It’s not every anthology that can be described as a spirited game of Clue in literary form. Yet Who Done It?: an Investigation of Murder Most Foul, offers precisely that gift to readers. The scene is set in the Old Abandoned Pickle Factory, where the despicable Herman Mildew, the most callous, evil editor known to author, has just met his all too timely end. How did he perish? Who is responsible for this reprehensible, yet strangely justified crime? Author and editor Jon Scieszka presents the reader with an abundance of suspects: over eighty of the crème de la crème of teen and children’s authors.
Each had motive. Most had the means. Every last one has an alibi. Your task: Scour their alibis, discern truth from deceit, and glean clues about the real killer of the loathsome Herman Mildew. The formats, ranging from inner monologues and illustration to Twitter feeds and poetry, are as varied as the authors and artists they defend.
Hilarious, smart, and as accessible to adults as to kids, Who Done It? is the perfect diversion for an idle hour, or even a few minutes of reading. The alibis are succinct, highly entertaining, and utterly addictive. A remarkably cohesive collaboration, it is important to bear in mind that the book features contributions from over eighty authors. For this reason, the anthology is best digested over multiple reading sessions. Readers are well advised to keep an eye out for subtle clues that pepper the suspects’ respective alibis. Together, these breadcrumbs may lead to some startling conclusions, as YOU, The Reader, and editor Jon Scieszka unravel the mystery of murder most foul.
Dan Champion was an undercover cop with the NYPD, on fire with ambition and with no regard for overtime caps or departmental boundaries. While combing through old case files, he discovers references to the “Fat Woman,” a mysterious, legendary monster, responsible for countless human trafficking purchases and subsequent murders. His obsession with finding her and the consequences of this personal mission are the driving force of A Killer in the Wind by Andrew Klavan.
A sting operation Champion has arranged to bring down the Fat Woman falls apart, resulting in the loss of his job and exile to a sheriff’s office in rural New York State. During his pursuit of the Fat Woman he took a street drug as a sleep aid, and he has since been haunted by ghosts and hallucinations. These visions raise many disturbing questions for Champion. How does he know the ghost boy’s name is Alexander? Why is the woman in his vision so familiar that he believes he could be in love with her? His life is turned upside down when a woman’s body pulled from the river turns out to be the very woman from his visions. The only words she utters before falling unconscious are “They are coming for us.”
Klavan is an international best-selling author, gifted in writing all things action and adventure. A Killer in the Wind is fast-moving and adrenaline-charged as the author utilizes bursts of short sentences and strategically placed repetition to create an effect that propels the story forward by matching pace with the action. This adult thriller is just a step darker than his teen series The Homelanders, the first of which has been optioned as a feature film. In both cases, he proves to be masterful at sweeping readers up in a mysterious suspense-filled novel and taking them on a wild ride to the stunning conclusion.
Lawyer Lina Sparrow instantly knew she was staring at a drawing that transcended time. The young African American man at its center stood in a Virginia field with his hands at his side, waiting. More than 150 years may have passed, but Lina knew that the charcoal put to paper that day said as much about the subject as it did about the artist who created it. In Tara Conklin's shifting, stirring debut, The House Girl, two worlds coalesce, as the winds of past sins expose the fight for freedom and family identity that reach from present day deep into America's past.
In the plush law offices of Manhattan’s prestigious Clifton & Harp, first year litigation associate, Lina Sparrow, has just been handed the class action case of a lifetime involving historic reparations for slavery. In locating a slave's descendant to act as lead plaintiff, she stumbles upon the story of artist Lu Anne Bell and her house girl, Josephine, who sometimes painted alongside her mistress. Josephine was seventeen in 1852 when she escaped from the failing Bell tobacco plantation. Now Mrs. Bell’s paintings are highly regarded for their sensitive portrayal of her husband's slaves, but recent speculation has questioned their authenticity. Lina, herself the daughter of artists, delves deeper into the searing plight of Josephine. In doing so, she begins to question her personal life and her own sense of place.
Conklin, a lawyer by training, exploits the double narrative as the means to weave together a historic time period with the legal perspective of twenty-first century restitution. As the prose expands, uncovered correspondences lay bare the horror of slavery. Readers of The Help by Kathryn Stockett and Mrs. Lincoln's Dressmaker by Jennifer Chiaverini will enjoy this moving connection to the troubled past.
Far from the Tree: Parents, Children, and the Search for Identity is Andrew Solomon’s exploration of the infinitely complex relationship between parents and children. He investigates the nature of parenting children who are exceptional in a variety of ways. Solomon interviews families with children who are prodigies, deaf, dwarfs, autistic, schizophrenic or are transgender, for example. He bookends these stories with his own experience at being both a son and father. There are common themes among parents whose children possess these unique qualities. The individual stories inspire every emotion—heartbreak, grief, anger and joy. Although very challenging, parents maintain their child’s “difference” is a gift. The families often gain incredible strength and resilience.
Solomon’s psychiatric and academic backgrounds add depth and context to the exploration of each “condition”. He examines big issues such as identity, culture and “nature vs. nurture.” He provides overall context, history, and the latest research. Thanks to his engaging storytelling skills, the information is readily accessible and truly fascinating.
Solomon is the perfect author for such a book. His previous work, The Noonday Demon: An Atlas of Depression, was the winner of fourteen different book awards and was a Pulitzer Prize finalist. He is a Lecturer in Psychiatry at Cornell University and Special Advisor on LGBT Affairs at Yale’s University Department of Psychiatry. He writes with clarity and warmth about extremely complex issues. This book is highly recommended to regular readers of nonfiction, parents, teachers, and anyone hoping to gain a deeper understanding of what it means to parent a child.
The shroud of secrecy which surrounds an elusive artist is at the heart of Banksy: The Man Behind the Wall by Will Ellsworth-Jones. This former journalist presents an in-depth look at the reclusive artist from his beginnings as a nobody vandal all the way to the Academy Awards as producer of a nominated documentary. As unlikely as it would seem when reading about the beginnings of his journey, Banksy has somehow managed to become one of the world’s best known and wealthiest living artists. His pieces, which once drew anger and police attention, are now securing millions of dollars at auction.
While Banksy, via his publicity organization Pest Control, refused Ellsworth-Jones’ requests for interviews, the author manages to use secondary sources to shed light on this enigma. He talks with friends, acquaintances, and fellow artists to recount how this mystery man from Bristol, England, who refuses to be photographed or reveal his given name, turned the art world on its head. Readers will also meet fans who wait for hours to obtain limited edition prints and follow the author as he searches the streets for some of Banksy’s works. Ellsworth-Jones also addresses the paradox that Banksy’s commercial success has created for him and questions whether he is the sellout as so many of his contemporaries claim. This is a fascinating glimpse inside the world of street and outsider art, a social commentary, and a philosophical debate about the definition of art.
Many Americans probably got their first glimpse of Banksy (along with a distorted voice and hidden face) and his world in his 2009 documentary, Exit Through the Gift Shop. This intriguing Oscar-nominated film prompted one New York Times critic to coin the term “prankumentary,” leaving viewers wondering whether the entire film is yet another hoax perpetuated by Banksy and his cult of followers.
While most picture books tell a story, few cover the expanse of time of Building Our House, written and illustrated by Jonathan Bean. Based on Bean’s own childhood experiences, the book details, step-by-step, the process his family embarked upon to build their home in the countryside. There are no shortcuts here – this is not a book about moving where boxes are suddenly unpacked and the finished home unveiled in a final two-page spread. Instead, the toil and trouble of moving and living in a temporary shelter is detailed. Similarly, the arduous progression of leveling the earth, creating a foundation, constructing a framework, and finishing the outside of the structure are all included. It is all worth it, of course, and the helping hands described bring a smile to the reader.
This is a joyful, fast-paced book, celebrating immediate and external family and the community at large. The subtle passing and order of the seasons is an added learning benefit for readers. The excitement of the large machinery, warm feelings of being able to pitch in (even as a small boy) and the sense of accomplishment at the finished product, is all palpable. An author’s note at the end describes his memories of the eighteen-month process. It also outlines how he received recollection assistance from his family and their photos of the worksite as it went from empty site to the family’s new home. Construction-, tool-, and machinery-loving kids will enjoy Building Our House, and demand many rereads as they find additional objects and activities in each illustration.
For over seven decades, generations of young readers have delighted in the stories of Henry, Jessie, Violet and Benny, known collectively as The Boxcar Children. But before four orphans found their way from an abandoned boxcar to a new life with their loving grandfather, they had another life and adventures yet untold. In The Boxcar Children Beginning: The Aldens of Meadow Fair Farm, Newbery Medal-winning author Patricia MacLachlan offers a new beginning to a classic series.
The Alden family of Meadow Fair Farm is not wealthy, but they have always managed. What they lack in economy they balance with the support of strong family ties and good humor. Readers will be charmed by the gentle tone and tranquil setting of the farm life and the new friends encountered as the Alden children enjoy their last season at home before embarking on a more challenging journey. MacLachlan possesses an uncanny gift for mirroring the voice of Gertrude Chandler Warner. Her narration and characterizations strongly reflect the simple, straightforward and unassuming style of the original. Those who have read any of the nineteen volumes of The Boxcar Children will be struck by the similarity of style between the two authors.
Her ability to engage young readers without overwhelming them is particularly evident in this story. The Boxcar Children Beginning prequel serves as a wonderful introduction to the rich and bountiful series, while neatly avoiding the hazard of saddening young readers when it comes to the reason for their leaving the farm. The transition from life on the farm to life in the boxcar is made all the smoother by MacLachlan’s inclusion of a continuation teaser, borrowed from the original first volume. This prequel is recommended both for younger readers who have yet to enjoy the beloved series, and for current fans curious about the children’s life before the boxcar.
Changing schools can be a stressful experience, especially when you are in high school. There are so many things to navigate—teachers, classes, building, and students—not to mention the social cliques. New sophomore Sadie Wildhack welcomes the chance to reinvent herself, and maybe this time be a part of the popular crowd in Ayun Halliday’s graphic novel Peanut, illustrated by Paul Hoppe.
Somehow Sadie has decided that having a peanut allergy will give her special attention, and increased social status. She orders a medic alert bracelet online, and writes her required introductory essay on the perils of having a life-threatening condition. Sure enough, Sadie’s “peanut allergy” is enough of an icebreaker to earn her some new friends, a spot at a lunchroom table, and even a boyfriend. Christopher Suzuki, “Zoo”, christens her “Peanut”, writing her adorable, origami-folded notes since he avoids communicating through modern technology.
But faking a peanut allergy requires much more vigilance than Sadie bargained for, especially since her mom is not in on the ruse. Author Halliday has created a likable, angsty protagonist whom teens can readily identify with, even as they shake their heads at the problems her deception creates. And Zoo is the understanding, thoughtful, cute and attentive boyfriend girls wish they had. Halliday perfectly captures teen banter, as well as the dialogue of the adults that populate this graphic novel. Paul Hoppe’s line illustrations evoke not only the nuances of the characters, but also the classrooms, cafeteria, and locker-lined hallways of a high school that could be any high school. Hoppe’s art is rendered in grayscale, with the notable exception of Sadie’s shirt (and a single rose provided by Zoo), always a bright red hue. Peanut is highly recommended for teen readers and adults who remember the struggle to both fit in and stand out.
Sophronia Temminnick, the heroine of Gail Carriger’s new teen steampunk novel, Etiquette & Espionage, loves to climb trees, take machines apart, spy on her family, and worst of all has never learned a proper curtsy. Her mother believes that a stint in finishing school will transform Sophronia into a lady, so she sends her to Mademoiselle Geraldine’s Finishing Academy for Young Ladies of Quality. However as Sophronia soon finds out, Mademoiselle Geraldine’s is not an average finishing school—students are taught how to dress, dance, and curtsy, but much more effort is given to the study of espionage.
Sophronia discovers that she was recruited secretly to the school because of her less than lady-like behavior. She quickly proves her merit during the journey to the academy, when she fights off a group of bandits trying to steal a mysterious prototype from the carriage. Upon arriving at Mademoiselle Geraldine’s, Sophronia begins lessons in everything from intelligence gathering and fundamental espionage to dance and dress. While she enjoys the espionage classes most, she does come to recognize the importance of the more typical finishing school classes as well. She puts her new knowledge to the test almost immediately, as she and her new group of friends investigate what happened to the mysterious prototype that bandits tried to steal during her journey to school.
Gail Carriger’s witty novel is one that teens and adults alike are sure to enjoy. Etiquette & Espionage is a fun addition to Carriger’s other steampunk novels. Readers can look forward to more of Sophronia’s finishing school adventures in the sequel, Curtsies & Conspiracies, which is set to be released in the fall of this year.
If you had the chance to change an event in your life, would you? What if that change meant uncertainty, loneliness, and possibly death? The time traveler in Sean Ferrell’s new novel, Man in the Empty Suit, becomes intimately acquainted with the chaotic, frightening, and liberating repercussions of seizing your destiny and altering your fate.
Ever since he discovered his ability, the time traveler has been jaunting along in time with no discernible mission other than exploring the ages for his own amusement. The only true continuity in his life comes from the party he attends each year on his birthday, where he mingles with all his other selves from other years. There is the Inventor, who first travels through time and initially sets up the party, the other Youngsters, who are younger than his current self, and the Elders, who are older and more knowing. He is surrounded by himself, and each year the party progresses in exactly the same way with each version playing the same role and saying the same lines as before to avoid breaking continuity with each other and altering the proscribed timeline. But the year he turns 39, events do not proceed as usual. Due to a single missed action, versions start ending up dead, memories the Elders have are disconnected from the current reality, and a mysterious woman named Lily appears at the party for the first time. It is the time traveler’s job to set things right, but will he choose to return events to their original path or to forge a new destiny for himself?
This gripping, surreal story is full of emotional tension and psychological drama. Fans of time travel fiction, science fiction, and Stephen King’s 11/22/63 will find this unusual and offbeat novel a compelling and thought-provoking read.