Ishmael Beah writes as though he is guided by a kaleidoscope of imagery. The old man's hair was not gray; it was the "color of stagnant clouds." Such is the pleasure of reading this Sierra Leone-born author, who recently published his first novel, Radiance of Tomorrow, about the aftermath of civil war in his home country. The book, part fable/part allegory, is really several individuals’ stories set in the village of Imperi. It is about the redemptive nature of those who have suffered heartbreak few can imagine and the human need to renew, rebuild and rejuvenate.
Imperi is a devastated, desolate place since the war. Villagers are now making their way back, past the rows of human skulls that line their path. They bring with them memories. They bring physical scars as well, like those borne by Sila and his two children, whose hands were cut off by a 16-year-old boy soldier now living among them. They crave a return to the old ways, like Bockarie and Benjamin, two teachers at the center of the story who find it difficult to inspire students when conditions are so poor. Fortunately, there are storytellers, like the elder Mama Kadie, whose evening tales swaddle those listening in the tentative celebration of tomorrow. As more villagers return, we learn of their pasts. Insidious corruption from both within and outside of the government complicates matters.
Beah, a former child soldier who wrote about his experiences in A Long Way Gone: Memoirs of a Boy Soldier, was influenced by the tradition of oral storytelling as a young boy. "I bring a lot of that oral tradition to my writing and I try to let it seep into the words." His evocative narrative, conveyed in the third person, borrows from his native Mende as well as other languages. It is lyrical prose that invites readers to slow down and drift into a world Beah knows all too well.