Video gaming is one of the most rapidly growing and ever evolving hobbies of the 21st century. The gaming industry grosses more money each year than the movie and music industries combined. With figures like this, it’s no surprise that a gaming counterculture has arisen, eager to create and share games that shun traditional styles in favor of a more indie appeal. In The State of Play: Creators and Critics on Video Game Culture, notable game designers, players and critics sound off their opinions on the current trends and directions of both the AAA and indie game movements.
One of the topics most frequently discussed in The State of Play is the concept of player identity. Evan Narcisse’s “The Natural,” Hussein Ibrahim’s “What It Feels Like to Play the Bad Guy,” and Anita Sarkeesian and Katherine Cross’ “Your Humanity Is in Another Castle” all make great arguments for more diversity in every aspect of the characters players control and interact with.
Zoe Quinn, creator of the notable indie game Depression Quest, details her harrowing experiences developing, launching and living through her game and gives readers a glimpse into what it was like to come under fire during the infamous #Gamergate movement of late 2014. Merritt Kopas’ essay “Ludus Interruptus” makes a great argument for much more open-minded views of sexuality and acts of sex in Western gaming. Despite making massive strides in both technical and creative compositions in the past few years, video games have still remained very old-fashioned when it comes to sex and how it’s initiated, portrayed and perceived in media.
Readers who identify as gamers or are interested in the increasingly complex culture of video games should read The State of Play. Games are currently one of the most powerful creative mediums for expression, offering users the chance to become fully immersed in their experiences through interaction. The State of Play is a fantastic, unprecedented collection of reflective literature on different experiences from every angle. Every essay is spliced with Internet links and footnotes leading to resources for further exploration, and there is much to be learned.
Jason Reynolds and Brendan Kiely joined forces to write All American Boys, a story about police violence and how individual acts — whether justified or unjustified — can impact everyone in the surrounding community.
All American Boys is told from two perspectives: there’s Rashad, who enjoys drawing and hanging out with his friends as he follows in his father’s footsteps through high school JROTC; and there’s Quinn, an aspiring basketball player who also enjoys chilling with his friends. Rashad and Quinn go to the same school and run with some of the same guys, but they don’t know each other. Yet.
Rashad makes a quick trip to a corner mart to grab a snack. While he’s deciding on which flavor of chips to get (anything except plain), a woman trips backwards into him. Hearing the commotion and spotting the chips on the floor, the store clerk confronts Rashad and accuses him of stealing. Rashad tries to deny the accusation, but before he gets the chance, he’s slammed face-first onto the sidewalk with his hands behind his back and the full weight of a police officer on his ribs.
Quinn and his friends happen to be in the alley beside the mart. Quinn witnesses Rashad being manhandled by the officer, who he recognizes as his friend’s older brother. Realizing the gravity of the situation, he and his friends flee the scene hoping to remain unseen.
Thanks to a smartphone video, Rashad’s incident makes the news and goes viral overnight. While Rashad is recuperating in the hospital trying to deal with manic family visits, Quinn struggles to choose a side in a polarized school environment. With a protest demonstration looming days away, will Rashad and Quinn be able to rein in their feelings and set new headings for their lives in the midst of violence?
Reynolds and Kiely had a mission from page one in All American Boys, and it was accomplished without sacrificing literary quality or becoming preachy. Quinn and Rashad could be any real boys caught in this alarmingly common scenario — read this book, hear their voices and learn from them.
All American Boys is the teen title for BC Reads. Authors Jason Reynolds and Brendan Kiely are appearing at the Woodlawn Branch on April 19 at 3:30 p.m.
Yo-Kai Watch is poised to become the next Pokemon! The Nintendo 3DS game about tracking and befriending cute little Japanese folklore-inspired ghosts has landed stateside and brought with it an anime show and a manga series. Kids everywhere can get their Yo-Kai fill no matter their preferred medium.
In the first volume of the manga, Yo-Kai Watch hero Nate Adams — an ordinary elementary school student — is on his way home one afternoon when he happens across a capsule machine made of stone. To Nate’s surprise, the machine still works and grants him a stone capsule. At first he feels slightly underwhelmed by the rock, but then it goes nuts and poofs out a floaty, unibrowed, blue Yo-Kai called Whisper.
Whisper is super grateful for being freed and pledges to serve Nate as his personal butler. He even gifts Nate a swanky watch...a Yo-Kai watch! The watch emits a special light that reveals the otherwise invisible Yo-Kai to its wearer, which Nate quickly realizes makes him his look like a crazy kid as he converses with his invisible familiar in front of his friends and family.
It’s for the greater good, though. Each chapter pits Nate and Whisper against a mischievous Yo-Kai hounding people around town. First is Jibanyan, a fiery two-tailed cat who vows to get revenge on the car that ran him over. Then there’s Happierre and Dismarelda, two bulbous spirits who alter the moods of everyone and everything around them but balance one another quite perfectly. Next comes Mochismo, an animated rice cake who haunts a child who never finishes his rice cakes whenever he’s treated to them. That’s not even all of the Yo-Kai Nate meets in volume one — they’re everywhere!
Children who know and love every last Pokemon or teens who grew up with the critters should definitely check out Yo-Kai Watch.
High school heartthrob Sakamoto is unflappable. In Nami Sano’s new manga series Haven’t You Heard? I’m Sakamoto, he evades a bevy of traps set by his fellow schoolmates and keeps the flocks of smitten girls in check like a true gentleman, all while aiding his less popular classmates. Throughout the premiere volume, he remains upstanding as he helps his classmates, teachers and even the bullies who target him, with his seemingly endless repertoire of “secret skills.” Sakamoto has an ability for every occasion and deploys them only once he tires of toying with his adversaries.
When a group of jealous dudes rigs a dusty eraser to fall on Sakamoto as he enters the classroom, he catches it without even looking. In the bathroom, the pranksters hurl buckets of water over the walls of the stall Sakamoto occupies, but he already has his fashionable umbrella open. When he gets back to class he discovers his desk is missing, so he makes the best of it by lounging on the windowsill and letting the sun illuminate his alabaster skin and the breeze whisper through his hair.
There’s just no getting to Sakamoto. After witnessing a guy surrendering his lunch money to a group of bullies, Sakamoto becomes his self-appointed mentor and gets them both jobs at a fast food joint. Together, they man the grill and fry stations during busy weeknights, and Sakamoto’s student begins to develop a sense of pride derived from his newfound work ethic.
Handsome, charming, selfless, witty...Sakamoto has so much going for him; so much that it makes readers wonder whether he’s even human. Readers who enjoy shonen manga will enjoy the satire in the first volume of Haven’t You Heard? I’m Sakamoto, and readers who are more partial to rom-coms will be head over heels for the titular character.
Claire Vaye Watkins’ novel Gold Fame Citrus prophesizes apocalypse by desertification. When part of the United States is engulfed by sand and declared uninhabitable, it becomes a refuge for those looking to escape from the lives they’ve made for themselves. To some, threats of dehydration and starvation are worth the risk to avoid returning to civilization.
Luz and Ray are surviving: after drought choked the West Coast and sand spread to the seas, it’s all anyone can do. California has shrunk into itself as golden kestrels encroached and devoured the landscape. Most have fled to military refuge zones to the north and east, but for some, that is a less desirable option than wandering the wasteland as a newly branded “Mojav.” After rescuing Ig, a malnourished child born into a gang of abusive Mojavs, Luz and Ray depart from the derelict McMansion they’ve been squatting in, hoping to find an old contact who can expunge their pasts and allow them passage into sanctuary.
During their journey across an ever-evolving frontier of shifting sands, Luz and Ray struggle to suppress nostalgia as they teach Ig about what their world has become. After losing the main road when the sand swallows the tire tracks, Ray leaves Luz and Ig to find gasoline for the car and fades from man to apparition on the horizon and alters the course of their new lives.
Readers who enjoyed Watkins’ short story collection Battleborn: Stories will recognize her beautiful prose style and wonderfully creative imaginings. Perhaps the best part of Gold Fame Citrus is the extended description of the desert itself, likening its fluid motions to those of the oceans.
Watkin’s new novel about a frighteningly realistic, drought-stricken California is so clearly and crisply described that readers are immediately sucked into this unnerving story. The writing is as blindingly brilliant as the landscape. The book is at once beautiful and brutal.
Californians are portrayed as a group of people always searching for something better, buried gold for the taking, legendary status or even year-round citrus. The dunes destroy that California, and most flee. However, some continue to be drawn by an almost supernatural magnetism to the wasteland left behind. These “Mojavs” carve out an existence, forming strange new communities with few and fluctuating rules.
Watkin’s characters are made more tangible by their flaws and readers can’t resist the urge to protect them from themselves as well as their ruthless environment.
When Ray has to strike out and look for help, Luz and Ig are rescued by a seemingly peaceful society existing in refuge on the very edge of the habitable world. The leader of this group becomes an increasingly menacing character, and the group sheltering Luz and Ig begins to look more and more like a cult. This is an interesting twist in the story given Watkin’s own personal history. The father she never really knew was Charles Manson’s trusted assistant, often in charge of recruiting young women. Though she didn’t really know him, she does explore the topic of cults in her first collection of short stories, Battleborn. Readers will also enjoy Margaret Atwood’s new apocalyptic novel The Heart Goes Last.