“Is Samantha Shannon the next J.K. Rowling?” That's the question asked in the July 15th edition of Forbes magazine. Shannon’s debut novel, The Bone Season, is the first in what's expected to be a seven-part series. The novel begins in an alternate universe in the year 2059, about 200 years after a plague covered the planet causing some of the population to become clairvoyant. In the world Shannon has created, there are guards who protect the Scion city of London from clairvoyants because the general population has been told that clairvoyants are dangerous. This futuristic world is a totalitarian society where clairvoyants have to hide their abilities and are treated as criminals.
Paige Mahoney is the 19-year-old protagonist of this science fiction thriller. She is called the "Pale Dreamer" because she’s a dream walker, a rare form of clairvoyant. All clairvoyants have a specialty, an area of the sixth sense at which they excel, and Paige’s spirit is able to leave her body and travel into the aether to visit the thoughts and dreams of others. She uses her gift for an underground crime syndicate that employs clairvoyants in a variety of ways depending on their abilities. The lifestyle allows Paige to be around others like her and not feel ashamed of her gifts.
The Pale Dreamer’s world is thrown into chaos when underguards discover that she is clairvoyant. She is taken captive and detained with others who have similar abilities. She must learn about herself and her gift in order to regain her freedom, but the task is greater than it seems and failing isn’t an option.
This is an incredibly unique book by a debut author. According to The Bone Season’s website, the book’s movie rights have already been claimed by The Imaginarium studios.
Fans of Agatha Christie have much to rejoice this year, as the final five Poirot novels adapted to films by the BBC have been completed and will air in the United States later this year. David Suchet has been playing Poirot since 1989 and, in the end, will have filmed 70 episodes, including several full-length movies featuring Christie’s well-know Belgian detective.
The final films include Elephants Can Remember, based on a novel featuring Christie’s delightful recurring character, mystery novelist Ariadne Oliver. Ariadne’s goddaughter Celia’s life is shrouded in mystery as Celia's parents perished in an apparent double suicide. There could be more to the story, and as Ariadne begins to dig, she will need the help of Hercule Poirot to get to the bottom of the case.
The final film will, of course, be based on Christie’s last Poirot novel, Curtain. Christie wrote Curtain in the 1940’s to give closure to the Poirot series, and the novel was locked in a bank vault and never published until after her death in the 1970s. Poirot is ailing and his body is beginning to break down, even though his mind is as sharp as ever. He returns with Captain Hastings to the scene of their first mystery together with concerns of his own. He will have to use Captain Hastings as his eyes and ears to find a devious killer who may have acted more than once in committing horrible crimes.
The final films will be bittersweet, as fans always had that next film or episode to look forward to, but now is a great time to brush up on your Christie and read the words that inspired the movies.
In Lori Nelson Spielman’s charming debut novel The Life List, Brett Bohlinger embarks on an unexpected year-long adventure that changes the trajectory of her life.
Brett thinks that she is happy with her life. She has a good job, a handsome boyfriend and a loving family. Brett’s world is rocked by the death of her beloved mother Elizabeth. Devastated and grieving, Brett is even more shocked when her mother’s will is read. Instead of bequeathing the family’s cosmetics business to Brett, Elizabeth has set an astonishing plan in motion. The terms of Elizabeth’s will stipulate that Brett has one year to earn her inheritance by completing a list of life goals that she set for herself when she was 14 years old. Each time she completes a task, Brett not only gets closer to her inheritance, she also earns a letter from her mother. Some of the tasks, like performing on stage or getting a dog, are fairly easy to complete. Others, like having a baby and having a good relationship with her father, seem impossible to Brett. As she works her way through the list, Brett begins to find her way, and the tasks her mother assigned her prove that her mother did indeed know best.
Brett’s journey is filled with heart and warm humor. In the end, she finds the true loves of her life just as Elizabeth hoped she would. Lori Nelson Spielman is an exciting new voice in women’s fiction. Readers who enjoy novels by Allison Winn Scotch, Marian Keyes and Emily Giffin will love The Life List.
She was the quintessential southern belle who married a reckless young writer, took New York by storm and became the embodiment of the Roaring Twenties’ flapper. In Z: A Novel of Zelda Fitzgerald, Therese Anne Fowler envisions the dramatic, heartfelt life of Zelda Sayre Fitzgerald, working through the entanglement of images, rumors and speculations which have been tied to this intriguing woman since her introduction into New York’s and Europe’s artisan circles over 90 years ago. What emerges is a portrait of a young woman full of life, an Alabama transplant with quick wit and plenty of sass.
Through the modern-day lens Fowler applies to her writing, Zelda’s challenges, including her battle with mental illness and her supposed unhealthy obsession with ballet, are reexamined. Fowler also highlights what is often overlooked — Zelda herself was an accomplished writer, even penning a review of her husband F. Scott’s second novel, The Beautiful and the Damned, but much of her writing was overshadowed or published jointly with his name, so as to make it more acceptable with editors of the time.
Zelda and F. Scott have remained intriguing, due in large part to their fast rise to fame, nomadic existence and self-destructive downfall. Readers will appreciate this insightful reconstruction of their lives during the heyday of the 1920s. Fans of Fitzgerald’s novels will also see bits of the couple’s lives and conversation which were later incorporated into his stories. Z is the latest in a string of historical fiction about wives of famous men, including The Aviator’s Wife and The Paris Wife, and this lively tale would make an excellent travel companion or book club pick.
Three friends find an abandoned sofa at their bus stop one day that not only changes their lives, but saves the lives of everyone they know. In fact, the title What We Found in the Sofa and How It Saved the World by Henry Clark pretty much gives away the plot. Middle school students River, Freak and Fiona live in Hellsboro, Pennsylvania, a fictitious town full of secrets and problems. Hellsboro, so named because of its bleak, Hell-like landscape, has a ‘coal seam fire’ that has been burning under the town for years. When the trio discovers the old sofa, they begin to find unusual items hidden in its cushions, including a very rare and valuable crayon. On a hunch, these tech savvy kids put the crayon on an online auction and are amazed when a bidding war starts. However, crayon collectors aren’t the only ones interested in their findings. Can the three friends outwit a devious billionaire out to control the universe, an eccentric old inventor, an axe-wielding ghost and some bizarre flash mobs in time to save the world?
Clark’s debut novel is full of interesting and quirky characters, dialogue and situations similar to those found in J. K. Rowling’s Harry Potter or Edward Eager’s Half Magic series. While the friends try to save the world from impending doom, they also deal with issues that many young teens can relate to including peer pressure, not fitting in, dysfunctional family life and discovering who their real friends are. The story is told from River’s point of view, but all three of the main characters have unique voices and are well-drawn. While coal-seam fires are a real issue in parts of Pennsylvania, let's hope that none of them hide the secrets that River, Fiona and Freak uncover.
Hilary T. Smith’s debut teen novel Wild Awake is a powerful story exploring loss, mental illness and family. Kiri Byrd, the 17-year-old narrator of the novel, is spending a few weeks home alone while her parents are on a cruise, when she receives a phone call from a stranger named Doug. Doug claims to have the rest of her beloved dead sister Sukey’s belongings, and tells Kiri she can come pick them up from Sukey’s old apartment. Sukey died when Kiri was 12, in what her parents told her was a car accident. Kiri is suspicious of Doug’s motives, but meets him because she misses her sister.
When she arrives at the address, she’s dismayed to find that her sister had been living in a rundown apartment in a dangerous area of town, not with the other up-and-coming artists that Sukey had described. As she discovers that Sukey’s life wasn’t at all what she had imagined, she finds that her sister didn’t die the way her parents told her. This revelation turns Kiri’s life upside down. As she struggles to accept this news, she spirals out of control—she drinks, takes drugs, stays up all night practicing for a piano recital, and makes rash, dangerous decisions—making her friends and family scared for her. Her only bright spot during the ordeal is Skunk, a boy she meets near Sukey’s apartment who becomes increasingly important in her life.
Wild Awake takes readers along on Kiri’s search for the truth amidst the grief she still feels from losing her sister and discovering the secrets her family has kept from her. Smith has written a moving novel that older teens and even adults will enjoy.
Anguish over the loss of a child is life altering and permanent. Just suppose, years later, a stranger tells you that your child may still be alive. That unimaginable scenario greets Geniver (Gen) Loxley in Sophie McKenzie’s tightly wound new thriller Close My Eyes, where the still grieving mother's encounter with an unexpected visitor leads to an unthinkable possibility.
After eight long years, life is standing still for the childless Gen. Despite a comfortable, albeit boring, life with her ambitious and devoted husband Art, the former writer and part-time teacher can't seem to move past the death of her stillborn daughter, Beth. When Gen's husband suggests they keep trying for another child his sullen wife resists. Then one day out of the blue, a woman appears at their door with an incredible accusation: the Loxley baby was born alive and healthy. For the fragile Gen, it is about as cruel a joke as possible. Her emotional unraveling worries her husband and her best friend, both of whom dismiss outright the stranger's claims. When one coincidence too many does not add up, Gen plummets into a wave of confusion and doubt. What really did happen in the operating room years earlier? It is true; she never saw her dead daughter. As she sets out to revisit the past she discovers an equally devastating reality may await her.
The London-born McKenzie, whose previous works included children and teen novels published in the United Kingdom, has crafted a roller coaster plot with flawed characters and a disturbing narrative. Fans of last summer's mega-hit Gone Girl will be hooked by another enticing and twisty psychological thriller that visits a dark place with unsettling consequences. It is not likely to disappoint.
Love learning new things while also reading a page-turning historical thriller? Check out David Morrell’s Murder as a Fine Art. Set in Victorian England, Morrell’s “hero” is the essayist Thomas De Quincey, author of Confessions of an Opium Eater.
A heinous crime is committed in 1854, England. The gruesome methods of the crime are lifted directly from a De Quincey essay, “On Murder Considered as One of the Fine Arts.” As it happens, De Quincey and his daughter Emily were in England at the time of the murder. He suddenly becomes a prime suspect. With the help of a couple of Scotland Yard detectives, it will be up to De Quincey and Emily to prove his innocence and find the killer.
De Quincey is a fascinating historical figure. He wrote about the inner psyche decades before Sigmund Freud and was surrounded by artistic friends such as William Wordsworth and Samuel Taylor Coleridge.
Murder as a Fine Art is one part novel and one part history lesson. Scotland Yard was still relatively new, and investigative techniques were still rather primitive. Morrell gives his readers a real sense of Victorian England, with its straight-laced exterior hiding a dark underbelly of vice.
For additional historical thrillers set in the Victorian era, check out The Alienist by Caleb Carr and Alex Grecian’s The Yard. For an excellent nonfiction treatment of crime in the Victorian era, see Kate Summerscale’s The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective.
Colin Firth will always be treasured by legions of devoted fans that cherish his portrayal of Mr. Darcy in the BBC miniseries production of Jane Austen’s Pride and Prejudice. For those who can’t get enough of the fabulous Firth, he is prominently featured in two charming books.
Three women are hoping for a meeting with the man behind Mr. Darcy in Finding Colin Firth by Mia March. The quaint tourist town of Boothbay Harbor, Maine is abuzz with the rumor that Colin Firth is coming to film. Three female residents are each determined to meet the man. Gemma lost her job and left her husband, but becomes convinced that an interview with Colin Firth will put her life back on track. Twenty-two year old Bea just learned that she was adopted as a baby and travels to Maine to spy on her biological mother. That woman, Veronica, is a waitress and local legend known for her healing pies. As their stories unfold in alternating chapters, readers will enjoy the quest for Colin and the dramatic life changes experienced by each of these delightful women.
In Austenland by Shannon Hale, Jane Hayes is single, with a dead end job, and a past littered with hapless boyfriends. Part of the problem is her secret obsession with Mr. Darcy, as played by the inimitable Colin Firth. When she is bequeathed at trip to Pembrook Park, a fantasy camp for Austen fans, she jumps at the chance to spend three weeks as a Regency lady. She enjoys the garb and manners, as well as flirtations with both a gentleman and the gardener. Will she finally find a Mr. Darcy of her very own? Readers will be thrilled to know that Jane’s story will soon be on the big screen starring Keri Russell, and that Pembrook Park is the setting for Hale’s follow-up, Midnight in Austenland, featuring another fun and feisty fan of Austen.
In a time when it seems there are as many writers as readers, author Jincy Willett invites us to take a walk on the writing side. In Amy Falls Down, Willett explores the world of writing from the perspective of an author who, disgusted by the glut in the market and the deteriorating quality of published works, has quietly and contentedly donned a cloak of anonymity. Once regarded as a promising author, Amy Gallup now studiously avoids the publishing world, preferring to teach others the writing craft rather than join the in the fray.
Having never sought fame or popularity, whether for the content of her books or for the glorification of her own ego, the self-deprecating Amy adamantly refuses to write for salability over quality. Consequently, it has been over 30 years since the publication of her last novel, and Amy has been all but forgotten. However, in the wake of a freak encounter with a Norfolk Pine, a bird bath and a basset hound, all that carefully constructed anonymity will vanish and Amy will find herself forced to reassess her own abilities and forgotten ambition.
Amy Falls Down is a uniquely pensive novel, mirroring the often melancholy mood of its heroine. Apart from her notable encounter with a mischievous bird bath, this is a tale driven not so much by plot as by Amy’s own introspection and reflection on the events that have brought her to once again pursue her work and — by extension — her own understanding of identity. Amy’s unpretentious perspective combines with a wry, almost cynical, sense of humor and an appealing vulnerability to render this a story worth reading. Readers already familiar with Willett’s previous works may remember Amy from The Writing Class; however, the stories are independent and need not be read in order.