Between the Covers / Shhhh... we're reading.   Photo of reading after bedtime
Maureen

Maureen enjoys books from every corner of the library, including the children's room. She will share her favorite fun adult books and also give you titles to bring home for the kids! When not working in the Collection Development department, Maureen can be found rooting for the Ravens or relaxing at the Jersey shore.

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Maureen

Between the Covers with Ronald L. Smith

posted by: August 31, 2015 - 7:00am

Hoodoo by Ronald L. SmithRonald L. Smith's debut novel Hoodoo, also the name of the main character, is about a 12-year-old African-American orphan living in Alabama in the 1930s. Hoodoo was named as such because of his birthmark which was taken as a sign of his inheriting the family’s magical talent. Despite the mark, Hoodoo is incapable of casting a spell. His lack of skill doesn’t stop him from being drawn into the supernatural world in this spooky story enhanced by historical details of rural life during the Great Depression. Get to know the author as he shares his inspiration for the story, tips for young writers and living in Baltimore.

 

Between the Covers: Hoodoo is set in rural Alabama during the Great Depression. You do an amazing job of bringing that time and place to life. Can you share some of your research? Why Alabama? Why the 1930s?

Ronald L. Smith: Thank you.

 

Well, my parents are from Alabama and we took trips there when I was a kid. I fell in love with the flora and fauna, the food and people. It’s a place full of history and tall tales. When I started looking into my family history, I began to wonder about that time and what it must have been like to live in that era. My parents were a great resource, and they told me much about their early lives.

 

BTC: Some have said that this novel is a meeting of Zora Neale Hurston and Stephen King. I think this is a perfect description. Was it challenging writing horror for a younger audience? Why did you want to share the history of folk magic?

RLS: Well, I didn’t really set out to write a book like this. As a lot of writers would probably tell you, ideas just come to you, and if they stick around long enough, you just have to put it on the page. Once the story began to take shape, I started thinking that I might be on to something special.

 

I wasn’t challenged by the horror aspect of the book. I just wrote for myself, as something I would have liked to read. Of course, I was aware that the book would be geared towards young readers. My editor and agent weighed in and I think we found a good balance.

 

BTC: Hoodoo’s voice is genuine and appealing. How did you get in the head of a 12-year-old living in the south during the Great Depression? Ron Smith reading.
RLS: I guess a lot of it is drawing from my own childhood: the way you feel as a kid, the way your parents talk to you, the way you look at the world. It all just came out in a kind of fugue state, if that makes sense. I used to write literary fiction until I discovered that my voice was a better fit for children’s literature.

 

BTC: This is your debut novel. What has been the most exciting thing about the publishing process? Has anything surprised you?
RLS: It has all been very exciting! It’s something I’ve wanted my whole life. The most exciting aspect of the adventure was when my agent called and told me the book was going to auction. That’s something I’ll never forget. Getting support and input from my editor at Houghton Mifflin Harcourt was also fantastic. It’s truly been a wonderful experience.

 

BTC: Describe your writing process. How long did it take you to complete your first novel? What’s in store for readers next? 

RLS: Well, writers will tell you there are two kinds of writers: plotters and pantsters. I am of the latter, which means I fly by the seat of my pants when I write. I have tried outlining, index cards, Scrivener — all to no avail. I start with an idea and see where it goes. Once I have a few thousand words, the story begins to take shape. I always go back and add whatever is needed, once I know where the story is headed.

 

Hoodoo is my third novel, and the one that got me an agent. The first one I wrote took a few years and is on a file on my computer where it will remain! It was good practice, though. The second book is still close to my heart, and I would like to see it published someday.

 

After Hoodoo comes The Mesmerist, another middle grade, [which] takes place in Victorian England! Expect plagues and scary monsters!

 

BTC: What authors, books or ideas influenced you? What are you reading now?
RLS: That is a good question and I could fill several pages, but I’ll spare you.

 

I like children’s lit that is smart and assumes the reader will understand the concepts and themes of the book. Authors like M.T. Anderson, Philip Pullman, Holly Black. I’ve always been a big sci-fi and fantasy buff. I like dark movies and films. Not horror, specifically, unless it is done very well. I’m more interested in the supernatural aspects.

 

As for recent reads, I recently finished Lee Kelly’s City of Savages, which was quite good, and have also read the first book in Laini Taylor’s Daughter of Smoke & Bone trilogy.

 

I am also re-reading the Harry Potter books. I’ve pretty much forgotten what happens in each, as it has been so long since first reading them. I’m watching the films immediately after I finish each book.

 

BTC: What would you tell young people interested in becoming writers? 
RLS: They’ve probably heard it before, but read. And then read some more. Read everything that interests you, and also pick up books that you might at first turn away from: history, anthropology, biographies of historical figures. Share the things you write with people you admire: teachers, parents. Once you feel comfortable, join a group where you can all share your writing to get feedback.

 

BTC: You grew up in army bases all over the world and are now settled in Baltimore. How long have you lived here and what made you stay? Tell us some of your favorite things about Baltimore. 
RLS: Well, my wife and I moved to Baltimore after living in Chicago for 13 years. We wanted to be closer to family. We’ve now been here for about six years. Baltimore is a strange little place. Not quite a big city, but too big to be a small town. I like its oddity, its accents and one-of-a-kind characters. The creative people that live here truly love what they do. They work hard and play hard. After living in Chicago for so long, I’ve come to appreciate Maryland’s green spaces, its beaches and rivers. Everything is here or a short drive away.

 

Also, crab cakes.

 


 
 

Bennington Girls Are Easy

posted by: August 19, 2015 - 7:00am

Cover art for Bennington Girls are Easy by Charlotte SilverSylvie and Cassandra graduate from the palace of privilege known as Bennington College in 2003 and set out to make their marks on the world in Bennington Girls are Easy by Charlotte Silver. Bennington is a unique institution, rumored to have been founded in 1932 as an option for wayward daughters of prosperous families. Free thinking is encouraged and, while the students — which now includes boys — aren’t all heirs to pastry fortunes and diamond mines, each embraces an attitude of entitlement. But these graduates soon discover that this magnified sense of self-worth is often at odds with the workings of the real world.

 

Sylvie heads to New York first with Cassandra visiting frequently before settling there permanently after her romantic sure-thing falls apart. The two are convinced that their friendship will last through anything and they'll enjoy their 20s in New York, exploring the city and their sexuality all while trying to figure out what to do with their lives. Each is flawed in her own way, but Sylvie is incapable of recognizing her defects. Cassandra grows increasingly tired of Sylvie using her for her money, and the friction between these besties intensifies.

 

This coming-of-age novel is an honest look at two young, immature and flawed women struggling to find themselves in their post-college years. A revolving cast of quirky characters, many of whom are friends from Bennington, provide added insight into the rarefied world Cassandra and Sylvie inhabit — a world of art, money and sex. While often unlikeable, the characters are intriguing, and the depiction of life after college is authentic. Silver, a Bennington grad herself, infuses an irreverent humor throughout the novel which balances the deeper messages of failed friendship and emotional maturation.


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Rome in Love

posted by: August 14, 2015 - 7:00am

Cover art for Rome in LoveAmelia Tate lands the role of a lifetime when she, a relative unknown, is cast to play Princess Ann in a remake of the classic film Roman Holiday. That’s the role that catapulted Audrey Hepburn to fame, and Amelia is over the moon with excitement in Rome in Love by Anita Hughes. Her life couldn’t be more perfect with this dream job, a handsome boyfriend and two months of living and working in the picturesque capital of Italy.

 

Once settled in Rome, Amelia’s reality doesn’t live up to the fantasy. She struggles with the part, her fear of failure and the director’s intense expectations. She also learns that distance doesn’t always make the heart grow fonder when her boyfriend presents her with an ultimatum of him or her career. While dealing with the breakup she must also cope with the ever-present paparazzi and longs for anonymity. On one of her escapes she meets handsome journalist Philip, who believes she is a hotel maid. As their relationship develops and attraction deepens, the guilt she harbors about concealing her identity intensifies. Little does she know that she’s not the only one hiding the truth.

 

Staying in the same suite Hepburn did during her filming helps bring Amelia closer to her idol, especially when she finds a stash of letters Audrey wrote during her filming. She also befriends a young woman named Sophie, a princess enjoying one last hurrah until an arranged marriage will force her to settle down. Together the two take every opportunity to discover the bountiful riches throughout Rome, and along the way find love that could jeopardize both of their worlds. This enjoyable read will entrance readers with fairy-tale romance, transporting them to modern Rome with sumptuous descriptions of food, drink and fashion.


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Ana of California

posted by: July 27, 2015 - 7:00am

Cover art for Ana of California by Andi TeranFifteen-year-old Ana Cortez is in a bind when she gets kicked out of her fifth foster home in 10 years in Andi Teran’s debut Ana of California. A contemporary Anne of Green Gables, this Ana of Los Angeles will delight readers in all of the same ways as the original with her spunk, smart mouth and sometimes flawed decision-making.

 

At this point Ana is left with two options: a group home or a work internship on a farm in Northern California. Ana chooses the latter knowing that if it doesn’t work out, she can file for emancipation when she turns 16, which is just a few months away. Her arrival at Garber Farm owned by siblings Emmett and Abbie isn’t as welcoming as she hoped. Emmett was expecting a 16-year-old boy and thinks they should send her back. But Abbie is thrilled with Ana and is convinced that she will be a good worker. Abbie’s resolve wins out, and Ana’s first week on the farm is a blur of early mornings, hard work and new people. As a denizen of the city with limited familiarity of fresh foods, her learning curve on the farm is steep. Fortunately, farm manager Manny Lavaca takes her under his wings, and Ana appreciates the kindness of this fellow Mexican American.

 

Ana begins to finally feel comfortable in this place she dares to think of as home, even making her first real friend. But when one bad decision might have her headed back to L.A., she realizes that life, friendship and love is a complicated mess. This charming retelling of a beloved classic introduces an endearing heroine, a small town with quirky characters and a quickly paced coming-of-age story for readers of all ages. 


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Behind the Big Screen

posted by: July 17, 2015 - 7:00am

Cover art for We Don't Need RoadsCover art for As If!

In 1985, the first Back to the Future movie was released and was an instant blockbuster. Two sequels followed and the trilogy remains popular. Ten years later, Amy Heckerling’s Clueless, a modern retelling of Jane Austen’s Emma, was released and became a touchstone for a generation. Two new books go behind the scenes of these seminal movies and offer gossipy tidbits, interviews, photographs and more.

 

We Don’t Need Roads: The Making of the Back to the Future Trilogy by Caseen Gaines explores the time-travelling vehicle which brought us Marty McFly and catapulted Michael J. Fox to superstardom. More than 50 original interviews were conducted with key players, including director Robert Zemeckis, Christopher Lloyd, Lea Thompson and Huey Lewis. Gaines shares insider information about the movie, including details of the recasting of Eric Stoltz and the resulting domino effect, but he also looks at the staying power and devoted fan base of these three inventive films.

 

As If!: The Oral History of Clueless As Told by Amy Heckerling and the Cast and Crew by Jen Chaney delivers on its title’s promise with an in-depth account of this innovative movie told by the people who were there. Chaney’s interviews garnered information about casting, costume design, soundtrack and setting, all of which were so vital to the film’s message and success. It appears that this Beverly Hills comedy of manners holds up after 20 years as it remains one of today’s most streamed movies. Chaney includes never-before-seen photos, original call sheets and casting notes, along with ideas as to why the movie continues to have such a powerful pop culture presence. Think you’ll find a more fun summer read? As Alicia Silverstone’s Cher would say: As if!


 
 

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