Despite majestic surroundings and lifelong ties to the earth's bounty, there was little color in William Talmadge's days. A solitary figure living a simple life, his emotional and physical toils are somberly chronicled in Amanda Coplin's haunting literary debut, The Orchardist.
Set in the rural Pacific Northwest at the turn of the twentieth century, Talmadge spends his days methodically tending a grove of fruit trees started by his widowed pioneer mother on his 400 acres of family land. No stranger to loss, the middle-aged farmer still pines for a beloved sister who mysteriously disappeared years earlier. When he encounters two young and pregnant runaway sisters, Jane and Della, he decides to shelter them. His actions are shaped by his memories of the sister he lost and the family he hesitantly envisions. It is the one person who knows him well, his old friend Caroline Middey, who observes, "suffering had formed him. " Circumstances will now change his life, especially as a new baby, Angeline, becomes "his shadow in the trees," and the new bud of this makeshift family whose fragile underpinnings are about to give way.
Coplin's writing is spare and deliberate, with minimal dialogue. Much is conveyed by the silent introspection of memorable characters and their sense of belonging, especially of a broken Della. Coplin, who was born in Wenatchee, Washington, grew up among her grandfather's orchards. Her storytelling is rich with images of a frontier before railroads or highways and of a time and place when one belonged to the earth. Fans of John Steinbeck, Leif Enger ‘s Peace Like a River or Charles Frazier’s Cold Mountain will welcome Coplin to their stack of enticing reads.