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Between the Covers / Shhhh... we're reading.   Photo of reading after bedtime
Meghan Menon

Meghan Menon has the happy fortune to work at the Cockeysville branch of the Baltimore County Public Library in the capacity of librarian. Her reading interests are tremendously varied and are influenced by patron recommendations. Among the genres she holds dearest to her literary heart are children's fiction, sci-fi/fantasy, mystery and meticulously well-researched historical fiction. When not tucking into the latest children's fiction or a well-thumbed copy of Pratchett, Fforde or Wodehouse, Meghan indulges other interests such as a hopeless obsession with ancestry.com, hunting for additions to her art collection, and improvising (mostly) delicious recipes with her husband. Her career as a librarian is the culmination of one of her greatest wishes and she takes joy in providing readers' advisory to patrons from toddlers to adults, in person and through "Between the Covers."

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A Binocular Vision of History

The Company of the Dead The improbable history of the sinking of the Titanic is legendary. The “unsinkable” ship’s maiden voyage was favored with the advantages of an experienced captain, a capable crew, and peerlessly clear weather. She had every probability of reaching her destination unscathed. Yet despite the clear night and the watchful lookout, a looming, unseen colossus was destined to sink her. Of course, even the smallest twist in the kaleidoscope may produce chaos. It is on this premise, embodied by the mysterious, anachronistic presence of a pair of 21st century night vision binoculars, that author David Kowalski launches his epic exploration of “what if?” What if the Titanic hadn’t struck the iceberg? Or, what if she had, but on a different side? Who lives that night, who dies and how - these subtle changes will reshape history as we know it in breathtakingly plausible ways. That is, unless one man’s profound sacrifice in 2012 can reset the Titanic on its original date with destiny.

 

At just under 750 narrative pages, The Company of the Dead is a tome to be sure, yet not a page in its composition is superfluous to its intricately-woven plot and character development. Throughout the story, Kowalski demonstrates compulsive attention to historical detail and lyrical language. These elements serve to draw the reader ever further into the author’s ambitious yet startlingly realistic vision of a world reshaped and on the edge of the apocalypse.

 

The Company of the Dead is broadly recommended for readers of any genre who are prepared to invest time in an absorbing adventure. Technically a secret rather than an alternate history, The Company of the Dead nevertheless plays on the same “what if?” element characteristic of so many alternate history titles. It will therefore strike a particular chord with devotees of alternate history and historical fiction. Readers beguiled by alternate histories involving familiar historic figures and locations may also enjoy Orson Scott Card’s Alvin Maker series as well as a smorgasbord of series and standalone titles by Harry Turtledove.

Meghan

 
 

The Universe Takes Care of All its Birds

WonderTen-year-old August Pullman (Auggie to family and friends) sees himself as a pretty ordinary kid. Or at least, a pretty ordinary kid with a most extraordinary face. You see, August’s face is the result of a most improbable genetic lottery, a one-in-a-million ticket called mandibulofacial dysostosis which, despite countless corrective surgeries, has gifted August with the kind of face that causes children to run screaming and even the kindest adults to avert their eyes.

 

However ordinary August might feel on the inside, at first – and second – glance the world has always seen a freak, or at best, a gut-wrenchingly pitiable boy. As his sister’s childhood friend Miranda puts it, “…the universe was not kind to Auggie Pullman.” Yet, as the story unfolds over his first year of middle school, August’s teachers and his classmates will learn that August’s face really is the least extraordinary thing about him.

 

First time author R.J. Palacio brings August and the other characters of Wonder to life with tremendous poignancy, realism and a supersized measure of practical humor. The perspectives of many characters are sampled and distilled into a comprehensive experience of what it means to be different, to love (and sometimes resent) someone who is different, and what extraordinary beauty can be seen beyond the peephole. Palacio’s characters and situations are deftly constructed, startlingly realistic, and likely to resonate with anyone who’s ever been there, whether as the awkward student on the first day of middle school, the parent or sibling of a child whom the world sees as different, or the “normal” kids and adults who must face their own internal concoction of fear, politeness, meanness, and most importantly, kindness when confronted with someone who is different.

 

Ultimately, this is more than a story about fitting in and more than a caution against judging a book by its cover – though Wonder certainly encompasses both of these messages. It’s a story about the beautiful, the ordinary, and the unseen ways in which an unkind universe still takes care of all its birds.

Meghan