She’s back! Baltimore’s own Jill Smokler, also known as Scary Mommy, returns with a second book: Motherhood Comes Naturally (and other vicious lies). This irreverent and humorous journey through pregnancy, childbirth and parenthood will have mothers everywhere nodding in agreement - and in frequent fits of laughter. Each chapter is headed with common advice or words of wisdom (read: lies) often given to mothers and especially to first-time parents. Just a few examples of chapter titles: “You’ll Be Back to Your Old Self in No Time”, “You’ll Get More Sleep When They Are Older”, and “Going from Two to Three Kids Is a Breeze”. Smokler tackles each of these oft-quoted pieces by sharing her own experiences, which, as the book’s title suggests, provide strong evidence to the contrary.
Scary Mommy started as a blog, which Smokler began in order to keep herself sane as a stay-at-home mom with three kids (Lie #19: “Being Home With Your Kids Is the Most Fulfilling Job”). She developed an online following, and eventually published her first book, Confessions of a Scary Mommy. At turns wittily sarcastic and reflective, Motherhood Comes Naturally shows that one can feel driven to insanity by their kids, but of course still love them. Appreciating that motherhood is neither perfect nor precious, Smokler encourages mothers to build camaraderie and support each other, not tear each other down about different parenting styles. For those with a sense of humor and a willingness to embrace the mommy role with all its flaws, this book is for you. And to all the mommies out there: Happy Mother’s Day! (but know that “Mother’s Day Is All About You” is Lie #14.)
Before he was 'Babe', George Herman Ruth was a troubled boy growing up on the familiar streets of Baltimore. These formative years are documented by Matt Tavares in Becoming Babe Ruth, his richly illustrated and engaging homage to the "Sultan of Swat". Already uncontrollable at age seven, George was left at Saint Mary’s Industrial School for Boys by his father. There George was forced to abide by the strict rules which were rigorously enforced. But, after all the chores and schoolwork were complete, Brother Matthias would let the boys play baseball. Under Brother Matthias’ expert tutelage, George focused on fundamentals and perfected every aspect of his game. His hard work was rewarded when he was signed to a minor league contract with the Baltimore Orioles. It was here that George became Babe, and Tavares is careful to share the origin of the famous nickname with curious readers. From Baltimore, Ruth went to Boston and eventually ended up with the New York Yankees, with whom he had a long and storied career. Along the way, the Bambino achieved an unprecedented level of superstardom.
Tavaras does an outstanding job of outlining important moments in Babe’s professional life, but also documents lesser known details of his life as a young boy in Baltimore. The realistic mixed-media illustrations bring Babe to life and readers get a real sense of his charm, his outsize personality, and his love of the game he played so well for so long. But even as Ruth became a household name, he never forgot where he came from. Tavares notes his repeated generosity and gratitude to St. Mary’s and the men who shaped him. An author’s note, statistics, and bibliography are appended and complete this uplifting story of the most famous baseball player in history and his connection to Charm City.
What would your dream house look like? If you’re Andy and Terry, you live in The 13-Story Treehouse, a marvel of backyard architecture with limitless possibilities for fun. Besides the usual bedrooms, kitchen and bathrooms, it’s got a game room, a theater, a bowling alley, a see-through swimming pool, a tank full of man-eating sharks, and for good measure, a secret underground laboratory. In other words, paradise. Penned by perennial favorite Andy Griffiths and liberally illustrated by his usual partner-in-laughs Terry Denton, this fast-paced slapstick book for middle graders marks the beginning of a hysterical new series.
The author and illustrator have made themselves the protagonists of the beyond-silly story. The action begins when Terry inexplicably paints the neighbor’s cat with yellow paint and drops it over the edge of the deck. The feline sprouts wings and flies off, now transformed into a “catnary.” Meanwhile, the pair has missed the deadline to send a new book to their publisher, Mr. Big Nose. How will they come up with something overnight, especially when Andy insists on beginning the story “Once UPOM a time”?
Middle grade readers, particularly boys, will find the combination of wacky plotlines and simple black and white cartoon drawings irresistible. Give The 13-Story Treehouse to fans of Dav Pilkey’s Captain Underpants series and Dan Gutman’s My Weird School First Chapter books.
Teri Terry’s Slated opens in a London hospital, as Kyla, the novel’s heroine is about to be released. Kyla has no idea who she is because she has been Slated—her memory has been erased by the government as a result of a crime she can no longer remember committing. In Slated’s dystopian world, the government has given teen criminals a second chance at life; rather than sending them to prison, the government wipes their memory and controls their emotions with a device called a Levo, so that the former criminals are unable to commit future crimes.
After an extended stay at the hospital to level her mood out, and relearn basic human functions, Kyla is sent to live with a new family. As she moves in with her new family, her new sister Amy (who has also been Slated) helps Kyla learn about the world she once knew. As she adjusts to her life as a Slated, Kyla begins to have nightmares about her old life, something Slateds are not supposed to be able to do. As she tries to ignore her returning memories, Kyla finds friends, who end up helping her discover more about her former life. When some of her friends and classmates begin to disappear, she realizes there is more going on than she previously thought and she must decide what she’s going to do about it.
Slated is a fast-paced dystopian novel set in a future that is not that hard to imagine. Terry has created a story that leaves readers eagerly awaiting its sequel, Fractured, which comes out in September. Kyla’s story is one that fans of The Hunger Games and Divergent series are sure to enjoy.
Take one American working as the head of security at the Paris embassy, add one psychologically disturbed killer suffering from a traumatic past life and throw in a murder in the historic Père Lachaise cemetery, close to the final resting spot of Jim Morrison, and you will find yourself in the middle of The Crypt Thief by Mark Pryor, a cracking good thriller featuring Hugo Marston. Hugo is an accomplished profiler, so when an American tourist is shot while apparently sightseeing in the cemetery, he is immediately notified. The victim turns out to be the son of a United States senator. When the woman he was with is identified as a Pakistani traveling on a false passport, red flags are raised and the embassy begins to fear the work of terrorists. Hugo is not convinced. The crime itself does not strike him as being the work of a professional assassin. The type of weapon, the location of the wounds on the body, and the apparent removal of a tattoo on the woman’s arm all point to someone with a more personal interest in the victims. The senator doesn’t hold with this theory and wants to not only release information to the press that may cause a city wide panic, but also begin a manhunt for the female victim’s traveling companion who may have links to terrorist groups. Hugo must work quickly to solve the crime before all hell breaks loose.
The Crypt Thief is the second in the Hugo Marston series that started with The Bookseller. Pryor creates an interesting thriller featuring a demented killer with added elements of investigation that will appeal to mystery lovers. He also includes interesting tidbits about the city of Paris, so readers who appreciate good detail about the locale will find plenty to enjoy.
Whoever said growing old gracefully was easy has not met the residents of Pine Haven Estates, a retirement community in Fulton, North Carolina. Decisions regretted and bittersweet memories are countered with surprising friendships and old fashioned orneriness. The confederate jasmine and wisteria arbor may shield the cemetery next door, but Pine Haven residents know it is the next stop. Oh well, such is life and death in Jill McCorkle’s stirring new novel, Life After Life, where the challenge to keep from disappearing meets the desire to embrace life at any age.
McCorkle, whose previous five novels were New York Times notable books, has loaded this, her first novel in 17 years, with quirky, well-drawn characters from both in and out of the retirement village. Making sense of it all is hospice volunteer Joanna Lamb, who ensures that dying residents are not forgotten. Arriving after her own tough spell, Joanna is there for their last day in the sun, "one more song, word, sip of water" before they pass. So she holds the hands of the dying and writes in her journal touching, eloquent remembrances of those who have died. For the eccentric group of residents still around, life remains a journey defined by their own choices. A former lawyer who feigns dementia, a retired school teacher who thinks everyone is really eight-years-old at heart, a Jewish resident from up north who wonders how she ended up in "the land of quilts and doilies," are among the repertoire of voices. Youth, too, passes through Pine Haven, as seventh grader Abby prefers the residents to spending time with friends her own age, and a tattooed young mother named CJ does pedicures to escape her own past.
At times witty and other times poignant, McCorkle's brief narratives show off her penchant for short story form, along with the soul-searching that takes place when the life one has always known coalesces with the realities of aging. Fans of this southern writer are likely welcoming her return.
Mike Greenberg is best known as one-half of ESPN’s Mike and Mike in the Morning. But here, in his debut novel, All You Could Ask For, Greenberg leaves sports behind and hits a home run with this powerful novel about three women connected by cancer. Meet Samantha, Katherine, and Brooke, who share Greenwich, Connecticut as their hometown but are all at different places in their lives. Samantha is twenty-eight and two days into her honeymoon she discovers pictures of a naked woman in her husband’s email. Nude photos are also on Brooke’s mind. At forty, and after fifteen years of marriage and two kids, she is trying to muster the courage to present her husband with a personal portfolio featuring her and not much else. Finally, there is Katherine, a high-powered executive with a fabulous lifestyle. Her only problem is that her boss is the man who broke her heart eighteen years ago. Each woman works through her issues and gradually reaches resolution and happiness.
Those flashes of bliss are soon shattered as each receives a diagnosis of cancer and must face the disease head on. It is through a support group message board that the three meet and share their anger, fear, and hope for the future. The posted messages add more depth to each of these women as their innermost thoughts are revealed. These realistic, modern women struggle with the disease, treatment options, and side effects, yet they are strong and courageous. As their friendship grows, so does their spirit as each resolves to experience more “best days” of their lives. Perhaps the women’s voices are so honest because Greenberg, like so many of us, has personal experience with cancer and wrote the book to honor the memory of a close friend. Greenberg and his wife are donating all of the author proceeds to The V Foundation for Cancer Research.
Housesitting is a rather ambiguous sort of activity. It isn’t really a proper job but it still comes with enough responsibilities to prevent the time spent from ever truly transforming into a vacation. Some people are better at handling this tension between obligation and pleasure than others, and occasionally accidents happen. A crystal glass might become broken, or a nick or two may appear in a previously flawless expanse of plaster. But take a particularly fragile home and add a more-than-usually disorderly house sitter and you don’t just face an accident or two; you court utter disaster. Will Wiles, in his debut novel Care of Wooden Floors, hilariously portrays the panic, guilt, and misery that one such hapless house sitter experiences during the gradual devolution of his friend’s pristine flat into complete chaos.
Wiles’ protagonist, who remains unnamed, is doing a favor for Oskar, an old school chum, by staying in his flat for a few weeks while he travels to LA to finalize his divorce. The house sitter, who is from London, takes an instant dislike to the (also unnamed) Eastern European city that the flat is in and is less than attentive to the many notes that the persnickety Oskar has left regarding the proper care of his two cats, his grand piano, and his precious pale wooden floors. Less than twenty four hours into his stay, Oskar’s meticulously maintained home has already been marred by the faint blush of a tiny wine glass stain, one that Oskar is sure not to miss. And that is just the beginning of a slowly escalating week of mishaps and casual negligence that contains as many surprises as it does calamities. This madcap misadventure is sure to delight fans of Matthew Dicks’ Something Missing, as well as psychological drama aficionados and screwball comedy enthusiasts.
Actress Nia Vardalos won seemingly overnight stardom and acclaim with her first movie, My Big Fat Greek Wedding, which she also wrote. Although she seemed on top of the world, there was one thing missing from her life—a child. Married to fellow comedic actor Ian Gomez, Vardalos tried for over a decade to become a mother. In the funny and touching new memoir Instant Mom, she chronicles the journey that led the pair to the adoption of their daughter, and shares with the reader the transformative experience that is motherhood.
Despite the title, there was nothing “instant” about Vardalos’ becoming a mother. Much of her professional success in life, she admits, is due to her stubborn nature and her refusal to take “no” for an answer. She admits to translating the meaning of the word as “try a different way.” Five years of devastating miscarriages led her to many more years of IVF treatments and even attempts with a surrogate. She kept this personal heartbreak hidden from the media even as millions embraced her as an actress they could immediately relate to, a Greek-Canadian girl next door.
Vardalos’ humorous, approachable tone makes Instant Mom a page-turning read, and when she decides to explore adoption via foster care, you know that this will finally be the answer. When she receives the phone call confirming that they have been approved to adopt a three-year-old little girl, she and her husband have just fourteen hours to prepare for her arrival. From this point, the book becomes a love story, one filled with trial and error as well as joy and frustration as the family gets to know one another and settles into the routines of everyday life. Instant Mom is a memoir of hard-earned motherhood with just a dash of Hollywood name-dropping, a book with wide general appeal.
Letting it Go is Miriam Katin’s gorgeous new graphic novel, in which she tries to come to terms with her past as a Holocaust survivor. Due to her past, Katin had come to despise all things German. When her son moves to Berlin, she realizes she must somehow come to terms with Germany if she is to maintain a relationship with her son.
Born in Hungary during the Second World War, Katin eventually immigrated to Israel in 1957 where she worked as a graphic artist for the Israeli Defense Forces. She went on to work for the MTV Animation and Disney Studios. She wrote her first graphic novel, We Are On Our Own, at the age of 63. Although Katin is writing about very heavy subject matter, the overall tone and art remain fairly light and at times, humorous. At once literary and accessible, Letting it Go reveals Katin’s daily life with her husband in New York while calling on the likes of Kafka to reveal her inner fears.
Done in colored pencil, Letting it Go works exceedingly well as a graphic novel. Katin is able to reveal details and nuance in her art, letting us inside her psyche. The mostly panel-less comics flow nicely with the fairly free-form text. The mix of black and white and color also nicely juxtaposes past and present. Like Persepolis by Marjane Satrapi, this would make an excellent introduction to nonfiction graphic novels.