Hooman Majd is an Iranian-American, a well-known and respected journalist who is critical of the Iranian government as well as the son of a high-ranking diplomat for the Shah. All of these factors would be good reason for Majd to limit his time in Iran. Majd has travelled in and out of Iran for years, often escorting U.S. journalists. He has published two previous books on the country, which were critical of the Iranian government. Majd grew up in the U.S. and Britain, but like many political refugees, he has always felt the pull of his home country. In his book, The Ministry of Guidance Invites You to Not Stay, Majd recounts the nearly year-long stay in Tehran that he and his family embark upon.
This journey begins when his family moves there during a tumultuous time in Iran – on the cusp of the Arab Spring and the failure of the Green Movement reforms. Majd talks about the big issues while also discussing the minutiae of an American family trying to live in a country devoid of Starbucks and organic food stores. His narrative is often humorous, and it is at its best when discussing the average Iranian people, who have an incredibly self-deprecating view, a voracious love of politics and an admiration for American ideals.
Majd looks at Iranian cultural features like “sulking” and exaggeration and shows them in everyday life as well as how they play out in the domestic and international political arenas. What emerges is a portrait of a modern capitalist country that, while still repressive, has a very healthy political dialogue, including reporting on every juicy bit of gossip about leaders like they were the Kardashians. The people desire to stay Islamic but also to become more open and liberal. Majd sees the U.S./Iranian relationship as a version of a Persian “Big Sulk,” with an Iranian government ready to resume ties with the U.S., but only after the U.S. makes a demonstration of apology for past wrongs and expresses a desire for such a relationship. It’s an intriguing possibility, but one that the U.S. would be politically unable to explore. Ultimately, Majd is on a journey to discover the Persian identity, both his own and his homeland’s.