In the novel The Child’s Child, Ruth Rendell (writing as Barbara Vine) creates a novel within a novel that looks at two very different issues. In the present day we meet Andrew and Grace Easton, brother and sister, who are sharing a London home they call Dinmont house. Grace is working on her doctoral thesis, writing about the plight of single mothers throughout history. She has recently acquired the manuscript of a lost novel written in 1951, The Child’s Child, chronicling the story of a brother and sister in the 1920’s. In this manuscript, John is a closeted homosexual hiding an illegal relationship with a man and living in constant fear of the law. His sister Maud is fifteen and finds herself with child, only to be cast out of her home when the truth is revealed. These details coincide with many in Grace’s own life. Her brother Andrew is also homosexual and has found love with a rather handsome young man. When one of Andrew’s friends is murdered outside a London nightclub, his boyfriend begins to fall apart. What follows is an event that will change Grace’s life forever.
Most of The Child’s Child consists of this novel within a novel and really encapsulates life in the 1920’s for two types of minorities. A three-time Edgar Award winner, Barbara Vine is known for psychological thrillers, and her latest falls into this category. It is not an easy read, as John and Maud had a difficult life and the novel highlights some of the difficulties that people in their situations may have faced. The addition of Grace and Andrew in the present day adds a nice comparison, and there are some thrilling moments housed within their story as well. Barbara Vine continues to create memorable characters in this readable and suspenseful story.