There is for each of us a place where we breathe easier, feel safer, and are most alive. It may be a quiet cabin in the mountains, a high-rise apartment in the city, or a cottage in the woods. Sonia’s place is The River House, a once beautiful three-story home along the Thames River in London. It is in this house that Sonia keeps her heart, her dreams, and her dark secrets in Penny Hancock’s Kept in the Dark. Other than sessions with her voice clients, Sonia spends much of her time at home alone. Her daughter has gone to university and her husband travels for work. It takes her by surprise when fifteen-year-old Jez, the nephew of her friend and neighbor Helen, arrives asking to borrow an old record album of her husband’s. Jez’s youth and beauty awaken memories that Sonia has worked hard to bury deep down, painful memories from her own youth. Long days spent on the river with her first love, Seb, come rushing back, and Sonia reacts by impulsively drugging Jez’s drink and holding him captive. Soon all of London is looking for the missing boy, never suspecting lovely, normal-looking Sonia. Long ago, Seb was taken from her, first by distance and then by a tragic river accident. This time, she will do whatever it takes to keep her young man safely with her forever.
Setting plays an essential part in Hancock’s writing, and both the house and the river are characters in this disturbing tale of obsession. Told alternately from the points of view of Helen and Sonia, we get a sense of the emotional instability of the human psyche as well as the various reactions people have under extreme stress. Like a horrific accident you cannot tear your eyes away from, Hancock dares you to look away as the many secrets unravel. Fans of Sophie Hannah or readers looking for the next great dark thriller after Gone Girl will devour Kept in the Dark.