From Newbery Award-winner Patricia MacLachlan comes The Truth of Me, a new classic delivered in a deceptively simplistic format. Robbie — he hates to be called Robert — is the only child of two brilliant but distant musicians. He knows his parents care for him, but also that the music has and always will come first. Fortunately, Robbie is also the beloved grandchild of one very quirky lady...who just may have a special gift when it comes to communicating with wild animals.
Maddy may be a little unconventional as grandmothers go — she’s even been known to serve donuts for dinner — but to Robbie there could be none better. More than a grandmother, Maddy is Robbie’s best friend — well, apart from his dog, Ellie — and he always looks forward to the time they spend together. During the summer that his parents’ quartet is touring in Europe, Robbie’s stay with Maddy will open his eyes to new truths; about his grandmother, about his family and even about himself.
A poignant tale and understated to a fault, The Truth of Me is a story of the little truths about ourselves that help us see the big picture. On its surface, it's a simple portrait of a young boy, his grandmother and his dog. At its heart, it's a story of self-actualization and love. Recommended for thoughtful young readers and anyone who enjoys gentle teaching tales. Fans of Kevin Henkes’ Junonia, in particular, may be drawn to The Truth of Me.
Noted film director (Home Alone, Harry Potter) Chris Columbus and Ned Vizzini serve up an action-packed adventure in House of Secrets. The Walker children, Cordelia, Brendan and Eleanor, have enjoyed a privileged childhood, but following an “incident” at the hospital where their father worked, the family has fallen on challenging times. Forced to relocate to San Francisco, the family happens upon a house that seems too good to be true. A grand old Victorian once owned by a famous author, the Kristoff House is offered at a fraction of its value. Enchanted, the Walkers quickly take up residence – but not for long.
The day of the move, a mysterious neighbor visits the household. Dahlia, the daughter of author Denver Kristoff, the original owner, seems friendly and harmless enough, but her exterior conceals the truly villainous nature of the Wind Witch. Soon enough, she has separated the children from their parents and cast them into the fantastical worlds of Kristoff’s books.
Left to fend for themselves in the mysterious realms of Kristoff’s fiction, Cordelia, Brendan and Eleanor must band together to make sense of their banishment and find a way to defeat the Wind Witch who has trapped them within the pages of her father’s works. Along the way, the children are alternately helped, hindered and betrayed by the characters they encounter.
This is a decidedly action-driven story and the precocious Walker children seldom experience a dull moment from the first time they lay eyes on the mysterious Kristoff House. Readers will find themselves similarly swept along for the ride. Though the cultural references in the dialogue may date the story before its time, today's kids will particularly enjoy the number of mentions of current popular media and electronic devices.
Recommended for upper middle grade or young adult readers for somewhat mature content, House of Secrets will hold particular appeal for fans of Cornelia Funke’s Inkheart series and Lemony Snicket’s A Series of Unfortunate Events.
From the author of Every Soul a Star comes a story that’s out of this world — literally! In Pi in the Sky, Wendy Mass weaves an imaginative tale of worlds colliding, and the rollercoaster adventure that results.
Joss is a seventh son. Not just any seventh son, but the seventh son of the Supreme Overlord of the Universe. Expecting a superhero, imbued with extraordinary powers and responsibilities? Guess again. Despite what you may have heard, being that special “seventh son” does not imbue you with any great powers or great responsibilities — even if your dad is the SOU. With six older brothers, the greatest responsibility Joss has ever held is delivering pies across The Realms to the Powers That Be.
That’s right; a glorified pie delivery boy.
Mind you, these aren’t ordinary pies, but more about that later...
To date, Joss’ life has revolved around going to school (even immortals need an education), hanging out with his best friend Kal and getting those pies delivered on time. Then one day, a girl from Earth winds up in The Realms after her planet has been obliterated and Joss’ whole world is thrown out of orbit. Upgraded from delivery boy to world architect, it’s up to Joss to somehow rebuild Earth with the help of the planet’s last human, Annika.
Pi in the Sky is a spirited fantasy of friendship, adventure and the awesome sciences that shape our world. It is a balanced story that is accessible and fun to read even as it incorporates some challenging concepts. The characters are relatable and the story is alternately playful and poignant. Chapters are headed by quotes from scientists and visionaries that succinctly capture the theme of the chapter to follow. Recommended for middle grade readers and, in particular, fans of Madeleine L’Engle’s A Swiftly Tilting Planet.
Welcome back to the hilariously fractured fairy tale realm of Christopher Healy’s Thirteen Kingdoms. A good deal has happened since the adventures encountered in The Hero’s Guide to Saving Your Kingdom and the four lovable Princes Charming are back for another caper in The Hero’s Guide to Storming the Castle. When last we left the princes – Gustav, Liam, Duncan and Frederic – our noble heroes had just formed the League of Princes and had finally gained some recognition beyond the Prince Charming moniker. Now disaster once again looms on the horizon, and it’s up to the league to prevent a certain magical jewel from falling into villainous hands.
Despite having set the bar high with Saving Your Kingdom, Healy’s return to the Thirteen Kingdoms is as triumphant an extension of the story started in its predecessor as one could hope. The characters first introduced in Saving Your Kingdom begin to come into their own in this second helping of heroism. While the fast paced, catchy dialogue and imaginative scenarios still evoke plenty of chortles, the real strength of Storming the Castle lies in the progressive character development of the princes and their famed princess counterparts. Not without their flaws, each of these heroes and heroines have obstacles to overcome and a lot to learn about themselves along the way. Their distinctive personalities and developing friendships will leave the reader eager for the next in the series: The Hero's Guide to Being an Outlaw, coming in spring 2014. Recommended for middle grade readers and above.
As sumptuous and richly textured as the Renaissance age she resurrects, Blood and Beauty’s descriptive language beguiles the reader from the start, sweeping away the veils of a half a millennium to reveal the all too human nature of some of the papacy’s most notorious players: Rodrigo, Cesare and Lucrezia Borgia. From her first foray into the conclave of cardinals at the book’s opening, author Sarah Dunant hooks the reader, sparing none of the earthy details of Rodrigo’s physical surroundings and fostering no sense of reverence for the chasm of time separating the modern reader from historical figures. Instead, Blood and Beauty reads as though we are joining the author on the scene of a current event, as breathless with anticipation as the citizens waiting outside on that sweltering summer’s day.
Thoroughly researched, Dunant’s narration often lends the flavor of the objective journalist, parsing through the rumors and mystique of the Borgia legacy to hint at another layer of truth behind the real people and events as they bloomed to life. The scope of Durant’s task is ambitious. Contemporary and historical accounts of the Borgias suggest so intricate a web of deceit, power lust and manipulation that a sensationalist approach might all too easily have suggested itself to a writer.
Instead, Dunant refrains from judgment in her analysis, casting a more sympathetic portrayal of Lucrezia, and skillfully demonstrating the transformation of a teenage Cesare from a youth to the hardened, brutal character who would later inspire Machiavelli. The resulting multi-layered personalities prompt an altogether more subtle, nuanced interpretation of the infamous Borgia clan, rendering their story that much more compelling.
Recommended for those readers who favor a certain historicity in their narratives. Fans of Hilary Mantel’s Wolf Hall and any number of Sharon Kay Penman’s works will be drawn to Blood and Beauty.
Loosely based on the Cthulhu mythos of legendary author H. P. Lovecraft, Charles Gilman’s new “Tales from Lovecraft Middle School” series begins with the story of Professor Gargoyle. Readers follow 12-year-old Robert Arthur’s first days in the new state-of-the-art Lovecraft Middle School. Sleek, environmentally friendly and boasting a library the size of a gymnasium, Lovecraft Middle is exactly where every student would want to be. Except Robert, that is.
Recently redistricted, Robert isn’t looking forward to being the new kid on the block at Lovecraft. It doesn’t help that the only other kid transferred from his old school is class bully, Glenn Torkells. From his first day, it’s obvious to Robert that something decidedly weird is going on. Dozens of rats leap out of the brand new lockers. His science teacher, Professor Goyle, is beyond bizarre. And apart from a mysterious girl named Karina, the closest friend he’s made at the new school is a polycephalus rat.
Even stranger events are on the horizon, though, and when gateways to another frightening dimension begin to open, Robert must ally with Glenn to unmask the true nature of Professor Goyle and save his new friends and classmates.
The series plot introduced in the first volume segues seamlessly from Professor Gargoyle’s tale to the second tale in the series, The Slither Sisters. After the mysterious disappearance – and sudden reappearance – of twins Sylvia and Sarah Price, Robert, Glenn and Karina begin to suspect that the monstrous forces of the Great Old Ones may be at work. When Sarah announces her candidacy for president of the student council, it’s up to the friends and some trusted teachers to thwart them.
Fans of creepy-yet-funny stories set in middle school, such as the Scary School and “My Teacher Is an Alien” series, will be drawn to Gilman’s “Tales from Lovecraft Middle School” and may find they eagerly await the next monstrous adventure. Each of the first two volumes provide a tantalizing glimpse into the tale to follow. Recommended for middle grade readers, this absorbing, fast-paced series with finely detailed illustrations may hold particular appeal for boys. Readers already familiar with Lovecraft lore may also chuckle at some of the references to the realm that inspired Gilman.
In a time when it seems there are as many writers as readers, author Jincy Willett invites us to take a walk on the writing side. In Amy Falls Down, Willett explores the world of writing from the perspective of an author who, disgusted by the glut in the market and the deteriorating quality of published works, has quietly and contentedly donned a cloak of anonymity. Once regarded as a promising author, Amy Gallup now studiously avoids the publishing world, preferring to teach others the writing craft rather than join the in the fray.
Having never sought fame or popularity, whether for the content of her books or for the glorification of her own ego, the self-deprecating Amy adamantly refuses to write for salability over quality. Consequently, it has been over 30 years since the publication of her last novel, and Amy has been all but forgotten. However, in the wake of a freak encounter with a Norfolk Pine, a bird bath and a basset hound, all that carefully constructed anonymity will vanish and Amy will find herself forced to reassess her own abilities and forgotten ambition.
Amy Falls Down is a uniquely pensive novel, mirroring the often melancholy mood of its heroine. Apart from her notable encounter with a mischievous bird bath, this is a tale driven not so much by plot as by Amy’s own introspection and reflection on the events that have brought her to once again pursue her work and — by extension — her own understanding of identity. Amy’s unpretentious perspective combines with a wry, almost cynical, sense of humor and an appealing vulnerability to render this a story worth reading. Readers already familiar with Willett’s previous works may remember Amy from The Writing Class; however, the stories are independent and need not be read in order.
It was a funeral that drew him across the pond and back to England. Time on his hands – and perhaps the expectation of nostalgia – led him deeper into Sussex, to the property where his childhood home had once stood. He couldn’t say what it was that drew him further down the lane and deeper into reverie. A few minutes more and he had arrived: the Hempstock Farm at the end of the lane. Whispers of memory kicked up like fog as he left the lane walking toward the farmhouse…he had known someone here, a girl named Lettie he thought. She had been his friend Lettie, who had called a duck pond an ocean and whose family had once been like his own for a time.
In The Ocean at the End of the Lane, master wordsmith Neil Gaiman beguiles his readers with a new and haunting story - his first for adults since Anansi Boys. In a tale that treads the line between memoir and magical realism, Gaiman invites the reader to join an unnamed middle-aged divorcee as he sits along the bank of an ordinary pond in once-rural England. As he sits, the memory of a simultaneously terrifying and enchanting event in his childhood emerges. The memories of dangerous magic in improbable settings, of his own childhood helplessness, of his faith in Lettie and the Hempstocks, come roiling back to the surface with unexpected force and consequence.
This is a story that will engulf both the man and the reader alike, leaving each a little refreshed and a little bewildered at its conclusion. It is a story about true self. It is a tale of sacrifice, and above all it is a tribute to memories, those which haunt us and those which have the power to bring us home again, if only for a little while.