Hysteria, hallucination or superstition? Stacy Schiff does not provide readers with the answer, but she does give us all the ammunition we need to come to our own conclusions in The Witches: Salem, 1692.
Massachusetts, 1692. The time and place should be immediately recognizable. It was arguably the darkest period in early colonial American history. The colony was dotted with small villages and towns that lingered on the edge of wilderness and the unknown. Harsh winters and Indian raids kept colonists wearily alert. Religion provided guidance, if not solace, in everyday life but did little to dispel the monotony of winter days spent indoors. Could all of this have led young girls to writhe and contort and then accuse others of causing their discomfort through witchcraft, which then led the accused to implicate their own families and neighbors? All in all, 20 people were executed for witchcraft. Nineteen were convicted of witchcraft and hanged while one refused to enter a plea and was crushed to death under the weight of heavy stones.
Little historical documentation of the Salem Witch Trials survived, either due to the shorthand of court transcriptionists or later loss from war. Much of what did survive comes from secondhand accounts or accounts written down years after the trials. Schiff thoroughly interpreted what little documentation survived from 1692 and 1693. Her take on the trials is heavy on facts with not so much narrative. The Witches is a well-researched book about the Salem Witch Trials that focuses on the leaders of the community.
If you want to balance your nonfiction reading of the trials with fascinating fictional versions, check out The Physick Book of Deliverance Dane and Conversion, both by Katherine Howe, and Arthur Miller's classic The Crucible.
Take one unemployed Yankee, transplant her to Mule Stop, Texas, dig up a job with an eccentric millionaire and you have all the delightful elements of Nancy Martin’s debut mystery Miss Ruffles Inherits Everything. Sunny McKillip moved to Mule Stop expecting to be an administrative assistant at a university. When the job disappears, Sunny is fortunate to land a position with the most influential matriarch in town, Honeybelle Hensley. Miss Honeybelle is president of the garden club and has the most beautiful rose garden south of the Mason-Dixon Line. Her unexpected death bestows her fortune to her dog Miss Ruffles, a Texas Cattle Cur with a Texas-sized attitude. Sunny, the housekeeper and the valet stand to inherit a million dollars each if they maintain Miss Honeybelle’s home and care for the dog for one year. Greedy relatives, university machinations, planned nuptials and garden club power plays abound. Under the watchful eye of Miss Honeybelle’s lawyer, Sunny must keep the incorrigible dog out of the rose garden while untangling the mystery of Miss Honeybelle’s demise.
Nancy Martin’s latest is no ordinary cozy. There are unexpected twists and turns as Sunny negotiates the culture of a small southern town — Texas style. Just when you think you have it all figured out, Martin throws you a curve you won’t see coming.
Nancy Martin is a winner of the Lifetime Achievement Award for mystery writing from RT Book Reviews and is the author of Foxy Roxy, Sticky Fingers and the bestselling Blackbird Sisters mysteries.
I have been a fan of Francisco X. Stork since I read his novel Marcelo in the Real World. In his latest novel, The Memory of Light, Victoria (Vicky) Cruz wakes up in the Lakeview Hospital psych ward not expecting or wanting to still be alive. When asked if she knows how she got there, all of the memories come flooding back — the sleeping pills, living up to her father’s expectations, her nana leaving and her mother’s death. Vicky feels hopeless and is sure she will “try” again if she goes back home. Against her father and stepmother’s wishes, Vicky ends up staying at Lakeview for two weeks. While there, she befriends the others in her group therapy — Mona, Gabriel and E.M. — none of whom have as privileged a life as she.
Vicky’s father does not understand why she is so depressed since he has provided her with a good life. He feels as though she is just not trying hard enough or putting in the effort her older sister Becca has, who is studying at Harvard. In the end, Vicky finally breaks through some of her father’s anger and hurt, and they begin a slow start to building an authentic relationship.
The author notes that he has also struggled with depression and a suicide attempt while attending Harvard. This is a real look at what living with the illness of depression is like. This is a powerful, genuine story that will leave you cheering for Vicky and her friends. This is more than a story about suicide and depression — it is a story about loss, family, friendship and hope.
“I fear that, one day, I’ll hear my mother’s voice calling for help from the attic, but on the way there, she’ll pull me aside, because she heard it too.” This is just a taste of what you’ll read in Fran Krause’s delightful Deep Dark Fears, inspired by his Deep Dark Fears Web comic series. Krause’s online readers sent him stories about their apprehensions. He compiled 101 of those stories, some hilarious and some downright horrifying, and made each of them into comics to create this graphic novel.
I’m just going to come out and say that Deep Dark Fears is the best book ever. It made me laugh out loud and shiver with fear while looking over my shoulders. Krause’s drawings are vivid, childlike and comical. He did a marvelous job translating his readers’ real life fears into comics. Bravo!
Deep Dark Fears is so cool, so funny and even scary. I highly recommend that you add it to your “must read” list. And who knows, you might just find one of your fears inside this book. For more, check out Fran Krause on Tumblr.
Edward Carey’s Iremonger trilogy is a rare children’s fantasy that, like the His Dark Materials trilogy or The Chronicles of Narnia series, can transport adults as well. The books take place in an alternate 1875, where Clod Iremonger lives with his family in a borough of London called Foulsham amongst a sea of discarded items called the Heaps. The strange and prosperous Iremonger family have a mysterious relationship with the trash surrounding them, and each family member carries a “birth object” that must never leave their side. Meanwhile, an illness is spreading, the poor are disappearing and a new servant girl named Lucy Pennant seems to be “upsetting” objects in the house. Clod, who has the unnatural ability to hear certain objects speak, begins to learn that the members of his family are more sinister than they appear.
Without spoiling too much, the narrative switches between Clod and Lucy as they discover that the Iremongers have managed to secure their status by literally objectifying the poor. But how? And can it be reversed? Learning the rules of this world is half the fun, and each revelation suggests exciting possibilities.
Each book in the trilogy focuses on a different location, beginning with Heap House, the Iremongers’ secluded mansion, then moving outward into the surrounding borough of Foulsham and concluding in the greater city of Lungdon. As the locations expand, the excitement builds.
Fans of Edward Gorey and Lemony Snicket will enjoy the trilogy’s playfully gothic tone, which leavens even its darkest moments with quirky turns of phrase, and the author’s detailed and ink-heavy illustrations will set you firmly in a world so strange and specific you’ll never want to leave.
Film critic Owen Gleiberman, best known for his two-decade stint at Entertainment Weekly, reflects on his passion-turned-career in Movie Freak: My Life Watching Movies. His movie obsession began in the late 1960s when his parents loaded him and his younger siblings into the family Buick for a night at the drive-in outside of Ann Arbor, Michigan. The experience held a “disturbingly sinister excitement” for the young Gleiberman, who was just seven years-old. Did his father choose wholesome family viewing? Oh, no — these were movies HE wanted to see, with no regard for whether they were appropriate for his young children. Gleiberman recalls many adult-oriented drive-in movies he experienced as a third-grader, most notably Rosemary’s Baby and The Boston Strangler. Although they never discussed these films afterward, the experience made him feel closer to his distant parents.
By junior high he was addicted to monster movies, and then in high school he gravitated to scandalous films like Last Tango in Paris and A Clockwork Orange, which left a big impression. But the movie that shifted his entire worldview was John Waters’ Pink Flamingos, which he admits scared the “bejesus” out of him, and fulfilled his craziest drive-in dreams for the extreme.
His first forays into criticism came during college at The University of Michigan. He was obsessive in his film viewing, referring to it as “the religion that sustained me.” He muses that the true movie buff leads a solitary existence, even when they are with other people. Movies help you leave yourself behind, and the essential experience has almost nothing to do with the quality of what you’re seeing.
Readers who love pop culture will enjoy Movie Freak. Gleiberman has always been a critic who speaks his own mind, proud of the fact that he doesn’t go along with the crowd when it comes to his reviews. He isn’t swayed by the Hollywood machine — he calls it as he sees it, even when that leaves him as odd man out, as it did when he panned the Julia Roberts/Richard Gere romantic comedy Pretty Woman. He is proud of championing indie films like the documentary Crumb, and unapologetic in his general dislike of foreign films.
Digressions into his personal life could have been left out, but when Gleiberman sticks to the business of Hollywood and the changing face of film criticism in the time of relentless blogging and social media, Movie Freak shines.
Young sleuths looking for a case to solve can have their pick with the latest selection of new titles. Each of these books holds secret lessons on science and math that will help burgeoning detectives spot clues and decode puzzles.
Captain Coconut and the Case of the Missing Bananas by Anushka Ravishankar introduces a new “First Chapter” series from India, led by the crazy and entertaining Captain Coconut, detective extraordinaire. When he’s not inventing booby traps and reading pulpy detective stories, the Captain has readers using simple arithmetic to solve crimes. Chapters are interjected with Bollywood-esque songs praising Captain Coconut’s numerous talents while the accompanying illustrations belie many jokes at the Captain’s expense.
The Queen’s Shadow, by acclaimed picture book author Cybèle Young, uses the framework of a mystery in an animal kingdom to study the special kinds of vision different animals have — from the trinocular vision of the mantis shrimp to the panoramic eyesight of goats. Young interjects her narrative with sidebars detailing these feats and uses her illustrations to demonstrate the ways animals’ vision differs from our own. Readers will be impressed by the creatures she features, some of whom are strange and exotic, but many of which are fairly common and all the more interesting when seen in this new light.
Fans of Gravity Falls and Roald Dahl will want to check out Warren the 13th and the All Seeing Eye, an action-packed story about an orphan who cares for the hotel his ancestors built. Minded by his devious aunt and dim-witted uncle, Warren’s days of riding dumbwaiters and exploring hedge mazes are interrupted when he takes up the task of thwarting his scheming relatives’ plans for treasure hunting. To prevent the mysterious “All Seeing Eye” from falling into the wrong hands, Warren must uncover the secrets of the Warren Hotel with some creative thinking and the help of his friends. With a cast as kooky as the Addams family, Warren the 13th is a fast paced, art-driven story first conceived by its illustrator, Will Staehle, and further developed by writer Tania Del Rio, who has promised a sequel this fall.