Between the Covers is proud to introduce our newest feature, Free Play with BCPL — a video game-themed video blog featuring our very own librarian blogger, Tom! Free Play with BCPL highlights video games that you can find right now at BCPL...for free! Remember when you used to go to the arcade and one of the machines would have a "free play" — a game you didn't have to pay for? Yeah. It's like that. Did we mention it's free? Watch the first video below. To find the videos reviewed in this episode, visit our catalog and reserve your games today.
When we talk about the distant future, we almost always look at it from how our current perspectives will change — what new technologies will emerge, what catastrophes may occur, what discoveries will be made, etcetera. But often we also assume that what we know as true today will still be true in the future.
But what happens if it turns out that what we believe now is proven false in some far-off future?
Chuck Klosterman plays devil’s advocate with that notion in his book But What If We’re Wrong? Thinking About the Present As If It Were the Past by examining the idea that what we believe as infallible now will be proven invalid in 100 or 200 or 500 years’ time. Just because we believe it now may not necessarily mean it’s really true. After all, people used to believe that the sun went around the world, among other things. Then the Scientific Revolution happened and our understanding changed. So, Klosterman argues, what’s to say that won’t happen again?
This book is a delightful mind trip, equal parts thought-provoking and entertaining. Klosterman works interviews with various notable scientists, writers and philosophers into the text, posing such questions as “are we right about gravity?” and “do we understand what time is?” as well as “will the NFL and other sports leagues still exist?” and “which artist will define rock’n’roll music for future generations?”. His style of writing and use of humor keep the book from getting too esoteric; Klosterman is just as funny and approachable here as he is in his other works. Just don’t expect any definite answers — But What If We’re Wrong? is largely an exercise in conjecture and speculation.
Because after all, who knows what the future holds?
Dust off your Ouija board, draw a salt circle and prepare to get spooked. The creepiest season of all is upon us, and what better way to celebrate than with six ghastly graphic novels sure to keep you creeped out all month long?
American Vampire follows the often macabre adventures of the immortal bloodsucker Skinner Sweet throughout American history. Look no further for an inventive and twisted take on traditional vampire lore with an ever changing backdrop.
Baltimore is a long-running series that follows the titular character from the horrors of the trenches in WWI to the nightmarish dwelling places of ancient evils, and everywhere in between. This is a masterfully-paced suspense story that just keeps getting better.
Batman: The Doom that Came to Gotham is the only superhero book you’ll find on this list, but its quirky combination of classic Batman characters and the otherworldly horrors of H.P. Lovecraft make for a spooky and surreal read.
The Beauty is a new series that imagines conventional physical perfection as a sexually transmitted disease with horrifying side effects. Dealing equally in body horror and suspense, this is an unsettling story that explores the disturbing lengths to which people will go in the name of beauty.
Colder is the story of Declan Thomas, a man with the incredible ability to cure mental illness in others. What Declan doesn’t realize is that his newfound power draws the attention of unsavory entities that seek to undo his work. Feel free to judge these books by their covers, because the frightening artwork that graces them perfectly suits the stories inside.
Grindhouse: Doors Open at Midnight is a double feature that pays homage to the outlandish B-movies of years long past. “Bee Vixens from Mars” and “Prison Ship Antares” channel the over-the-top absurdity and low budget charm of grindhouse cinema, even down to the fake posters paired with each story.
In The Glittering Court, Richelle Mead weaves a tale that transports readers from the royal palace of Osfridian to uncharted territory in the lands of Adoria. At the center of the story is Lady Whitmore, Countess of Rothford, who has a major dilemma, one that will decide her fate. Descended from a long line of royalty, at age 17 she is quickly learning the consequences of maintaining a privileged lifestyle and the obligations that come along with it.
Caught in a world where a woman’s greatest asset is her beauty or family name, a marriage to one of equal status may be the answer to a secure financial future. Despite the precarious situation, a timely meeting leads to a decision that charts the course of this entertaining read. Assuming the identity of another, the countess risks everything to have the freedom to make her own choices. She encounters the true meaning of friendship along the way, and also finds that following her heart comes with its own complications — especially when it comes to a particular gentleman she is unable to avoid.
The front cover may promise the reader an evening of “glittering” festivities, however, Lady Whitmore is not the average princess. The Glittering Court takes you on an adventure through rugged terrain as you follow the journey of a fearless heroine who discovers that life is more than ball gowns and fine dining. The first in the series, read as a stand-alone or continue on with Midnight Jewel, which is due out in early 2017.
In Jeffrey Ford’s new collection A Natural History of Hell, there is such a variety of creepiness and at such different comfort levels that I feel I should offer a travel guide to whoever reads this book. Something like:
Here lie straight creeps.
Here’s one night’s lost sleep.
If you read this story you’ll only be able to eat bananas, rice and applesauce for a week.
But for those with an appetite and a broad palate for horror, there’s not likely to be a better book this year.
Many of these stories take place sometime in a Nathaniel Hawthorne-esque past, or other liminal areas where bizarre traditions overtake common sense. The opening story “The Blameless” sets the table, with a couple receiving an invitation to a neighborhood girl’s exorcism. Surprisingly, the couple finds their neighbors celebrating the supposed banishing of a demon with the small-portioned enthusiasm of a bat mitzvah.
Elsewhere, Ford ably glides between genre lines. Some of his stories don’t seem like horror at all until he drops the floor out from under you. For instance, in “The Angel Seems,” an angel comes to a small village offering protection. For a while, the story resembles Gabriel Garcia Marquez’s “A Very Old Man With Enormous Wings,” and then it turns and you realize it’s been re-written by Clive Barker.
There are also ghost stories, fantasies with dark wizards and even a story about gun control if monsters aren’t scary enough for you. Ford’s use of imagery and violence is implemented masterfully and tastefully throughout, creating an experience that is less like a horror movie than a nightmare weighted with meaning. Have fun!
This month's reading challenge is to read a nonfiction book. Think nonfiction is dusty history books? Check out these titles feature in BCPL's Book Buzz events focusing on hot new and forthcoming titles. There's something for every reader!
To understand Taylor and Jackson’s 20 plus year relationship, Bogle begins by recounting their early years as child stars and breadwinners for their families. Both had mothers with strong religious convictions. Both knew how to be a “star.” Taylor was groomed by MGM studios while Jackson was taught by Motown founder Berry Gordy. But most importantly, both missed out on being a kid, which deeply affected their adult lives and relationships.
How Jackson courted Taylor to win her friendship is hilarious. He invited her to his concert, but the seats were not up to her standards, so she left. Eventually, they did meet and formed an unbreakable bond. With no fear of being exposed, they shared confidences freely — something rarely done with those outside their families. Such was Jackson’s devotion that he showered Taylor with expensive jewelry. The joke was that if he wanted her to attend an event, he presented a diamond and she would show. So he did — more than once! Tales of each other’s extravagance will amaze you — who gives someone an elephant? Elizabeth Taylor does, that’s who! But you will be most impressed with Taylor’s loyalty and devotion to Jackson. Never once did she waver in her support for Jackson, publicly denouncing the molestation accusations levelled against him as ridiculous.
Bogle’s bio is informative and entertaining, allowing us to go behind the curtain of these two Hollywood icons. Resisting the urge to be tawdry, he gives Taylor and Jackson the respect they deserve. Fans of Taylor, Jackson and Hollywood stories must put this book on their want-to-read list. Finally, was their relationship a love story? Check out a copy today and decide for yourself!
In the summer of 2008, a Somali sprinter finished last in her heat in Beijing. Almost four years later in the spring of 2012, she drowned in the Mediterranean Sea trying to reach Italy. Her name was Samia Yusuf Omar.
Giuseppe Catozzella lends his voice to Samia's story, going back to a young 8-year-old girl who longs to be an athlete in Don't Tell Me You're Afraid. Catozzella focuses on the friendship between Samia and her coach, who also happens to be a child and a Darod, named Ali. In order to train, the children go out under the cover of darkness to practice in a bullet ridden stadium. To reach the stadium, Samia and Ali must evade Al-Shabaab's twitchy child soldiers enslaved by a drug named khat. Their efforts pay off, and eventually Samia achieves a national victory. Meanwhile, the city of Mogadishu crumbles and her coach is forced out of town due to his Darod ancestry. Upon her return from Beijing, Samia is faced with the reality that without a proper diet and training she may never become the athlete she was born to become. Then Al-Shabaab strikes. Catozzella deftly conveys the energy and longing that propelled Samia to Beijing and indignity and anguish she endured on the journey.
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