Check out Old Mikamba Had a Farm by Rachel Isadora, a fresh rendition of the classic nursery song set in majestic Africa. The illustrations radiate in vibrant collages through the use of pencil shading, newspaper clippings, textile designs and watercolor. With all new animal sounds, you can find out along with your child what noises warthogs, springboks and dassies make. Perfect for preschool through second grade, this bright picture book’s melody and theme are familiar enough to have children singing along while introducing lesser known animals to help broaden both their vocabulary and global cultural awareness. The glossary of animals in the back is a fun and informative feature, too.
Off to Market, written by Elizabeth Dale and illustrated by Erika Pal, tells the story of a drive to market on Joe’s bus. While driving through a Ugandan town, Joe picks up a variety of community members such as women with baskets of fruit, a woman with two goats and an elderly nun. However, trouble begins when Joe’s generosity causes him to overload the bus with passengers. It’s up to the little boy Keb to save the day with heart, smarts and kindness.
In The Race for the Chinese Zodiac, Gabrielle Wang introduces the 12 animals who raced across a river in order to have a year named for them by the Jade Emperor. From the courageous tiger to the wise snake, each animal is exquisitely illustrated by Sally Rippin, who used Chinese painting techniques. This fanciful retelling shows the character traits each beast embodies as they brave the waters to claim a cherished spot. The descriptions of each zodiac animal, their years and their attributes make this an easy yet delightful way to introduce children to the Chinese zodiac.
Charles Palliser, in Rustication, unravels a late 19th century mystery through the uneasy journal entries penned by Richard Shenstone, a 17-year-old opium addict who struggles daily with carnal appetites. Richard, after an abrupt suspension from college, seeks out residency in the drearily neglected English mansion where his mother and older sister reside after the death of their debt-ridden father. However, to much surprise, his early homecoming is unpleasantly received. Not only does he feel unwelcomed, he is refused any information regarding the sudden death in the family or their lack of funds.
Coinciding with his arrival, livestock vivisection begins and vulgar letters are sent to several neighbors which accuse, damn and threaten their recipients. Richard soon crosses paths with peculiar characters that become cagier with every encounter, from vicious socialites to a brutish dogfighter. At the center of much gossip is an earl’s nephew who is both an eligible bachelor and next in line to receive his uncle’s fortune.
Alone in his attempts to make sense of the town’s secrets, Richard feverishly recounts his daily thoughts and conversations. However, his fickle opiate love affair interrupts his stream of recollections. As the crimes increase and worsen, he finds himself as the prime suspect and is determined to discover the identity of the true murderer.
Readers will recognize this marshy bleak town from Palliser’s other Victorian novel, The Quincunx, but will find themselves intrigued as the jarring plot peels away like sour onionskin.
Under One Roof: Lessons I Learned from a Tough Old Woman in a Little Old House by Barry Martin is a truly one-of-a-kind story. When Martin, head of a construction project, first hears of the octogenarian Edith Wilson Macefield, all he knows is that she’s feisty, fiery and will not give up her modest home to the developers constructing the shopping mall around her…not even for a million dollars. As he does with every one of his sites, he makes rounds in the neighborhood to apologize for the noise and to tell the residents to contact him with any concerns.
He could not have anticipated the call he soon receives from Edith asking him to drive her to a hair appointment. After a while, he finds himself walking over to visit her while she’s putting out seeds for the birds, watching Lawrence of Arabia and reciting poetry. Soon, he’s drawn into the fascinating details of her life, which contains multitudes of tales that could fill five lifetimes. From being a 14-year-old spy for the British in Nazi Germany to memories of receiving a clarinet from her cousin, the American swing musician Benny Goodman, Martin is pulled into the hidden yet wondrous existence of the resolute elderly woman.
Martin’s firsthand account of his tender companionship with this small but mighty force of a woman undoubtedly makes this a touching read. All at once, he is concerned, bewildered and very much intrigued by Edith, who stands her ground. When social services start calling, she reveals her wish to pass away on her couch, the very same place her own mother passed. Without denying Edith her independence, Martin begins to assist her as her physical strength declines so that she can die the way she’s always lived—on Edith’s terms.
This biography verges on indescribable in the way humor, compassion and sadness are simultaneously intertwined to recount the infallibility of the human spirit and pricelessness of human kindness.
Acclaimed poet Mary Oliver, winner of the National Book Award and the Pulitzer Prize in poetry, celebrates the dogs she has loved with words of tender care on each page of Dog Songs. Pet owners and animal lovers alike will find a kindred spirit in the voice of Oliver, who has immortalized her wooly confidantes with compassion and humor in a tone reminiscent of the veterinarian memoirist, James Herriot.
Oliver is known for her elegant treatment of the natural world but Dog Songs reveals a rare and intimately domestic side to the poet’s heart. She invites us into her home and introduces us to the cherished pets of her past and present like the unforgettable souls of Bear, Luke, Benjamin and Percy. Whether on a long walk, down at the surf or curled on a couch, each dog’s personality radiates with bliss and, at times, secretive wisdom.
However, we are not spared the pain that unavoidably comes with loving a life outside your own. While grieving in the poem “Her Grave,” Oliver addresses her lost friend by asking “How strong was her dark body!/ How apt is her grave place./ How beautiful is her unshakeable sleep./ Finally,/ the slick mountains of love break/ over us.” Too often the death of a pet is portrayed as an unimaginable horror but Oliver offers a holistic alternative where heartbreak and light might linger. Although devastated, she holds onto the love she has shared with her fallen friend and stands in awe of the animal who has brought her such joy, warmth and spiritual fullness.
Lifelong fans of Oliver, acclaimed for Why I Wake Early, Red Bird and Thirst, will find this both a gratifying and surprising addition to her life’s work. The narrative tone of these portraits, accompanied with gentle line drawings, make this collection appealing to non-poetry readers as well.
J. Maarten Troost’s newest work of travel journalism, Headhunters on my Doorstep: A True Treasure Island Ghost, tackles foreign shores, classic literary giants and a newfound sobriety with the same sharp wit we’ve come to expect from the author of The Sex Lives of Cannibals, Getting Stoned with Savages and Lost on Planet China.
Again, Troost invites us along on his voyage to the South Pacific, but this trip promises to be immensely different. For one, his sole inspiration for this particular expedition is to follow Robert Lewis Stevenson’s own eccentric island-hopping excursions. On Hiva-Oa we stand over the stacked rocks of Paul Gauguin’s supposed grave, where Troost ruminates on the conflicting lives of the Post-Impressionist artist, both at once the freedom-loving painter and the syphilitic sexual tourist. On Nuka Hiva we discover the hidden dangers of the land that include falling coconuts, tiger sharks and deceptive fellow rovers.
But what’s with Troost’s sudden interest in the life of the novelist who penned Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde? What was compelling enough to set Troost trekking distant lands and sailing strange waters? The search for redemption. He asks us to “step back for a moment and consider our hero, Robert Lewis Stevenson. The first thing one gleans is that he does not mess around –no hemming and hawing for him, no dithering.”
Troost, nearly one year sober, is testing not only his sea legs but his teatotaling fortitude which has held him back from both wrecking his marriage and ruining his life. Troost, while traveling on a boat of booze-guzzling shipmates, is not dawdling nor dithering in his search to better understand addiction. With candid humor, Troost dissects himself while also ruminating on the relationship between some of the great artists and writers and their own proclivities for drugs and the endless bottle.
For fans of classic Troost, there are still plenty of escapades including a pack of vicious village dogs, an underage Marquesan tattooist and the rogue cannibal. This travel memoir just offers a bit more; both a view into a wanderlust’s struggle with dependency and a hopeful tale of where the curiosity of the human might lead.
If you’re looking for a bold new page-turner, Koren Zailckas, memoirist of Smashed and Fury, delivers with her shocking fiction debut Mother, Mother. This physiological thriller provides two alternating narrators: that of the volatile younger sister, Violet, and the delicate yet determined mamma’s boy, William.
The plot has already thickened at the beginning of the novel when it’s revealed that the eldest and most cherished child, Rose, has fled the family for an undisclosed location. The remaining and less “perfect” children, Violet and Will, are left under the calculated and cunning reign of the matriarch, Josephine. And then there’s distracted and weak-willed father.
From an outsider’s view, the Hurst family has achieved all upper middle class aspirations. However, when an unexpected act of violence takes place in the picturesque home, the secrets surrounding the absentee Rose steadily unravel through Violet and Will’s dueling accounts; the effects of which rival the circular layers of an onion being stripped away. As tensions build, the book gets creepier and creepier. As Josephine’s tight control begins to slip, small daily activities at home prove that her and William’s relationship makes for one of the most unnerving mother and son pairs in recent history.
For those who cannot get enough of the current trope of Mother as Narcissist, as seen in Wendy Lawless’ Chanel Bonfire: A Memoir and in Cate Blanchett’s performance in the film Blue Jasmine. When you start this book, make sure you have enough time to finish it because you won’t be able to put it down.