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Cover art for The ConfabulistMartin sits in a doctor’s office.

 

He experiences disquiet bordering on irritation as the doctor laboriously details the characteristics of his diagnosis. Later, his mind drifts and he is relieved from the intolerable present by the welcome intrusion of a memory. That picnic from a summer’s day so long ago; the hum of the bees, the drone of his parents’ languid conversation; the soft edges of a single cotton ball cloud scudding overhead. It is a memory worth keeping, even if it never happened.

 

He sighs. It’s been getting more difficult to know the difference these days….

 
Martin’s recollection of the past is changing. Increasingly, confabulations are taking the place of his real memories, and he knows it won’t be long before the truth of what happened in the distant past is lost. But what is truth and what is illusion? What happens when the line separating the two becomes permeable? In The Confabulist, Steven Galloway plays with these questions as he explores the fateful connection between the humble Martin Strauss and Harry Houdini, the greatest illusionist who ever lived.

 

Like so many illusions up the magician’s sleeve, The Confabulist is replete with misdirection and second guesses. From the first pages, Galloway puts us on notice that the narrator cannot be implicitly trusted. The story that follows is therefore as much a game of detective work for the reader as it is a work of historical fiction. Galloway’s skillful interplay between past and present, confabulation and real memory, will keep the reader speculating throughout the intertwining tales.

 

Readers who enjoy Galloway’s treatment of the themes of memory and Victorian spiritualism may also enjoy Emma Healy’s debut novel Elizabeth is Missing.
 

Meghan

 
 

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Last revised: August 13, 2014