

 

Cotton will return in 2015.  This one deals with another fascinating quirk from the Constitution.   It's called The Patriot Threat, and it will be on sale in March.  Alcon Entertainment is still developing a possible television series for Cotton.  Hopefully, it'll make it to the screen one day.  If anyone would like to know more about that, or me, or the books, check out www.steveberry.org.


 
 

Between the Covers with Rob Kasper

posted by: May 2, 2014 - 8:00am

Rob KasperBaltimore Beer: A Satisfying History of Charm City BrewingBaltimore author Rob Kasper will discuss his book Baltimore Beer: A Satisfying History of Charm City Brewing, at 7:00 p.m. on Tuesday, May 6, at the Perry Hall Branch. This program is sponsored by the Friends of the Perry Hall Library. Kasper, who also had a prolific career as a writer and reporter for The Baltimore Sun, recently answered questions for Between the Covers about his book.

 

How long had the idea for Baltimore Beer been, well, brewing, before you put pen to paper? At what point did you decide to make a serious study of Baltimore beer and the history of local breweries?

 

About 10 years. One day at The Sun I got a call saying National Premium was no longer being bottled (it has since been revived). Reading the clips to write the story, I realized there was no current history of Baltimore breweries. Originally I had a contract with the publishing arm of Bibelot bookstores to write the book. They went bankrupt and the project lay dormant, then I got a contract with History Press and finished the book.

 

What was the most interesting or the oddest piece of information about Baltimore beer or breweries that you discovered in your research?

 

Three things come to mind that show how breweries were a major part of Baltimore’s social fabric. One, how German the city of Baltimore was. In addition to all the breweries, city council notes were printed in German and English until World War I. Two, how the Lone Ranger’s silver bullet and some National Premium executives coaxed the owner of the Washington Senators into letting the Orioles move to Baltimore in 1954. Three, when a fisherman caught Diamond Jim III (a rockfish tagged by American Brewing Company) and won $25,000, the fisherman argued that catching the fish was civic achievement and therefore tax free. A judge was amused but said the fisherman owed $6,000 in taxes.

 

For more than three decades, you were a reporter, columnist and editorial writer for The Baltimore Sun. What are a few notable moments or highs from your career with the newspaper?

 

I won a handful of national writing awards for my columns which buoyed me, but the most gratifying part of the job was the feedback from readers – phone calls, letters and comments from folks I bumped into who had read something I had written. Mostly they liked what I had written, but sometimes not.

 

You’ve made a career in Baltimore, but you grew up in Kansas. How did you find your way to the East Coast?

 

All the great seafood lovers grew up in the Midwest. That is because when folks out here were eating rockfish on Fridays, we were chewing on fish sticks. When I came to Maryland to work at The Sun, (after a five-year stop at the Louisville Courier-Journal and Times and a one-day – yes, one-day – stint at the National Observer) I tasted crab soup, crab cakes, steamed crabs and soft crabs. There was no going back. I once beat Brooks Robinson in a celebrity crab picking contest – not bad for a guy from Dodge City. But I later got demolished by Shirley Phillips, of Phillips Seafood. She used a knife to slice up the steamed crabs. The way she wielded that knife, you wouldn’t want to cross her.

 

Okay, we need to ask: Your favorite beer?

 

Well, like Ado Annie in Oklahoma!, the girl who cain’t say no, my favorite depends on whom I am with. At Brewer’s Art it is Resurrection; at Union Craft it is Duckpin; at Heavy Seas it is Loose Cannon; at Pratt Street Ale House it is Extra Special Bitter; at DuClaw it is Black Jack Stout; at Flying Dog it is Snake Dog. The beer I still pine for is pilsner from the long-gone Baltimore Brewing Company. That was exceptional. I make do substituting with Victory Prima Pils and the Pendulum Pilsner from RavenBeer.

 

Tell us a little about Baltimore Beer Week, a nonprofit that celebrates local brewing, which you helped to found.

 

My contributions to Beer Week pale compared with those of Joe Gold and Dominic Cantalupo and the late Mick Kipp. But basically it is a 10-day celebration in October of all things beery in Baltimore. There are tastings, beer dinners and tours of breweries, including the classic old American Brewery, now home to the nonprofit Humanin. I try to provide historical background and remind beer drinkers that the good stuff they are enjoying today was built on the shoulders of generations of brewers before them.


 
 

Between the Covers with Donna Jackson Nakazawa

posted by: April 11, 2014 - 7:00am

Donna Jackson NakazawaThe Last Best Cure by Donna Jackson NakazawaThe Autoimmune Epidemic by Donna Jackson NakazawaBaltimore author Donna Jackson Nakazawa discusses her latest book, The Last Best Cure, on Wednesday, April 16 at 7 p.m. at the Perry Hall Branch, sponsored by the Friends of the Perry Hall Library. The award-winning science journalist and writer recently answered questions for Between the Covers about her book.

 

Before The Last Best Cure, you authored another book about autoimmune diseases, The Autoimmune Epidemic. What insights or new knowledge did you gain between that book and The Last Best Cure? What was going on in your life prior to writing these books?

 

The Autoimmune Epidemic focused on how modern chemicals in the world around us and in our diet are overwhelming the human immune system, contributing to rising disease rates and chronic illnesses. The Last Best Cure takes this research a step further and investigates “psychoneuroimmunology,” a new field of study that investigates how mind states, such as anxiety, fear, worry, rumination, anger and pain, can end up damaging our immune function in much the same way as environmental chemicals. Prior to this, I was struggling with my own health crises. The Last Best Cure is my chronicle of a one-year doctor/patient experiment to see if altering my mood state might shift my inflammatory markers and perhaps even improve my physical well-being.

 

The Last Best Cure has received much critical praise, described as a book that will offer hope for recovery, and change and save lives. What is the most important insight or piece of information you want readers to take away from your book?

 

I want people to know that there already exists an understanding as to how we can activate the healing potential of the brain. Understanding how to do this gives us powerful tools, ways to change the messages our brain is sending to our cells and our body. Everyone deserves to live the life they want, and these tools can help us all achieve a greater sense of well-being, and even joy.   

 

You were already an award-winning science journalist and writer when you began writing these last two books. What was it like writing professionally about a topic that was also very personal to you? Were there any “aha” moments for your own life as you were writing?

 

At first, I was only going to write about my personal experiences in the introduction to The Last Best Cure, but my editor thought readers would want to read more about how I also went on this transformational journey myself. She thought it would help convey to readers that we can all take this journey, no matter what physical or emotional health challenges we face. There was so much that I realized along the way about adversity, self-respect and how they play a role in adult illness. Now I’m profoundly grateful to have taken this journey: Life is sweeter, relationships are better and it’s a better, more meaningful way to live.

 

In addition to being about healing and recovering personal joy, The Last Best Cure is a story about a health epidemic. What steps do we need to take now to secure a better health outlook for future generations?

 

We need to absolutely, completely and radically change how we view the doctor/patient relationship. If we keep up the current “medical factory” model we’re going to see very little progress in managing chronic health issues. Right now, 133 million adults in America have chronic illnesses, not counting the 22 million with addiction – and these numbers are rapidly climbing. The tools to help patients participate in their own healing and facilitate greater well-being exist; it just requires that physicians incorporate new practices into their doctor/patient paradigm. In order to do this, we must change the way we as a society view treatment, health care and the doctor/patient relationship.

 

Are there any new books in the works?

 

Yes, one due out at the end of next year called Childhood Interrupted: How Adversity in the Past Writes the Story of Our Future – And How We Can Change the Script (Atria/Simon & Schuster). It’s a deeper, more extended study of how childhood adversity can create changes in the brain and in our immunology that impact our health long into adulthood – and what we can do to reverse those effects as adults. I’m telling cutting-edge stories of science, about how even very common forms of childhood adversity can reset our immune system to be more stress-reactive, sparking a state of chronic low-grade neuroinflammation for life. I want to help readers understand how the stress we meet in childhood can determine our lifelong "set point" for emotional reactivity, inflammation, disease and depression – and what we can do to reverse the impact of early adversity and trauma years later, in adulthood, to regain our physical and emotional well-being.

 

How long has the Baltimore area been home to you? What do you like best about living in this area?

 

My family moved to Baltimore four years ago from Annapolis; my mom and my husband’s parents were already living here, so it just made sense. What I like best about Baltimore is its people. Baltimoreans are real, genuine, honest, intellectual, creative, smart and energetic. They’re committed to their community and engaged in making this a better place to live. We love it here. It’s a vibrant place to be.

 

To learn more about The Last Best Cure, please visit the author’s website or link with her on Facebook.


 
 

Between the Covers with Lisa Scottoline

posted by: April 4, 2014 - 7:00am

Keep Quiet by Lisa ScottolineLisa Scottoline’s new novel, Keep Quiet, is a tension-filled thriller that will also spark great conversation at your next book club meeting. In an attempt to repair his strained relationship with his teenage son Ryan, Jake Whitmore reluctantly agrees to let Ryan drive home, despite the fact that it’s late and Ryan has a restricted learner’s permit. While Ryan is driving, he hits a pedestrian, and Jake finds himself forced to make a difficult choice to protect his son from the life-altering consequences of a moment of distraction. When they are blackmailed by a witness, their secret begins to unravel. Jake desperately tries to protect his family from the fall-out of the accident as the situation careens out of control. Like William Landay’s Defending Jacob, the story hinges on a parent’s love for his son and how far he will go to protect his child.

 

Scottoline recently agreed to answer some questions for Between the Covers readers. She shares more about her inspiration and demystifies her writing process.

 

Can you tell us a little about what inspired you to write Keep Quiet?

 

Many authors are inspired by what-if questions, and that’s what inspired this book. I live in the suburbs, and like everybody else, I drive around way too much and there's always one street that I drive down that has a blind curve, which drives me crazy. Sometimes I grumble that somebody should fix this, but most of the time I worry that if I turn the corner I could hit somebody if I'm not careful, [or my daughter could]. And there you have it! 

 

One of the central questions in the novel is how far a parent will go to keep his child safe. What is it about that idea that makes it so compelling?

 

I'm a single mother, and being a parent is the most important and best part of my life, even in a life as blessed as mine. I adore my daughter Francesca. Raising her has always been a question of trying to strike a balance between letting her find her own wings, but at the same time being a loving and responsible parent, which can often mean protecting her–perhaps too much. This theme is the beating heart of Keep Quiet. I love it as a theme because it's a question that every parent has no matter what the age of their child. It's the kind of question that keeps moms, like me, up at night, so I knew it would make for a compelling novel.

 

Was it a challenge for you to write about this complex father-son relationship?

 

It was something of a challenge because the main character is a father, not a mother, but I think it's really important for writers to stretch and go out of their comfort zone sometimes. I was extremely close to my late father. I can tell you at any point in the day what he would have been thinking about, so I channeled his good heart and poured that into the character of the great father in this novel.

 

Will you share a little about your writing process? Do you write every day? Who is your sounding board?

 

I'm happy to talk about the creative process because I want to demystify it and perhaps encourage others to take a shot at their own writing, whether it's fiction or nonfiction.  My personal motto is one that I borrowed from Nike, which is “just do it,” because I don't think you need a degree to become a writer, but in many cases, you just need to overcome your own self-doubts and insecurities. So just do it. That's what I do, for over 20 books now, and over 20 years. I write 2,000 words a day, sometimes I'm lucky enough to finish that by 6 o'clock at night, yet other times I won't finish until midnight. I don't have an outline, I just go with whatever the characters would logically do next. I happen to think that is what gives my novels a fast pace and logical narrative as well as, I hope, being hard to put down!

 

Some of your fiction readers may not realize that you also co-author the “Chick Wit” column in the Philadelphia Inquirer with your daughter Francesca Serritella. Have a Nice Guilt Trip, the fifth collection of those essays, will be released this summer. What are the best and worst parts of working with your daughter?

 

I love working with my daughter, and there are no worst parts.  It's important to note, however, that I do not edit her in any fashion for those humorous essays, nor does she edit me. We both write about whatever topic we want, which, I think, are topics that relate to women of all ages. Then we put them together in a book. I love it because the reviews of these books are so wonderful, many calling them reminiscent of Erma Bombeck, which is, I think, a huge honor and compliment.

 

What was the last book that you stayed up late at night to read?

 

I really enjoyed Delia Ephron's Sister Mother Husband Dog, which is a moving and charming memoir.


 
 

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