As a serious home cook who loves to read cookbooks, I was excited to get my hands on 101 Easy Asian Recipes, by Peter Meehan and the editors of Lucky Peach. I’m a longtime fan of Lucky Peach magazine, a quarterly journal that focuses on food writing of all kinds. Their first cookbook is very approachable. It features simple, clear instructions, plenty of procedural drawings (like how to properly fill and seal a dumpling) and glossy color photographs of finished dishes. Meehan admits that “Asian” is a wide catch-all term — for example, there are no Indian recipes in the book — and they’re not necessarily aiming for authenticity. A recipe for “mall chicken” is a nod to the sauce-doused chicken chunks sampled on toothpicks at nearly every food court you’ve ever visited. This version is baked rather than fried, but is no less craveable.
A trip to an Asian supermarket to stock your pantry is a must as you’ll need things you probably won’t find at your local supermarket. Not only does the book provide a frequently used ingredient list, but there are photographic spreads of the actual items. This helps remove any possible confusion, as many of the ingredients may be unfamiliar. These include things like black vinegar, fish sauce, sesame oil, sambal oelek, dashi and white pepper. Recipes call for all types of noodles, from ramen and udon to gluten-free Korean glass noodles (made from sweet potato starch) and rice sticks.
Meehan has a great sense of humor that shines through in the notes, the recipes are easy to follow and the results are impressive. I’ve made several dishes with great success in the last couple of weeks, including a smashed cucumber salad with chili, cilantro and peanuts; braised baby bok choy with oyster sauce and crispy garlic; and homemade “dollar dumplings” with dipping sauce. Borrow 101 Easy Asian Recipes now and you’ll likely buy your own copy later.
In Two Hours: The Quest to Run the Impossible Marathon, Ed Caesar discusses what it would take for a man to complete the arbitrary distance of 26.2 miles under the arbitrary time limit of two hours.
Why 26.2 miles? Every runner knows the story of Pheidippides, who ran 150 miles to request help from the Spartan army when the Persians landed in Greece. He then ran 25 miles from the battlefield near Marathon to Athens where he announced the Greek victory, and promptly died on the spot from exhaustion. When the modern Olympics began in 1896, it included a “marathon” race inspired by Pheidippides’ (likely fictional) journey. Marathon distances were approximately 25 miles until 1921, when the International Amateur Athletic Federation set the distance to match the course of the 1908 London Olympic marathon. The 1908 marathon route began at Windsor Castle and finished with a lap around the track inside White City Stadium, ending in front of the Royal Box. Any runner who makes it to mile 25 of a marathon and doesn’t think he can run another 1.2 can thank the British royal family for their viewing preferences.
And why two hours? In 1991, Mike Joyner concluded that the ideal runner under ideal conditions could complete a marathon in 1 hour, 57 minutes and 58 seconds, and published his findings in the Journal of Applied Physiology. At the time, the world record was 02:06:50. The current world record, set 23 years later by Kenyan Dennis Kimetto at the 2014 Berlin Marathon, is nearly four minutes faster at 02:02:57.
Whether it’s likely that we will see a sub-two hour marathon in the near future is hotly debated. Caesar discusses issues of science, technology, psychology and economics that affect the “ideal runner” and “ideal conditions.” He considers everything from advancements in road pavement, to the illegal use of performance enhancing drugs, to why the Western Rift Valley of Kenya produces such amazing distance runners. Caesar writes extensively about the training and career of accomplished Kenyan runner Geoffrey Mutai to put a face to the challenge.
Two Hours is the perfect book to relax with over the winter, perhaps in anticipation of training for your own spring marathon. Fans of Born to Run by Christopher McDougall will definitely enjoy this as well.
I sat down with British illustrator and comic artist Luke Pearson while he was in town for the Small Press Expo to discuss his recent work and his ongoing graphic novel series, Hilda.
Between the Covers: How has Soft Spot [the animation you’ve been collaborating on with fellow comic artist Phillippa Rice] been going?
Luke Pearson: Phillippa is the driving force behind Soft Spot. All the stop motion stuff is entirely her. I’ve been doing smaller bits within those episodes. We haven’t collaborated that much before, so it’s nice to have something that’s actually both of us. We’re both just kind of experimenting and playing around.
BTC: You’ve also joined the pantheon of people working for Adventure Time doing some storyboarding.
LP: I’ve boarded four episodes overall and I’m hoping I can do more at some point. They’re very time consuming because I’ve always done it freelance with quite big gaps in between. It’s quite hard to get back in that mindset.
BTC: You’ve spoken before about how you’re inspired by Scandinavian myth in the creation of your own series, Hilda, but I see a lot of original world building and myth making.
LP: The Scandinavian folklore is like a jumping off point really. So much fantasy in general comes from those same stories and people just twist them and reinvent them in their own way. What I was trying to do with that was portray them in a way that is closer to how they are in the oral tales, rather than sticking a grand mythology onto them. There’s tons of stuff in Hilda which is just made up as well. I think as it goes on, it’s evolving into its own thing and the place she lives in has less of a point of reference with a real world place.
BTC: Hilda exploring the world seems like a central theme. Are you also figuring out what the rules for that reality are as you go along, or is it building on something you already know?
LP: It’s not really building towards something I already know. There are certain things that I have had locked down in my head from the start, I’m not totally winging it. But I don’t have a big bible that I wrote beforehand with all the stuff in there. I think that would feel counterproductive. As time goes on my tastes and interests change, when I draw each book I want to feel like I can change my mind about things. I’d rather do that than be a slave to this thing I made up five, six years ago that maybe I don’t agree with anymore.
BTC: Do you consider your audience as you’re working? Do you censor yourself because you know you need to appeal to kids?
LP: I don’t censor myself because I know they’re not for really little kids. It wouldn’t cross my mind to do a super dark Hilda story. What’s the point? I would just do a different comic. I want it to be a little bit scary and weird. I think kids can handle more than some people can give them credit for. If there’s a scary thing in the story, I want them to actually be scared of it. I don’t want to just put some big, goofy monster in that everyone is acting afraid of but isn’t actually scary. I always aim to resolve things in a way that is comforting.
BTC: Your next book, Hilda and the Stone Forest, is going to be coming out next year. Is there anything you can share about that project?
LP: It’s a bit different to previous ones in that it’s the first one where I feel like you probably do need to have read at least one of the other ones to get it. I’ve always been reluctant to do that in previous books, I wanted each one to be a standalone thing, but as I get deeper into the series it makes less and less sense. I feel like people enjoy the way the world is growing and it feels like a shame to gloss over all the other things. The start of the book will be the kind of things Hilda’s been getting up to. Hilda has so many magical-ish friends and tricky ways that her mom is getting slightly irate. She’s off on adventures all the time, possibly covering up how dangerous they may or may not be. It will be the first story where Hilda and her mum actually go on an adventure together.
BTC: I really like the way you’ve been portraying their dynamic. They’re obviously parent and child but they get along and it’s not stereotypical, you convey a more complex relationship.
LP: I’ve just naturally become more interested in exploring the mom character. She was just there in the first couple of books to explain how Hilda exists in the world, because she can’t live on her own. That character’s just been evolving to the point where, in this one, they’re co-leads. It’s tricky to do but I want the child reader to slowly pick up on the fact that she’s not just a mom, she is a person. It seems like in a lot of children’s fiction the parent is just a source of comfort or a source of antagonism and that’s it. They’re like a caricature. I like the idea of a kid empathizing and relating to the mom in a personal way rather than relating their idea of their mom. It’s hard to see your own parents like that until you get older.
BTC: Are you finding any of your own childhood emerging when you’re writing?
LP: I had a pretty comfortable, pleasant childhood but stuff does kind of come through. The last book all the stuff where she joins the Sparrow Scouts, that was kind of based on my experience as a scout.
BTC: Did you enjoy scouts?
LP: Yes and no, which I think I was trying to get across for Hilda. I like the idea of it and I did have fun at times, but I also didn’t enjoy it that much for not quite the same reasons as Hilda. I was just always very shy. I liked messing around but I always felt like I wasn’t very good at actual, legitimate scout stuff. As a kid I basically only enjoyed sitting and drawing and making stuff up.
BTC: What are you reading right now?
LP: I’m actually reading the Earthsea series for the first time. It’s really good. I’ve only read the first book so far but it’s incredible. I’ve had this boxed set since I was a kid, I think they were my mom’s. I’ve been carrying them around forever.
The next Hilda book, Hilda and the Stone Forest, is due to be released in Spring of 2016.
Having won the 2015 Eisner Award for both “Best New Series” and “Best Publication for Teens,” Lumberjanes, by Noelle Stevenson, Grace Ellis and Brooke Allen, is a series to keep an eye on. The Lumberjanes, a group of five snappy scouts at a camp for “Hardcore Lady Types,” are an endearing bunch whose wacky adventures are sure to elicit smiles.
The power of “Friendship to the Max” gets the girls through a number of sticky situations, ranging from dodging their strict cabin supervisor after hours to battling sea monsters armed only with their scrunchies. Yetis, were-bears and outhouses full of raptors aside, Lumberjanes is a book about friendship and individuality. April, Jo, Mal, Molly and Ripley each have their own quirks and skills that, when combined, make for an unstoppable force of feel-good girl power.
Fans of other offbeat series like Adventure Time or Bee and PuppyCat will feel right at home with Lumberjanes. Allen’s artwork is stylized and modern, the action is exhilarating and the zany sense of humor has something to offer readers of all ages. The film rights have recently been picked up by 20th Century Fox, so read Lumberjanes soon before everyone else is wondering “what the Joan Jett” this series is all about!
It’s very easy to get caught up in the lives of fictional characters in novels or celebrities on TV. However, photographer Brandon Stanton’s new book Humans of New York: Stories uses stunning portraits and personal anecdotes to show that the most interesting and compelling stories can come from everyday people around us. Stanton originally began photographing the citizens of New York as part of a project to create a visual census of the city. His pictures wound up becoming the wildly successful blog, Humans of New York. As his project grew, he went from including one-line captions on his photos to entire paragraphs of stories the people he met on the street would tell him.
While his first book, Humans of New York (2013), focuses more on photography and includes just a few captions, this book contains many more of the personal and in-depth stories found on his blog today. The stories range from devastatingly sad to chillingly insightful to warmly endearing, while the people photographed cover a variety of races, ages, social classes and genders.
It’s hard not to get absorbed into Stanton’s book and the beautifully poignant stories within. Individually, an anecdote from a stranger might not be much to consider, but together, they create a broad spectrum of captivating stories that truly reflect both the intricacy and brevity of human life.
Just in time for Native American Heritage Month are two narratives of famous Indians by famous Indians for children. In response to the misrepresentation in Henry Wadsworth Longfellow's poem “The Song of Hiawatha,” Hiawatha and the Peacemaker sets the record straight on the legend of two Indians who united the warring tribes of the Eastern Great Lakes region to form the Haudenosaunee — what would become of the Six Nations Iroquois Confederacy and the oldest participatory democracy in the world (formed well before the American Revolution). This epic tale is written by Robbie Robertson of The Band fame (who was immortalized in a biography of his own last year), with page-popping illustrations by Caldecott winner David Shannon. Sitting Bull is the latest biography in a series of Lakota histories written and illustrated by S. D. Nelson, who uses the famous chief's life story to contextualize the conflicts making up the American Indian Wars. The book begins with a first-person account of the major events in Sitting Bull's life, dotted throughout with direct quotations and photographs from the time period, followed up by a detailed timeline and concluding with an author's note discussing Nelson's thoughts as a member of the Sioux.
Despite the fact that they represent different tribes and different time periods of Native American history, both stories tell of how Indians have borne the brunt of adaptation in the face of great adversity and conflict. What is most interesting about this pair of stories is how they have incorporated mediums characteristic of the Indian arts. Hiawatha and the Peacemaker includes a CD, not of an exact reading of the text but of Robertson's musical performance of the legend that parents and kids will both enjoy listening to. Nelson has formatted his work in the form of Ledger Book Art: palimpsests that evolved as interred Indians repurposed the accounting cast offs from the U.S. government, examples of which can be seen at the National Museum of the American Indian.
During that lull between the Macy’s Thanksgiving Day Parade and football games, before your home fills up with family and you fill your bellies with food, here are a few new Thanksgiving-themed picture books to share with the kids.
Sharing the Bread: An Old-Fashioned Thanksgiving Story by Pat Zietlow Miller and Jill McElmurry depicts a 19th century family preparing their Thanksgiving feast. Everyone has their own special job — Daddy tends the fire, Grandma bakes her pumpkin pie, the baby sleeps as quietly as a mouse. Short, simple rhymes make for an enjoyable read aloud about the love, hard work and synergy that go into a holiday meal.
In Little Critter: Just a Special Thanksgiving by Mercer Mayer, Little Critter enjoys the Thanksgiving holiday with his family in typical Little Critter fashion — from forgetting his lines during the school play and singing an impromptu song instead, to hitching a ride on a parade float when he’s tired of walking. The illustrations are what make the book so special, adding an additional layer to the narrative by filling in the details that he neglects to mention or showing how his version of events diverges slightly from reality.
If you’re just looking for a quick refresher on the holiday’s roots and customers, Sally Lee delivers A Short History of Thanksgiving. The simple text, illustrated with both drawings and photographs, is perfect for beginning readers and includes details on the tradition of fall festivals, the meaning of thankfulness and also touches on modern ways of celebrating the holiday.
The following titles will be released next week. Select any title to learn more or to request a copy. Be sure to visit our Hot Titles webpage for more exciting upcoming titles.
Sometimes the best way to tell a story is with no words at all, as Daniel Miyares has done with the picture book Float. This book uses imaginative panels to tell the story of a young boy, a paper boat and rainy day. We follow the boy and his boat on a grand adventure. Each seemingly simple picture perfectly captures the stormy weather and the boy’s thoughts and movements. Readers and aspiring readers will love this lovely little book, which includes instructions for making paper boats to occupy other adventurous souls on rainy afternoons.
A cardboard box is another fantastic vessel for great adventures, and this is where we begin in Sara O’Leary’s This Is Sadie. Sadie sails around the world before breakfast, but quietly “because old people need a lot of sleep.” She knows that adventure can be found in a book and has lived at the bottom of the sea and been the hero of every fairy tale. While she loves playing with friends in the pool, she is equally content chatting with birds at the top of a good climbing tree. This sweet story is accompanied by Julie Morstad’s charming illustrations which invite readers into Sadie’s enchanted world.
Nino has a dog that dives into the deepest water, climbs trees and dares to jump into the lap of a formidable great-grandmother, though he doesn’t really have a dog. The Dog That Nino Didn’t Have by Edward van de Vendel is a story about a boy who imagines a dog to keep him company while his dad is away traveling the world as a pilot. Nino’s dog tromps through woods next to him and comforts him when he misses his father. One day, a package arrives and Nino gets an actual dog. Though it isn’t quite the same as his imaginary dog, he learns to love his real dog. He also realizes he can still have his imaginary dog and dream up any kind of imaginary pet he wants. With that sort of menagerie it is hard to be lonely. This story is told in a wonderfully original voice, and the stunning illustrations invite you to step directly into the book.
Baltimore native Ta-Nehisi Coates capped a remarkable year last night when he won the National Book Award for nonfiction for Between the World and Me, a frank narrative outlining his experience as a black man in America. Coates received a standing ovation from the crowd at Cipriani Wall Street and told the audience, “I wanted to make racism tactile, visceral. Because it is.” Coates wrote the memoir as a letter to his teenage son and dedicated last night’s award to Prince Jones, a classmate from Howard University who was killed by a police officer while unarmed. Coates’ award-winning title has been selected as the adult nonfiction title in Baltimore County’s inaugural community-wide read, BC Reads, coming in April.
Adam Johnson won the fiction award for Fortune Smiles, a collection of short stories dealing with a wide range of global subjects. The award for young people’s literature was given to Neal Shusterman’s Challenger Deep, a novel about a mentally ill teenager inspired by Shusterman’s son. Robin Coste Lewis won the poetry award for her debut collection Voyage of the Sable Venus, an exploration of race, gender and identity.
The National Book Award, which was established in 1950, has been awarded to some of the country’s most celebrated authors, including William Faulkner, Cormac McCarthy and Lillian Hellman. Presented by the National Book Foundation, the awards were open to American authors who published books from December 1, 2014, to November 30, 2015. The prizes were presented at a black-tie dinner, and all four winners will receive $10,000. Watch the entire ceremony, including all of the winners' acceptance speeches here.