Learning a new language is challenging, fun and rewarding. Some of the most useful languages a person can learn today are computer coding languages. Many people would be surprised to find that coding languages are not privy only to the extremely tech-savvy or even those who are math geniuses. In fact, even children can learn programming languages, and there are many great books to help introduce them to it. Children today are growing up intuitively knowing how to use technology. Take it a step further by introducing kids (or yourself) to the rewarding aspects of creating or making technology. Creating technology is the best way to fully understand how it works and how it affects our everyday lives. Each of these books explains how coding can be creative, artistic, exciting and engaging. Although they are targeted for children, these books can easily be read by adults who want a true beginner’s approach to computer science. The only materials needed to learn each of these languages are a computer with a working Internet browser and an eagerness to start coding!
Ruby is a programming language that is very easy for people to understand. Ruby Wizardry by Eric Weinstein explains how coding languages are like the translator between human language and computer language. Sometimes languages are very easy for a computer to understand, but difficult for humans to understand and vice versa. With Ruby, each line of code is easy for both humans and computers to understand. Weinstein explains that Ruby is so easy to read, writing Ruby code is just like writing a story. He formats his book into a story about two kids helping a king organize his kingdom through the magical power of code. The analogies in his story help explain more complicated computer science theories and concepts. For example, he uses a story about a broken pipe in the king’s castle to explain how computers can be coded with conditional statements to respond to various outcomes. The book is entertaining to work through because of the storylines and a great introduction to coding in general.
Similarly to Ruby, Python is also good for kids to learn because it is easy to read. It can be used for creating games, building websites, analyzing data and more. Craig Richardson’s book Adventures in Python is organized more like a textbook for slightly older kids. Each project in this book is arranged by adventure, and each adventure covers a different aspect of the Python language. The projects get steadily more difficult as you work through the book, with each adventure building on concepts covered in the previous section. To begin, you use Python coding to create text and drawings that use Python’s built-in turtle module. Eventually, you use these skills in another module called PyGame, and the book concludes with building an interactive, two-player game. It definitely takes time and patience to work through, but Python is an exceedingly useful language and the book’s “adventure” structure makes it approachable and fun.
No matter which language or book you choose, you will gain a better perspective on how technology and computers work. Computer science can be a daunting topic, but these colorful, youth-oriented books make it approachable for anyone!
Robert Jordan spent more than two decades of his life writing his Wheel of Time series. What started as a proposed three-book series ended up a 14 book epic, and The Wheel of Time Companion is an absolute must for any fan of the series. Fourteen volumes involves a lot of world-building. So many characters! So many plot threads dangling all over the place! Who killed Asmodean? Why is Aran’gar such a nut? Readers need to know.
Jordan’s wife Harriet McDougal and longtime editors Romanczuk and Simons assembled this detailed compendium and dedicated it to “all the readers who love the Wheel of Time.” Readers certainly do love the Wheel of Time, and this book reflects the love that the Wheel’s curators feel for the readers, too.
For anyone who has ever wondered about the difference between Sea Folk and Seanchan, or how the male power level differs from the female powers, or how in the world the rank system in Cairhien works (and what is the Great Game, anyway?), pick up this book. Every named character, every named location, every creature Jordan ever mentioned, every permutation in name of every Forsaken is included. It even has a dictionary and grammar guide for the Old Tongue. Because, really: What was Mat Cauthon saying half the time?
Fans of Jordan’s Wheel of Time series, fans of Brandon Sanderson’s book Elantris and his Mistborn series, and any fans of complex world-building need to read this book. It is, in essence, a manual on how to create a rich fantasy world that will keep on attracting readers for decades.
Life would be rock star awesome if we had super powers, right? Well, not really. Take a look at Jessica Jones, a depressed private detective self-employed at Alias Investigations. Before that, though, she was a mediocre, costumed superhero with unimpressive super power abilities, at least when compared to big names like Storm and Invisible Woman. Follow me as I give you a sneak peek inside Jessica Jones: Alias, volume 1, a graphic novel penned by Brian Michael Bendis and illustrated by Michael Gaydos.
In Volume 1, Jessica works as a private detective at Alias Investigations to solve superhuman- related cases for her overly concerned clients. She takes on a job that turns out to be iffy. For instance, while she is out conducting surveillance for a case, she captures a man on video changing into his superhero costume. His name is Captain America, and his identity is a secret. The same case lands her in an interrogation room with the cops for suspicion of murder. Jessica realizes she was set up to film the secret identity of Captain America and to be the fall guy for a murder. Her plan is to find the mastermind behind this dirty scheme. Although Jessica Jones’ superhero days are possibly over, her future as private eye is looking mighty bright.
I totally admire the illustrations by Michael Gaydos. I love the panel layouts and the way he draws the characters’ facial expressions. The coloring by Matt Hollingsworth has a film noir-ish vibe, which is a plus because I love classic Hollywood films. The dialogue is engaging. The protagonist is mysterious and intriguing. I look forward to reading more about Jessica Jones. If you relish film noir, crime, mystery, private detectives and superheroes, read Jessica Jones: Alias, volume 1. If you find yourself liking this graphic novel, then check out Marvel's Jessica Jones television series, which is available now on Netflix. When you're finished reading Jessica Jones: Alias, volume 1, and you find yourself wanting more, be sure to pick up a copy of volumes 2, 3 and 4 at your nearest BCPL branch.
Charlie Jane Anders’ All the Birds in the Sky is one of the most intriguing new novels of the year, partially because it defies definition. It’s fantasy, speculative, sci-fi, humor, coming-of-age and awkward epic romance, with the hipster references of a not-so-distant future. Think of it as magical realism for the digital age.
Patricia and Laurence are the quintessential outcasts at school, left out and bullied to varying degrees. Both suffer from clueless, inane parents who fail to recognize and appreciate what their children are capable of — and Patricia is burdened with a sociopathic older sister to boot.
Laurence is a super-tech geek, possessing a brilliant mind capable of easily cobbling together a wristwatch-sized, two-second time machine, which jumps the wearer two seconds in time. He has built a becoming-sentient supercomputer, which he keeps in his bedroom closet. Patricia happens to be a witch, whose powers first manifest as an ability to speak with birds and one particular tree. She’ll later hone these skills at a school for magic, where she finds she doesn’t fit in either — it’s no Hogwarts. Laurence’s parents pack him up and out to a military school, where the bullying intensifies. And while these outcasts don’t immediately embrace friendship (they are really very different), it seems inevitable. The two circle in and out of each other’s social orbits, and their coincidental meetups intensify once Patricia buys a Caddy, a guitar pick-shaped social media super tablet that enhances the user’s life in inexplicable ways.
The story gains momentum when the Earth is suddenly wracked with erupting superstorms. Is Patricia’s band of avenging-angel witches the key to saving the world, or will Laurence’s hacker-inventor cohort succeed in opening a wormhole to a new, better planet? Anders’ clever pre-apocalyptic novel never loses sight of the running themes of being understood, of being valued for who you are and the difficulty of making meaningful connections when you’re out on the fringe.
Lauren Redniss’ latest book is an odd duckling among graphic novels. Rather than following any kind of paneled format, it contains passages of text interspersed with vibrantly-colored photogravure etchings and atmospheric pastel drawings that take up the entire surface of the page, resulting in an effect that is more like a book of hours than Peanuts. Those who enjoyed Cynthia Barnett’s book Rain will find an evocative companion in Thunder & Lightning.
In Thunder & Lightning, Redniss seeks to depict how weather has shaped our world and how we have adapted in a constant attempt to better predict and manipulate the weather. She has gathered the research of a wide variety of historians, scientists and environmental activists, and heavily peppers the text with their quotations, always opting for clear, plain-spoken statements from the mouths of experts rather than a summary of their findings. From this, fantastic stories emerge — of how the US military experimented in making their own rain during the Vietnam War, of hidden utopias in an Icelandic archipelago covered in permafrost year round, of the outdoor air conditioning engineered to cool the Kaaba in Mecca — along with poignant anecdotes of the natural disasters that are still fresh in our memories — Hurricanes Katrina, Sandy and Irene, the Chilean mine collapse, the summer wildfires in California. Through these tales, one becomes infected with Reniss’ wonder towards the sky and what it might bring, for even as we deepen our understanding of the climate and learn to create clouds, the forecast remains mysterious.
The cover of Emma Jane Unsworth’s Animals leaves little doubt that this is a novel about partying. In fact, most of the book involves drinking and debauchery in engrossing detail. But what isn’t readily apparent from the cover is that this novel is a moving love letter to our best friends and their lasting impact on our lives. It also begs the question: Can our best friends and our significant others peacefully co-exist in the biggest spaces of our hearts?
Laura is engaged to Jim, a concert pianist. When Jim drops the bombshell on Laura that he’s stopping drinking forever, Laura tries to temper her partying ways. She is largely unsuccessful thanks to Tyler, her roommate and best friend. Tyler is a one-woman tornado of hilarious in-jokes, jaw-dropping nerve and quite a recreational drug habit. Laura finds it difficult to resist Tyler’s siren song of endless good times and, although her upcoming wedding hangs in the balance, she finds her late-night capers with her best friend a hard habit to break.
Animals explores the definition of what it means to emerge into one’s 30s and more solid adulthood. Laura’s choices about her career as a struggling writer, her relationship with Jim and her friendship with Tyler are in a state of flux; instead of moving forward, she refuses to move anywhere. This is not a novel for the squeamish, but one for those who can relate to Laura’s struggle in realizing that in her desperation to keep the party going, she may be erasing her best times ahead. Once we get on with the societal expectations of marriage and family, is the party truly over?
At the same time brash and literary, Unsworth’s writing style is an exciting treat for those looking for something a little different in 2016.
Paradise City by Elizabeth Day introduces us to four characters leading seemingly disparate lives: a businessman, a journalist, a maid and a widow.
Howard Pink owns a successful fashion brand in London. He immerses himself in his work and various sexual escapades to distract himself from his inward grieving — his 19-year-old daughter Ada went missing years ago, and at this point he has no choice but to presume she is dead. Stories of Howard Pink’s personal life are often splashed all over the pages of various London newspapers, as journalists are eager to show a glimpse into the tragic self-made millionaire’s life.
Esme Reade is one such journalist, though after years of unfulfilling work she lacks the motivation and passion she once had for her job — until her editor gives her a rare opportunity to take Howard Pink out for a formal lunch. Esme unexpectedly connects with Howard and learns that other journalists have barely scratched the surface of his tragic personal life.
Beatrice Kizza is a maid at the hotel where Howard Pink is staying. She fled her home in Uganda out of fear of being persecuted for her homosexuality. However, when she is assigned to clean Howard’s room, their interaction causes her to reevaluate her life, her misery and the opportunities she could take advantage of.
Recently widowed Carol Wetherington finds the loneliness unbearable. Carol wants to set up her daughter, a single mother, with her next door neighbor Alan in the hopes that her daughter will find the same love and companionship she once had. When Alan asks Carol if she can water his plants while he is out of town, she finds that he actually is far from the type of person her daughter should be with, and makes a discovery that changes the course of her grieving entirely.
Day weaves her characters’ stories together with universal themes of love, loss, fulfillment and redemption, showing innate connections of human experience that surpass outward appearance. Despite the differences in Howard's, Esme's, Beatrice's and Carol’s backgrounds, their stories each have a similar emotional resonance to them. Day’s character-driven novel has light mystery undertones, and becomes steadily more engrossing from start to finish.
Looking for a good mystery filled with offbeat characters and British wit? Then you must read The Man on the Washing Machine by Susan Cox. Winner of the 2014 Minotaur Books/Mystery Writers of America First Novel Competition, this story hooks you from the very first page and continues to keep you guessing to the very end. Not dark or brooding in the least, this story is lighthearted and definitely fun to read.
Life in the quaint San Francisco neighborhood of Fabian Gardens, with its friendly neighbors and shared private garden, is just what Theo Bogart needs. So she thinks. Having fled her socialite life in England after a family tragedy, Theo lives under an assumed name as a partner in a toiletries shop. Just what the doctor ordered — life filled with the mundane tasks of running a business, while enjoying the company of her neighbors. Normal people with normal problems, including a jewelry designer with thinning hair, an overconfident surgeon, a depressed bakery owner and a garden designer obsessed with compost. But then local handyman Tim Callahan falls to his death from a third story window. Was he pushed? Why and by whom? Then, a man mysteriously appears on Theo’s washing machine. Who is he? Why did he not attack her? Odd behavior for an intruder, to say the least. As Theo becomes obsessed with finding this mysterious man, yet another murder occurs. Meanwhile, her business partner disappears and strange crates belonging to her business emerge. What is going on in Fabian Gardens? How involved are Theo’s friends? Who can she trust? Perhaps she is not the only one with a secret.
Fans of Agatha Christie novels and British comedies will enjoy Cox’s debut offering. She fills her pages with characters who keep you guessing and wit galore. Figuring out the mystery is only half the fun of this read. Learning about the residents of Fabian Gardens is definitely the other half.