Historian Jill Lepore eloquently pieces together the sparse writings of a little-known 18th-century American woman who also happens to be the favorite sister of Benjamin Franklin. In her meticulously researched work Book of Ages: The Life and Opinions of Jane Franklin, the Harvard University professor reveals a humble woman whose station does not dampen her upbeat and quick-witted spirit. The siblings emerge as two restless spirits, connected through their love of writing yet separated by their assumed roles of the time.
Born in 1712 in a two-story wooden house on Union Street in Boston, the youngest child of Josiah and Abiah Franklin was expected to learn to read but not necessarily how to write. Her mother taught her, as did Benjamin, who was six years older. Married at 15, Jane Franklin Mecom's endless days of cleaning, washing and mothering were in contrast to her glamorous brother's life. She cherished letters from her brother. Their lifelong correspondence reveals a keen, opinionated woman who is a shrewd political observer and a lover of books. With 12 children, she came up with her own way of chronicling births and deaths by creating her own slim book called the "Book of Ages." The book became a remembrance and her story. It survives, while most of her letters to her brother do not.
Lepore, a National Book Award finalist and staff writer for The New Yorker, is passionate about her subject even when evidence is scarce. She explores the political, social and commercial sides of the times in compelling character-driven prose. And while she freely draws the parallel life of the siblings, it is the juxtaposition of men’s and women's roles in Colonial America that reminds readers of the extraordinary fortitude of women like Jane. With 148 pages of notes, source material, reproduced documents and time period detail and spellings, the narrative unfolds slowly. Readers of early American or women's history are rewarded with a fresh look at one of this country's most influential, iconic leaders and the sister in his reflection.
In addition to her busy career as a reporter for NBC’s Boston affiliate, Hank Phillippi Ryan has made a name for herself as a bestselling author of suspense fiction. In Ryan’s most recent novel, The Wrong Girl, reporter Jane Ryland is contacted by a former co-worker who asks for Jane’s help because she believes that she was reunited with the wrong birth mother. At the same time, Detective Jake Brogan is investigating the brutal murder of a woman who was found in her house with two young children and an empty crib. He believes that it’s more than the simple domestic violence case that it seems to be. Soon, it becomes obvious that the cases are linked. Ryan’s writing is pitch-perfect as she builds suspense and continues to develop Jane and Jake’s will-they-or-won’t-they relationship.
Ryan generously agreed to answer a few questions for Between the Covers readers. She tells us about her lifelong love of mysteries, her inspiration and why she writes page-turners but not “stomach-turners.”
When you wrote your first novel, you already had a very successful career as a television reporter. What made you take that leap? Did you always want to write fiction?
I grew up in very rural Indiana ... so rural you could not see another house from our house. My sister and I used to ride our ponies to the library – we’d get books and put them in the saddle bags and then read them up in the hayloft of our barn. (Yes, I know I look like a city girl now! But that’s how it all started.)
I fell in love with Nancy Drew, then, soon after, Sherlock Holmes. Then soon after that, all the wonderful Golden Age mystery authors – Ngaio Marsh and Josephine Tey and Dorothy Sayers ... and of course Agatha Christie. And I think that’s where my love of mystery storytelling was born.
But I went on to be a journalist – starting in radio in 1971! Then in TV in 1975. (So far, I’ve won 30 Emmys for investigative reporting, and I am still on the air at Boston’s NBC affiliate.) And when you think of it, journalism is also storytelling, right? It’s just stories that are true. I never gave up my love of mystery and thriller reading, but – okay, I’ll admit it. I just never had a good idea for my own fiction.
Then in – 2005, maybe, I had a great idea. I knew it instantly, and from that moment on I was obsessed with writing what turned out to be the Agatha Award-winning first novel, Prime Time. (It’s a great story – maybe invite me to visit the library, and I’ll tell you the whole thing.)
After that, I was completely hooked. Now I have the joy of juggling two fabulous careers – stressful, and high-stakes and unpredictable, yes – but I am very lucky.
How does your work as a reporter influence your writing?
Well, it’s all about telling a story, right? Whether you’re making it up or not. I am well aware as a TV reporter that if a viewer isn’t interested, entertained, informed and riveted, they can simply zap me away with the click of a remote. So I have learned over all these years to tell a good story.
Happily, I get to use the same skills in crime fiction. I know if you don’t love the characters and the plot, if you’re not riveted to turning the pages, you’re going to close the cover and find another book. I do my best not to let that happen! And that’s all about the story.
I’ve also wired myself with hidden cameras, confronted corrupt politicians, gone undercover and in disguise, been tear-gassed and at hostage situations, at fires and crime scenes, had people confess to murder, seen how people behave when they’re lying or terrified. So there’s an authenticity from my day job that I bring to my crime fiction. The things that happen to Jane could happen to me! And some of them certainly have!
So having this career which brings me into places the public can’t always go and into situations that can be exciting and high-stakes gives me a never-ending (I hope) source of inspiration. I don’t take my TV stories and fictionalize them, but I do use the real-life experience to make it genuine.
While crime plays a major part in your novels, the violence takes place “off the page.” Was that a conscious decision or just something that evolved as part of your writing style?
Oh, interesting. When I read a particularly ghoulish and violent book – confession here – I sometimes skip the graphic parts. (Yes, I know, it’s funny, since my real life shows me a very dark part of the world.) Did I decide – oh, I’m not going to go graphic? No. But they always say to write the kind of book you love to read – and for me that’s Lisa Scottoline, Linda Fairstein, Sue Grafton, Laura Lippman, Meg Gardiner, John Lescroart, Harlan Coben, Steve Hamilton. Very, very suspenseful, yes, very high stakes, yes. But gory/bloody/violent? No. So I write my books to be page-turners – as Library Journal called The Wrong Girl “stellar” and a “superb thriller” – but they are not, um, stomach-turners!
Can you tell us a little bit about what inspired you to write The Wrong Girl?
It’s a great story. I got a call at my TV station – and this is the perfect example of what you were asking – from a woman who said, “Hank! You’ve got to do a story about my cousin. She was given up at birth to an adoption agency 25 years ago and got a call from them asking if she wanted to be reunited with her birth mother. She said yes – but you know, when they met? Turned out they weren’t related! The agency had sent that woman the wrong girl!”
I’m laughing now, even as I type this. I remember thinking, “Thank you, universe! The Wrong Girl! There’s my book!” A book about mothers and daughters, the struggle of adoption from all sides, the need for a family. What if someone made up a family history for you – would you believe it? What if you didn’t know the truth about your own family? How would you recognize your own daughter? Fascinating and relevant questions. And I was off and writing!
What’s turned out to be just as timely and fascinating – there’s a huge problem, making headlines right now, about the chaos in the Massachusetts foster-care system. A completely fictional version of that is key to The Wrong Girl. Amazing, huh? That book as written way before those headlines.
And did you see it’s now nominated for the Agatha Award for Best Novel?
What are you working on next? Will we get to see more of Jake and Jane?
Yes, absolutely! (And thank you.) Truth Be Told will be out on September 30. It’s about a mortgage banker who decides to keep her economically challenged customers out of foreclosure by manipulating their records so it looks like they’ve paid – good hearted, of course, but illegal. It’s about a man who confesses to a cold case murder the police have stopped investigating – why would he do that? And about a reporter who makes stuff up.
Will Jake and Jane find a way to be together? We shall see.
What have you read lately that you loved? Are there any authors who are on your personal must-read list?
Personal must read - Lisa Scottoline. John Lescroart. Ian Rankin. Julia Spencer-Fleming. Sue Grafton, the master! I love Nelson DeMille’s John Corey books and William Landay’s Defending Jacob. Dennis Lehane, of course. Gone Girl, I’m a fan.
New books? Look for M. P. Cooley’s Ice Shear, Rachel Howzell Hall’s Land of Shadows. Jenny Milchman’s Ruin Falls and Chris Pavone’s (he wrote the Edgar Award-winning The Expats) new The Accident. (Unique! But great.)
As for me, I’m in the midst of writing What You See – In solving a murder, Jake wonders why cameras don’t lie – but photographs do. And Jane’s own family puts her in deadly danger. That’s what you get when you plan a wedding, right?
Sharon Sala, a prolific and successful writer with over 1 million books sold, ventures into the world of Southern women’s fiction in The Curl Up & Dye. Blessings, Georgia, springs to glorious life, along with its unique and quirky residents, especially LilyAnn Bronte, a former Peachy-Keen Queen. After losing her almost fiancé in the war in Iraq, her zest for life was zapped and she let herself go for 11 years. Finally, LilyAnn gives in to the ladies of the local beauty parlor, The Curl Up & Dye, and starts to get herself back in the game. This happily coincides with the arrival of a new hottie in town who provides LilyAnn with further motivation. But was love already in Blessings the whole time? A little bit Steel Magnolias and a little bit When Harry Met Sally equals a whole lot of fun.
Get to know Sala as she sheds light on her creative process, offers a sneak peak at what’s next in Blessings and shares plenty more, including the Hollywood superstars she would cast to bring The Curl Up & Dye’s romantic duo to life on the big screen.
The Curl Up & Dye is such a fun slice of Southern life but represents a departure from the romantic suspense genre in which you’ve achieved such great success. What prompted the change and what challenges were created?
I love that you enjoyed The Curl Up & Dye. It was so much fun creating and then living in that world. As for what prompted it, I’ve been writing in different genres for several years now. Young adult, women’s fiction, Western historical (humor) romantic suspense and straight fiction. Going the Southern route was a breeze and so much fun. As for challenges, there were none. As a writer, it’s freeing creatively to do something different. Keeps me fresh, creatively speaking.
In all of your books, your characters are engaging, the stories gripping and the romance palpable. What sparks your ideas after so many successful stories?
My ideas are my dreams. I just write what the universe gives me. As for keeping the stories fresh, I think it would be fair to say that it’s the characters themselves who lead me through the maze that becomes their lives. Once you try to force a scene to work, you’ve already lost your way. I just let the characters tell me what comes naturally to them and then find a way to let the reader see it as I do.
I know you’ve said it was a hated job that led you to writing, but was writing professionally always a dream? And what was that hated job?
The hated job was checking groceries, and I never imagined, even once, of becoming a professional writer. I was just a dreamer with thousands of stories in my head, and one day the hated job triggered an urge to put down on paper what I was seeing in my head.
Share some of your process. Do you write every day? Where? Whom do you use as a sounding-board?
Yes, I write every day, but my writing process no longer exists because I also care for my 94-year-old mother who lives with me and who has dementia and no short-term memory. It is daily chaos but also a sweet sad journey for the both of us. I write when I can and am thankful that my process for writing is naturally fast. I have no sounding board but myself. I am also my worst critic.
You just got the call that The Curl Up & Dye is being made into a movie and you have free reign with the casting. What’s your dream cast? Do you use celebrities as models for your characters when you’re writing?
The dream cast is Jennifer Lawrence as LilyAnn and Channing Tatum as Mike. They both have an ability to do sweet/funny/dramatic, and the story calls for all three. No, I never use a picture of anyone to create the characters in my books. They’re already in my head as themselves.
Will you be returning to Blessings in a future novel? Can you give us a sneak peak?
Yes, I am happy to say that I’m going back to Blessings this year writing a book called Family Specials. Of course The Curl Up & Dye plays a pivotal role in how the plot plays out, but the story is entirely different from the others.
It’s about two teenagers: a boy and his two little brothers and a girl and her baby boy, who have been thrust into adult roles far too soon and who find a way to team up to save their families and, in doing so, finally fall in love long after the wedding has taken place.
It is a story that makes my heart happy. I look forward to sharing it with you.
Veronica Roth’s bestselling dystopian novel, Divergent, is coming to the big screen in one of the most buzzed about movies of this spring. Divergent, starring Shailene Woodley, Theo James and Kate Winslet, will be in theaters on March 21.
In Beatrice “Tris” Prior’s world, everyone is separated into factions based on their dominant personality traits. The factions are Candor, Abnegation, Dauntless, Amity and Erudite. Each person is given an aptitude test as a teenager. That is followed by the Choosing Ceremony, in which each person publicly declares which faction he or she will join. Tris grew up in Abnegation, but she has a secret. Her test reveals that she is Divergent, which means that she exhibits the traits of multiple factions. That secret could get her killed. Tris has a choice to make. No matter which faction she chooses, her decision will change her life irrevocably.
Divergent is the first novel in Roth’s blockbuster trilogy for teens. The series is fast-paced and compulsively readable. Although Allegiant, the final novel in the trilogy, was published last year, fans have one more book to look forward to reading. Four: A Divergent Story Collection will be published this summer as a companion to the Divergent trilogy. Four is a collection of short stories told from the perspective of Four, the popular character portrayed by Theo James in the movie.
Roth and the cast of the movie talk about the factions in this behind-the-scenes video. What faction are you? Take this quiz to find out where you fit.
In April 1940, John Henry Montagu Manners, the ninth Duke of Rutland, spent his final days working in the small rooms in the servants’ quarters of Belvoir Castle, where his family’s archives were housed. Although he spent most of his life carefully preserving his family’s history, the duke spent the end of his life expunging the family records of three specific time periods from his life. After his death, the duke’s son and heir, Charles, ordered the archive rooms sealed. The rooms and their contents remained untouched until they were reopened in 1999. Historian Catherine Bailey brings this story to light in her captivating new book The Secret Rooms: A True Story of a Haunted Castle, a Plotting Duchess and a Family Secret.
While Bailey was researching a book on World War I, she came across some curious gaps in the family’s archives and began to question what was missing. Why would someone have removed those specific sections from the family’s otherwise meticulous records? She worked steadfastly, researching and piecing together the scandalous family secrets that John Manners worked so hard to hide. In this case, the truth sounds like the plot of an epic BBC miniseries, and the answers she finds are more dramatic than most fiction. The Secret Rooms is part Downton Abbey, part Gothic mystery and entirely irresistible. This story is narrative nonfiction at its best.
Are some people just born evil? In Sophie Jordan’s Uninvited, the answer is yes. In the not too distant future, advancements in genetic research will enable scientists to preemptively identify violent offenders with a simple blood test for Homicidal Tendency Syndrome. People identified with what gets nicknamed “the kill gene” are then segregated from the rest of the population for everyone’s safety. The public is warned to treat these carriers with extreme caution due to their vicious, unpredictable nature.
Davy Hamilton is the girl everyone envies. She is pretty, popular, has an amazing boyfriend and her gift of music has secured a place for her at Juilliard once she completes her senior year at her exclusive prep school. However, her life and dreams are shattered when she tests positive for HTS. Labeled with the genetic predisposition to kill, Davy watches as all vestiges of her near-perfect life disintegrate. Davy is uninvited to attend her current high school, abandoned by her friends and feared even by her own family. Uninvited chronicles the tragic transformation the HTS label inflicts upon her life and Davy’s fight to survive her new reality.
Treated as the cruel killer society knows she will become, Davy is assigned a new school that has a special class just for HTS carriers. Secured in a room in the basement of the school, with a floor-to-ceiling chain-link fence separating the teacher from the students, she first encounters her new peers. Whereas Davy could never imagine inflicting pain on another, this is not the case for her new classmates. An intimidating and fierce boy advises her of the need to make allies for protection in her new violent world. Conversely, she is shocked when another carrier, a boy branded with an H for violent behavior, intervenes on her behalf when she is cornered by a lecherous teacher.
The question of how the killer gene label alters the environment for the carriers is thought-provoking and profound. While some characters are clearly sociopathic, how society treats the apparently nonaggressive carriers pushes them in the violent direction just to survive. This is an exceptionally well-written story, and accompanying Davy on this journey of self-discovery is as fascinating as it is frightening.
Be careful what you wish for: a reminder that sometimes wishes are fulfilled in a way not quite anticipated. The desire to turn back the clock or proffer up a desperate bargain in order to keep a loved one with us is universal. Two new novels, The Returned by Jason Mott and Bellman & Black by Diane Setterfield, explore the consequences of cheating death and getting a second chance.
Lucille and Harold Hargrave are watching a riveting television news story reporting what seems to be an ongoing resurrection of the dead. A knock on the elderly couple’s door reveals a federal agent holding hands with a boy who calls Harold “Daddy.” The child is their eight year old son Jacob who drowned 50 years prior. The Returned explores not only the Hargraves’ reactions to the reappearance of their child, but also the complex societal and governmental responses to this unimaginable and unexplainable global phenomenon. Mott hit the author jackpot with this debut novel. In addition to climbing up The New York Times Best Sellers list, ABC developed the story into a television series entitled Resurrection, which is set to premiere in March.
In Bellman & Black, handsome Will Bellman is viewed as blessed. He’s inherited the family fabric-making factory where he’s introduced the principles and technology of the Industrial Revolution to great success. He adores his wife and young children and is a beneficent country gentleman. A man in black dogs Bellman, however, appearing at the funerals of his friends and family. When a diphtheria-like illness plagues Bellman’s village and takes the lives of his family, Bellman cuts a deal to save the life of his remaining child, Dora. Who is this man in black? Is it wrong to profit from death? Setterfield, who also wrote the popular ghostly story The Thirteenth Tale, delivers another atmospheric story that looks at the price one pays for a deal with the devil.
Scooby-Dooby-Doo! Now young readers can join the gang and help them solve mysteries in the new series You Choose, Scooby-Doo! by multiple authors. With 10 or more possible endings in each book, the reader can help Fred, Velma, Daphne, Shaggy and Scooby solve The Mystery of the Maze Monster, The Secret of the Sea Creature, The Terror of the Bigfoot Beast and The Case of the Cheese Thief. Only one path takes the reader to the mastermind behind it all, but each story is suspenseful and fun – perfect for the new chapter reader. Bonus material includes a glossary and a “You Choose the Punchline” page of jokes.
For fans of the American Girl doll franchise, find your “inner star” with the Innerstar University series of books. The reader joins the girls at boarding school and chooses how to deal with “tweenage” issues. Do you stand up to the bully? Do you stick with your friends? What do you do when you are scared? Encouraging the reader to make tough realistic choices, Innerstar University makes the reader the star of the book. With at least 20 different endings in each book, the reader can choose which way to take the story. The latest in the series, Second Chances, forces the reader to make choices about how to deal with a difficult friend. For a more interactive experience, one path will lead the reader to the Innerstar University website for the conclusion, as well as some additional games and activities.
Emma has always been a good girl—her overprotective father has controlled her every waking moment since her mother overdosed when she was young. After her mother’s death, Emma and her dad moved all over Canada and the United States, never staying very long in one place. Upon arriving in Los Angeles at the start of Ann Redisch Stampler’s new teen novel, Afterparty, Emma quickly finds a new friend in Siobhan. As the two become closer, Emma the Good takes a back seat and Totally Bad Emma takes over.
When Emma starts at the snobby Latimer school she is immediately made fun of by her rich classmates for wearing vintage clothes and not being rich enough to have her own horse. Siobhan rescues her and the two become best friends, and suddenly the opinions of her classmates matter less to Emma, with the exception of Dylan, her new crush. Emma and Siobhan spend hours together drinking, shopping and partying. Siobhan even makes a list of wild things Emma must do in order to stop being Emma the Good. Meanwhile, Emma has to lie to her father at every turn, sneaking out of her window to go out with Siobhan at night. As she becomes less recognizable as Emma the Good, she realizes her friendship with Siobhan might not be as healthy as she once thought.
Afterparty is a book full of scandal, backstabbing and partying, perfect for older teens who are fans of Cecily von Ziegesar’s Gossip Girl series or Lauren Conrad’s L.A. Candy novels. Stampler has written a book full of drama that will keep readers interested until the very last page, determined to find out how bad Emma becomes.
In Last of the Blue and Gray: Old Men, Stolen Glory and the Mystery that Outlived the Civil War, Richard Serrano tells the story of the last two survivors of the Civil War. It’s the 1950s and both men are in their 100s, still holding on to life and their past glory. One is a former drummer boy for the Union now living in Duluth, Minnesota and the other lives in Texas, having served with General Hood’s Brigade fighting for the South. They’ve both been alive for various Civil War reunions and each hopes to make it to the upcoming Centennial Celebration set to begin in 1961. However, one of them never served for the United States in any conflict and was a mere boy of 5 years old when the Civil War began. Which one really deserves the accolades, including a federal pension, and which is an imposter?
Serrano’s book is full of details about these men and others who claimed to be former Civil War veterans. What is compelling about this narrative is that many records from the Civil War, particularly those of the South, were lost or destroyed over the years. Some men even served and were discharged without official papers. With painstaking research into the records and archives that do remain, including the 1860 U.S. Census, Serrano is able to write an accurate story of the various frauds who tried to claim the glory that was never due to them.
As Serrano posits, the reasons for their deceptions included poverty (many new pension claims from Civil War vets occurred during the Great Depression), a need for fame and an inability to distinguish fact from fiction. Some of these men had been telling their stories for so long that they began to believe they were true. Serrano points out that even the most well-intentioned fraud detracts from the countless number of men who served during the Civil War and never got their due.