Benjamin Wood’s debut novel The Bellwether Revivals begins with a mystery: a crime scene with two people dead and a third barely alive. But what happened prior? The rest of the book is about the events leading up to that moment. Oscar Lowe is a working-class twenty-something who makes a living as a care assistant at a nursing home. Eden and Iris Bellwether are ambitious siblings from a privileged background who both study at Cambridge. A chance meeting brings Oscar into their elite circle, which he soon finds is convoluted and laden with social traps. Oscar begins a relationship with Iris but finds that threatened by the increasing eccentricities of Eden, who believes himself capable of healing through hypnosis and the power of his music. Eden is also the clear leader of their group of friends, which begins to take on cult-like characteristics as Eden’s delusions become more grandiose. When Eden starts to feel he’s losing control of Iris and his parents, real tragedy ensues.
A classic story in one sense of the clash between the haves and have nots of society, this is also a gothic tale which delves into diverse topics such as mental illness, social isolation and music theory. Moreover, it is an intergenerational story, where those who were once young and charting the pathway to new innovations are now dependent upon and look up to the younger generation of today. Similar to The Talented Mr. Ripley or School Ties, Wood paints a picture that shows that being wealthy isn’t all it is cracked up to be. Fans of British novels and psychological drama will enjoy this story of complex relationships and intrigue.